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Tele-Snap Recoveries

 

In the 1950’s and 60’s, the BBC’s production of it’s own programming was in full swing. Archiving and keeping old footage was not, and many records of that era sadly do not exist. Domestic VCR’s and personal camcorders were a good two decades away at least and many actors, directors and producers now and then wanted a record of what they had worked on. Enter John Cura.

 

John Cura, born Alberto Giovanni Curà, was born on the 9th of April, 1902. A gifted, self-taught individual, his passion was electronics, so much so that he specified such a profession on his wedding certificate. After the second world war, during which he changed his name to Albert John Cura, he because interested in television, and on the 11th of September, 1947, he wrote to the BBC to offer his services of "Tele-Snaps". Cura's execution was simple: a 35mm camera (of his own design) bolted to a tripod a short distance from his television screen. By taking still photographs at various intervals, John Cura photographed entire episodes of various shows, from the opening titles to the closing credits, creating as much as 80 images which he could sell to prospective clients.

 

John Cura performed his services in a back room above a grocer's shop, in Clapham in the south of London. He offered to use his expertise and experience to professionally photograph video images off a television screen and sell them to the BBC for a small fee. Later, he would find not only the BBC, but newspapers, magazines and overseas journalists would be interested in his images. The BBC were concerned over copyright issues Cura's work might generate, but by the mid-1950's the BBC's attitude towards Cura had mellowed, and their own publications of Radio Times and The Listener began publishing Tele-Snaps.

 

The arrival of ITV, and later BBC2, created an even greater workload for Cura, and it is reported that he eventually had various television receivers set up all over his flat to capture these images. However technology was expanding, colour was on the horizon and the BBC were "telerecording" programmes onto 16mm film for later use if so required. With the ability to archive material, Cura's services would start to dry up.

 

As the fee for John’s work came from a specific serial’s production budget, some production teams opted to pass on this service and instead focus the money on more important matters (for example, virtually the entire budget of the William Hartnell story The Web Planet went on set and costume design). However a majority of Doctor Who stories from the sixties did get Tele-Snapped, and after the mass destruction that saw much of that era erased in the 1970’s, these Tele-Snaps would prove to be invaluable.

 

I should mention at this point that the term 'Tele-Snap' should only be used in reference to John Cura's work, as several others offered the same service around the same time. John offered either contact strips of stills or else people could ask for high-definition enlargements of certain images they felt were of considerable importance. Usually for a Doctor Who episode (25 minutes in duration), approximately 60-70 Tele-Snaps would be captured, each being 24mm x 18mm is size. Alternately, enlargements could be ordered if so required.

 

It should also be pointed out that contrary to rumour, The Dalek Master Plan 7 was never Tele-Snapped. However, 20 off-screen images WERE taken, but by actor Robert Jewell, as he appears in the episode as a clown called Bing Crosby. Jewell, who is more well know for being a Dalek operator, probably knew this serial wasn’t being Tele-Snapped and decided to take some himself. These images are all that remain of that episode, and, much to the delight of fans, the last image of the small collection features the infamous final scene where the Doctor turns to the audience and wishes the viewers a happy Christmas. To view these images, click here.

 

For more information on Tele-Snaps and John Cura, I highly recommend getting a hold of the fan-produced magazine 'Nothing at the End of the Lane' Issue 2, produced by Richard Bignell & Robert Franks.

 

 

The Complete Doctor Who Tele-Snap Collection

 

Below is a chart that explains which episodes were Tele-Snapped and which images still survive. Information has been gathered from various sources and contributions by various people in the know (special thanks to Derek, Ash & Richard). However, it should be pointed out that this chart has been created using information and Tele-Snaps that we know to exist. Should any future documentation or Tele-Snaps currently listed as missing come to light, this chart will be revised and updated accordingly.

 

 

TELE-SNAPS EXIST, EXISTING NUMBER SPECIFIED

TELE-SNAPPED BUT SNAPS MISSING (TBSM)

EXISTENCE UNKNOWN (UNK)

                                  

100,000 BC

UNK

UNK

UNK

UNK

 

 

 

 

 

 

 

 

The Daleks

76

76

TBSM

UNK

75

TBSM

TBSM

 

 

 

 

 

Inside The Spaceship

TBSM

TBSM

 

 

 

 

 

 

 

 

 

 

Marco Polo

72

78

75

TBSM

70

69

80

 

 

 

 

 

The Keys of Marinus

TBSM

TBSM

UNK

UNK

UNK

UNK

 

 

 

 

 

 

The Aztecs

UNK

UNK

UNK

UNK

 

 

 

 

 

 

 

 

The Sensorites

TBSM

TBSM

UNK

UNK

UNK

UNK

 

 

 

 

 

 

The Reign of Terror

UNK

UNK

UNK

UNK

UNK

UNK

 

 

 

 

 

 

Planet of Giants

TBSM

TBSM

TBSM

 

 

 

 

 

 

 

 

 

The Dalek Invasion of Earth

UNK

UNK

UNK

UNK

UNK

UNK

 

 

 

 

 

 

The Rescue

78

72

 

 

 

 

 

 

 

 

 

 

The Romans

76

76

76

77

 

 

 

 

 

 

 

 

The Web Planet

TBSM

TBSM

TBSM

TBSM

TBSM

TBSM

 

 

 

 

 

 

The Crusade

??

