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Glossary to Words of Blondie Music:
Glossary by Theresa Heinz-Ratekin ©2001


A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


A

Angels on The Balcony
Afterglow in a distant row 
The door is open and the lights are cold
The children come in here and 
they dare the ghost
Like a fire burning in a stone
Ah 
Silent light in the theatre's sky
Phantom cigarette and a silent cry
The door swings open 
and it's cold outside
Run and hide, run and hide
Ah, ah 
They can still see him singing 
on the corner singing songs
That never fade away, 
fade into the kids 
that come along 
Memory in a silent seat
Melody on a long retreat
Like an angel on a balcony
Like an angel on a balcony
Ah, ah, ah, ah 
Written by J Destri 
and L Davis © Chrysalis Records
Accidents Never Happen
No I don't believe in luck 
No I don't believe in circumstance no more
Accidents never happen in a perfect world
So I won't believe in luck
I saw you walking in the dark 
So I slipped behind your footsteps for a while
Caught you turning round the block 
Fancy meeting in a smaller world, 
after all 
Accidents never happen, 
could have planned it all 
Precognition in my ears
Accidents never happen 
in a perfect world 
Complications disappear 
Now you love me I, yeah, 
I can tell I never lied, 
I never cried And you,
you knew so well  
Like the Magi on the hill
I can divinate your presence from afar
And I'll follow you until 
I can bring you to a perfect world  
Accidents never happen,
could have planned it all
Precognition in my ears 
Accidents never happen 
in a perfect world 
Complications disappear  
Accidents never happen 
in a perfect world
Accidents never happen 
Accidents never happen 
in a perfect world 
Accidents never happen 
Written by J Destri 
© Chrysalis Music Ltd 
from the album Eat To The Beat
Top

B

Backfired
Backfired
Your plan, 
your plan backfired
Backfired
My man, your plan 
backfired in your face

You came into my life 
to test me
Your diplomatic drag 
depressed me
The glitter in your eyes 
undressed me
You were polished slick
Really thick
Wasting time 
dropping lines like
"I could get you into movies"

But we wound up at 
Hot Jo's for hamburgers to go

Backfired
Your plan backfired
Backfired
My man, 
your plan backfired 
in your face

To steal my mind was your objective
The way you spoke was too aggressive
The silly jokes were not impressive
Like "A travelling salesman 
met a farmer with three daughters", yet
All the quips were so suggestive

Then we ran down 
to Hot Jo's for hamburgers to go

Backfired
Your plan backfired
Backfired
My man, 
your plan backfired 
in your face

Well, come here my little dear, 
I've got what it takes
Give me just what I want 
and I'll give you a break
Well, don't slip on your lips 
cause you're talking so fast
Buying for first, crying for last
Well come on my little lady, 
don't shoot me down
I've got strong connections all over town
Just drop to a dead stop (what?)

Backfired
Your plan backfired
Backfired
My man, 
your plan backfired 
in your face

You were polished slick. 
Really thick
Wasting time 
dropping lines
Backfired

"A travelling salesman 
met a farmer with three daughters", 
yet Backfired

Backfired
Your plan backfired
Couldn't work out no
Backfired
My man, your plan
Backfired in your face
It backfired
Backfired
Your plan just backfired
Oh no, it couldn't work out, 

backfired
Better get a new 
line and try it again
Slick performance 
on demand
Backfired
You better back up fast 
and head out west
You may still collect
Backfired
It backfired
Your plan backfired
Too bad
Backfired
My man, 
your plan backfired

Well, come here my little dear, 
I've got what it takes
Give me just what I want 
and I'll give you a break
Well, don't slip on your lips 
cause you're talking so fast
Buying for first, crying for last
Well come on my little lady, 
don't shoot me down
I've got strong connections all over town
Just drop to a dead stop

Written by N Rogers & B Edwards 
© Chrysalis Music Ltd
Released as a single 
and found on the album Koo Koo 
Top

