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(Disclaimer: None of the dialogue in the following transcript belongs 
to me, nor do the characters or plots.  The following is transcribed by Jen.  
If there are any mistakes, please contact me. Happy reading!)


				The O.C.

		          "The Model Home"

			  Written By: Josh Schwartz

			  Directed By: Doug Liman


Cast List

Ryan Atwood…………………………………Benjamin McKenzie
Seth Cohen……………………………………Adam Brody
Marissa Cooper…………………………Mischa Barton
Sandy Cohen…………………………………Peter Gallagher
Kirsten Cohen……………………………Kelly Rowan
Luke Ward………………………………………Chris Carmack
Jimmy Cooper………………………………Tate Donovan

Julie Cooper…………………………………Melinda Clarke
Summer Roberts……………………………Rachel Bison

Holly……………………………………………………Ashley Hartman
Kaitlin Cooper……………………………Shailene Woodley





					Teaser

(first 30 seconds aren't available currently, but will be up as soon as 
possible)

INT.- COHEN'S KITCHEN - NIGHT

Kirsten is finishing making dinner when Ryan comes into view. She is awkward 
around him.
				
				KIRSTEN
		How was your swim?

She opens the refrigerator. 
				
				RYAN  
 		It was great.

Ryan looks at a model of a mansion that is on the kitchen counter.

				RYAN  (CONT'D)
			       (re: model)
		What's that?

				KIRSTEN
		It's a model home.  I build them. 
		Well, the real ones. 
		Not that one.

				RYAN
		Can you build me one?
			      (off Kirsten's look)
		Sorry. Bad joke.

They both enter the dining room awkwardly and sit down, joining Seth 
and Sandy.

				SANDY
		So, last supper, huh?
			      (off Kirsten's look)
		Sorry. Bad joke.

				KIRSTEN
		It's just a laugh riot around here.

				RYAN
		This all looks really good.

				SETH
		Yeah, it's too bad you're leaving. 
     		We never eat like this.

				KIRSTEN
		That's not true.  I cook all the time.

				SETH
		Dad…?

				SANDY
		I'm sorry honey…

They all try to hide their laughter except Kirsten, who is not so 
amused.

				KIRSTEN
		Let's just eat.

				SANDY
		And we're not saying that we want you 
		to cook more--

				SETH
		Oh, hell no, you remember that meatloaf 
		incident of '98?

				KIRSTEN
		That was brisket.

Ryan is just watching them interact.

				SETH
		Yeah, that's my point exactly.

INT.  KITCHEN - AFTER DINNER	

Ryan is flipping through some documents with Sandy. Seth and Kirsten 
are in the b.g.

				SANDY
		As your attorney I'll cosign these
		forms.  They basically say that you
		don't have a legal parent or guardian
		available. 

				RYAN
		I am now property of the government. 
		Nickname 0382965.

				SETH
		Hey, better than Death-Breath-Seth.
			       (off their looks)
		Or so I would imagine.

				SANDY
		So we'll meet with your social worker
 		in the morning and the--and she'll be 
		the one to, uh to take you to the--to 
		the group home.  My contact at child 
		services got you in with only two other 
		kids, which is good.  It can get crowded.

				RYAN
			      (unsure)
		Thanks. I appreciate it.

				SANDY
		And you know, they do find foster 
		home for kids your age.

				SETH
		Yeah, because everyone wants a 
		brand new teenager.

Everyone turns to Seth.
				SETH  (CONT'D)
		I'm sorry if I'm the only one here 
		that will state the obvious-

				KIRSTEN
		Seth-

				SETH
		--But we have all this extra room, 
		right?  We have a pool house.  Yet 
		you guys are going to ship him off to 
		a group home.  Am I the only one who 
		gets how much that sucks?

				RYAN
		It's okay.  Really.

It's pretty much as awkward as conversations go, but Ryan signs the forms.

				RYAN  (CONT'D)
			      (re: model home)
		Good luck with it.  It looks perfect. 
 		Goodnight.

Kirsten looks guiltier than ever.

				SANDY
		Goodnight.

Ryan exits towards the pool house.

				OPENING CREDITS 
			
				

					ACT ONE

EXT. POOL HOUSE - NIGHT - ESTABLISHING

INT. POOL HOUSE - NIGHT
Ryan can't sleep.  He gets up and puts on his jeans.

INT./EXT. - POOL HOUSE

Ryan is leaving with his backpack when Seth appears.  

				SETH
		Hey, got a little Playstation, 
		perhaps-uh, are you running away?

				RYAN
		Go back in the house Seth.