72

??

67

 

 

 

 

 

 

 

 

The Space Museum

UNK

UNK

UNK

UNK

 

 

 

 

 

 

 

 

The Chase

TBSM

TBSM

TBSM

TBSM

TBSM

TBSM

 

 

 

 

 

 

The Time Meddler

??

??

??

??

 

 

 

 

 

 

 

 

Galaxy 4

UNK

UNK

UNK

UNK

 

 

 

 

 

 

 

 

Mission to the Unknown

UNK

 

 

 

 

 

 

 

 

 

 

 

The Myth Makers

UNK

UNK

UNK

UNK

 

 

 

 

 

 

 

 

The Dalek Master Plan

UNK

UNK

UNK

UNK

UNK

UNK

UNK

UNK

UNK

UNK

UNK

UNK

The Massacre

UNK

UNK

UNK

UNK

 

 

 

 

 

 

 

 

The Ark

UNK

UNK

UNK

UNK

 

 

 

 

 

 

 

 

The Celestial Toymaker

UNK

UNK

UNK

UNK

 

 

 

 

 

 

 

 

The Gunfighters

68

71

72

73

 

 

 

 

 

 

 

 

The Savages

70

65

70

73

 

 

 

 

 

 

 

 

The War Machines

69

67

67

75

 

 

 

 

 

 

 

 

The Smugglers

71

67

71

71

 

 

 

 

 

 

 

 

The Tenth Planet

72

66

67

76

 

 

 

 

 

 

 

 

The Power of the Daleks

70

69

67

68

66

75

 

 

 

 

 

 

The Highlanders

64

71

71

69

 

 

 

 

 

 

 

 

The Underwater Menace

66

73

72

68

 

 

 

 

 

 

 

 

The Moonbase

71

71

78

71

 

 

 

 

 

 

 

 

The Macra Terror

62

64

64

57

 

 

 

 

 

 

 

 

The Faceless Ones

64

68

62

64

63

61

 

 

 

 

 

 

The Evil of the Daleks

63

64

61

63

67

65

64

 

 

 

 

 

The Tomb of the Cybermen

62

63

67

64

 

 

 

 

 

 

 

 

The Abominable Snowmen

62

66

60

63

63

59

 

 

 

 

 

 

The Ice Warriors

62

64

66

71

63

60

 

 

 

 

 

 

The Enemy of the World

64

64

64

UNK

61

63

 

 

 

 

 

 

The Web of Fear

64

63

59

62

60

62

 

 

 

 

 

 

Fury from the Deep

59

63

60

63

60

62

 

 

 

 

 

 

The Wheel in Space

60

63

62

62

62

66

 

 

 

 

 

 

The Dominators

60

60

60

63

UNK

 

 

 

 

 

 

 

The Mind Robber

62

63

63

UNK

UNK

 

 

 

 

 

 

 

The Invasion

UNK

UNK

UNK

UNK

UNK

UNK

UNK

UNK

 

 

 

 

The Krotons

UNK

UNK

UNK

UNK

 

 

 

 

 

 

 

 

The Seeds of Death

UNK

UNK

UNK

UNK

UNK

UNK

 

 

 

 

 

 

The Space Pirates

UNK

UNK

UNK

UNK

UNK

UNK

 

 

 

 

 

 

The War Games

UNK

UNK

UNK

UNK

UNK

UNK

UNK

UNK

UNK

UNK

 

 

 

 

Who Discovered What: Marcus Hearn

 

Marcus Hearn was an employee of Marvel Comics & a Doctor Who fan, and in 1993 began researching the production history of show. He visited the Written Archives Centre in Reading, near London, and started sorting through the paperwork. He was granted access to documents and files but progress was slow and in the end he asked if he could see the list of every single file the WAC contained. Upon checking the register, Marcus spotted the final listing at the bottom of the page read as follows:

 

Tele-Snaps : Series Z-UU

 