C

Contact In Red Square
1 2 3 4 
Although I'm young 
I got a job to do
Hid the microfilm in the lining of my shoe
Call it a business trip 
Got to hide inside my trench coat 
and be clever 
I got my papers
and a cyanide pill
My Polaroid's a taser in disguise 
There's a base in the hills 
And the wheat fields 
looks like Kansas in November  
Astrovia, sweet comrade, 
your nation is your gun
Your love reads like the broken code you sent me
One last contact in red square,
unless I have to run
And the long arms of the KGB detect me
Can't trust a soul, 
secret messenger
Just the rules that lie 
like circuits in your brain 
And a cool .45. 
The wind is ice 
and foreign air tastes strange  
I.C.B.M. Bang! Bang!
You're dead! 
No one left to worry Kiss me quick,
now I have to hurry 
Our last contact in red square, 
unless I have to run 
And the long arms 
of the CIA detect me  
Hey! Hey! Hey! 
Written by J Destri © Chrysalis Music

Call Me
Colour me your colour, baby
Colour me your car
Colour me your colour, darling
I know who you are
Come up off your colour chart
I know where you're comin' from
Call me (call me) on the line
Call me, call me any, anytime
Call me (call me) my love
You can call me any day or night
Call me

Cover me with kisses, baby
Cover me with love
Roll me in designer sheets
I'll never get enough
Emotions come, I don't know why
Cover up love's alibi

Call me (call me) on the line
Call me, call me any, anytime
Call me (call me) oh my love
When you're ready we can share the wine
Call me

Ooo-oo-oo-oo-oo, he speaks the languages of love
Ooo-oo-oo-oo-oo, amore, chiamami, chiamami
Ooo-oo-oo-oo-oo, appelle-moi mon cherie, 
appelle-moi
Anytime, anyplace, anywhere, any way
Anytime, anyplace, anywhere, any day-ay

Call me (call me) my love
Call me, call me any, anytime
Call me (call me) for a ride
Call me, call me for some overtime
Call me (call me) my love
Call me, call me in a sweet design
Call me (call me), 
call me for your lover's lover's alibi
Call me (call me) on the line
Call me, call me any, anytime
Call me (call me)
Oh, call me, oo-hoo-hah
Call me (call me) my love
Call me, call me any, anytime
(fade)

Written by G Moroder and D Harry
Released as a single and found on the 
albums The Best Of Blondie, 
The Complete Picture and Atomic, 
as well as American Gigolo 
(Original Soundtrack) 
Top

D

Die Young Stay Pretty
Die young,
stay pretty Die young,
stay pretty
Deteriorate in your own time
Tell 'em you're dead and wither away
Are you living alone or with your family? 
A dried up twig on your family tree? 
Are you waiting for the reaper to arrive?
Or just to die by the hand of love? 
Love for youth, 
love for youth So,
die young and stay pretty
Leave only the best behind 
Slipping sensibilities 
Tragedy in your own dream  
Oh, you sit all alone in your rocking chair 
Transistor pressed against an ear 
Were you waiting at the bus stop all your life? 
Or just to die by the hand of love? 
Love for youth, 
love for youth 
So live fast 'cause it won't last  
Die young, 
stay pretty Die young, 
stay pretty  
Dearly near senility (dearly near senility) 
Was it good or maybe you won't tell?  
Die young, 
stay pretty Die young, 
stay pretty  
Written by D Harry and C Stein 
© Chrysalis Music Ltd
Dreaming
When 
I met you in the restaurant 
You could tell I was no debutante
You asked me what's my pleasure 
A movie or a measure? 
I'll have a cup of tea 
and tell you of my dreaming 
Dreaming is free  
I don't want to live on charity 
Pleasure's real or is it fantasy? 
Reel to reel is living rarity 
People stop and stare at me 
We just walk on by  
we just keep on dreaming 
Feet feet, 
walking a two mile 
Meet meet, 
meet me at the turnstile 
I never met him, 
I'll never forget him  
Dream dream, 
even for a little while Dream dream, 
filling up an idle hour Fade away, 
radiate  
I sit by and watch the river flow 
I sit by and watch the traffic go 
Imagine something of your very own 
Something you can have and hold  
I'd build a road in gold 
just to have some dreaming 
Dreaming is free Dreaming 
Dreaming is free Dreaming 
Dreaming is free  
Written by C Stein & D Harry 
© Chrysalis Music Ltd Released 
as a single and found on the 
albums Eat To the Beat, 
The Best Of Blondie, 
The Complete Picture and Atomic
Top

