MOLLY Oh, this is great Wow!. That's incredible. There's get to be 7 or 8 feet up there. SAM And 80 years of dust. MOLLY Look at all this height. With our bedroom upstairs, we'd have all this space. SAM For What? MOLLY Just space. 1... 2... 3... And 4 ? And 5 ? Watch it watch it . God, this place is huge. Wow. MOLLY It's beautiful. God! You guess, it's absolute incredible SAM In credible. CARL A little paint, you could sell this tomorrow and double your money. MOLLY Carl, you're obsessed. CARL A little bit. SAM Whoa, look! Hey, it's an Indian head penny. 1988. It's a good omen. MOLLY You're the good omen. Oh, it's so great. CARL I had rose Move your 3:00 to 4:00. Gary Allen called late yesterday. He has to see you about the final painting bids for the loft. 3:00 is the only time he can make it. Sam? SAM Huh? Oh, I'm sorry. CARL Relax. This isn't brain surgery you're going into. SAM Pitching these Japanese guys makes me so nervous. CARL Sam.... You're going to be great, ok? SAM What am I supposed to say? I can't tell them my Swedish pompom girl joke, you know. CARL Those are great. Where'd you get there? SAM Nice, huh? Molly. What do you get those? CARL Man, look at that. A testarossa. Whoa. Ouch. SAM Pay off your mustang first. How are you feeling? What did the doctor say? CARL He said I shouldn't be coming in today. SAM What about the rush? CARL The rash? Hm-hmm. The rush is, um...also incredibly contagious. He said they've both been spreading. SAM No. On your genitals again? CARL Yeah. Yeah, right on the genitals. Basically everywhere. He said that I shouldn't touch anyone. Excuse me. I'm sorry. SAM I know. Morning, Paul. PAUL Morning, Carl, Sam. SAM Hey, Paul. SUSAN Morning, Mr. Wheat. SAM Morning Susan. You're looking good. CARL Sam? SAM Oh, yeah, yeah, yeah. Here it is. CARL Thanks. WOMAN Morning. Sam. SAM Morning, Listen, the kobiashhi people.. WOMAN They're already here. SAM They're early. WOMAN I know. SAM Come here. How long have they been here? WOMAN About 10 minutes. Andy Dillon called and says he needs $900.000 transferred to Albany by 10:00. Can you transfer it to his payroll account? CARL I'll need your Mac code. SAM Ok. Discretion, right? CARL Got it you bet. I'll do it right now. Bill I'll call you back. MAN Ok, Ok that's fine. That's fine. That's fine! Aw, man, it's too far out. Can you get this, man? MOLLY Where are you guys from, the new York city ballet? Almost. Oh! SAM Saved your life! MOLLY You shit. You scared me to death. Why'd you do that? SAM It's better than seeing this gorgeous body splattered all over the place look out. CARL Sam? Molly? You guys home? SAM Did you invite Carl? Slave labor. Carl? Hurry. Help. CARL Oh, my god. MAN Grab the bottom. Want this down here? Right here? MOLLY Watch your toes. MAN Where do you want this? MOLLY Uh, in the bedroom. CARL God this place looks great. MOLLY Yeah. You like it , huh? CARL Like is hardly the word. I didn't know it would be this beautiful. SAM Molly, what about her? MOLLY Leave her there until we get the rest in. CARL What are these? MOLLY Oh, let me show you. Help me lift this up. CARL Here? MOLLY Voila! CARL Wow. MOLLY What do you think? CARL It's fantastic. I love it. MOLLY Sam, what's this chair doing here? SAM What do you mean? I love that chair. MOLLY I know, but we discussed this... SAM I've had it forever. When I watch TV, I sit in it . MOLLY This chair is ugly. SAM So? MOLLY And it doesn't go with anything. SAM It goes with me. MOLLY You're right. It does. We'll paint it SAM We'll what? MOLLY Are you ok? SAM Mm-mmm. I'm fine. MOLLY What' the matter? SAM Nothing. MOLLY You worried about the promotion? SAM No, not really. MOLLY Then what? Is it moving together? SAM No I don't know. It's...a lot of things I just don't want the bubble to burst, seems like, uh... Whenever anything good in my life happens, I'm just afraid I'm going to lose it. MOLLY I love you, I really love you. SAM Ditto. T.V. Pilot first reported trouble web the number two engine blew, the one in the tail of the plane.... SAM Oh, Jesus, another one? MOLLY Oh don't watch that. SAM I should cancel my LA trip. These things always happen in threes. MOLLY Sam, get serious, besides, you lead a charmed life. SAM Oh, yeah? So did they It's amazing. Just like that. Blackout. SONG Oh, my love. My darling. I've hungered for... SAM What are you doing? MOLLY I couldn't sleep. SONG A long lonely time SAM I must have passed out. What time is it? MOLLY It's 2 A.M. SONG And time goes by so slowly and time can do so much are you still mine SAM Oh. No I hope it wasn't a masterpiece. MOLLY It's not now. SAM Can I help? MOLLY Yeah. Put your hands here and get them wet. Just let the clay slide between your fingers. SONG Godspeed your love to me lonely rivers flow to the sea to the sea to the open arms of the sea yeah lonely lovers sigh wait for me wait for me wait for me, I'll be comin' home wait for me. Oh, my love my darling' I've hungered for your touch a long lonely time and time goes by so slowly and time can do so much are you still mine I need your love I need your love god speed your love to me SAM Oh no. CARL What's the matter? SAM A glitch what's up? CARL The Greenberg and white accounts--I can't get in. The Mac code isn't working. SAM Oh, I change it. CARL Why? SAM Nothing. I want to nose around a bit. CARL Is something wrong? SAM Can you keep a secret? CARL Yeah, sure. What's up? SAM There's too much money in these accounts. CARL Too much money? That's impossible. Sam This is going to take you hours. Let me do this. SAM It's already taken me hours. CARL Let me figure it out. SAM No, that's ok. It's like a vendetta now. Thanks, though. I appreciate it. CARL Ok. If you start to go blind, give a shout. SAM Ok adios. CARL Listen, what are you and Moll doing tonight? SAM We're going to the theater to see Macbeth. She likes the guys in tights. You want to go? CARL No thanks. I want a full report, though. SAM