Marcus was surprised and a little excited; at the time Tele-Snaps weren't supposed to exist. He asked the assistant to see if he could see these files, and they soon returned with folders resembling scrapbooks, that contained the valuable images. Marcus checked and would later find that with four exceptions (The Enemy of the World 4, The Dominators 5 & The Mind Robber 4 5), all episodes from Story Z to Story UU were present. Marcus immediately contacted Doctor Who Monthly magazine editor Gary Russell, who both agreed the images should be published as soon as possible for all of Dr Who fandom to see. At the same time, Stephen James Walker, a notable Doctor Who author, was researching at the Written Archive Centre. He had also found the Tele-Snap Scrapbooks, yet didn't have the resources and contacts that Marcus Hearn did. Despite Marcus' belief that "Scrapbook One" existed, which supposedly contained all the episodes pre-The Gunfighters, all documentation found to date says otherwise. It is accepted that John Cura only Tele-Snapped stories that he was requested (and paid) to snap, and not just every single story that was produced in the 1960's. Tele-Snaps founds were The Gunfighters 1 2 3 4, The Savages 1 2 3 4, The War Machines 1 2 3 4, The Smugglers 1 2 3 4, The Tenth Planet 1 2 3 4, The Power of the Daleks 1 2 3 4 5 6, The Highlanders 1 2 3 4, The Underwater Menace 1 2 3 4, The Moonbase 1 2 3 4, The Macra Terror 1 2 3 4, The Faceless Ones 1 2 3 4 5 6, The Evil of the Daleks 1 2 3 4 5 6 7, The Tomb of the Cybermen 1 2 3 4, The Abominable Snowmen 1 2 3 4 5 6, The Ice Warriors 1 2 3 4 5 6, The Enemy of the World 1 2 3 5 6, The Web of Fear 1 2 3 4 5 6, Fury from the Deep 1 2 3 4 5 6, The Wheel in Space 1 2 3 4 5 6, The Dominators 1 2 3 4 & The Mind Robber 1 2 3.

 

 

 

Christopher Barry

 

Esteemed BBC director Christopher Barry, in charge of such classics as The Daleks and The Power of the Daleks,  was one of the few directors to retain the Tele-Snap collections from his stories of Doctor Who. These were offered to the BFI sometime in the nineties, although had become known about in fan circles well before this. His collection consisted of The Daleks 1 2 5, The Rescue 1 2, The Romans 1 2 3 4, The Savages 1 2 3 4 & The Power of the Daleks 1 2 3 4 5 6.

 

 

 

George Gallaccio

 

In the late nineties, another set of Tele-Snaps were discovered. DWM reporter Peter Griffiths spoke to George Gallaccio, one of the production managers during the Jon Pertwee and Tom Baker eras. George was part of a team that was cleaning out the production office when a handful of Tele-Snaps were taken from a cupboard. Just seconds away from being tossed in the bin, George grabbed them. The collection also included various Tele-Snap enlargements from The Smugglers, The Tenth Planet, The Highlanders & The Underwater Menace. While the Tele-Snaps for the latter four stories were either already existing or the episodes themselves had already been recovered, the Tele-Snaps for The Crusade were a prize find, as the story was missing two of it's episodes.                                      

The collection consisted of The Crusade 1 2 3 4, The Time Meddler 1 2 3 4, The Tenth Planet 1 2 3 4, The Moonbase 1 2 3 & The Evil of the Daleks 3 4 5 7.

 

 

 

Derek Handley

 

In June of 2003, Derek Handley of Loose Cannon Productions, the group that make Tele-Snap reconstructions of missing stories, had the chance to meet the original director of Marco Polo, Waris Hussein. During the conversation Derek enquired about the Tele-Snaps for the lost story, to which he got the surprise reply of "I might have them". Apart from Mission to the Unknown and The Massacre, Marco Polo has the least surviving evidence of off-screen visuals known to exist, save for eight photographs from the final episode grabbed by an Australian fan during the screening in Australia (later published in DWB 57). These photos can be seen here. In October Hussein confirmed he had the Tele-Snaps, although his collection didn't include any for Episode Four as that episode was directed by John Crockett. Unfortunately for Derek, Waris Hussein was a very busy man and it wouldn't be until February 2004 that Derek would be able to finally obtain the snaps. Doctor Who Magazine agreed to pay the rights for use, thus allowing the snaps to be seen by the public for the first time in almost 40 years. Waris held Marco Polo 1 2 3 5 6 7.

 

 

 

Publishing the Tele-Snaps

 

I have decided to drop this section of the article. Please refer to the brilliant Tele-Snap article by Richard Bignell in 'Nothing at the End of the Lane' Issue 2 for more information. Tele-Snaps can be viewed online here.

 

 

 

Epitaph

 

The final episode Tele-Snapped for Doctor Who was Episode 3 of the Patrick Troughton adventure The Mind Robber, which aired on the 28th of September, 1968. Cura ended his Tele-Snapping career the same year, after an impressive 21 years. John Cura passed away on the 21st of April, 1969, at the age of 67, after contracting cancer of the colon. After his death, his wife Emily attempted to see if the BBC wanted his collection, which stood at approximately several hundred thousand images. They didn't, and as a result the entire collection, like the Doctor Who episodes themselves, were destroyed (a handful of his collection did survive, mainly from the Royal family and the Beverley Sisters). Doctor Who fans owe a debt of gratitude to him and the service that he provided for this and other series. Without John Cura, many Doctor Who memories would be lost forever.

 

 

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