Five women were nominated that year, in a total of seven films. The
nominees included Gloria Swanson for The Trespasser, Nancy Carroll for The
Devil's Holiday, and Ruth Chatterton for Sarah and Son. The other
two nominees were cited for two films each. Greta Garbo for Anna
Christie and Romance, and Norma Shearer for Their Own Desire and The
Divorcee (for which she won).
Garbo, as a determined vamp, and
Shearer, as a modern day gal, couldn't have been more opposite from each
other, however their films often achieved similar results, as they played
women that were both strong and controversial.
Norma Shearer will forever be
remembered as the sweet and proper society lady, thanks in large part to
her most memorable roles in films such as The Women and The Barrett's of
Wimple Street. As Mick LaSalle, in his book, Complicated Women
argues, her best work was buried under the weight of the Hayes Code in
1934, which prevented Hollywood from making films about liberated
women.
In The
Divorcee, Shearer does the unspeakable, and has a one night stand with
her husband's best friend when she finds out that he has been unfaithful
to her. Such a role would have been unheard of after the Hayes Code
was put into place, and as a result, this and many other Shearer films
were stored away in vaults, where they were forgotten for many
years.
Shearer actually hated the other
film for which she was nominated for, a light-hearted romantic drama,
Their Own Desire. She was cast in the picture by her husband, Irving
Thalberg, who felt that her persona needed to be toned down, lest her
public image be tarnished.
Meanwhile, Garbo's Anna Christie
marked her debut in talking pictures. The tag line for the film read
GARBO
SPEAKS!, and fans showed
up in droves to hear the elusive star for the very first time. In
the film, she plays a prostitute, who comes home to see her long lost
father. Garbo was also nominated that year for Romance, in which she
plays a woman who carries on an affair with a clergyman.
Shearer
showed up for the ceremony, and graciously accepted the Oscar for The Divorcee,
despite cries from others who felt that her win was the result of a
campaign launched by her movie mogul husband, Irving Thalberg.
Meanwhile, as was typical for Garbo, she didn't appear at that year's
ceremony. While this may have been regarded as a slight on the
Academy, it shouldn't have been taken personally, as Garbo rarely made
public appearances.