E

Eat To The Beat
You gotta jump up, 
a-to the beat Stand up, 
wo-on your feet Toes are 
tippi tippi tippi tapping 
And you do it even when you're yapping 
Hey, you got a sweet tooth 
and I remember 
Stand up on your feet 
Toes are tippi tippi tippi tapping 
Hey, you got a sweet tooth 
and I remember 
Sitting in the kitchen 
eating peanut butter 
Eat To The Beat  
Yeah, you gotta, 
got you got the beat Ah, 
sweeter sweeter you beat your meat 
I know you do it. I
know you do it I seen you, 
seen you, seen you, 
seen you chewing Hey, 
you got a sweet tooth and 
I remember A sweeter treat, uh, 
you beat your meat 
I know you do it, 
I know you do it Oh, 
you got a sweet tooth 
and I remember 
Standing on the corner 
with a piece of pizza 
Eat To The Beat  
Condition red!  
You gotta jump up, 
a-to the beat Stand up, 
wo-on your feet Toes are 
tippi tippi tippi tapping 
And you do it even when you're yapping 
Oh you got a sweet tooth 
and I remember I seen you, 
seen you, you beat your meat 
I know you do it, 
I know you do it 
Hey, you got a tummy ache 
and I remember 
Sitting in the bathroom 
drinking Alka Seltzer 
Eat To The Beat 
Eat To The Beat 
Eat To The Beat  
Written by D Harry 
and N Harrison © Chrysalis 
Music Ltd
Top

F

Fan Mail
I set my hand to writing you 
It drifted off the page
I sold my one vision 
for a piece of the cake 
I haven't ate in days  
For unspoken value, 
aesthetic and charm 
I'd smile at you sideways 
But the lighting is wrong, 
I'm taking a picture 
and counting the cost 
While the bells in my ears keep ringing  
I set my hand to writing you 
It drifted of the page 
I nearly fell, 
I feel like a lowlife in hell 
And I haven't slept in days and days, 
days and days  
Beat on my Fender 
through my Gemini 2 
Play to the posters 
on the wall of my room 
Thought I was crazy 
when I'd think about you 
And the bells in my ears keep ringing 
And the bells in my ears keep ringing 
In my ear bells are ringing  
Written by J Destri - © Chrysalis Music
Ltd from the album Plastic Letters
Faces
Faces Cracked for reason 
beyond recognition Uh-huh 
His space is At the Palace, 
he sleeps for twenty five cents Uh-huh  
Now he's wiping headlights 
Windshields with an old rag 
It ain't nine to five 
Down and dirty, 
he's an old tramp 
He poses like a dead man 
The night train passes by  
Money's Not the answer 
for princes and dancers Uh-huh  
He's standing under street lights 
He's thinking of his old life 
He lost his pretty young wife 
The corner is his big plan 
His brunch with Jim and jitters 
Boston blue laws ain't for shitters 
And newsprint is for cheaters 
Cement mattress for believers  
A dirty old bum He's a dirty old bum 
He can't say "Yes" 
He can't forget it A dirty old bum  
Now he's shooting power curves 
His buddies think he's got some nerve 
Mrs Face had other lovers 
Her arms smothered other numbers  
He freezes Christmas season, 
all saints protect him Uh-huh 
His face is Cracked for reason 
beyond recognition 
Ah  
Written by D Harry
© Chrysalis Records Inc 
from the album
Autoamerican
Top