Later. CARL Yeah. SAM Well, I love it. I was spellbound the whole time. MOLLY I could tell. So could everyone else with that resonating snore of yours. Did I tell you what Marcia said? SAM Yeah about six times. Quit being so blase about this. This is really important. I'll have two pieces in her gallery. The New York times reviews he gallery all the time. SAM Molly, The New York times is just some frustrated little critic with pimples on his ass who flunked are school. Who cares what they think? MOLLY About eight million readers, that's who. SAM Nah, They're just reading the sports page. Your work is really beautiful. Is really is. MOLLY Thanks SAM It shouldn't matter what anyone else thinks, just what I think. MOLLY I want marry you, Sam. SAM What? What? MOLLY Yep. I've been thinking about it I've been thinking about it a lot, and I think we should just do it. SAM You're serious. MOLLY Yeah. What's that look for? SAM You never wanted to talk about it. MOLLY Do you love me Sam? SAM Now, What do you think? MOLLY Why don't never say it? SAM What do you mean? I say it all the time. MOLLY No, you say "Ditto" and that' not the same. SAM People say I love you all the time, and it doesn't mean anything. MOLLY You knew, sometimes you need to hear it. I need to hear it. Let's go. What should we do? SAM Let me handle it. What do you want? MOLLY Your wallet give it to me! Sam just give it to him. SAM Ok, just take the money. Just leave.. MOLLY No, Sam.. SAM You son of a bitch! MOLLY Sam, don't! Somebody help us! Jesus Christ, Sam! Just get off him. Somebody help us! Sam, just let... Sam, stop it. Stop it Sam! SAM Molly? Molly, you get MOLLY Sam... Baby, hold on. You're going to be ok. Somebody? Somebody? Somebody help us! Oh, Sam, Oh, my god. Oh, Sam, come on. Hold on, baby. Someone's going to come. You're going to be ok MOLLY Somebody! Somebody help him! SAM Help me. Please help me. MAN Take it easy, all right? We'll help you, ok? SAM Molly? Molly? Molly? MOLLY Ok... All right. All right. SAM Molly? MOLLY What should we do? SAM Aha! Aah! Aah! What's happening? What's... MOLLY Is he breathing? I don't know if he's breathing. Don't die, Sam. Hold on Hold on baby. Hold on. Oh, my god. Come on man. All right. Here we go. I... Come on, baby. Sam, don't you leave me. Sam, hold on! Sam. . . Oh, Sam. . . Jesus... POLICE Miss Jensen, if you'll just step this way, please. GHOST So, what happened to you? SAM What? GHOST You're new, huh? I could tell. SAM Are you talking to me? GHOST Relax. It isn't like before. It's a whole new ball of wax. SAM Who are you? GHOST I'm waiting for my wife. She's cardiac wing. She's fighting it. Shot, huh? That'll do it every time. Poor bastard. You may as well get used to it. You could be here for a long while. Come here. I'll tell you a secret. Doors ain't so bad. Zip, zip--They ain't nothing. You'll see. You'll catch on. DOCTOR 1 This patient's fibrillating. Let's move it. DOCTOR 2 Give me the paddles. GHOST He isn't going to make it. I've seen it a million times. He's a goner. DOCTOR 1 He's still fibrillating. Clear. GHOST You see? Here they come. Lucky bastard. It could have been the other ones. You never know. SAM Who are-- No! Aah! God help me Oh, god... Help me. PRIEST I am sunk in the abysmal swamp where there is no foothold. I have reached the watery depths. The flood overwhelms me. I have reached the watery depths. The flood overwhelms me. I am wearied with calling. As we say farewell to our friend Sam wheat, we are reminded of his kindness... His generosity, his buoyancy of spirit. All that we treasure--- our loved ones, our friends, our body, our mind--are but on lone to us. We must surrender them all. We are all travelers on the same road, Which leads to the same end, As our loved one enters eternal life, let us remember that love, too, is eternal. That although we will miss him, our love will light the void and dispel the darkness. MOLLY I picked up your shirts today. I don't know why. Mr. Reynolds told me to tell you hello. I broke into tears. It's like I think about you every minute. It's like I can still feel you. SAM I'm here Molly. MOLLY Floyd, what's the matter, kitty? Crazy cat. Sam? That's really stupid. MOLLY I love this picture. CARL It's great. Office. MOLLY Let me see that. CARL It's um... MOLLY Sam's address book. CARL Right. Dave Brubeck. Newport, "88. Should I toss them? MOLLY No. SAM No? Molly, we hated that concert. MOLLY Hey. CARL Oh. You wanted to save those? SAM Rolaids? Molly, what are you doing? MOLLY I just miss him, Carl. CARL Me too. MOLLY Carl? CARL Yeah? MOLLY Wait a minute. Wait. CARL What? MOLLY Not that one. CARL Which oh, I'm sorry. I didn't mean to put that one there. MOLLY That's ok. CARL Hey, Molly, why don't you come? It's like summer outside. MOLLY No, I'm really not up for it. CARL Just for a walk. MOLLY I don't want to. CARL You can stay in all day. It's not healthy. MOLLY Carl, I can't do it! CARL Molly, you're right. Maybe just a short one. CARL That's a girl. MOLLY I'm sorry. CARL Don't worry about it. SAM Molly! What are you doing here? You bastard. You son of a bitch! What do you want? Molly? Molly, get out! Oh, my god. No, Molly! Look, no, no, please! Molly! Molly, he's get a gun! MOLLY Hi, kitty. Hi. SAM You hurt her--Aah! MOLLY Shit! MOLLY Is somebody there? Hello? Hello? SAM Oh, my god! Let's go! What are you doing? Aah! GHOST Like trains? Stay out! This is mine! MOLLY Shit. It's me. I couldn't get it. She came home. Give me a couple of days, man. I'll go back. Relax. I'll get it. SAM Get what? Who are you? What do you want from us? No. You stay away from her. Do you hear me? Stay away from her! WOMAN Rosa Santiago? Please be seated. Our sister will be with us soon. WOMAN Sister Oda Mae, grant us the gift of your all-seeing presence. Appear before us now. ODA MAE Mrs. Santiago? ROSA Buenos dias. ODA MAE I'm Oda Mae brown. I understand you wish to contact