A Streetcar Named Desire by Tennessee Williams
New ELA Regents Part III Task, texts, and Question Sample
Direction: Read the passages on the following pages (a poem and an excerpt
from a play) and answer the multiple-choice questions. Then write the essay
described in "Your Task." You may use the margins to take notes as you
read and scrape to plan your response.
Your Task:
After you have read the passages and answered the multiple-choice question,
write a unified essay about the loss of gentility as revealed
in the passages. In your essay, use ideas from Both passages to
establish a controlling idea about the loss of gentility, use evidence
from both passages to develop your controlling idea, and show how
each author used specific literary elements or techniques to convey ideas.
Guidelines:
•Use ideas from both passages to establish a controlling idea about
the loss of gentility, as revealed in the passages
•Use specific and relevant evidence from both passages to develop
your controlling idea
•Show how each author uses specific literary elements (for example,
theme, characterization, structure, point of view) or techniques (for example,
symbolism, irony, figurative language) to portray the loss of gentility
•Organize your ideas in a logical and coherent manner
•Use language that communicates ideas effectively
•Follow the conventions of standard written English
Direction: Answer the following questions. The question may help
you think about the ideas you might want to use in your essay. You may
return to these questions any time you wish. (8-10 questions)
Passage I (the poem)-Questions 1-4 refer to passage I.
Passage II (the excerpt from a play)- Question 5-8 refer to passage
II.
After you have finished these questions, review Your Task and
the Guidelines and write your response to Part III. You may use
scrape paper to plan your response.
Before you write the essay, check the rubrics
for Task III on which your essay's grade is based on.
Materials:
Poem
The Shield of Achilles
by W. H. Auden
She looked over his shoulder
For vines and olive trees,
Marble well-governed cities
And ships upon untamed seas,
But there on the shining metal
His hands had put instead
An artificial wilderness
And a sky like lead.
A plain without a feature, bare and brown,
No blade of grass, no sign of neighborhood,
Nothing to eat and nowhere to sit down,
Yet, congregated on its blankness, stood
An unintelligible multitude,
A million eyes, a million boots in line,
Without expression, waiting for a sign.
Out of the air a voice without a face
Proved by statistics that some cause was just
In tones as dry and level as the place:
No one was cheered and nothing was discussed;
Column by column in a cloud of dust
They marched away enduring a belief
Whose logic brought them, somewhere else, to grief.
She looked over his shoulder
For ritual pieties,
White flower-garlanded heifers,
Libation and sacrifice,
But there on the shining metal
Where the altar should have been,
She saw by his flickering forge-light
Quite another scene.
Barbed wire enclosed an arbitrary spot
Where bored officials lounged (one cracked a joke)
And sentries sweated for the day was hot:
A crowd of ordinary decent folk
Watched from without and neither moved nor spoke
As three pale figures were led forth and bound
To three posts driven upright in the ground.
The mass and majesty of this world, all
That carries weight and always weighs the same
Lay in the hands of others; they were small
And could not hope for help and no help came:
What their foes like to do was done, their shame
Was all the worst could wish; they lost their pride
And died as men before their bodies died.
She looked over his shoulder
For athletes at their games,
Men and women in a dance
Moving their sweet limbs
Quick, quick, to music,
But there on the shining shield
His hands had set no dancing-floor
But a weed-choked field.
A ragged urchin, aimless and alone,
Loitered about that vacancy; a bird
Flew up to safety from his well-aimed stone:
That girls are raped, that two boys knife a third,
Were axioms to him, who'd never heard
Of any world where promises were kept,
Or one could weep because another wept.
The thin-lipped armorer,
Hephaestos, hobbled away,
Thetis of the shining breasts
Cried out in dismay
At what the god had wrought
To please her son, the strong
Iron-hearted man-slaying Achilles
Who would not live long.
Excerpt from The Streetcar Named Desire by Tennessee Williams
Scene 11
Stanley: Drew to an inside straight and made it, by God.
Pablo: Maldita sea tu suerte!
Stanley: Out it in English, grease ball.
Pablo: I am cursing your rutting luck.
Stanley[ prodigiously elated]: You know what luck is? Luck is believing
you're lucky. Take at Salerno. I believed I was lucky. I figured that 4
out of 5 would not come through but I would... and I did. I put that down
as a rule. To hold front position in this rat-race you've got to believe
you are lucky.
Mitch: You..you...Brag...brag..bull...bull.
[Stella goes into the bedroom and starts folding a dress.]
Stanley: What's the matter with him?