G

Go Through It
She knew it 
about Route Three Oh, 
she blew it, 
you know she could've told me 
He can't say no, 
he can't ask why Go through it, 
highway bride  
He delivers, 
he's a roadsider 
He gets no road from a back seat driver 
Away we go, yes or no? 
I love you honey, gimme a beer  
But just like Jerry Lee, 
she's tuning in on me 
And I've got no defence, 
but it makes no difference 
'Cause just like Jerry Lee, 
she's tuning in on me She does it easy, 
like a CB  
He's hard to hold on the rolling road 
He knows his rig's hot, 
get through that roadblock 
Ten miles to go, oh, 
radio She knew it, 
now so does he Ah, 
I love you honey, 
gimme a beer Ooh, 
go through it, 
come sit right here  
Written by D Harry and C Stein 
© Chrysalis
Top

H

Hardest Part
Twenty five tons 
of hardened steel 
rolls on no ordinary wheel 
Inside the armoured car 
ride two big armed guards 
In a bullet-proof vest, 
shatterproof glass, 
overdrive, 
we're gonna pass 
Twenty five tons 
of hardened steel 
rolls on no ordinary wheel  
The hardest part 
of the armoured guard 
Big man of steel 
behind the steering wheel  
Nitro and acetylene 
open la machine 
No short heist, 
no overnight, 
big money take you to Brazil 
Bullet-proof vest, 
shatterproof glass, 
overdrive, 
we're gonna pass Time bomb, 
greasy mob, 
count down, hurry up, come on  
The hardest part 
of the armoured guard 
Big man of steel
behind the steering wheel  
In a wire mesh cage with a twelve gauge. 
Radio - we're coming fast Ooh, 
I need to feel some hardened steel, 
deliver the big money deal  
Of the armoured guard h
ere's what I heard 
I'll tell you that he will 
no matter what you feel 
The hardest part 
of the armoured guard 
Big man of steel 
behind the steering wheel  
Twenty five tons of hardened steel 
deliver the big money deal  
Written by D Harry and C Stein 
© Chrysalis Music Ltd from the album 
Eat To The Beat
Heart of Glass
Once I had a love and it was a gas
Soon turned out had a heart of glass
Seemed like the real thing, only to find
Mucho mistrust, love's gone behind
Once I had a love and it was divine
Soon found out I was losing my mind
It seemed like the real thing but I was so blind
Mucho mistrust, love's gone behind

In between
What I find is pleasing and I'm feeling fine
Love is so confusing there's no peace of mind
If I fear I'm losing you it's just no good
You teasing like you do

Once I had a love and it was a gas
Soon turned out had a heart of glass
Seemed like the real thing, only to find
Mucho mistrust, love's gone behind

Once I had a love and it was divine
Soon found out I was losing my mind
It seemed like the real thing 
but I was so blind
Mucho mistrust, 
love's gone behind

Lost inside
Adorable illusion and I cannot hide
I'm the one you're using, 
please don't push me aside
We coulda made it cruising, 
yeah

Yeah, riding high 
on love's true bluish light

Once I had a love and it was a gas
Soon turned out to be a pain in the ass
Seemed like the real thing only to find
Mucho mistrust, love's gone behind

Written by C Stein and D Harry 
© EMI Music Publishing Ltd (MCPS)
Released as a single 
and found on the albums 
Parallel Lines, 
The Best Of Blondie, 
The Complete Picture, 
Blonde And Beyond and Atomic 
Top

I

In Love With Love
In love with love, in love with a passionate heart
In love with love, in love even when we're apart
In love with love, in love with a passionate heart
In love with love, in love even when we're apart 
I wondered the difference of how it could last
I heard the celebration of champagne in glass
No wonder, it's no wonder why I'm
In love with love, in love with a passionate heart
In love with love, in love with the form of the art 
We love through the fighting of everyday life
Of glass that gets broken and cuts like a knife
I wonder and I wonder why I'm
In love with love, in love with a passionate heart
In love with love, then on with the delicate march 
Heart of fire, house of fire (of fire)
Heart of fire, house of fire
Heart of fire, house of fire (of fire)
Heart of fire, house of fire
Heart of fire, house of fire (of fire)
Heart of fire, house of fire
Heart of fire, house of fire (of fire)
Heart of fire, house of fire
Heart of fire, house of fire (of fire)
Heart of fire, house of fire 
In love with love, in love with a passionate heart
In love with love, on fire with a passionate heart 
Ablaze with reflection, our hot house is set
Blazing with a flaming with a fire, it's so passionately racing
With a chaser, it's so hard to keep my wits about me 
Yeah yeah yeah 
Heart of fire, house of fire
Heart of fire, house of fire
Heart of fire, house of fire
Heart of fire, house of fire
Heart of fire, house of fire (of fire)
In love with a passionate heart (yeah yeah yeah)
Ad lib 'til fade 
Written by D Harry and C Stein
© Chrysalis Records Inc
from the album Once More Into The Bleach
Top

