Roadside Assistance
Scene 55-60
Revised 2/20/00

55.  Int.  Adam's Apartment, Near 11 a.m

He is close to his monitor, as the roar of a racing game sounds.  The 
televsion is playing in the background, but he is not paying attention 
to it.  After a few seconds there is a knock at the door.  Adam looks 
up from his game, pausing it.  He stands, and walks to the door, the 
camera following him to the door.

Through the peep hole, iris shot, he sees the a man that is slightly 
familar to him.  Officer 1 stands there.  Officer 1 nears the door again 
to knock.  Behind Adam off camera, The music comes on all of a sudden, 
playing the killer theme.

Adam turns around, easing his way back into the apartment.

Adam's Pov as he looks around.  The music seems to be starting to get 
louder, and so does the knocking.

Adam hurries over, and turns off the music.

He opens the door to see Officer 1 there in the doorway, behind him stands 
The two men in blue.  Officer 1 quickly forces his way into the room, 
pinning Adam against the wall.

Officer 1
You are underarrest, you have 
the right to remain silent.  
You have...

Officer 1 continues to read Adam the rights after he has him handcupped, 
and is walking him to the elevator.

Close up of the Stereo.  The Dark One is bending down and pressing play 
on the tape deck.  The song starts to play.  Then Dark One reaches for 
the volume, and turns it up loud.  Then the Dark One stands and goes 
over to the balcony, and looks out.

END OF SCENE 55

56.  Ext.  Outside Adam's Apartment, momemts later.

Officer 1 is pulling Adam out the door, getting him to Officer 1's car 
quickly, and then nearly throwing him in the back.  Adam at first hits 
his head, and nearly bounces out of the back.  Officer 1 grabs him, and 
keeps him from going anywhere but the back seat, but he does it harshly.

Officer 1
Fuckin' Bastard.

He slams the door, and walks around to the drivers side.  As he is about 
to get in, Officer 3 is nearing to climb in on the passenger side.  
Officer 1 stops gettin in and stands straight outside his drivers side 
door.

Officer 1
What in the hell do you think
you are doing?

Officer 3
I don't think you should be 
alone with him.

Officer 1
Don't worry, nothing is going 
to happen.  Just get in  your 
car, and follow me.

Officer 3, closes the door, and starts to walk away.  The camera 
stays on Officer 1 as he watches Officer 3 walk back to his own 
car.  Officer 1 gets in.  He looks to the back at his prisoner.  

Throug rearview mirror view of Adam.  Adam looks small and weak.  
Completely defensless, and innocent.  

Officer 1 looking back into the rearview mirror.

Officer 1
Why did you kill them.

Adam
Who?  I haven't killed anyone.

Officer 1
Your going to fry, and I.   I 
will be the fucking one to pull 
the fucking switch.  You hear me, 
you asshole!

Officer 1 puts the car in gear, and punches the accelerator

END OF SCENE 56

57.  Int.  Cameron's Kitchen, Midday

Cameron is sitting at the table, his arms outstretched on the table, 
and his eyes red with crying all night.  His head is constantly 
shifting from being fallen in between his arms, or raised in a 
slumped given in look.  Annettes sister, Marie, is sitting next to 
him at the table.  After a stetch of silence he speaks.

Cameron
I just wish I could do 
something.  Hell, that
psycho nearly killed me 
as well as taking away 
my wife.  Just what the 
hell am I to do.  How 
will I live.  How will 
our children live.

Marie
Cameron.  What do you want 
me to say?  She was my sister.  
I grew up with her.  I love 
her with all of my heart, 
and I was there when she 
gave birth to your children.  
I am a part of you and her.

Cameron
I know.  

Marie
So I want you to do something 
for me, as well as her.   I 
want you to kill this murdering 
son-of-a-bitch. 

Cameron pulls all the way back in his chair, taking in a deep 
breath.  

Marie
You will won't you.

Cameron
I want to.

Marie
Then do it.

Cameron
I have to go down there 
and identify him and his 
truck.

Marie
They know it's the truck 
that killed her, but they 
don't know for sure it is 
him.  Say it wasn't.  Get 
him released.  Then follow 
him, and kill him dead.

Cameron gets out of the kitchen table chair.  He walks to the 
kitchen window and looks outside.  Their are clouds overheard, 
and the light that shines through the curtain are dark on his 
face.

END OF SCENE 57

58.  Ext.  North Riverside Mall's Parking Garage, Nearing 3p.m.

A woman who is wearing a food court uniform of some kind is 
hurrying in to the mall.  As she is walking she passes the Dark 
One, and the camera only catches him from neck down.  The camera 
starts to follow him as he walks to the car that she had just 
parked.

The car should be something highly un noticable.  A small car, 
basically almost an opposite to the truck in that it is small, 
and more so that it would not be recognized.  Something in a 
reddish color.  

Food Court Woman
I'm sorry, honey, but I have to 
close tonight.  I'll be here until 
ten. 
	....
I know, and I...

She leaves out of ear shot.  The Dark One is at her car, and pops 
the lock quickly, opening the door.  He starts to get in.  His 
face never seen.

The car slowly pulls out of the parking garage.

END OF SCENE 58

CUT TO:

59.  INT.  Police Station Interigation Room, Midday

Officer 1 is looking at Adam who is sitting in the modest chair 
behind the modest table.  There is a fire of hatred sparking the 
air between the two.  Adam isn't even looking up at Officer 1.  
He is staring at his hands.  Adam is lost as to why he is there.

Adam
Why am I here?  I haven't done 
anything wrong.

Officer 1
Why don't you just confess?  
Save us all the paperwork.  Hell, 
I'll strap you in myself, and pull 
the fucking switch you GOD DAMN 
SON OF A BITCH!

Officer 1 slams his hands down on the table.  It nearly cracks 
under his wieght and power.

Adam
I havn't done anything.  What is 
it that you think I have done?

Officer 1
I am getting FUCKING TIRED of your 
games.

Adam
when is the public defender 
supposed to get here.

Officer1
He's already here.  We're making 
him weight, saying that you are in 
processing.  And we will continue 
to make him weight until I get a 
fucking confession out of your ass!  
Even IF I have to beat it out of 
you.

Adam
You touch me, and I will sue.

Officer 1
Not from prison you won't.  Prisoners
give up their rights.  

Adam
You know it doesn't work that 
way, Asshole, so why don't you just 
get my fucking lawyer in here, so 
he can get me out of here.  Because 
I haven't done SHIT!

Officer 1 rushes out of the door, slamming it on his way out, 
shaking the whole room.  

Adam exhausted himself standing up to the officer, and seems to 
slump far into the chair and forward into his hands.  Within a 
few seconds he starts to cry.

END OF SCENE 59

60.  Ext.  Outside the Police Station, around 4 p.m.

Cameron is getting out of his car, and walking into the police 
station.  The camera pulls back to reveal the car the Dark One 
had stolen and the Dark Ones left arm in the shot.  The car 
should be parked across the street from the police station, and 
The Dark One is standing on the curb.

END OF SCENE 60
Scenes 61-70