your husband. ROSA Si. ODA MAE I believe he'll be with us today. ROSA Thank you. Thank you. ODA MAE But you know, Mrs. Santiago, there's no telling about that other world, so you've got to be a believer, Mrs. Santiago. Are you a believer? ROSA Si, Si, I believe. I believe. ODA MAE Than let us begin. I can't I can't. It's too difficult. I can't make contact. I don't feel his vi-- No, wait! ODA MAE I'm feeling something Did he know some one by the name of Anna? Consuelo? ODA MAE Lucita? Julietta? Josefina? Linda? Maria? ROSA Isi! His mama! She is Maria! ODA MAE Yes! Praise god, I know he was with his mama. SAM Oh, my god. ODA MAE It's too difficult. It's two of them. I'm not sure I can do that. It's so trying. ROSA Oh, I pay more, how much? How much? ODA MAE 20 SAM Way to go. Milk her for every penny. ODA MAE Huh. Yes, I... I believe we can start again. WOMAN Praise the lord. Praise the lord. Thank you, Jesus. Than you. Jesus. ODA MAE Welcome, Mrs. Santiago. You're fortunate today. The spirits are churning. ROSA My husband? WOMAN Have mercy! SAM Oh, yeah? Where? ROSA Julio? ODA MAE Yes! I feel his vibration. Ooh! I see him! ROSA How is he? How does he look? ODA MAE Oh, he's a handsome man. ROSA Handsome? ODA MAE Mrs. Santiago, in our father's kingdom, we're all handsome. ROSA Oh,, Julio. ODA MAE Hulio's coming towards us. I see him! He's coming! He's there! He's dressed in a black suit. ROSA Black suit? ODA MAE It could be blue. SAM What a crock of shit. ODA MAE Who is that? Julio! Where are you? Julio? Julio? Did you here it? Damn! Where are you? Julio? Who are you? Whoa! SAM You can hear me? ODA MAE Don't you hear him? SAM I don't believe this. Hey, you, my name's Sam Wheat. ODA MAE Leave me alone! SAM Say it! Sam Wheat! WOMAN Talk to me, Oda Mae. Say something! ODA MAE Sam Wheat! SAM Jesus. WOMAN Sam Wheat? Sam Wheat? ODA MAE I swear, no more cheating. I'll do anything. ODA MAE I'll do penance, but make that guy go away! SAM No way. ODA MAE Aah! WOMAN It's ok. It's ok. All right, sister. ODA MAE Thank you. WOMAN Yeah, you're all right. ODA MAE My mother and my mother's mother, both and the gift. . They always said I had it, but I never did. I never had it. They told me all about it. But now that I got it, I don't think I want it. Go away. Find somebody else. SAM Somebody else? You're out of your mind. ODA MAE I'm getting there fast. WOMAN She hit her head harder than we think. She was talking to nobody before she hit her head. Sister can do that. ODA MAE Where exactly are you? SAM Standing right beside you. ODA MAE Oh, you're standing right beside me? WOMAN Well, honey, we're right here. ODA MAE Are you white? SAM What? WOMAN White? ODA MAE You're white, aren't you? WOMAN Know what I think? I'll call the doctor right now. ODA MAE I know it. A white guy. Why me? SAM Listen, damn it. You're going to help me. There's a woman named Molly Jensen. She's in terrible danger. The man who killed me broke into our apartment, and he's going to go back. You've got to warn her. ODA MAE What makes you think she'll listen to me? SAM It's just a phone call. Look... You're all I've got. Now, I'm not leaving until you help me. I don't care how long it takes, 'cause I can talk forever. MOLLY Hello? ODA MAE Uh, hi. Is this Molly Jensen? MOLLY Yes. ODA MAE My name's Oda Mae brown. ODA MAE I'm a spiritual reader and advisor. A friend of yours gave me a message for you. I know this sounds crazy, but it's not. You've got to believe me Just don't be afraid. MOLLY Who is this? ODA MAE I got a massage from Sam. MOLLY What? ODA MAE Sam Wheat? He asked me to call. I told you. SAM Go there. ODA MAE Forget it. I'm not going anywhere. I don't care what you do. All right! All right! Stop singing! I'll go anywhere you want to, just don't sing anymore. I can't believe this. I can't believe I'm doing this. ODA MAE What am I doing down here? I never come downtown. I hate downtown. She's probably not even there. Where I you? Oh. Woof. Which building is it? SAM Uh, push 3. ODA MAE See? Nobody's there SAM She's there. Just wait. I did everything I said I'd do. ODA MAE I pressed the button. She's not there. I'm going. Don't sing, all right? MOLLY Hello? SAM Molly-- ODA MAE Shh! She can't hear you. Hi, I'm Oda Mae. I called you about your friend Sam Wheat? I told you. Hey, Molly! Molly Jensen. I know you're up there. I know you hear me. I'm down here. Sam wants to talk to you. This is for real. Remember the starfish in Montego bay? How would I know that if he wasn't here? Hey, Molly, I know about the green underwear that you wrote your name on. ODA MAE I'd never get over that, I tell you that. I know about the picture in Reno. Hey Molly! SAM Ask her about the sweater she knitted in the closet that's too big. ODA MAE He asked me to remind you of the sweater in the closet that you knitted that's too big. Four sizes. Hey, you hear me tailing to you? MAN I hear you. ODA MAE Shut up. Nobody's talking to you. MAN Ever hear of a phone? ODA MAE Want to kiss my butt? I'm not staying down here all day. MAN Thank god. ODA MAE Aw, Man, shut up. Molly! I'm going to count to 3, and I'm out of here. 1, 2, 3. SAM No, Oda, wait. ODA MAE No. SAM It's molly. ODA MAE Molly? I'm Oda Mae brown. I don't know you or Sam, but let me tell you what he did. He kept me up all night singing I'm henry the eight, I am. MOLLY That's how he got me to go out with him. Look, I'm sorry. I just---- I just don't believe in this life after death stuff. SAM Well, tell her she's wrong. ODA MAE He says you're wrong. MOLLY You're talking to him right now? ODA MAE He just asked me to tell you that you're wrong. MOLLY So where is he? ODA MAE I can't see him. I can only hear him. SAM I'm right here. ODA MAE That doesn't help, Sam. SAM I'm holding her hand. ODA MAE He says he's holding your hand. MOLLY What are you doing? What do you think you're doing to me? ODA MAE If you think I'm here for my health, you're crazy. MOLLY