J

Jam Was Moving
 The order came directly from the CIA
To start the following investigation
Find out what's the hidden power 
lying in the grooves
That drives em crazy 
all across the nation
They found the jam was moving
Go ahead now, go ahead now
It makes the people keep grooving
Go ahead now, go ahead now

The agent, who assigned Jim to investigate
When he came home he found to his amazement
He saw his own children live on Colt 45
And they were rocking popping in the basement

They found the jam was moving
Go ahead now, go ahead now
It makes the people keep grooving
Go ahead now, go ahead now

They found the jam was moving
Go ahead now, go ahead now
It makes the people keep grooving
Go ahead now, go ahead now

When the order came from the CIA
You better look out, and find out what's the hidden power lying in the grooves
They're going crazy crazy crazy crazy all across the nation
Agent said, "Found the jam was moving
Go ahead now, go ahead now
It makes the people keep grooving
Go ahead now"

The jam was moving
The people keep grooving

Written by N Rodgers and B Edwards
 © Chrysalis Records Inc
from the album Once More 
Into The Bleach 
Top

K

Top

L

Little Girl Lies

She loves you right now, 
so don't close your eyes 
She'll be talking and laughing 
with six other guys 
Flirtatious and cute, 
she'll take you the route 
Telling Little Girl Lies  
He loves her so much, 
he don't wanna lose her 
And there's no other girl 
he likes to ball better 
But he's busy tonight, 
"We'll make it tomorrow" 
He's telling his Little Girl Lies  
That's how the Little Girl Lies 
He's telling his Little Girl Lies 
Those Little Girl Lies 
gonna catch up to you 
And you'll be sorry!  
Making excuses 
why she can't meet you later 
She's not really ill, 
someone else got to date her 
Mixed up and confused, 
it'll catch up to you 
Telling Little Girl Lies  
They tell the Little Girl Lies 
He's telling his 
Little Girl Lies 
That's how your 
Little Girl Lies 
She's been telling you 
Little Girl Lies 
That's how his 
Little Girl Lies 
She been telling him 
Little Girl Lies 
Those Little Girl Lies 
gonna catch up to you 
and you'll be sorry Boo hoo Boo hoo  
Written by D Harry - © Jiru Music Ltd 
from the album Blondie 

Look Good In Blue
You look good in blue 
It matches your skin, 
your eyes dripping with pain 
Someone like you 
Getting off on the lies 
'cause it dulls your surprise again 
If it's alright with you 
I could give you some 
head and shoulders to lie on  
You look good in blue 
I know what you mean 
when you say you've seen the end 
Someone like you 
Been at it again, 
you knew what was up in the end 
If it's alright with you 
I could give you some 
head and shoulders to lie on 
Throw your weight on me baby 
Don't complain on me baby 
Escape in me, 
next to me I'm tired, 
always tired 
and I got not place to sleep 
Don't mind dividing down the line 
Can't say that I'm complaining 
'cause I got no place to play, 
yeah Don't mind dividing down the line  
You look good in blue 
It matches your skin, 
your eyes dripping with pain 
If it's alright with you 
I could give you some 
head and shoulders 
to lie on 
Yes, I could give you some 
head and shoulders to lie on  
Written by J Destri 
© Jiru Music Ltd from the album
Top

M

Maria

She moves like she don't care
Smooth as silk, cool as air
Ooh it makes you wanna cry
She doesn't know your name
And your heart beats like a subway train
Ooh it makes you wanna die

Ooh, don't you wanna take her?
Ooh, wanna make her all your own?