				SETH
		Hey, hey hey hey.  You can't just 
		runaway. What are you thinking?  
		What about child services or, or my 
		dad?
	   		(off Ryan's look)
		Okay now wait, hey.  I want to come 
		with you.  You know what I've always
		wanted to do besides sail to Tahiti?  
		I want to do that whole kerouak thing.  
		Hit the road. Stop diner to diner, the 
		pancake tour of North America.

Seth nods his head, hoping for approval.

				RYAN
		No.

				SETH
		Fair enough. Where you going?

				RYAN
		I don't know. New town, get a job 
		somewhere.  Save some money.

				SETH
			      (sarcastically)
		That's a great plan.  Sounds like 
		you've given it a lot of thought.

				RYAN
		Got a better idea?

				SETH
			      (realizing)
		Actually, I do.

INT. SETH'S ROOM - NIGHT

Seth is dressed all in black and is putting items into a knapsack 
clumsily.

EXT. SETH'S ROOM - NIGHT

Sandy knocks on Seth's door.

				SANDY
		Seth…

INT. SETH'S ROOM - NIGHT

Seth quickly gets under the covers of his bed, covering his clothes 
and knapsack.  As Sandy knocks again, Seth flips off the lights.  Sandy 
enters.

				SANDY
		Hey, can I talk to you?

				SETH
			      (groggily)
		Dad? What is it morning?

				SANDY
			      (surprised)
		You were asleep?

				SETH
		Yeah, I was.  What's going on?

				SANDY
		Well, uh, I wanted to talk about 
		Ryan.

				SETH
		Yeah, I know.  It's cool.  We 
		don't need to discuss it. 

				SANDY
		Well, I think we, we do.  I know 
		you're upset.  Your mother and I are 
		upset.  But our responsibility is to-
		is to our family.

				SETH
		Yeah, it's okay.  No, I get it.  I 
		mean, this is a person's life we're 
		talking about and we need to leave it 
		in the hands of the authorities.

				SANDY
	      		(annoyed)
		There's no need for sarcasm.

				SETH
		I'm not being sarcastic.

				SANDY
	    		  (contrite)
		It's hard to tell sometimes.
				SETH
		Dad, it's okay, really…

				SANDY
		When you want to talk about it…

				SETH
	     		 (hurriedly)
		Yeah, I know.  You're the one to talk 
		to.

Seth puts his head back under the covers.

				SETH  (CONT'D)
		Got it. 'Night.

				SANDY
		Goodnight.

				SETH
		Goodnight.

As soon as Sandy leaves, Seth clumsily rolls out of his bed and 
continues packing.

EXT. COHEN'S HOUSE - DRIVEWAY - NIGHT

Ryan is waiting by the road for Seth.

				RYAN
			      (whispering)
		Come on Seth…

Marissa walks down her driveway to her car.  She's on a cell phone.

				MARISSA
		Okay I got it.  I'll be there in
		like 20 minutes.
 
She hangs up and sees Ryan.

				RYAN
		Hey.

				MARISSA
		Hey.  I didn't think I'd see you
		again.
			  (beat)
		Look, I wanted to say thanks.  For
		the other night.

				RYAN
		You always drink like that?

				MARISSA
			  (changing subject)
		I thought you left.

				RYAN
		Did. I am.

Seth comes running down the driveway to Ryan.

				SETH
			  (whispering)
		Ryan, we're all set dude.

He sees Marissa standing there holding a present.

				SETH (CONT'D)
			  (louder)
		Hi there Marissa.

				MARISSA
		What are you doing?

				SETH
		Nothing, we're just hanging out.
			  (re: present)
		Oh look, it's somebody's birthday.
		I guess my invitation probably got
		Lost in the mail.

				MARISSA
		It's my friend Summer's birthday.

				SETH
			  (too quickly)
		Summer's birthday's not 'till
		Wednesday.
			  (off her look)
		It's what I heard.  I don't know.
		I-it was a guess.

				MARISSA
		You guys are up to something.

				SETH 
			  (to Ryan)
		Dude, what'd you tell her?

				RYAN
		I didn't tell her anything.
		Maybe your black turtleneck in
		August tipped her off.

				SETH
		Okay, I was going for stealth, and
		also, it's slimming.  We should
		really go.
			  (to Marissa)
		Have fun at your party.

				RYAN
			  (to Marissa)
		You should probably be off.  The
		Newport social scene awaits.

				MARISSA
		Oh, yeah?

INT./EXT. MARRISA'S CAR - NIGHT

Marissa is driving Ryan and Seth to their destination.  Ryan is 
riding shotgun while Seth is in the back.

				MARISSA
		Why won't you tell me where you're
		going?  This is pretty far away.