Sam's dead. Ok? He is dead. SAM Tell her I love her. ODA MAE He says he loves you. MOLLY Sam would never say that. SAM Say ditto. ODA MAE What the hell is ditto? Ditto! ODA MAE To tell you the truth, I don't know how I'm doing this. Confidentially, nothing like this has ever happened to me before. I mean, nothing. Now I can't turn it off. Is this him? Is this you? SAM Yeah. MOLLY Yeah. ODA MAE Hut. Cute. White, but cute. MOLLY What I don't understand is, why did he come back? SAM I don't know. MOLLY Why is he still here? ODA MAE He's stuck, that's what it is. He's in between worlds. You know, it happens sometimes that the spirit gets yanked out so quick that the essence still feels it has work to do. SAM Would you stop rambling? ODA MAE I'm just answering her question. He's got an attitude. Now. SAM I don't have an attitude. ODA MAE Yes, you do have an attitude. We're having a little discussion. If you didn't have an attitude, you wouldn't have raised you're voice. SAM God damn it, Oda Mae-- ODA MAE Don't you god damn me. Don't you take the lord's name in vain. SAM Would you relax? ODA MAE You relax. You're the dead guy. Want me to help? You apologize. SAM Jesus Christ! ODA MAE I'm leaving. Nobody talks to me like that, you understand? Now, you better apologize. SAM I'm sorry. I apologize. Ok? Now, would you sit down? Please? ODA MAE He's apologize. SAM I need you to tell Molly What I'm saying, but you have to tell her word. For word. ODA MAE Yes. He wants me to tell you what he's saying word for word. SAM Molly, you're in danger. ODA MAE You can't just blurt it out like that. And quit moving around, will you? You're making me dizzy. I'll just tell her in my own way. Molly, you in danger, girl. MOLLY What are you talking about? SAM I know the man who killed me. ODA MAE He knows who killed him. SAM He's name's Willy Lopez. He knows where he lives. SAM Write it down. You write it down. ODA MAE I ain't no damn secretary. SAM Just do it! Argh! ODA MAE He's so testy. What is it you want me to write? SAM It's 303 prospect place, apartment 4-D. ODA MAE 303 prospect place? SAM Yeah. ODA MAE That's my neighborhood. SAM Molly, he's got my wallet, he's got my key, and he was in here. ODA MAE He's got his wallet and key and was here. SAM Yesterday after your walk with Carl, you talked to Floyd, took off your clothes-- ODA MAE All right, all right. When you came in after you're walk with Carl, he saw everything. SAM Go to the police. It was a setup. I was murdered. ODA MAE He says go to the police. He was murdered. SAM There's somebody else involved-- ODA MAE I don't want no more to do with this. SAM Where are you going. ODA MAE I'm leaving, I did everything I said I'd do. And don't be following me. I'm finished. I mean it. Have a nice life. Have a nice death. Goodbye. CARL Molly, there is no one earth besides you who wants this to be true more than me, but you got to be rational about this. Sam is no more in this room than-- Look, I understand the need to hang on to him, I really do, but this is absurd. MOLLY I know this seems absurd, but it had to be real. CARL You believed some fortuneteller from Brooklyn who shows up at your door? MOLLY I watched her have a conversation with him. CARL I don't buy it, Molly, not for a minute. MOLLY What about the things she knew? CARL What things? MOLLY The photo Sam took of me on our trip to Reno. Carl, we were alone. And the green under wear that I wrote my name in. She said Sam knew who killed him. Yeah, that he was set up. CARL This is getting deranged. We're off the deep end. MOLLY She had a name and an address-- Willy Lopez. 303 prospect place, apartment 4-D. CARL This is sick. SAM Oh, Carl. CARL This is really sick. Oh, god. Molly, I don't understand how you could-- You could... Swallow this crap. I mean... This guy may not even exist. Maybe she's just trying to use you to set someone up. MOLLY You are right. You are absolutely right. That's what I got to find out. CARL What do you mean, find out? MOLLY She said Sam wants me to go to the police. CARL Sam wants you to go to the police.? Jesus, Molly. Are you out of you're mind? What are you going to tell the police-- that some storefront psychic has been communing with the dead? Do you know what that sounds like? You're talking ghosts here, for Christ's sake. I'm sorry. This stuff just really gets to me, you know? MOLLY It's ok if you don't believe me. CARL I'm trying to, Molly. Look... If it'll make you feel any better, I'll go check this out, ok? I want you to try and get some sleep. Ok? All right. I'll call you in the morning. MOLLY Ok. SAM Be careful. WILLY Carl. What the hell are you doing here? CARL Who you been talking to, Molly? WILLY Talking to? What the hell do you mean? CARL Some woman knows all about you, everything. Where's she getting it form? WILLY I haven't said a word to anybody. CARL She knows your name where you live. WILLY A lot of woman know where I live. CARL This is not a joke. She knows about the murder. I want you to find this bitch, whoever she is, and I want you to--- just get rid of her, ok? CARL I've got $4 million stuck in a god damn computer. If I don't get those codes, if that money is not transferred soon... Dead. We're both dead. WILLY Why to tell them you only launder money the first of the month? CARL What the hell is wrong with you? You killed a man. You were supposed to steal his wallet. Was that a joke? WILLY I did you a favor. That was a freebie. CARL Look, these are drug dealers, ok? Just don't blow this for me. CARL I've risked my job. I could go to jail. $80.000 of that money is mine. Look, just... Let me have the key to Sam's apartment. I'll get the address book myself, ok? SAM You god damn bastard! Why? Why? You were my friend! I had a life, god damn you. I had a life! MOLLY Look, I don't even believe in this stuff myself. But she was real. You think I'd come down here if it wasn't real? You know, you told