InterfaceA BIT ABOUT ME, I GUESS: I work as a conceptual engineer for Utopian Fabrications (Un)Limited, designing accommodation nodules for the lower orbit colonies, and have a nice office floating over Hokkaido. The pay's as good as can be expected these days but the work can get boring, except during Tuesday afternoon groupmind that is, when everyone to harness the collective ingenuity of UFU's 9000 employees everyone connects their brains to the central computer and interacts their ideas for increased productivity, dream marketing - sort of like a staff conference in cyberspace. Actually even this can get boring but afterwards, to repair brain cells possibly damaged by think-tank, smart drinks are served on the rainforest terrace and everyone gets the rest of the afternoon off. <<I had the greatest VR last night>> I confessed to the boys during the recovery. <<I was piloting the space cruiser Yamato, transporting rare metals to the galatic rim. We were attacked by Romulans somewhere near the walls of Orion, and my ship was struck by a torpedo. The Yamato's hull was pierced, and I was sucked into space. I was floating there in the darkness, gasping and waiting to die, when... you should have seen her! the most beautiful girl I have ever seen came drifting past me. We embraced. It was so realistic, almost better than the real thing... I didn't want to come back.>> <<You don't know what the real thing is like!>> Ryusei said, and the others started to laugh. <<All this cybersex shit is weird. Come out with me and I'll show you real women, and I promise it will be better than a machine pulling you off!>>It was easy for him: he was tall, muscled, and funny. He did not know the pain of rejection. He went on to describe a recent weekend business trip to Hanoi, tropical lust flowering in a technician's wardrobe. <<The best thing about real sex>> head cocked back, smiling boastfully <<the best thing about real sex is that when you up your pants and leave you know there is one more woman thinking about you... you've made an impression on her heart. What impact can you make on a machine?>>
SO I WENT OUT WITH RYUSEI to the sleaziest club in town, looking for that elusive "real thing". Outer space was back in style again, after the long back to nature fad, and the club was full of retro spacesuits and diabolical aliens, Soviet cosmo-dogs dancing in awkward moon steps to minimalist pulses while their owners consumed fluorescent beverages like Liquid Oxygen (it wasn't really) and Big Bang (it was). IF ESCAPISM WAS THE BIGGEST INDUSTRY in the world, one of its finest proponents must be the Interface Institute, the most sophisticated simulated love factory outside of Bangkok. Its giant Atari computer recognized me as a regular. <<Nikki again?>> she asked as I undressed, connected stimulators to all my major sensory and erogenous zones, flinched as I was jabbed with a hallucinogenic batch. <<I must be in love>> I laughed and slipped out of the world of offices and bars, into total interface with the infinite alternate worlds of the network. When I came to again I was in what looked like a luxury penthouse. Beyond a curved window wall stretched a skyscape of gleaming towers and hanging apartment blocks. Synthetic, vaguely classical music soothed out of the walls. Holograms of fluffy white clouds and yellow suns floated around the ceiling, and below stretched a fluffy white bed. The outline of a girl was squirming under the covers. Nikki! The music was getting louder here, pulsier. A leg, brown and slim, hooked up from the fluff, beckoned me with that classic "Come and get it!" gesture. I jumped on to the bed, yanked the leg and hauled Nikola from under the sheets. She squealed with delight and wrapped herself around me. A wave of blue static rolled across the room, fogging the city view. The words TRANSMISSION BREAKDOWN flashed on and off through the fog. Before I had time to swear an iconic representation of the Atari master computer appeared before me. <<The Interface Institute extends its sincere regret for this malfunction>> the icon said, bowing deeply. <<In compensation, we offer the standard two free packages. Or you might prefer two girls at once?>> <<I don't want anyone else>> I said. <<Has my program been modified?>><<Let me see.>> A screen of text shone through the static:
SEX: F. ESCAPISM MIGHT BE A BIG INDUSTRY, but the culture of the brown paper bag still persists. The first Friday of every month was always embarrassing. As usual I got to work to find my colleagues had ripped open my II catalogue, and were leafing through its graphic contents. <<Choose your fantasy>> Ryusei was saying. <<Gay, straight, group, movie star - it's all available and more. Romp a farmboy in the back of a tractor in Stalinist Ukraine, or for the more romantic, share a racy weekend with two ladies from the court of Queen Victoria.>> <<What's the problem>> me trying to grab the catalogue from him. <<I mean, if it feels good, what's the problem?>> <<A hooker can make you feel good>> Ryusei said <<but you would have to be desperate to rent one. But wait, there's something interesting here. The Swingers Dungeon program. <Instead of just getting it on with an animated gif, Swingers is a place where curious and adventurous participants to deepen their erotic connection in the sensual ethers of cyberspace. Perfect for long-distance relationships." So, the two of you could jack in together and make love through the machine! That's my idea of Interface, although I'm not sure I'd trust them synthesizing me - they could decide to keep my double as a permanent attraction at the Institute, or sell copies to bored housewives over the Internet.>> I felt like interfacing him with my fist. I couldn't handle it any more. Taking an extended lunch, I contemplated returning to the Institute and drowning my sorrows in an orgy with selected supermodels on some deserted island. I went home instead. Keying my password at the lobby of my dreary tower I noticed a woman in a black shawl studying my intercom panel intently. <<I can't believe it's really you>> she said, removing her shawl. I nearly fainted when I registered her face and voice. <<Why didn't you leave your address with Interface? I've been looking all over the city for you!>>CASSIUS CROON (c)opyright Rob Sullivan 1996-2024. Contact the author for all your criticisms and feedbacks. |