				SETH
		Oh, wow, complaining.  That's very
		interesting considering nobody
		invited you.

				MARISSA
		Before I came you were on a 
		skateboard.

Seth takes this as a huge insult.

				SETH
		Oh! Oh!

Ryan and Marissa look at each other.  Marissa smiles.  The radio is 
playing in the b.g.

				MARISSA
			  (re: music)
		You like them?

				RYAN
		Yeah, I guess.

				MARISSA
		Well, what do you like?

				RYAN
		Everything.  I-I don't know.  I
		don't really listen to music. 

				SETH
		Dude, that's kind of weird.

				RYAN
			  (to Marissa)
		Why?  What do you like?

				MARISSA
		Uh, right now?  Punk.

				SETH
		I'm sorry, uh, Avril Lavigne 
		doesn't count as punk.

				MARISSA
		Oh yeah?  Well what about The
		Cramps?  Stiff Little Fingers?  The
		Clash?  Sex Pistols?

				SETH
		I listen to the same music as 
		Marissa Cooper?  I think I have to
		kill myself.

				RYAN
			  (to Marissa)
		You listen to punk, huh?

				MARISSA
			  (matter-of-factly)
		I'm angry.

				SETH
			  (re: destination)
		That's it right there.

They pull into the live version of the model home we saw earlier.

				MARISSA
		It looks scary.

				SETH
		Well then you can stay in the
		Car.

INT. MODEL HOME - NIGHT

The gang enters with flashlights.  The place is huge and empty.

				SETH
		You recognize the place, Ryan?

				RYAN
			  (realizing)
		This isn't…

				MARISSA
		Where are we?

				SETH
		Well, it's one of my mom's
		housing developments.  Her and my 
		grandfather and a bunch of them.
		This is supposed to be the model 
		home.  But it never got finished.


				MARISSA
		Why, did someone die here and now
		it's haunted?  

				SETH
			  (sarcastically)
		Yes that's exactly what happened.

				RYAN
		What did happen?

				SETH
		I don't know.

				KIRSTEN (O.S.)
		How do contractors  just disappear?
	
									CUT TO:

INT. COHEN'S HOUSE - NIGHT

Kirsten is talking on the phone.

				KIRSTEN (CONT'D)
		If we don't have a model home, we don't have 
		a new development.
		  	      (beat)
		It's been a month.  I'm not waiting for you
		guys anymore.
			      (beat)
		You know where to reach me.

Kirsten hangs up as Sandy enters.  The phone call has made her annoyed.

				SANDY
		No luck with the contractors?
				
				KIRSTEN
		Vanished.  My father's never going to let me
		hear the end of this.  Did you-- Did you talk
		to Seth.

				SANDY
		I think so.  Don't blame yourself.

				KIRSTEN
		I'm not blaming myself, but how can I allow a
		strange boy to live in this house?  Seth needs
		to know it's what any mother would do.

				SANDY
		I was talking about the contractors.

Kirsten smiles.

INT. MODEL HOME - NIGHT

The trio are still looking around the model home.
				
				MARISSA
		So you want him to stay here?

				SETH
		Well, I mean, I know the place needs some 
		sprucing up but-- God, did I just say 
		'sprucing'?  So, Ryan, what do you think?

				RYAN
		I haven't really had time to think.

				SETH
		Well, how much better is this place than some
		group home.  Hang on, and wait until you see
		the best part.

Seth open two doors to where an empty pool is and makes a noise that sounds 
like something from the 'Survivor' theme song.
			
				RYAN
			      (not so amazed)
		It's an empty pool

				SETH
		To some people.

EXT. MODEL HOME - POOLSIDE - NIGHT

Seth is on his skateboard in the empty pool, using it as a half pipe.  Ryan
and Marissa are talking by the pool, eating popcorn. Or something that 
looks like popcorn.

				MARISSA
		So your mom, I mean, she has to come back,
		right?

				RYAN
		I don't know.  My mom's kind of a trainwreck.

				MARISSA
		So's mine.

				MARISSA
		Well, I mean, what about your dad?  Can you
		call him?

				RYAN
		Dad's in jail.  Armed robbery.  Impressive,
		huh?

Marissa looks shocked by his family situation.

				MARISSA
		My dad is like a financial planner, and I
		think he's in trouble.

				RYAN
		I don't have any stock tips.

				MARISSA
		He stopped going to the office and these
		guys keep showing up at the door but
		he won't answer.
			      (beat)
		Look, I haven't told anybody that--

				RYAN
		I can keep a secret.

They have a moment, but...Marissa's cell phone rings.  She answers it.

				MARISSA
			      (on phone)
		Hey!