me if I had any new information that I should come. MOLLY So here I am. I know how this sounds. I hear myself saying it, and I want to cringe. But this woman knew things she couldn't have known. Things Sam only said to me. POLICE 1 Ok, according to this psychic lady, there are ghosts and spirits all over the place watching us all the time? Huh? Hell, I'm never going to get undressed again. Excuse me. I got more important things to do. MOLLY The guy's name is Willy Lopez. All I'm asking you to do is check it out. POLICE 2 Ok. Wait here. Let me see if the guy's got a record, all right? MOLLY Great. What are you doing? Where's the fill on Willy Lopez? POLICE 2 There isn't one. He was probably some old boyfriend. She was trying to get even with. This psychic woman's got a record that goes back a long way. 1967, Shreveport, forgery... Selling false I.D. served one year, 1974. Baton Rouge, arrested for fraud. POLICE 2 Numbers racketeering, served 10 months, 1974. MOLLY Look, this is impossible. POLICE 2 It goes on and on. MOLLY She know things, private things. Now, how could she have known all that? POLICE 2 A lot of times they read the obits. She just had to see the word "banker"--boom. Hell, they even g thought your...garbage to find things they can use-- Litters old papers. It doesn't take much. MOLLY No. It was real. She knows about a ... A sweater I knitted. And songs we sang. Our trip to Montago Bay. POLICE 2 I'm sorry. I know this is hard. People want so much to believe. They're grieving, they're vulnerable ... And they will give anything for one last moment. Believe me. POLICE 2 These people know what they're doing. I know how you must feel, but you know you can press charges. MOLLY No. Thank you. CARL Oh, god, let this be it. Yes. EDDIE Hello. CARL Eddie? It's Carl Bruner. EDDIE What's up? CARL Everything's fine. Just, we're all set. Let me know what you want me to do. EDDIE Want you to transfer the money from the 12 separate accounts into a single account under the name Rita Miller. CARL Ok. EDDIE Tomorrow at five minutes before closing, 3:55 P.M. transfer the full account to the first Island bank of Nassau, register number 486-9580. Call us when it's done. CARL Ok. I've got it. Just tell Mr. Balistrari that there won't be any more problems, ok? EDDIE Yeah. I'll do that. CARL Thank you. EDDIE Good work, Carl. SAM Molly, why can't you hear me? I need you. MOLLY Who is it? CARL It's Carl, Molly. SAM No. Don't open it, Molly. He's a murderer. CARL Hi. MOLLY Hey. CARL I know It's late. I'm sorry to disturb you. I've been thinking about you all day, and I feel really lousy about what happened last night. This supernatural thing just-- MOLLY Don't worry about it. It's ok. CARL No, it's not. You needed me to hear you, and I didn't. I wasn't there for you, and that was... That was wrong. It's just, I... I just-- CARL I want you to know that I'm your friend. MOLLY Thanks, Carl. SAM You were never our friend. MOLLY That really means a lot to me. CARL Me, too. I brought you some Japanese apple pears. I know you like them. MOLLY Thanks. That's very sweet. CARL Could I come in for a second It's just been one of those days Maybe some coffee? MOLLY Yeah. Come on in. SAM No, Molly. MOLLY You seem a little tense. Are you ok? CARL No. I'm fine. It's just... What can I tell you? It's been tough. It just still hurts so much. SAM You lying snake. CARL And on top of it, it's stuff at work. They've given me my one accounts, which is good, but I just haven't really had time to adjust, kind of absorb everything. It's no big deal. Yeah. Can I have just a little more cream? MOLLY Yeah. CARL Oh, shit. Jesus. I can't believe I did that. MOLLY Are you all right? CARL Yeah, I'm fine. Oh, god. MOLLY Let me throw that in the washer. CARL Don't worry about it. It's ok. It's just... MOLLY You want another shirt? CARL No. It's dry. It'll just take a minute. MOLLY There you go. CARL Where were you today? I thought you were doing to come into the bank and sign those papers? MOLLY I was supposed to, but I didn't have time. I went to the police. CARL You did? Wow. What did you tell them? What did they say? MOLLY It was awful. I felt really stupid. They brought out a file on this woman and-- At least 10 inches thick. CARL A rip-off artist, hut? SAM No, Molly. MOLLY You know, the sad thing... Is that I believed her. CARL Molly... Sometimes we need to believe. MOLLY Why? What's the point? CARL Molly, it's not easy to face the realities of life sometimes. You got to give yourself that. What you've got to remember how good Sam was. You were everything to him, Molly. You were his life. MOLLY I feel so alone. CARL You're not alone. Ok? You got your work. You're incredibly talented. You're young. You're fantastically gorgeous. MOLLY I don't know what's real anymore. I don't know what to think. CARL Just think about Sam. Think about the time you guys had together. How wonderful that was. Yeah. CARL Let your feeling out, moll. It's ok. Life turns on a dime. You know? I mean.. CARL People think that... They're there forever, that there's always going to be tomorrow, but that's bullshit. Sam taught us that. You have to live for now. For today. MOLLY I can't I'm sorry. CARL It's ok. MOLLY I--I--I can't. It's just too soon. CARL It's ok. MOLLY You've been great, Carl. But I need you to leave. CARL I understand totally. MOLLY Please. CARL Could we just have dinner tomorrow night? Just talk? Can I interest you in that? MOLLY Yeah. Sure. CARL Great. SAM Hey. GHOST Get off! Get off! Get off! Get off! Get off! Get out of here! Get off! SAM No. Show me how you do that. I'm not leaving till you teach me. GHOST Get off! SAM No. GHOST Get off! You stubborn asshole. Ha ha ha. What are you doing? What the hell are you doing? SAM What am I doing? GHOST You're trying to move it with your finger. You can't push it. You're dead. It's all in your mind. The problem with you is still think you're