Eunice[walking past the table]:
I always did say that men are callous things with no feelings, but
this does beat anything. Making pigs of yourslves.[She comes through the
portiers into the bedroom.]
Stanley: What's the matter with her?
Stella: How is my baby?
Eunice: Sleeping like a little angel. Brought you some grapes.[She
outs them on a stool and lowers her voice.] Blanche?
Stella: Bathing.
Eunice: How is she?
Stella: She wouldn't eat anything but asked for a drink.
Eunice: What did you tell her?
Stella: I -just told her that -we'd made arrangements for her to rest
in the country. She's got it mixed in her mind with She Huntleigh.
[Blanche opens the bathroom door slightly.]
Blanche: Stella.
Stella: Yes, Blanche?
Blanche: If anyone calls while I'm bathing take the number and tell
them I'll call right back.
Stell: Yes.
Blanche: That cool yellow silk-the boucle. See if it's crushed. If
it's not too crushed I'll wear it and on the lapel that silver and turquoise
pin in the shape of a seahorse. You will find them in the heart-shaped
box I keep my accessories in. And Stella...Try and locate a bunch of artificial
violets in that box, too, to pin with seahorse on the lapel of the jacket.
[She closes the door. Stella turns to Eunice.]
Stella: I don't know if I did the right thing.
Eunice: What else could you do?
Stella: I couldn't believe her story and go on living with Stanley.
Eunice: Don't ever believe it. Life has got to go on. No matter what
happens, you've got to keep on going.
[The bathroom door opens a little.]
Blanche [looking out]: Is the coast clear?
Stella: Yes Blanche. [To Eunice] Tell her how well she's looking.
Blanche: Please close the curtains before i come out.
Stella: They're closed.
Stanley:-How many for you?
Pable:-Two.
Steve:-Three.
[Blanche appears in the amber light of the door. She has a tragic
radiance in her red satin robe following the sculptural lines of her body.
The "Varsouviana" rises audibly as Blanche enters the bedroom.]
Blanche [with faintly hysterical vivacity]: I have just washed
my hair.
Stella: Did you?
Blanche: I'm not sure I got the soap out.
Eunice: Such fine hair!
Blanche [accepting the compliment]: It's a problem. Didn't I
get a call!
Stella: Who from, Blanche?
Blanche: Shep Huntleigh...
Stella: Why, not yet, honey!
Blanche: How strange! I-
[At the sound of Blanche's voice Mitch's arm supporting his cards
has sagged and his gaze is dissolved into space. Stanley slaps him on the
shoulder]
Stanley: Hey, Mitch, come to!
[The sound of this new voice shocks Blanche. She makes a shocked
gesture, forming his name with her lips. Stella nods and looks quickly
away. Blanche stands quite still for some moments-the silverbacked mirror
in her hand and a look of sorrowful perplexity as though all human experience
shows on her face. Blanche finally speaks but with sudden hysteria.]
Blanche: What's going on here?
[She turns from Stella to Eunice and back to Stella. Her rising
voice penetrates the concentration of the game. Mitch ducks his head lower
but Stanley shoves back his chair as if about to rise. Steve places a restraining
hand on his arm.]
Blanche [continuing]: What's happened here? I want an explanation
of what's happened here.
Stella [agonizingly]: Hush! Hush!
Eunice: Hush! Hush! Honey.
Stella: Please, Blanche.
Blanche: Why are you looking at me like that? Is something wrong with
me?
Eunice: You look wonderful, Blanche. Don't she look wonderful?
Stella: Yes.
Eunice: I understand you are going on a trip.
Stella: Yes, Blanche is. She's going on a vacation.
Eunice: I'm green with envy.
Blanche: Help me, help me get dressed!
Stella [handing her dress]: Is this what you-
Blanche: Yes, it will do! I'm anxious to get out of here-this place
is a trap!
Eunice: What a pretty blue jacket.
Stella: It's lilac colored.
Blanche: You're both mistaken. It's Della Robbia blue. The blue of
the robe in the old Madonna pictures. Are these grapes washed?
[She fingers the bunch of grapes which Eunice had brought in.]
Eunice: Huh?
Blanche: Washed I said. Are they washed?
Eunice: They're from the French Market.
Blanche: That doesn't mean they've been washed. [The cathedral bells
chimed] Those cathedral bell-they're the only clean thing in the Quarter.
Well, I'm going now. I'm ready to go.
Eunice [whispering]: She's going to walk out before they get
here.
Stella: Wait, Blanche.
