Screenplay &
Novel Available
"THE BORDER LINE"
WINNER OF THE SILVER AWARD FOR SCREENPLAY WRITING IN
“DRAMATIC-ADAPTATION”, 36TH ANNUAL WORLDFEST HOUSTON-INTERNATIONAL
FILM FESTIVAL – HOUSTON, TEXAS –APRIL 2003
"What
happens at that precise moment where real life ceases to exist and something
else begins? That thing we don’t like to talk about — that thing we know is out
there waiting for us? Will we ever get to live out some aspect of our dreams,
our fondest memories, beyond this life? Will we?” - A.R.T.
By Alan Ralph Tautges
(alanralph@hotmail.com)
Copyright
2003.
Based
on a currently unpublished literary novel of the same title, THE BORDER
LINE is a
129 page screenplay for a full length motion picture. Excerpts via regular mail
are available for review via email request at alanralph@hotmail.com. The novel and screenplay are
also available for representation by established, no-fee literary and script
agents who have a high rate of success in placing similar projects in the USA
or foreign markets. The novel manuscript is 700 pages in length. Both the novel and the
screenplay are currently in professionally acceptable formats for review. The Border Line is the first novel in a
trilogy. Looking for Bobbie,
the sequel novel set in 2034 is complete.
I will develop the screenplay version during the fall of 2003. Currently I am writing the first
draft of the third novel in the trilogy, set in 2061. A screenplay for this novel will be written sometime in
2004.
ABSTRACT
THE
BORDER LINE
represents a vision of life after death set in the landscape of the desert
southwest. Partially inspired by a real aunt and uncle who died as a result of
accident and murder respectively, the story achieves cinematic potential for an
ensemble of gifted actors who will play out the gambling and smuggling
operations associated with an illegal boxing match near Las Vegas twenty years
in the future in the year 2021. The story is serious, dramatic and a satire on
contemporary America. In the future, boxing and smoking are illegal, but never
die.
The
protagonists are a white midwestern couple, both factory workers. The husband,
whose dream was to own a bar in the desert, is murdered at age 48, and his
loving wife of three months, age 27, dies in a motorcycle accident sixteen years
earlier. Distinctive supporting characters lend humor and interest to the
story, including a lonely white alcoholic war veteran , a black female postal
carrier (a former Olympic athlete) with a chip on her shoulder, a redneck Texas
gambler and a time-traveling southern whore who roams the West in a bus. Two
state troopers (white/Hispanic and m/f) carry on a blazing voyeuristic affair
behind a giant casino billboard which obscures the tavern from view from the
interstate highway.
THE
BORDER LINE
is satire, it is metaphor, it is political, it is America, it is many things.
Mostly, it is a good story which lends itself to the making of a PG-13 or
R-rated film of high cinematic quality. A film that will have people guessing,
talking, thinking, laughing and crying for years. "What do you think
happens to us at that moment? Could it be an entrance to another kind of
existence, or more of the same?"
BIOGRAPHY
Alan
Ralph Tautges
was born and raised in Milwaukee, Wisconsin, the oldest child of six in a
working class family. He is an emerging writer of literary fiction who has
penned five novels, one screenplay, a collection of short stories and a memoir
in the past four and a half years. Formerly a university assistant professor,
he is a former landscape architect with a keen view of landscape, geography,
history, modern society and cinematic art. He is a landscape architecture
graduate of the University of Wisconsin-Madison and the University of Oregon,
and completed significant doctoral level study in geography at Oregon State
University before turning to fiction writing.
The
innovative and award-winning screenplay for THE BORDER LINE is for sale and
development into a full length motion picture with broad commercial
appeal. The screenplay consists
mostly of dialogue with some literary prose and a minimum of cinematic
direction for the eventual director. The intent is to allow maximum artistic
interpretation for the director within the conceptual context of the story.
Various literary agents have described excerpts of his work as
"intriguing" and "tremendously talented". He currently
resides in Oregon.
THE
BORDER LINE is also available for consideration as a stage play by new and
emerging stage directors as well as experienced film directors and producers.
WEB
PAGE ORIGINALLY POSTED – May 27,2003. (an excerpt follows)
SCREENPLAY
EXCERPT (from Act II — Scene 2)
NEVADA
BOB
Maybe
it's time to quit cold turkey.
ELAINE
What
would you know about quitting an
addiction?
I'd like to see you quit The
Blue
Chipper cold turkey. Bet you can't.
NEVADA
BOB
That's
personal, and I don't want to.
ELAINE
So
is smoking, and maybe we don't want to.
THE
BLUE CHIPPER
So
we're even. I'd rather be addicted to
sex
than smoking.
DENNY
Each
can kill you if you take it too far.
NEVADA
BOB
Smoking's
like fucking yourself.
ELAINE
Which
some people apparently prefer...
Wonder
where Irene is? Haven't seen
her
in, God!, three months.
NEVADA
BOB
Who's
Irene? Another homeless transient
picking
up cans along the highway for the
twenty-five
cent deposit money?
DENNY
Irene
the Sireen is a blonde bombshell.
Sexier
than Norma Jean Baker. She appears
about
thirty-two, and drives a huge Beaver
Coach
motor home she got off a Hollywood
director.
Cruises all over the West...
Surprised
you haven't ticketed her, but
then you got your head someplace else
lately.
HAROLD
We
knnnow where.
HAROLD
winks at THE BLUE CHIPPER. She blushes.
DENNY
goes behind the counter and takes out a box of old Hot Rod and Lowrider
magazines with scantily clad, buxom women on the covers caressing glossy
painted fenders. He pulls out five issues from 2007 to 2018.
