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Megadeth Call It Quits

On September 10th, MEGADETH will issue a posthumous CD, entitled Still, Alive... And Well?, containing studio and live recordings spanning their entire career, including previously unreleased live performances of "Use The Man" and "Conjuring". The album will surface via Sanctuary Records.

The title of the CD was chosen by frontman Dave Mustaine himself. "You may want to know how I named the record," he states in the record's sleeve-notes. "Well, one of the dumbest questions that I was ever asked by an interviewer, and it happened more than once, was: 'What do you want written on your tombstone?' I told them, 'That I am still, alive and well!' "

The complete track listing for the album is as follows:

01. Time/Use The Man (live)
02. Conjuring (live)
03. In My Darkest Hour (live)
04. Sweating Bullets (live)
05. Symphony Of Destruction (live)
06. Holy Wars (live)
07. Moto Psycho
08. Dread And Fugitive Mind
09. Promises
10. The World Needs A Hero
11. Burning Bridges
12. Return To Hangar

FOR IMMEDIATE RELEASE

Dave Mustaine suffers serious injury, announces departure from Megadeth Group disbanding after nearly 20 years together


DAVE MUSTAINE -- FOUNDER, VOCALIST, LEAD GUITARIST OF
METAL PIONEERS MEGADETH -- SUFFERS SERIOUS INJURY,
ANNOUNCES DEPARTURE FROM MEGADETH;
GROUP DISBANDING AFTER NEARLY 20 YEARS TOGETHER

During the first week of January, 2002, while Megadeth was on hiatus, in Texas, I suffered an injury which caused severe nerve damage to my left arm and hand. It was diagnosed as Radial Neuropathy - specifically, a "compressed radial nerve." My doctors tell me it will take about a year to make as complete a recovery as I can, and even then, we don't know how complete that is going to be. I am working hard with a great team of doctors and physical therapists daily, and God willing, someday I hope to play guitar again.

In the meantime, while I work on rebuilding my arm, I will take this opportunity to reappraise my career and my future. For the time being I have decided to exit Megadeth, and explore other areas of the music business where I might make a contribution without being able to play my instrument.

I have had a terrific time singing and playing for you while I was in Megadeth. I am truly grateful for all of the numerous Gold, Platinum, and Multi-Platinum Records I have been awarded, as well as the many International Record Awards. And I can never thank you, our fans past and present, enough for your loyalty and affection over the years.

My immediate goals now are to do what I can to make something good come out of this terrible situation. First and foremost, I want to use this opportunity to devote more time, energy and attention to my wife Pam and my two children, Justis and Electra. Pam has done a wonderful job carrying the load while I was a long-distance husband and father in the studio or criss-crossing the world on tour, but in terms of being a Gold or Platinum parent, I have a long way to go, and I'm eager to get started.

In closing I would like to depart with the beautiful French words I wrote on the record 'Youthanasia': "A tout le monde, a tous mes amis, Je vous aime, Je dois partir." (To all the world, to all my friends. I love you, I have to leave)

Dave Mustaine April, 3rd, 2002 ============================================================= Megadeth's career has been one of the most spectacular and musically innovative in the history of heavy metal. For nearly 20 years, U.S.-based Megadeth soldiered on under the extraordinary vision of founder, vocalist, lead guitarist and principal songwriter Dave Mustaine. Most recently, the achievements of Mustaine, bass guitarist David Ellefson, lead guitarist Al Pitrelli and drummer Jimmy DeGrasso have occurred as an integral part of the Sanctuary Records Group Roster. For the past two years, Megadeth has undertaken a grueling, worldwide tour and promotion schedule.

2001's 'The World Needs a Hero' was Megadeth's Sanctuary Records debut, and it marked a bold return to the band's powerful style after a few albums of controversial experimentation. The successful world tour generated Megadeth's first-ever live album; the double live CD 'Rude Awakening' was just released on March 19, 2002, and the accompanying DVD and VHS home video hits store shelves on April 9, 2002. Both the 'Rude Awakening' CD and DVD include 24 songs spanning Megadeth's entire career, including everything from classics like "Hangar 18" and "Symphony of Destruction" to 'The World Needs a Hero' highlights like "Dread and the Fugitive Mind" and "Burning Bridges." Last year, Megadeth was the subject of an episode of VH1's enormously popular

"Behind the Music" series, and an expanded edition with more than one hour of bonus footage was released on DVD and VHS. "Behind the Music" examined Mustaine's well-documented drug addiction, which he ultimately beat.