Blanche: I don't want to pass in front of those men.
Eunice: Then wait'll the game breaks up.
Stella: Sit down and...
[Blanche turns weakly, hesitantly about. She lets them push her
into a chair.]
Blanche: I can smell the sea air. The rest of my time I'm going to
spend on the sea. And when I die, I'm going to die on the sea. You know
what I shall die of? [She plucks a grape] I shall die of eating
unwashed grapes one day out on the ocean. I will die-with my hand in the
hand of some nice-looking ship's doctor, a very young one with a small
blond mustache and a big silver watch. "Poor lady," they'll say, "the quinine
did her no good. That unwashed grape has transported her soul to heaven."
[The cathedral chimes are heard] And I'll be buried at sea sewn
up in a clean white sack and dropped overboard-at noon-in the blaze of
summer-and into an ocean as blue as [Chimes again] my first lover's
eyes!
[A Doctor and a Matron have appeared around the corner of the building
and climbed the steps to the porch. The gravity of their profession is
exaggerated-the unmistakable aura of the state institution with its cynical
detachment. The Doctor rings the doorbell. The murmur of the game is interrupted.]
Eunice [whispering to Stella]: That must be them.
[Stella presses her fists to her lips.]
Blanche [rising slowly]: What is it?
Eunice [affectedly casual]: Excuse me while I see who's at the
door.
Stella: Yes.
[Eunice goes into the kitchen.]
Blanche [tensely]: I wonder if it's for me.
[A whispered colloquy takes place at the door.]
Eunice [returning, brightly]: Someone is calling for Blanche.
Blanche: It is for me, then! [She looks fearfully from one to the
other and then to the portieres. The "Varsouviana" faintly plays] Is
it the gentleman I was expecting from Dallas?
Eunice: I think it is, Blanche.
Blanche: I'm not quite ready.
Stella: Ask him to wait outside.
Blanche: I...
[Eunice goes back to the portieres. Drums sound very softly.]
Stella: Everything packed?
Blanche: My silver toilet articles are still out.
Stella: Ah!
Eunice [returning]: They're waiting in front of the house.
Blanche: They! Who's "they"?
Eunice: There's a lady with him.
Blanche: I cannot imagine who this "lady" could be! How is she dressed?
Eunice: Just-just sort of a-plain-tailored outfit.
Blanche: Possibly she's-[Her voice dies out nervously.]
Stella: Shall we go, Blanche?
Blanche: Must we go through that room?
Stella: I will go with you.
Blanche: How do I look?
Stella: Lovely.
Eunice [echoing]: Lovely.
[Blanche moves fearfully to the portieres. Eunice draws them open
for her. Blanche goes into the kitchen.]
Blanche [to the men]: Please don't get up. I'm only passing
through.
[She crosses quickly to outside door. Stella and Eunice follow.
The poker players stand awkwardly at the table-all except Mitch, who remains
seated, looking down at the table. Blanche steps out on a small porch at
the side of the door. She stops short and catches her breath.]
Doctor: How do you do?
Blanche: You are not the gentleman I was expecting. [She suddenly
gasps and starts back up the steps. She stops by Stella, who stands just
outside the door, and speaks in a frightening whisper] That man isn't
Shep Huntleigh.
[The "Varsouviana" is playing distantly.
[Stella stares back at Blanche. Eunice is holding Stella's arm.
There is a moment of silence-no sound but that of Stanley steadily shuffing
the cards.
[Blanche catches her breath again and slips back into the flat with
a peculiar smile, her eyes wide and brilliant. As soon as her sister goes
past her, Stella closes her eyes and clenches her hands. Eunice throws
her arms comfortingly about her. Then she starts up to her flat. Blanche
stops just inside the door. Mitch keeps staring down at his hands on the
table, but the other men look at her curiously. At last she starts around
the table toward the bedroom. As she does, Stanley suddenly pushes back
his chair and rises as if to block her way. The Matron follows her into
the flat.]
Stanley: Did you forget something?
Blanche [shrilly]: Yes! Yes, I forgot something!
[She rushes past him into the bedroom. Lurid reflections appear
on the walls in odd, sinuous shapes. The "Varsouviana" is filtered into
a weird distortion, accompanied by the cries and noises of the jungle.
Blanche seizes the back of a chair as if to defend herself.]
Stanley [sotto voce]: Doc, you better go in.
Doctor [sotto voce, motioning to the Matron]: Nurse, bring her
out.