DENNY
That's Irene. All five of 'em. April 2007,
she just turned eighteen. She was
absolutely perfect. May
2018, she's
twenty-nine, still hot, a little larger on
top. When she turned thirty they dumped
her. In the centerfold business
you’re a battle axe at thirty.
THE
BLUE CHIPPER
Let
me see that... Mmmm, She's a Barbie
Doll, not even Hispanic!
NEVADA
BOB
Is
that a requirement for lowriding?
THE
BLUE CHIPPER
If
you're in a '61 Impala SS with a big
block
409 in Barstow with me it is.
"409",
The Beach Boys, plays in the background.
DENNY
Bob's
a white dude.
ELAINE
Really?
But he's a cop. A man in uniform.
HAROLD
Otherwise
he's just another plain white
dude
driving an ugly Ford cruiser.
DENNY
Irene's
straddling the black Harley on the
poster
in the Men's room. Red spiked
boots, nothin' else.
NEVADA
BOB
I
was wondering who that chick was. A
computer-generated
fantasy girl. You
rarely ever meet those types in the real
world.
ELAINE
She
gave us a tour of The Beaver Fever.
It's
got a hot tub and a shower, chrome
handles...
Gadgets everywhere and three
tv's.
DENNY
Air
conditioned mobile whorehouse.
ELAINE
Gotta
couple minor dents. I'll fix
'em
soon as she can leave it for a week.
TEX
drives up in his five ton, six door black Dodge truck with camper, and walks
into the diner in his western wear clothing and boots, just as ELAINE finishes
her remarks. He takes his place at the counter. The cops are getting anxious to
leave, but they want to hear about IRENE THE SIREEN.
TEX
We
all got a few minor dents. May I have
some
coffee please? The usual... This
ain't
my usual stool. What if I
gotta
scratch my ass?
ELAINE
Go
outside for that. I'm not in the mood
for
any overt scratchin' this morning.
The
sound of air brakes screeching from THE BEAVER FEVER interupts the relative
morning silence. DENNY returns from the restroom with the New York Times.
DENNY
Oh,oh!
Speak of the devil herself...
IRENE
THE SIREEN, the beautiful, high-priced whore from L.A. with an Alabama accent
makes her first entrance. She is casually-dressed in tight, white jeans, light
pink oxford canvas shoes, and a light blue chambray denim shirt.
NEVADA
BOB
I
gotta go to the stud room to do
some
research. I'll be right back Miss
Sireen.
Give me that stack of Hot Rod Den!
IRENE
THE SIREEN
I
did that MGM dude so many times,
he
owed me a motorhome. Promised me a
small
part in a movie but he "forgot". Now
I gotta work like crazy to pay for all
that propane and diesel fuel... I'll have
to park it outside a Needless-Markup for a
month.
HAROLD
Nnnnail,
I mean cccigarette Miss Sireen?
IRENE
No
thank you. I quit thirty years ago.
Looks
like you puffed on that little
pecker already. Giving up smoking helps
pay for fuel.
DENNY
He
did, the little pervert. I got one old
nail
in reserve that hasn't been sucked
on.
THE
BLUE CHIPPER
Don't
talk about little peckers around
Bob. He's too horny already. We gotta go
and catch some smugglers if you want any
more galvinized nails.
ELAINE
Only
so much gum a mouth can chew before
your
teeth fall out.
DENNY
No one takes longer to pee than Nevada
Bob.
TEX
He's
straddlin' a Harley right now.
IRENE
I
thought you burned all those old
posters. I got perfect breasts in that
photo.
TEX
That
ain't all.
DENNY
You're
towing a little red roadster now.
IRENE
That's
my Italian mistress. 1993 Alpha
Spyder.
Works when she feels like it, but
is
she a hoot when she hums. Last year
they sold them here. Pesky little critter.
ELAINE
Let
me guess, some stud was outta cash so
he
gave you his car.
IRENE
I
was on my way back to The Beav in Santa
Fe last month. I was gonna tell this fed
man's wife when he saw the light of my
wisdom and gave me the thang. The
government leech didn't want to pay. He
was two weeks behind. Makin' six figures
at the nuke lab. I clipped his Kawasaki
with The Beaver Fever.Ever hear what a
Kawasaki sounds like underneath a bus?
BLUE
I
hit a little Yamaha once with a Humvee
on a SWAT team run. That was fun.
IRENE
Like
eating Grape Nuts. I'll let you girls
drive
my mistress if you want.
BLUE
Not
in uniform. I'll have to see you in
Vegas
sometime.
TEX
The
Blue Chipper out of uniform cruisin'
with
Irene the Sireen. If that ain't a
hoot.
ELAINE
I'm
into trucks and Cadillacs. You can
keep that spaghetti-burner. I wouldn't
want some crazed New Mexican wife coming
after me thinking I was her husbands
whore.
IRENE
Been
thinking of strappin' on a little
Honda moped to the back of The Beav. Then
I wouldn't have to worry about this
trailer. I need an airport runway to turn
around in...
Impossible to go to the
drive-thru at Burgerville with a trailer.
BLUE
Can't
make a drive-thru with a bus. The
trailer
is irrelevant.
NEVADA
BOB
Gotta
license for that trailer?
BLUE
Ignore
him! Nevada wants to arrest
everyone
except himself for whackin'.
IRENE
The
boy must have too much stirrin'.
HAROLD
The
Oaaaasis don't have a quick drive-thru
wwwindow... I know what a quicky is and
they are not qqquick.
TEX
You
haven't had a quickie in twenty years!
Women
are talkin' 'bout chokin'
chicken
and you're still worried about
the
drive-thru! What you need is a drive-
thru
whorehouse.
BLUE
On
the Nevada side of the property.
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