Mustaine formed Megadeth in 1983, after he was fired from Metallica. This would have been a setback for most people, but not Mustaine. He was determined to start his own group. The music would be uncompromisingly heavy with intricately precise guitar lines, and the lyrics would take an unflinching look at serious subjects like the dark side of humanity and politics.

Megadeth's impressive discography follows:
1985 - Killing Is My Business ... And Business Is Good!
1986 - Peace Sells ... But Who's Buying?
1988 - So Far, So Good ... So What?
1990 - Rust In Peace
1992 - Countdown To Extinction (reached # 2 on the Billboard album charts)
1994 - Youthanasia
1995 - Hidden Treasures (songs collected from soundtracks and tribute albums)
1997 - Cryptic Writings
1999 - Risk
2000 - Capitol Punishment: The Megadeth Years (greatest hits)
2001 - The World Needs A Hero
2002 - Killing Is My Business ... And Business Is Good! (remixed/expanded)
2002 - Rude Awakening (live)

Megadeth alumni include lead guitarists Chris Poland, Jeff Young and Marty Friedman and drummers Gar Samuelson (who has since passed away), Chuck Behler and Nick Menza.

The musical legacy Megadeth has left behind is impressive. Even mainstream music critics couldn't deny the quality of Megadeth's output, and this respect resulted in seven Grammy Award nominations for Best Metal Performance between 1990 and 1997.

These Grammy nominations include:
1990 - Rust In Peace
1991 - "Hangar 18" (track from Rust In Peace)
1992 - Countdown To Extinction
1993 - "Angry Again" (track from 'Last Action Hero' soundtrack)
1994 - "99 Ways To Die" (track from 'The Beavis and Butt-head Experience')
1995 - "Paranoid" (track from 'Nativity In Black - A Tribute To Black Sabbath')
1997 - "Trust" (track from Cryptic Writings)

For lovers of heavy metal worldwide, the demise of Megadeth is sad, but they will have nearly two decades worth of music to enjoy for the rest of their lives, and future generations of music fans not yet born will experience the thrill of discovering Megadeth.

Megadeth Call It Quits

Mustaine sidelined for a year due to injury Megaded MORE NEWS Keith, Emmy, Norah Toast Willie 'N Sync's Kirkpatrick Animated Manson Accused of Wrongful Death Daltrey Goes Back to Seventies Wolf Gets Rocks Off With Stones MORE Megadeth PHOTOS 13 Photos CD REVIEWS The World Needs A Hero ARTICLES The Week in Weird Buy CDs { Complete Archive } Please login so that we can connect you to your favorites. After thirteen albums and nearly twenty years together, Megadeth have officially split. The band went on hiatus earlier this year, after Dave Mustaine suffered an injury to his left arm. The injury has turned out to be more serious, as Mustaine is suffering from a compressed radial nerve in his left arm, which will keep him from performing for at least a year. Megadeth formed in 1983 after guitarist/singer Dave Mustaine's departure from Metallica. Along with Mustaine, bassist David Ellefson is the only musician who stayed with the band from start to split. The group released its first album, the independently released Killing Is My Business . . . And Business Is Good!, seventeen years ago. The group was quickly snatched up by Capitol, which released Megadeth's next seven albums, including 1986's Peace Sells . . . But Who's Buying?, 1992's Countdown to Extinction (the band's highest charting album at Number Two), and 1999's Risk. Following the release of Risk, Megadeth shifted to Sanctuary Records, on which they released The World Needs a Hero last year and this year's live album, Rude Awakening. During their two decades, Megadeth also garnered seven Grammy nominations, and five of their albums have reached Platinum status (a million copies sold). "I have had a terrific time singing and playing for you while I was in Megadeth," said Mustaine. "While I work on rebuilding my arm, I will take this opportunity to reappraise my career and my future. I have decided to explore other areas of the music business where I might make a contribution without being able to play my instrument." Mustaine also plans to spend more of his time with his family. "In terms of being a Gold or Platinum parent, I have a long way to go," he said, "and I'm eager to get started." (April 3, 2002)

 