Maria, you've gotta see her
Go insane and out of your mind
Regina, Ave Maria
A million and one candle lights

I've seen this thing before
In my best friend and the boy next door
Fool for love and fool on fire

Won't come in from the rain
She's oceans running down the drain
Blue as ice and desire

Don't you wanna make her?
Ooh, don't you wanna take her home?

Maria, you've gotta see her
Go insane and out of your mind
Regina, Ave Maria
A million and one candle lights

Ooh, don't you wanna break her?
Ooh, don't you wanna take her home?

She walks like she don't care
Walkin' on imported air
Ooh, it makes you wanna die

Maria, you've gotta see her
Go insane and out of your mind
Regina, Ave Maria
A million and one candle lights

Maria, you've gotta see her
Go insane and out of your mind
Regina, Ave Maria
A million and one candle lights

Written by J Destri - © Beyond Music
released as a single and found on the the album No Exit 
Top

N

No Imagination
Eyes that tell me 
"Baby, you don't need no invitation"
Let me smoke another cigarette 
before I make a move
I can see me in the morning; 
losing my direction
Deep inside my overcoat, 
looking for the door
I don't wanna stay with you. 
I just wanna play with you
One sweet abbreviation 
sleeping like the dead
You think you're pretty, 
well, so do I. 
You came to me but, 
passion eyes
Got no imagination 
to clutter up my head

Eyes that mirror innocence 
and cannot sense the changes
Lets have another drink, dear,
before we get deranged
I can see me in the morning; 
avoiding your detection
Slowly down the staircase, 
looking for the door

All is fair in love and war 
but I don't want your love no more
One sweet abbreviation 
sleeping like the dead
You're fragile 
and you're very green, 
conditioned by a milk machine
Got no imagination. G
ot no imagination. No

Take a walk, kid

Eyes that tell me "Baby, 
you don't need no invitation"
Let me smoke another cigarette 
before I make a move
I can see me in the morning; 
losing my direction
Deep inside my overcoat, 
footsteps for the door

Written by J Destri
© Chrysalis Music Ltd
from the album Plastic Letters 

Top

O

One Way or Another
One way or another 
I'm gonna find ya
I'm gonna getcha getcha getcha getcha
One way or another 
I'm gonna win ya
I'm gonna getcha getcha getcha getcha
One way or another 
I'm gonna see ya
I'm gonna meetcha meetcha meetcha meetcha
One day, maybe next week
I'm gonna meetcha, 
I'm gonna meetcha, 
I'll meetcha
I will drive past your house
And if the lights are all down
I'll see who's around

One way or another 
I'm gonna find ya
I'm gonna getcha getcha getcha getcha
One way or another 
I'm gonna win ya
I'll getcha, 
I'll getcha
One way or another 
I'm gonna see ya
I'm gonna meetcha 
meetcha meetcha meetcha
One day, maybe next week
I'm gonna meetcha, 
I'll meetcha

And if the lights are all out
I'll follow your bus downtown
See who's hanging out

One way or another 
I'm gonna lose ya
I'm gonna give you the slip, 
a slip of the lip or another
I'm gonna lose ya, 
I'm gonna trick ya
One way or another 
I'm gonna lose ya
I'm gonna trick ya 
trick ya trick ya trick ya
One way or another 
I'm gonna lose ya
I'm gonna give you the slip

I'll walk down the mall
Stand over by the wall
Where I can see it all
Find out who ya call
Lead you to the supermarket checkout
Some specials and rat food, 
get lost in the crowd

One way or another 
I'm gonna getcha, 
I'll getcha, 
I'll getcha getcha getcha getcha
(Where I can see it all, 
find out who ya call)
One way or another 
I'm gonna getcha, 
I'll getcha, I'll getcha getcha getcha getcha
(Where I can see it all, 
find out who ya call)
One way or another 
I'm gonna getcha, 
I'll getcha, 
I'll getcha getcha getcha getcha
(Where I can see it all, 
find out who ya call)
(repeat until fade)

