Interviews with the Master

Ronnie Sortor

1. When did you first decide you wanted to be a Film Director?

In the mid-'70's after seeing many of the still great movies of that time. Famous Monsters of Filmland magazine introduced me to the movies of the past. The "Monsters" were the initial attraction to the whole genre. But the "Filmland" was the part that really took root in my mind. From there, I read everything I could get my hands on about filmmaking.

2. At what age did you first get your big break in the film business?

30 and I made that "break" myself.

3. Who was your biggest influence?

If I have to name a single filmmaker as an inlfluence (there have been many), it'd have to be George Romero. Not only did he make one of the greatest films ever with Night of the Living Dead, the remarkable story of his independent spirit's drive to get it made is truly inspirational.

4. Did you have to go to college for learning the arts of acting?

I didn't "have to", but I did study it formally, somewhat.'

5. Can you make a living off of Directing Independent films?

Me? No. What little income I receive from the distribution of my movies is a minor supplement. I'm really just a blue-collar skilled laborer who works in a sweat-shop every day. Don't believe me? I'd be glad to show you.

6. What is the difference between Independent films and Studio films?

Independent movies are made by hungry artists with a true vision, willing to make sacrifices to get the project made. Studio films are made by greedy corporate coke-heads in suits just to turn enough profit to aggrandize themselves and feed their expensive addictions.

7. What is your favorite genre of film?

Horror, naturally.

8. What is your favorite all time movie?

The Bride with White Hair.

9. Do you use any kind of math in this profession?

What an unusual question! I guess the answer is yes, because not only am I a director, but an editor as well. In editing, it's necessary to work off of time-code, which is all numbers, and the editor must keep track of those numbers with their corresponding frames in the raw footage.

10. What is your favorite part about being a Director?

My favorite part of it is the peace of mind that I've achieved in realizing my vision. Before I'd completed a feature project, my mind was in a state of turmoil. Not only from the images and stories I wanted to get out, but from the fact that I hadn't done it yet! Now that I've got two features to my credit, I'm more at peace. It's a very satisfying thing. If only everyone was able to achieve such catharsis, the world would be a better place...