FOR IMMEDIATE RELEASE MEGADETH TO RELEASE FIRST-EVER LIVE ALBUM ON MARCH 19, 2002; TWO-CD SET 'RUDE AWAKENING' CONTAINS 24 SONGS; 'RUDE AWAKENING' LIVE DVD AND VHS HOME VIDEO ALSO PLANNED Megadeth roared back on the heavy metal scene in 2001 with its Sanctuary Records debut 'The World Needs a Hero,' which debuted in the Billboard Top 15. The successful world tour for 'The World Needs a Hero' has yielded 'Rude Awakening,' Megadeth's first-ever live album and 10th full-length release overall. 'Rude Awakening,' a two-CD set, will be released by Sanctuary on March 19, 2002. Vocalist/lead guitarist Dave Mustaine, lead guitarist Al Pitrelli, bass guitarist David Ellefson and drummer Jimmy DeGrasso recorded 24 skull-slamming songs for 'Rude Awakening' including hit singles, fan favorites and rare tracks. In fact, the set lists were chosen by the fans via voting through the band's official web site, www.megadeth.com. The artwork for 'Rude Awakening' has been created by Storm Thorgerson, best known for his Pink Floyd and Led Zeppelin album covers. Megadeth has sold more than 15 million albums worldwide since forming in 1985. The band is in the enviably rare position of earning mainstream critical acclaim, such as seven Grammy Award nominations. Reaction to last year's Megadeth tour was overwhelmingly positive: "The two-hour set, like the band's catalog, was a relentless but technically pure jackhammer of solid, old-school metal!" - Milwaukee Journal Sentinel "Fire and brimstone performance, the best impression Mustaine ever made!" - Indianapolis Star "Megadeth fed off the energy of the rabid crowd as Mustaine and his bandmates slashed through a 2-hour, 21-song set." - East Valley Tribune 'Rude Awakening' is also set for release as a live DVD and VHS home video on April 9, 2002. Extras include interviews, b-roll footage, studio footage of the recording of 'The World Needs a Hero' and bonus concert footage. The video was directed by Christoffer Saltzgaber and produced by Dean Karr's company The Mine (Dave Matthews, Cypress Hill, Ozzy Osbourne, Marilyn Manson, Iron Maiden). www.megadeth.com www.sanctuaryrecordsgroup.com

 

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Megadeth Exclusive: Dave Mustaine's Symphony Of Reconstruction
Frank Meyer, Managing Editor
Friday, March 09, 2001 02:53 PM

Exclusive Interview: With A New Guitarist, New Album, New Record Deal And New Songs On A New Greatest Hits Albums, Megadeth's Dave Mustaine Has A lot To Be Excited About. Plus, He Was Interviewed By MR, So You Know He's All Juiced Up!!!

Megadeth's Dave Mustaine is a man of purpose. He has fought long and hard to keep his band on top of the heavy metal scene. From his days with Metallica to his years of fighting drug addiction to his clean and sober mission to catapult Megadeth to crossover success, the man knows how to start a fight, and more importantly, how to win. He never lets his fans down and he never gives up. Even when fans cried "sell out" after he experimented with Megadeth's patented speed metal sound on their last album, Risk, Mustaine remained steadfast in his desire to simultaneously stick to their metallic guns yet constantly expand their music horizons.

Now, in 2001, Mustaine is at a career crossroads. Within the last year, Megadeth have parted ways with guitarist Marty Friedman, their longtime label Capitol Records, their former management team, came off a rocky tour with Motley Crue, and released an album that many fans thought was a severe disappointment. But Mustaine has never been one to put his tail between his legs and scurry off into the darkness at the thought of hard times or a rocky road ahead. Instead, he rebuilt his Mega-team into a streamlined machine hell-bent off world domination. With new guitarist Al Pitrelli in tow, Mustaine and longtime partner in crime Dave Ellefson, took the reins of their career and steered it back on coarse. Parting ways with Capitol led to a lucrative deal with Sanctuary, the label formed by the management team that founded Iron Maiden. This new contract will find the Mega-men forming their own label down the line, releasing a comprehensive DVD, releasing a new, heavy as hell album (the one they wrenched away from Capitol) called The World Needs a Hero, and returning to the hard and heavy unit fans have grown to love. With no more pressure from the corporate suit and ties to write hit singles and sound alternative, Megadeth can return to what it does best: pummeling the masses with fast and furious heavy friggin' metal!