Written by N Harrison & D Harry 
© EMI Music Publishing Ltd
from the albums Parallel Lines, 
The Best Of Blondie and Atomic 

Top

P

Platinum Blonde
I wanna be a platinum blonde 
Just like all the sexy stars 
Marilyn and Jeane, Jayne, Mae and Marlene 
Yeah they, they really had fun  
In a luminous day-glo shade 
Walk into a bar 
and I'll have it made 
'Cause if that's all it takes; 
a double processed blonde 
I wanna be a platinum blonde 
I wanna be a platinum blonde 
Be a platinum blonde  
Yeah I even tried wearing a wig for a while 
It was the right colour, 
but not the right style 
Gonna get some peroxide at the beauty supply 
See ya later  
I wanna be a platinum blonde 
Just like all the sexy stars 
Marilyn and Jeane, Jayne, Mae and Marlene 
Yeah they, they really had fun  
Now if you need me on Sunday 
and you look twice 
and see That platinum blonde 
is gonna be me 
In a double processed luminous day-glo shade 
When I get this colour 
I'll have it made in the shade Oh, 
I hope I'm OK I wanna be a platinum blonde 
I wanna be a platinum blonde  
Honey, I gotta, I gotta, I gotta, I gotta 
I gotta be a platinum blonde 
I gotta be a platinum blonde 
I gotta be a platinum blonde 
I'll hit the bottle baby  
Written by D Harry
Top

Q

Top

R

Rapture
Toe to toe
Dancing very slow
Barely breathing
Almost comatose
Wall to wall
People hypnotised
And they're stepping lightly
Hang each night in Rapture

Back to back
Sacrailiac
Spineless movement
And a wild attack

Face to face
Sadly solitude
And it's finger popping
Twenty-four hour shopping in Rapture

Fab Five Freddie told me everybody's high
DJ's spinnin' are savin' my mind
Flash is fast, Flash is cool
Francois sez fas, Flashe' no do
And you don't stop, sure shot
Go out to the parking lot
And you get in your car and you drive real far
And you drive all night and then you see a light
And it comes right down and lands on the ground
And out comes a man from Mars
And you try to run but he's got a gun
And he shoots you dead and he eats your head
And then you're in the man from Mars
You go out at night, eatin' cars
You eat Cadillacs, Lincolns too
Mercurys and Subarus
And you don't stop, you keep on eatin' cars
Then, when there's no more cars
You go out at night and eat up bars 
where the people meet
Face to face, dance cheek to cheek
One to one, man to man
Dance toe to toe
Don't move to slow, 'cause the man from Mars
Is through with cars, he's eatin' bars
Yeah, wall to wall, door to door, hall to hall
He's gonna eat 'em all
Rapture, be pure
Take a tour, through the sewer
Don't strain your brain, paint a train
You'll be singin' in the rain
I said don't stop, do punk rock

Well now you see what you wanna be
Just have your party on TV
'Cause the man from Mars won't eat up bars when the TV's on
And now he's gone back up to space
Where he won't have a hassle with the human race
And you hip-hop, and you don't stop
Just blast off, sure shot
'Cause the man from Mars stopped eatin' cars and eatin' bars
And now he only eats guitars, get up!

Written by C Stein and D Harry 
© Chrysalis Records Inc
Released as a single and 
found on the albums Autoamerican, 
The Complete Picture and Atomic 
Click to hear Rapture 2001
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S

Shayla
Shayla 
worked in a factory 
She wasn't history. 
She's just a number 
One day she gets her final pay 
And she goes far away  
Green trees 
call to me 
I am free 
but life is so cheap 
Scenery is still outside of me 
All alone, 
trapped by its beauty  
Shayla turned to run away 
To leave in peace and end her stay 
Years of fear were in her way 
Lost in space and down she came  
Suddenly some subtle entity 
Some cosmic energy 
brushed her like shadows 
Down here 
we stop to wonder 
Cars on the freeway. 
Bright lights and thunder  ohohohoh
Written by C Stein © Chrysalis Music Ltd 
from the albums Eat To The Beat 
and Blonde And Beyond 
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T