INT. SUMMER'S PARTY - NIGHT

Luke is on the other end of the phone.

				LUKE
		Where you at girl?  It's time for you
		to get your buzz on.  Nolan's so faded
		he can't even feel his feet.

				NOLAN
			      (in the b.g.)
		There goes the left leg!

				LUKE
		I miss you babe.  You know it's not a 
		party without you.

EXT. MODEL HOME - POOLSIDE - NIGHT

				MARISSA
		Aww, you're sweet.

				LUKE (O.S.)
		What's the deal?  I mean you were
		supposed to be here an hour ago.

				MARISSA
		Okay, I'll be there soon.
			      (beat)
		Say hi to everyone.

INT. SUMMER'S PARTY - NIGHT

				LUKE
		All right.  Love you.

EXT. MODEL HOME - POOLSIDE - NIGHT

				MARISSA
			      (awkwardly)
		Love you too.

Ryan freezes for a moment having heard this.

				MARISSA (CONT'D)
		Bye.

She hangs up.

				RYAN
		So, how long you been with him?

				MARISSA
		Luke?  Um, I don't know really.

				SETH
		I know.  5th grade, when you two 
		got your mack on during our class trip to
		the Museum of Tolerance.  Back of the bus.
		Classy lady.

Marissa throws a piece of the-stuff-that-looks-like-popcorn at Seth.

				MARISSA
		You know what? What's your problem Cohen?
		I mean, what did I ever do to you?

				SETH
		Nothing Marissa.  I've lived nextdoor to
		you forever and you've never done or
		said anything to me.

				MARISSA
		Oh my god, you're the one who never talks
		to me.  You think you're so much better
		than everyone.

				SETH
		I do?
			      (off her look)
		Well, if you're talking about Luke, then
		yes, because that guy shaves his chest!

Ryan starts laughing.

				MARISSA
			      (defensively)
		He plays water polo.

				SETH
		We know, half the team tried to kill us
		the other night.

				RYAN
			      (off Marissa's look)
		I'm not too popular around here.  And your
		boyfriend?  A little bit angry.

				MARISSA
		And you're telling me you didn't try to 
		hit him back?

				RYAN
		Actually, I hit him first.

				MARISSA
		Wow, hard to believe you're not more 
		popular.

They smile.  This is all said in good humor.

INT. MODEL HOME - UPSTAIRS - NIGHT

Ryan, Seth, and Marissa are exploring the house.

				SETH
		I thought this could be your room.

				RYAN
		I still don't know if it's a good idea
		for me to sleep around or not.

				MARISSA
		You should stay.

They share yet another smile and heated eye contact.

				RYAN
		 Okay.  For a little while.

				SETH
		So when she says it you listen?

Marissa's cell rings again... She answers.

				MARISSA
			      (on phone)
		Hey Summer!

				SETH
			      (whispering)
		Hey, hey hey that's Summer?

Marissa nods.

				SETH (CONT'D)
		Tell her I said Happy Birthday.

Marissa mouths 'okay'.

INT. SUMMER'S PARTY - NIGHT

				SUMMER
		Coop, where are you?  I'm coming to get you.

INT. MODEL HOME - UPSTAIRS - NIGHT

				MARISSA
			      (on phone)
		Oh, no no no don't.  I'm coming.

				SETH
			      (whispering- insistant)
		Tell her I said Happy Birthday!

				MARISSA
			      (on phone)
		Seth Cohen says Happy Birthday.

INT. SUMMER'S PARTY - NIGHT

				SUMMER
		Who?

INT. MODEL HOME - UPSTAIRS - NIGHT

				MARISSA
			      (to Seth)
		She says thanks.

Seth gets overly excited and looks to Ryan who tries to share his enthusiasm.

				MARISSA (CONT'D)
			      (on phone)
		Uh, look, I gotta go.

INT. SUMMER'S PARTY - NIGHT

				MARISSA (O.S.)
		Bye.

Summer looks annoyed and hangs up.

INT. MODEL HOME - UPSTAIRS - NIGHT

Marissa hangs up.

				MARISSA
		I gotta go meet my friends
			      (beat)
		My other friends.

				SETH
		I should go with you and protect me cover,
		but wait...  You have to promise not to
		tell anyone about this place, okay?  Now
		Ryan's not going to obviously, and I could
		get grounded.  So that leaves... Marissa!

She looks at Ryan

				MARISSA
		I can keep a secret.

				SETH
			      (to Ryan)
		Okay, see you tomorrow.

				MARISSA
		Me too!  We'll fix this place up!

				RYAN
		Cool.

				SETH
		Told you Ryan.  This plan is fullproof.



				END OF ACT ONE

Continue on to ACT TWO