With a new greatest hits album out (the ironically titled Capitol Punishment, their last for the label) and their Sanctuary debut on the way, Mustaine stopped by our place to talk to popular pure rock on-air personality The MR about the new, the old, and everything in between.

Take it away Dave!!!!!

MR: So, was Capitol Punishment your last contractual obligation with Capitol Records?

DAVE: It was our last album with Capitol Records. It had been about 15 years and after a while you just kinda forget how long it's been. We had delivered the new record to them and said, "Here's the last record we owe you, we need to see you on Monday." Now, we gave it to them on July 5th, which was a Wednesday. So we go back in there on the following Monday and said we want off the label and we want our record back. And they said, "What?" They thought we were so happy there and we'd wanna renegotiate. I don't know how anybody could've even assumed that, but anyway, we went back on Friday and they said we'll let you go, but we want two new songs and we're gonna put them on the greatest hits records. They picked the tracks and said we want "Dread & The Fugitive Mind" and "Kill The King." We said you're not getting "Dread & The Fugitive Mind." You can have "Kill The King" and "Capitol Punishment," which was the song that was made up of all different little pieces of all the music of our entire career, because we thought it would be fitting to do a farewell to the record company and give them a record and try one more time.

It was just so obvious with what happened with Risk: they wanted us to make an album that they could really work at radio and active rock and alternative radio and we did that to the best of our ability and it totally backfired. That's why we called it Risk, because we knew we were taking a risk. And when we put the new record in their hands our management, our attorneys and everybody said, "You know what? You need to get off this label." So they said they were gonna help you get off the label. So when they said, "Okay, just give us two songs." We're like, "Yes!" Then they said if you don't give us "Dread," we're gonna keep you and they had rights to two greatest hits after this last studio record, so they would've had three records instead of just the one right now in the deal. I thought about it and said, "Just give 'em 'Dread' and let's move on.”

MR: What has the reaction been to the greatest hits album from the fans?

DAVE: Some people were bellyaching that the track selection on it isn't good because "Wake Up Dead" isn't on there and "The Conjuring" isn't on there and all these heavy songs. But it's like, guys, you don't understand, we would've been stuck there and our career's were going down because no one really knew what to do with us there. Capitol's not a metal record label. They're not a hard rock label. They're great for Everclear, and they were great for MC Hammer, but god, we don't fall in between those two categories. So we're excited about the new record and the new label and everything we've done. We feel like we've made a decision to be where we belong because the label (Sanctuary) is headed by two people that manage Iron Maiden and have a lot of other experience with a lot of other bands. They understand the metal community and understand people like myself and your listeners, to whom metal isn't just a name, it's a way of life. And it's something where you can't try and change us and we were trying to be what people wanted us to be. When you're paying someone 15% of your earnings, which is a shitload of money, and then all of a sudden you stop listening to them, you should stop paying them. But one of the things that we did was if we continued to pay them, was to listen to them.

"We go to Sanctuary, they've got the money, they've got the credibility, they know us. We were sitting at lunch and they said put Vic back on the cover. I said, 'Twist my arm.' They said, 'We want the old logo back, we want it to be heavier.' I was like, 'Okay.' 'We want you to get your own label. We want you to go back and remix some of the old classic records, because you're a great record producer,' and I'm thinking, this is pretty cool."

MR: What is your opinion of Risk in hindsight? How much did former guitarist Marty Friedman have to do with the sound?

DAVE: If Risk woulda taken off and really hit I would be looked at like a genius, although I was uncomfortable with what we did, it was risk that we took. Marty Friedman wanted it to be even more pop than it was. Marty's doing dance music now. He lives in Arizona still with us. I live on 128th St. and he lives on 108th St., so we're still really close. I never saw him when he was in the band, so I don't expect to see him now that he's not, but I heard his new music and it's weird. It's really weird. I mean, it's good because Marty's unbelievably talented. He's one of those people who, no matter what he's trying to do, he'll be good at it. Like a cross between Elastica meets Garbage. And the chorus is this dance techno stuff. And the chorus says, "Shake that hot thing." And I'm like, "shake what?" Me and David Ellefson are driving in his Mercedes going someplace and listening and we hear a girl singing "Shake that hot thing" and I'm like, "Oh my god! The Megadeth fans are gonna die!" God, he's committed career suicide. The sad thing about it is, as many fans who blamed me for Risk, as a leader, you have to understand harmony within individuals and compromise certain things to make everybody happy and Marty wasn't happy. So we're trying to manufacture the band so everybody was okay, 'cause he's really great and I didn't wanna lose him. But we just didn't go far enough to the right to make him happy. And now that he's gone, people can hear in the new music and say, "Hey, Megadeth is still the same Megadeth prior to Cryptic Writings," Not that it's Marty's fault, but now that he's gone, I mean, do the math.