real. You think you're wearing those clothes? You think you're crouched on that floor? Bullshit! You ain't got a baby no more, son! It's all up here! You want to move it with your mind! You got to focus! SAM How? How do you focus. You just focus. SAM How did you do that? GHOST You got to take all your emotions, all your anger, all your love, all your hate, and push it way down into pit of your stomach. And let it explode like a reactor. Pow! SAM Ok. Don't laugh. GHOST Why to go, kid. SAM I did it. I did it. GHOST Way to go. From your gut, like I told you. Give it time. What else have you got? SAM Hold long have you been here? GHOST Since they pushed me. SAM Someone pushed you? GHOST Yeah, someone pushed me. SAM Who? GHOST You don't believe me? You think I fell? You thin I jumped? Well, fuck you! It wasn't my time! I wasn't supposed to go! I'm not supposed to be here! GHOST Oh. Oh. Oh, I'd give anything for a drag. Just one drag. SAM Are you all right? GHOST Who are you? Why are you hounding me? Who sent you? Who sent you? Leave me alone. Leave me alone! Leave me alone! SAM Yes! ODA MAE You need to concentrate, cause if you concentrate, you'll probably rouse him. What's his name again? ORLANDO Orlando. ODA MAE Orlando. Orlando. Orlando. Is there an Orlando here? ORLANDO I'm here. ODA MAE He's here. SAM Oda Mae, I-- ODA MAE Sam. ORLANDO Excuse me. I'm Orlando. The line's over there. SAM Where did these ghosts come from? You can hear them, too? ODA MAE I hear them in the morning and the evening. ODA MAE They're coming into the shower. Did you tell every spook you met about me? I got spooks from jersey coming in here. There's stuff going on you wouldn't believe. SAM It's amazing. You're really doing it. WOMAN I know. Can you hurry this up? ODA MAE Oh, chill out. Chill out. SAM I need your help. There's something we need to do. ODA MAE I'm not doing anything else with you. You're holding on to a life that doesn't want you anymore. It doesn't want you. Give up the ghost. WOMAN Are you speaking to me? ODA MAE Does it look like it? You're supposed to be concentrating, aren't you? You going to try it? Thank you very much. Sam, are you going to get out of here? SAM Uh-uh. ODA MAE Fine, then stay there. Excuse me. Excuse me. You ready now? Let's do it. SAM I got to talk to you now. I've got a plan. SAM All we got to do is we can... Oda Mae? Oda Mae. ORLANDO Ortisha? ORTISHA Orlando. Is that you? ORLANDO Ortisha, where you at? I can't hardly see. MAN Here. Sh-she's here. ORTISHA In front of you. I'm right here. ORLANDO Damn, baby, what did you do to your hair? ORTISHA Orlando, you like it? It's autumn sunrise. ODA MAE Get out of me, you son of bitch. Don't you ever do that to me again. ORTISHA Orlando? ODA MAE Ugh! ORLANDO I can barely move. MAN You should know better than that. Jumping into bodies wipes you out. ODA MAE Everybody out. ORTISHA Are you deaf? I said everybody out! Get out! Get out! Everybody get out! Get out. WILLY You the fortuneteller? ODA MAE Who are you? WILLY That's an interesting question. Why don't you tell me? SAM Willy. ODA MAE Willy? Prospect place Willy? SAM Get out of here fast. WOMAN Oda Mae! Sister! Sister! ODA MAE I'm all right. I'm all right. SAM We're in trouble, so you got to help. ODA MAE What do you mean we? You're already dead. There people are trying to kill me. SAM I have a plan, and it will work, but get some of your fake I.D.S. ODA MAE Forget it. SAM If you this, they'll never bother you again. Scout's honor. ODA MAE All right. What do I have to do? What exactly do I have to do? SAM You got a nice dress? Sorry. I made a joke. I love your shoes. ODA MAE I don't know anything about banking. SAM Oda Mae, would you just relax? ODA MAE Listen, I'm nervous. SAM I'll get you through it. Your fake driver's license is great. ODA MAE Oh, Sam. I don't think I should do this. SAM Straight ahead. A stairway that says new account. ODA MAE I'm here to fill out a signature card for a new account. WOMAN Do you know your account number? SAM 926-31043. ODA MAE 926... SAM 31043 ODA MAE 31043 SAM Rita Miller. ODA MAE Rita Miller. WOMAN Didn't you sign a card when you opened the account? SAM Carl Bruner opened it for me by phone. Now he's asked me to come in today. Is that right? Yeah. WOMAN All right. Just sign this card on the bottom line, please. ODA MAE May I use your pen? Thank you so much. SAM No, no, no! Rita Miller. ODA MAE I'm sorry. You know, I... I need another one. I signed the wrong name. SAM Make sure it goes up to the third floor file because you have a transaction to make. WOMAN A what? SAM Let's go. ODA MAE You know what I mean. Can I keep this pen? WOMAN Uh... Uh, yes sure. ODA MAE Thank you so much. Bye-bye. I just love these pens. SAM What do you want to keep the pen for? CARL Carl Bruner speaking. JOHN Hi Carl. CARL Mr. Balistrari. JOHN Balistrari? Carl, It's me, John. CARL John. John, sorry, um, what--what-- what--what's up? JOHN I've got the info on the Bradley portfolio. CARL Oh, right. I'll pick it up later, all right? JOHN I'll be here till 6:00. SAM I don't suppose I can talk you into losing the hat. ODA MAE You keep messing with me, you'll be here by yourself. SAM Shh. Now tell the guard you're here to see Lyle Ferguson. ODA MAE Hi, I'm here to see Lyle Ferguson, please. POLICE Do you have an appointment? ODA MAE No, I'm here for my health. SAM Tell him Rita Miller's here. ODA MAE You--you just tell him Rita Miller's here. POLICE One moment. SAM Don't embellish. ODA MAE Jawohl. POLICE Excuse me? SAM Now, listen. This guy Ferguson's a real jerk. SAM I've known him for five years, and he still thinks my name's ODA MAE Why are you whispering? SAM Just be quiet and listen. He's a social moron. Just tell the guard Furguson knows you. You spent time with him and his wife Shirley at the Brewster's Christmas party last year. Got it? POLICE What is this in regards to? What? He doesn't remember me? Oh, we spent