T-Bird
Circle high, circle low
Jammers fly, T-birds
You show, you show, whiplash go
You show, you show, T-birds
Mighty bird
T-bird, my mighty bird

On the dot in the slot, tie the knot
On the dot timed kisses
In the slot on the dot, tie the knot
In the slot, no misses

Mighty bird
T-bird, my mighty bird
T-bird, mighty bird
Black sun conqueror

Black sun worshipper

Coil it up, wind it out, strike it hot
Coil it up plumed serpent
Coil it up, wind it out, strike it hot
Coil it up, my T-bird

Serpent curl
T-bird, rule the world
T-bird, mighty bird
Black sun born again

Oh I love my T-bird, T-bird
Oh I love my T-bird, T-bird
Oh I love my T-bird, T-bird
Oh I love my T-bird, T-bird

Written by D Harry and N Harrison  
© Chrysalis Records Inc
from the album Autoamerican 
Top

U

Underground Girl
She's an underground girl 
in an underground world
She never comes around, 
she stays underground
After was a trip, she rides her lip
She's the coolest girl around, 
she's the girl from underground
She's the girl that's always right, 
she's the one who gets uptight
Ask her how she's been, 
she'll give you some skin
Hey everybody now from all over town
Hey everybody's gonna go underground

For everybody wants to be inside
And nobody knows 
she's gonna take you for a ride
She's the coolest girl around, 
she's the girl from underground

For I don't ant to brag, 
but I'm no dag
Ask her where she's from, 
she always playing dumb
Well hey now everybody don't fall down
Well hey everybody gotta go underground
Well hey everybody don't want to be inside
Nobody thinks she's gonna take you for a ride

She's the coolest girl around, 
she's the girl from underground

You can beat her with a whip, 
she just thinks it's hip
You can see her at night, 
never in the light
Well hey everybody gonna fall down
Well hey everybody gonna go underground
Well hey everybody wants to be inside
And nobody knows she's gonna take them for a ride
Here we go!

Written by F Infante © Chrysalis Music Ltd
from the album Blonde And Beyond 
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V

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W

War Child
I need city lights
Defence and weaponry
No way of knowing
My life expectancy
I learn resistance
Like I learn to see
A living witness
A lonely refugee I'm a war child
I'm a war baby
And that's the difference
Between you and me
I'm a war child

My occupation
Is being occupied
I stop at the corner
To be identified

Across the border
They pretend victory
I'm playing in the rubble
And dream a destiny

I'm a war child
I'm a war baby
And that's the difference
Between you and me
I'm a war child

You weren't discovered by Khmer Rouge
We hear of "the troubles" on the nightly news
PLO lovers courting after the curfew
Your father and brother have the West Bank blues

Written by N Harrison and D Harry - © Chrysalis Music Ltd
Released as a single and found on the albums The Hunter, Denis and Atomic 
Top

X

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Y

Youth Nabbed as Snipper
Don't look in here, yeah
Sundown finds him out of town 
on the overpass
His inner self glued 
to his point twenty-two
Dirty metal in the speed of night, 
lights and broken glass
My heart can destroy all I see
Moving streets all make me lonely
Come to me and be mine only
I can hide us far from sight, 
but you must wait 
and I must fight this nothingness
Walls, I see my little room
I hear my parent's friends
I hope that my actions make amends
I would like to kill for love 
but I don't know how
Here I lie so high above the crowd
Busy streets all make me lonely
Come to me and be mine only

I can move us through the night, 
but you must wait 
and I must fight this emptiness
Black top burns with silent screams
Others stop my dreams
Lightning Crash! Crash! Crash!
Fear causes some to live, 
others die real cool
I died in the evening after school
Be mine only
Be my own
Be mine only
Be my own

Written by C Stein 
© Chrysalis Music Ltd
from the album Plastic Letters 
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Z

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Created by Theresa Heinz
Revised 08/03/01