MR: What inspired the song "Crush 'Em"? That has a different feel than most Megadeth songs?

DAVE: Our manager at the time, Bud Prager said, "Dave I want you to do something," and this is exactly what he said, he's a legend in the music ministry and I was really lucky to work with him. But he said, "Dave, I want you to do something that your previous band members said, 'Goddamnit' why didn't we think of that.'" I said, "Well, that pretty much leaves it wide open 'cause we've done just about everything." And he said, "You haven't done a disco song and you haven't done a grassroots song, like a hillbilly song, like Deliverance." I said, "I ain't doing that grassroots crap," because I had just spent a year out in Nashville and I wasn't interested in becoming a hillbilly. So I said, "Okay, we'll check out this disco thing," and that's where "Crush 'Em" came from because we were trying to get this pulsating, drum program underneath the bass line thing that is really infectious and it brings you in.

MR: How's your new guitarist Al Pitrelli working out?

DAVE: He's great. Like I said, Marty's terrific, I don't have a grudge against him and I want people to understand that whatever he's gonna do is gonna be really good. But we're so fired up right now with Al being in the band. When Chris Polland was in the band, he's a really amazing jazz player but had an injury to his finger. He stuck it through a window doing something, I don't know, probably burglarizing a house or something, I don't know. But he had this really interesting playing style and he played really weird. And when Jeff Young played in the band he didn't wanna play Chris' stuff so he improvised. When Marty came in he didn't wanna do Jeff's or Chris' stuff so he improvised both of them, too. When Al came in I said listen, "When Randy Rhoads died, Bernie Tormie came in and butchered his solos, and then the guy from Night Ranger came in, Brad Gillis, and butchered his solos even more. I mean, there's nothing worse than listening to "Crazy Train" and hear someone else hack the solo.” So I said, "Al, you gotta learn this stuff." Marty was gracious enough to videotape every song, how he played it, what the solos were. And we went back and listened to the songs and watched the videos and realized that Marty had been doing a lot of stuff wrong, from when we did it in the studio. So we not only fine tuned what Marty was doing but now Al's gone back and learned Chris' stuff and Jeff's stuff and I'm onstage and it's such a rise for me because I'll close my eyes and be playing and it's like back right there with Chris on my side or Jeff. You hear this stuff and its amazing to feel it because it's like my good ol' times, you know? I think the fans are aware of, the ones that have seen us live, how talented Al really is.

"If someone goes and listens to the music at Napster or Gnutela or any of the other places that you do file swapping, you know, I'm okay with you listening to that. But if you're burning CDs of my record and selling them I'll hunt you down and kill you."

MR: So tell me about some of the new material on the upcoming Sanctuary album?

DAVE: It's already all over Napster. Go check it out. I don't hate Napster, in fact I think that it's good that we have four songs that are on there right now. There's one song in particular, "Disconnect" that we are releasing on a radio promotional sampler that will end up on there soon too. We re-cut "Moto Psycho" and did some editing. There's a song called "Burning Bridges" and there's a song called "Recipe for Hate…War Horse." We haven't done a "dot dot dot" in a while, which is actually called an ellipse (laughs).

With this record I just said, basically, "You know what? Fuck it. We're just going back to what we know," and I know what I'm doing and I'm doing what I know. I produced the record by myself, had a guy, a great engineer named Bill Kennedy work with me and co-produce it. Did it at a studio called A&M that got bought by Jim Henson, so now we went back to replace the four songs and there's a 40 foot muppet on the top of the roof there, it's Kermit. Yeah, so we were a little surprised when we went in there. It went from being A&M to being E&M, for electric muppets or something like that. And we mixed it at a place called Scream in Studio City and then mixed four new songs at a placed called Enterprise, where we actually did Countdown and Rust in Peace.

MR: So you're going back to some of the vibe from 10 years ago, right?