all that time at the Brewster's Christmas party last year. It was beautiful. A big old tree and thousands of presents everywhere. It-- Gas. ODA MAE I Get a little gas from time to time. That's all. Gas. Quit poking me! SAM Well, didn't overdo it. Now, listen. This'll be easy. Ferguson was so drunk, he could've had a conversation with Tina Turner and not remember. ODA MAE I don't know, Sam. SAM Here we go. FERGUSON Hello. Hello. Uh, yes. Of course, yes. Well, uh, it's been a ... A long time. ODA MAE Long time. SAM Ask how Bobby and Snooky are doing. ODA MAE How are Bobby and Snooky doing? FERGUSON Fine. Fine. Thank you. Thank you for asking. Uh, and how is your, uh, family? ODA MAE Oh, couldn't be better. FERGUSON Well... Wonderful. SAM Tell him you've been wonderful how they did on the Gibraltar securities. ODA MAE I was just wondering, how did you do on the Gibraltar securities? FERGUSON The Gibraltar securities? Well, it looks like we topped out in that one, huh? SAM Sure did. ODA MAE Sure did. FERGUSON That was a useful tip. SAM Good old Landy. ODA MAE Good old Landy. Got a good old head on his shoulders. SAM Her shoulders. ODA MAE Her shoulders. Landy. FERGUSON So, what, um... What brings you here today? SAM You're closing an account number? ODA MAE Yes? SAM Yes. ODA MAE Yes. SAM 926-31043. ODA MAE 926-31043. Is that right? SAM Yeah. ODA MAE Good. FERGUSON Well, Rita, It looks like you'll be withdrawing $4 million from us today. ODA MAE $4 million! SAM Say yes. Say yes! FERGUSON Is that correct? SAM Yes. ODA MAE Yes. Yes, uh, yes! Yes. That's correct. SAM Easy, easy. FERGUSON Yes. Well, how would you like that? ODA MAE 10s and 20s. FERGUSON Pardon? SAM Tell him a cashier's check. ODA MAE I think better a cashier's check. FERGUSON A cashier's check. Fine. Well, of course, uh, you know, we require identification from everyone. ODA MAE Oh, I see. FERGUSON It's just procedural. ODA MAE Yes, I... FERGUSON Thank you. Well, I'll, uh, I'll be right back. ODA MAE $4 million! SAM Shh! CARL Yeah, get me the first island bank of Nassau. It's on the rolodex. FERGUSON Well, we have some, uh, things for you to sign here. This officially closes the account. And, uh, here you are. SAM Now sign Rita Miller. ODA MAE Mm-hmm. Rita Miller. That's my name. My name. Rita Miller. My name. That's my name. WOMAN Molly, hi. MOLLY Hi. SAM Oda Mae, I'll be right back. ODA MAE Just anywhere? FERGUSON Right here. Fine. The, uh, check. This, uh... Here you are. WOMAN The person you need is right down on the end. ODA MAE Mama took the money that she made in the oil wells, and she sunk it into gas pumps. You know, how they have at the gas station? It's very, very lucrative. SAM Oda Mae... It really adds up. Say goodbye. ODA MAE It's been a pleasure doing business with you. Now, may I keep the pen? Say good night to Bobby and Snooky for me. Bye-bye. Why are you rushing me? What is wrong? Oh. MOLLY Excuse me. Lyle? FERGUSON Oh, Yes. Uh... MOLLY Molly. FERGUSON Molly. MOLLY Jensen. The woman you were just doing business with... FERGUSON Yeah? MOLLY What did she want? Did it have anything to do with Sam? FERGUSON Sam? Why, no, no. MOLLY That was Oda Mae Brown, right? FERGUSON No. Her name was Rita Miller. She was closing an account. Is there a problem? MOLLY No. I guess not. Thank you. MAN Carl, is something wrong? CARL Is somebody playing with the computers? MAN What? CARL One of my accounts is closed. MAN Which account? What's wrong? You want me to call someone? CARL No, it's ok. I can do it. I got it. ODA MAE $4 million! What am I going to do with this money? I'm going to buy the block. I'm going to make my sister go to a fat farm. I'm going to buy the building. SAM I've got an idea. Please donate. Take the check out of your purse. ODA MAE Right. I should put it where nobody can get it. SAM No. No. Endorse it. ODA MAE If I endorse it, then if I drop it, somebody will get it. SAM I never said you were going to get the money. It's blood money. I was killed for this money. Now, endorse the check. ODA MAE What are you going to do with it? SAM Look over there. To your left. ODA MAE You don't think I'm giving this $4 million to bunch of nuns. SAM If you don't they'll track you down. Get rid of it. ODA MAE Sam, You're killing me! It's $4 million! SAM You'll go to heaven. I want to cash the check. NUN Hello. SAM You'll thank me later. ODA MAE How are you doing? SAM Now, endorse it "Rita Miller." ODA MAE I know. SAM Make it out to St. Joseph's shelter. ODA MAE I can't believe you're making me do this. SAM Now give it to her. ODA MAE I want to feel it one more time. SAM Give the lady the check. ODA MAE I Will! SAM Hand her the check. ODA MAE You can do it. Give her the check. ODA MAE I will! NUN Bless you, child. Bless you. SAM Give it to her. Let go. Let go! Shit. I'm proud of you , Oda Mae. ODA MAE I don't care. Stay away from now on. What is that nun going to do with it? Leave me alone. Never talk to me again. SAM Go ahead, search. You'll never find it. They're going to be fertilizer. They're going to bury you right next to Jimmy Hoffa. Yoo--hoo! CARL Who's doing that? Who's doing that? MOLLY Hey. CARL Hi. MOLLY I thought we were having dinner. CARL I know, Molly I'm sorry. I just forget. SAM Had trouble at the bank. MOLLY Forgot? I wish you'd called. I've been really worried. CARL Listen, Molly. I got to ask you about something. SAM Yeah. He needs to borrow $4 million. CARL When you said that you thought Sam was here, that he was talking to you, what did he say to you? MOLLY What does that have to do with anything? CARL Just listen to me. This psychic lady, I want to know what she told you. MOLLY Stop this. It doesn't matter. It wasn't real. What the hell happened to you tonight? Does this have anything to do with her being at the bank today? CARL The bank? MOLLY Yeah. Ferguson said she closed an account. Her name isn't even Oda Mae Brown. It's Rita Miller or something. Carl, are