[The Matron advances on one side, Stanley on the other, Divested
of all the softer properties of womanhood, the Matron is a peculiarly sinister
figure in her severe dress. Her voice is bold and toneless as a firebell.]
Matron: Hello, Blanche.
[The greeting is echoed and re-echoed by other mysterious voices
behind the walls, as if reverberated through a canyon of rock.]
Stanley: She says that she forgot something.
[The echo sounds in threatening whispers.]
Matron: That's all right.
Stanley: What did you forget, Blanche?
Blanche: I-I-
Matron: It don't matter. We can pick it up later.
Stanley: Sure. We can send it along with the trunk.
Blache [retreating in panic]: I don't know you-I don't know
you. I want to be-left alone-please!
Matron: Now, Blanche!
Echoes [rising and falling]: Now, Blanche-now, Blanche-now,
Blanche!
Stanley: You left nothing here but split talcum and old empty perfume
bottles-unless it's the paper lantern you want to take with you. You want
the lantern?
[He crosses to dressing table and seizes the paper lantern, tearing
it off the light bulb, and extends it toward her. She cries out as if the
lantern was herself. The Matron steps boldly toward her. She screams and
tries to break past the Matron. All the men spring to their feet. Stella
runs out to the porch, with Eunice following to comfort her, simultaneously
with the confused voices of the men in the kitchen. Stella rushes into
Eunice's embrace on the porch.]
Stella: Oh, my God, Eunice help me! Don't let them do that to her don't
let them hurt her! Oh, God, oh, please God, don't hurt her! What are they
doing to her? What are they doing?
[She tries to break from Euntice's arm.]
Eunice: No, hiney, no, no, honey. Stay here. Don't go back in there.
Stay with me and don't look.
Stella: What have I done to my sister? Oh, God, what have I done to
my sister?
Eunice: You done the right thing, the only thing you could do. She
couldn't stay here; there wasn't no other place for her to go.
[While Stella and Eunice are speaking on the porch the voices of
the men in the kitchen overlap them. Mitch has started toward the bedroom.
Stanley crosses to block him. Stanley pushes him aside. Mitch lunges and
strikes at Stanley. Stanley pushes Mitch back. Mitch collapses at the table,
sobbing.
[During the preceding scenes, the Matron catches hold of Blanche's
arm and prevents her flight. Blanche turns wildly and scratches at the
Matron. The heavy woman pinoins her arms. Blanche cries out hoarsely and
slips to her knees.]
Matron: These fingernails have to be trimmed. [The Doctor comes
into the room and she looks at him.] Jacket, Doctor?
Doctor: Not unless necessary.
[He takes off his hat and now he becomes personalized. The unhuman
quality goes. His voice is gentle and reassuring as he crosses to Blanche
and crouches in front of her. As he speaks her name, her terror subsides
a little. The lurid reflections fade from the walls, the unhuman cries
and noises die out and her own hoarse crying is calmed.]
Doctor: Miss DuBois [She turns her face to him and stares at him
with desperate pleading. He smiles; then he speaks to the Matron.]
It won't be necessary.
Blanche [faintly]: Ask her to let me go of me.
Doctor [to the Matron]: Let go.
[The Matron releases her. Blanche extends her hands toward the Doctor.
He draws her up gently and supports her with his arm and leads her through
the portieres.]
Blanche [holding tight to his arm]: Whoever you are-I have always
depended kindness of strangers.
[The poker players stand back as Blanche and the Doctor cross the
kitchen to the front door. She allows him to lead her as if she were blind.
As they go out on the porch, Stella cries out her sister's name from where
she is crouched a few steps up on the stairs.]
Stella: Blanche! Blanche! Blanche!
[Blanche walks on without turning, followed by the Doctor and the
Matron. They go around the corner of the building.
[Eunice descends to Stella and places the child in her arms. It
is wrapped in a pale blue blanket. Stella accepts the child, sobbingly.
Eunice continues downstairs and enters the kitchen where the men, except
for Stanley, are returning silently to their places about the table. Stanley
has gone out on the porch and stands at the foot of the steps looking at
Stella.]
Stanley [a bit uncertainly]:
Stella?
[She sobs with inhuman abandon. There is something luxurious in
her complete surrender to crying now that her sister is gone.]
Stanley [voluptuously, soothingly]: Now, honey. Now, love. Now,
now, love. [He kneels beside her and his fingers find the opening of
her blouse] Now, now, love. Now, love....
[The luxurious sobbing, the sensual murmur fade away under the swelling
music of the "blue piano" and the muted trumpet.]
Steve: This game is seven-card stud.
Curtain