DAVE: I don't know if going back is the right word. I mean, for all intensive purposes it is going back to that, but we never really left it.

MR: So now that you guys are with Sanctuary, will you be picking the singles and making all the decision about the how the albums are albums marketed?

DAVE: No, I don't want to pick the singles. I write the songs and they get to pick it. They're much more experienced with it. The guys from Sanctuary are just fabulous. The great thing about this is that the first time we met Ron Smallwood, we actually talked to him about him managing us. And then we kinda went a different route. I have the utmost respect for him because of the worldwide success of Iron Maiden. Granted we're bigger than Maiden in America, but you've gotta think of the globe, you can't just think of a country. And we're a band that's international. We're not just an American band. When I found out that Ron had a label and he said, "We want to sign you guys," I thought, "Yeah, whatever," because we were thinking of going to a major and getting a lot of money and a lot of this and that. And then we went to all the majors and talked to them. Some knew how to handle us, some had the money, but none of them had the money and knew how to handle us. We go to Sanctuary, they've got the money, they've got the credibility, they know us. We were sitting at lunch and they said put Vic back on the cover. I said, "Twist my arm." They said, "We want the old logo back, we want it to be heavier." I was like, "Okay." "We want you to get your own label. We want you to go back and remix some of the old classic records, because you're a great record producer," and I'm thinking, this is pretty cool 'cause this is a time where I'm questioning my career. I'm in an industry where they don't understand us anymore and then you've got a label that's solely about making heavy music, and granted they're brand new in America with only a coupla records under their belt, but I think it's gonna be a great mutual relationship where we're both benefiting each other because we've brought them a lot of credibility. And they're doing everything we asked. Capitol, if you wanna believe this, just passed on putting out a DVD for us. They gave all rights to Sanctuary. So the beauty of that is instead of having a DVD that you'll never be able to find, Sanctuary is gonna make it available around the world and done right.

MR: Wow! So tell me more about the DVD!

DAVE: It's got all 25 videos. That's what's so weird that they passed on it. We did all 25 videos, with alternate versions, but also David Ellefson driving through Hollywood in his convertible saying, "I kicked Chris Polland's ass here, I beat him up here, we through this girl out in the bushes I was living with because she was drunk, and here's the air conditioner that I threw the flower pot at with Dave and here's my apartment and his apartment and here's where we used to go get methadone, and we used to score here. And the car got towed there." All this stuff. It's an amazing opportunity for fans to see history from day one with David Ellefson and Dave Mustaine. All the way up until now. And they passed on it because they didn't want to pay for it. And I’m just thinking, "Thank you." I'm just really grateful because they weren't gonna be able to do us justice. On the outside it seems really petty, but on the inside it's like they were saying, "Look, I respect you enough, we've had a long relationship, but we can't give you what you need. Here have them do it."

" We heard about it in the airport the next day and Nikki (Sixx) was like, "Yeah, it's just like the good ol' days." And I'm thinking, you just assaulted a guy with a guitar, and that’s the good ol' days?

We just had an opportunity to do a VH-1 Behind the Music too. And me and David Ellefson were in it. My godfather Alice Cooper is supposed to appear in it. James Hetfield and Lars Ulrich agreed to be in it. Chris Polland, who at first said he wasn't gonna be involved with the DVD, agreed to do VH-1, which I'm really happy about. Nick Menza said he would do it. Marty Friedman's gonna be in it. They're interviewing my sister too. We're talking to VH-1 about the opportunity of getting a long form out.

MR: A lot of your material seems to be socially and politically inspired. True?

DAVE: "Kill the King" is a political song. I wrote that song in Tokyo when I was watching the Republican debate between McCain and Bush and I thought, "Good God McCain ain't gonna be the president because he's too unpredictable and I don't see Bush having trouble with Al Gore because it just ain't gonna happen." If Al Gore had stuck with Bill Clinton all the way through and not alienated him I think he would've been President right now. And the whole thing that happened in Florida was great material to write songs. Like, maybe Florida can't count or something. There's a lot of political songs on this new record, a lot of social stuff. The album is called The World Needs a Hero and will be out May 15th in the U.S. and May 14th everywhere else. Japan gets an additional track, because they always do and it's called "Coming Home." And, no, it wasn't inspired by Motley Crue!

MR: So how did the Maximum Rock Tour with Motley Crue go for you guys?