you all right? CARL It's just my stomach. It's... MOLLY Um... Jesus. CARL Do you have any, like, some pepto bismol or something? SAM Cyanide... MOLLY Uh, yeah. It's upstairs. Sit down. I'll get it. SAM What's wrong? Does little Carl have a tummy ache? CARL What are you doing? SAM Now do you believe in ghosts? CARL I'll set the place on fire, I swear to god. I'll cut her throat. SAM Carl. CARL I swear to god. I'll cut her throat. I need that money, and I want it tonight at 11:00. If that psychic does not bring it here, Molly is dead. Ok? MOLLY Carl, who are you talking to? CARL Nothing. Now, Molly, Listen to me. I can't explain this now, but there's problem, ok? Something at the bank. MOLLY Carl, you're scaring me. CARL I'll come back about 11:00. MOLLY Why? Why not now? CARL Molly, look, I'll come back. Like 11:00, ok? I'm sorry to do this to you, Molly, but it's important. Got to go. SAM Oda Mae! T.V. Ahh! I'm Arsenio hall. Don't try to adjust your television. I'm black. WOMAN I want to watch love connection. WOMAN I love love connection. WOMAN I love that man on there. ODA MAE That's Arsenio. WOMAN So? ODA MAE You love connection, send your picture in there. WOMAN She did. WOMAN They just haven't answered yet. SAM Oda Mae? ODA MAE Sam? WOMAN Not again. SAM They want the check, and they're coming for you. ODA MAE The check you said they would never know about? WOMAN Oda Mae, What's happening? ODA MAE Sam? SAM Get out of here! Now! Go! WOMAN Put the damn remote down. Come on. WOMAN Knock on the doors. ODA MAE Help! Help! It's an emergency. Let us in. WOMAN Who are you kidding? ODA MAE Open up! WOMAN You can't come in. The cat don't like visitors. She'll pee all over. ODA MAE They're going to get us. Where's Sam? WILLY The bitch just left. CARL I'll check downstairs. WILLY Carl? Aah! CARL Willy! MAN Hey, man. You got a serious problem, man. WILLY Help me! Help! CARL Willy! MAN I heard the car. I was standing right there. You could hear it across town. Sure, they snuffed him. MAN Yeah, yeah. That dude is dead. SAM You're dead, Willy. WILLY Aah! Aah! No! No! No! Aah! Help me! SAM Tell the drive to hurry. ODA MAE Yo, man, you want to step on it, please? DRIVER Lady, I'm driving as fast as I can. ODA MAE Problems? MOLLY Carl, is that you? ODA MAE No. It's me, Oda Mae. Listen. Molly, I know what you think of me, but you are in serious danger. I got Sam here. We got to talk. MOLLY Got the hell out of here. I'm calling the police. SAM Tell her to do it. ODA MAE Fine. We want you to call the police. Let us in. MOLLY No. ODA MAE Look, don't you get it? Sam wasn't just accidentally killed. ODA MAE He was murdered. He found out Carl was laundering money at the bank. This guy Carl is dangerous. He tried to kill you. He's going to try to kill you, too. You're in deep trouble. MOLLY Why are you doing this to me? Why are doing this to me? Why are doing this to me? I can't... I just can't... SAM Oda Mae. Oda Mae, tell her... Tell her she's wearing the shirt that I spilled the margarita on and the earrings he gave her for Christmas. ODA MAE Sam says you're wearing the shirt he spilled the margarita on and earrings he gave you for Christmas. Don't you see? I'm not a fake. Not about this. SAM Give me a penny. ODA MAE What? SAM Push a penny under the door. ODA MAE Push a penny under the door? SAM Do it. Tell her it's for luck. ODA MAE Sam says it's for luck. MOLLY We're between green and mercer on prince, The gray building across from the post office. Thanks, sergeant. Please hurry. We'll be waiting. All right. They're on their way. ODA MAE Good. MOLLY So, what do we do now? ODA MAE Just wait. MOLLY Is Sam here? ODA MAE Sam? SAM I'm sitting beside her. ODA MAE He's sitting right beside you. MOLLY Sam, can you feel me? SAM With all my heart. ODA MAE Says with all his heart. SAM I'd give anything if I could just touch you once more. ODA MAE He says he wishes he was alive again so he could touch you. MOLLY Me, too. ODA MAE Ok. Ok. Look. You can use me. SAM Use you? ODA MAE You can use my body. SAM Use your body? ODA MAE Just do it quick before I change my mind. SONG Oh, my love my darling I've hungered for your touch a long, lonely time and time goes by so slowly and time can do so much are you still mine I need your love I need your love god speed your love to me lonely rivers flow to the sea to the sea yeah oh, my love my darling" I've hungered hungered for your..." CARL Molly! Molly, are you home? MOLLY It's Carl. CARL Molly! ODA MAE Fire escape. SAM What's happening to me? CARL Molly? Molly? Molly! Son of bitch! MOLLY Come on. ODA MAE Oh. Look. Look. Oh. Let's go . Let's go. All right. CARL Molly! ODA MAE Just get away from us, Carl. CARL Molly! MOLLY You're just a liar. CARL Listen to me. This woman's a thief. She's a con artist. MOLLY Why are you doing this? CARL Don't listen to her. Stop! MOLLY Just get away from us, Carl. I've called the police. ODA MAE Oh! Shit! Unh! Oh! MOLLY Why are you doing this? CARL Don't interfere! She's a thief! All right. Give me the check. MOLLY Carl, no! CARL Out of this, Molly! Keep out of this, Molly! Give me the check! Get off of me! Where is it? Where is it? Where is it, god damn it? ODA MAE I gave it away. CARL You're lying. Don't... Lie to me, god damn it! The check. Watch out, Sam! I swear to god I'll kill her! Now, just... Look. CARL Just give me the check, Sam, ok? I promise you I'll let her go if you just give it to me, ok? Sam? Sam? Aah! Sam? SAM Oh, Carl. CARL What? What? Aah! Ooh! Help! Aah! SAM Are you two all right? MOLLY Sam? SAM Molly? MOLLY I can hear you. Oh, god. ODA MAE Sam? They're waiting for you, Sam. SAM I'll miss you. Your mother would be proud. ODA MAE I'm going to miss you, too, Sam. You're right. SAM Bye, Oda Mae. ODA MAE Bye, Sam. SAM I love you, Molly, I've always loved you. MOLLY Ditto. SAM It's amazing, Molly. The love inside... SAM You take it with you. See ya. MOLLY See ya. Bye.