DAVE: That was really weird for us… something really weird happened down in Mexico on the Maximum Rock Tour. We're playing and the fanaticos are going crazy and there's this guy in the front row and he's lifting up his shirt and it says Megadeth and he's flipping me off and he's yelling between songs and he's going psycho. I said, "Chico, tranquilo." Which meant, "Hey buddy, just cool out a little bit we'll get to it." Evidently, we left and Motley hit the stage. And they were chanting Megadeth and that one guy is taunting Nikki so Nikki jumped off the stage and hit the kid in the head with his bass. Vince jumped in after him. And these two guys are trying to beat up this kid. The guy was tiny, too. I remember exactly who he was. They said, "This is our last song," and left the stage. The fans started burning cushions and heaving them at the stage and chanting our name for like five minutes. The Crue said it was about 15, but when you're on the team that’s sorta been heralded as the good guys, everything gets a little bit more exaggerated. It was about five minutes. Then they came out and sang going home or coming home or on my way or whatever that song is.

MR: "Home Sweet Home"?

DAVE: Yeah, yeah." Home Sweet Home." And they went back to the dressing room and back to the hotel. And we heard about it in the airport the next day and Nikki was like, "Yeah, it's just like the good ol' days." And I'm thinking, you just assaulted a guy with a guitar, and that’s the good ol' days? I was so surprised because I have respect for Nikki. I think he's a great businessman and he's done well with what he's done and he's had a lot of success. I was just little surprised. It's sad because when they were on, they were really on.

MR: Sounds like they pulled some rock star shit.

DAVE: In our press release, I said that Axl Rose killed the rock star. And I believe that many people don't tolerate rock stars anymore because that whole period of two years of rock stars not showing up for things. It just made people say, "You know, screw you. I'd rather have normal guys up there." And these bands do music that's not really special music. Forty or 50 bands that sound the same. The guy that's the front man looks like you should be asking him how much the pizza is. He would come up to you and say, "Can I check your oil?" That, to me, has really hurt the music industry. There' s a guy in Buckcherry that I guess is very rock star-ish as a frontman. And the music industry needs more personalities like that. I think frontmen need to be something very special.

When I grew up listening to music, there was a community vibe. You'd go to concerts and, yeah, you have a little bit to drink, you have a little bit of that, you'd be looking at your friends and looking at the girls and having a good time. I was just thinking of that yesterday driving up from San Diego. When's the last time a girl drove past me and lifted up her top? I mean, you can't do that anymore because of road rage. Some asshole would follow her into the woods and kill the girl. And it just gives you an idea of our society and the world really needs a hero. When I was wasted playing, we never cancelled any shows. I mean, there was one show when we did Monsters of Rock that we had to cancel, and that was because David Ellefson had come out of the closet as being a junkie and he couldn't find any dope. Now I learned how to get high when the heroin ran out, you drink like a fish and eat Codeine-laced aspirins over in England. And we were in Europe and you know, the dope ran out and I was okay but he wasn't and we came up with some story that he sprained something and we all went home and went to treatment.

MR: So what do you think of the whole controversy between Metallica and Napster?

DAVE: I think it's a very confusing issue. I know how Lars feels. I myself believe that it's important for fans to hear music. I don't think that the guy that created Napster set out to really hurt anybody I don't think that's what its about. And you're talking about a band and a genre where tape trading was really one of the primary ingredients. And for me, when I hear tapes of bands that Lars had made that I really liked, I got the record. But for me, if someone goes and listens to the music at Napster or Gnutela or any of the other places that you do file swapping, you know, I'm okay with you listening to that. But if you're burning CDs of my record and selling them I'll hunt you down and kill you.

THE RACK: Do you use Napster?

DAVE: I don't do it myself.

MR: Do you care if your fans do it?

DAVE: I think that the fans that are really fans of ours, they're not trying to hurt us. And I think that people that go out there and download our entire catalogue and have it on their hard drive, I mean, how many dudes do you see going down the street with their skateboards and a laptop? I mean, if you really, really love music and you know the difference between and MP3 file and an ASCII file, which are the files on CD's, you'll know the difference and that the MP3s don't sound as good. Trading isn't the problem. The problem is when people have high-level productivity to manufacture records with inferior goods that are disguised as official merchandise. It kinda puts a smear on us.

Interview by Megadeth Reulez Inc.