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TAJ MAHAL

              Lovers die, but love shall not and death shall have no dominion…

                               
 In the year 1607 when a prince of the royalMughal household strolled down the meera Bazaar, accompanied by a string of fawning courtiers, he caught a glimpse of a girl  hawking silk and glass beads. Five years and a wife later (in those days princes did not marry for love alone) the regal 20-yr-old  went to wed his 19-yr-old bride. It was a fairytale union from the start, one that withstood court intrigues, battles for succession and finally, the grand coronation. And when she died on the 19th year of their marriage, he etched her story in stone. The Taj Mahal is the living symbol of the monumental passion of Shah Jahan and Arjumand Banu. Which other love story has so grand a memorial? The Chosen City: Agra was the chosen city of the Mughal emperors during the early years. It was here that the founder of the dynasty, Babur, laid out the first formal Persian garden on the banks of the River Yamuna. Here, Akbar, his grandson, raised the towering ramparts of the great Red Fort. Within its walls, Jehangir built rose-red palaces, courts and gardens. Shahjahan embellished it with marbled mosques, palaces and pavillions of gem-inlaid white marble. Agra is globally renown as the city of  the Taj Mahal, a monument of love and imagination, that represents India to the world.

 Taj history: The origin of the name the "Taj Mahal" is not clear. Court histories from Shah Jehan's reign only call it the rauza (tomb) of Mumtaz Mahal. It is generally believed that "Taj Mahal" (usually translated as either "Crown Palace" or "Crown of the palace") is an abbreviated version of her name, Mumtaz Mahal (Exalted One of the Palace).

The Taj Mahal is a deserving resting palace for an Emperor's Empress. It stands on the banks of the river Yamuna, which otherwise serves as a wide moat defending the Great Red Fort of Agra, the center of the Mughal emperors until they moved their capital to Delhi in 1637. It was built by the fifth Mughal emperor, Shah Jahan in 1631 in memory of his second wife, mumtaz Mahal, a Muslim Persian princess. She died while accompanying her husband in Burhanpur in a campaign to crush a rebellion after giving birth to their 14th child.

Build me a Taj: As Mumtaz Mahal lay dying, she asked four promises from the emperor: first, that he build the Taj; second, that he should marry again; third, that he be kind to their children; and fourth, that he visit the tomb on her death anniversary. He kept the first and second promises. Construction  began in 1631 and was completed in 22 years. Twenty thousand people were  deployed to work on it. The principal architect was the Iranian architect Istad  Usa; it is possible that the pietra dura work  was coordinated by an Italian artist.

Wonder of the World: To people the world over, the Taj Mahal, mausoleum of Mughal Emperor shah Jana's chief wife, Mumtaz Mahal, is synonymous with India. Its curving, gently swelling dome and the square base upon which its rests so lightly is a familiar image from hundreds of brochures and travel books. The Taj is undoubtedly one of the most spectacular buildings of the world. Renowned for its architectural magnificence and aesthetic beauty, it counts among man's proudest creations and is invariably included in the list of the world's foremost wonders. As a tomb, it has no match upon earth, for mortal remains have never been housed in greater grandeur.
 


 





 
 

All About the Great Wall of China






                                       

                
 
 
 
 

The Great Wall of China was built ver,2000 years ago, by Qin Shi Huangdi, the first emperor of China during the Qin (Ch'in) Dynasty (221 B.C - 206 B.C.). In Chinese the wall is called "Wan-Li Qang-Qeng" which means 10,000-Li Long Wall (10,000 Li = about 5,000 km). After subjugating and uniting China from seven Warring States, the emperor connected and extended four old fortification walls along the north of China that originated about 700 B.C. (over 2500 years ago). Armies were stationed along
the wall as a first line of defense against the invading nomadic Hsiung Nutribes north of China (the Huns). Signal fires from the Wall provided early warning of an attack.

The Great Wall is one of the largest building construction projects ever completed. It stretches across the mountains of northern China, winding north and northwest of Beijing. It is constructed of masonry, rocks and packed-earth. It was over 5,000 km (=10,000 Li) long. Its thickness ranged from about 4.5 to 9 meters (15 to 30 feet) and was up to 7.5 meters (25 feet) tall.

During the Ming Dynasty (1368-1644), the Great Wall was enlarged to 6,400 kilometers (4,000 miles) and renovated over a 200 year period, with watch-towers and cannons added.

The Great Wall can be seen from Earth orbit, but, contrary to legend, is not visible from the moon, according to astronauts Neil Armstrong, Jim Lovell, and Jim Irwin.

It's more than 2,000 years old, but the Great Wall of China remains one of the great wonders of the world, an engineering feat rarely matched in the 22 centuries since its construction began. Stretching 4,500 miles, from the mountains of Korea to the Gobi Desert, it was first built to protect an ancient Chinese empire from marauding tribes from the north. But it evolved into something far greater — a                boon to trade and prosperity and ultimately a symbol of Chinese ingenuity and will.

The truth is, though, that the Great Wall is actually a series of walls built and rebuilt by different dynasties over 1,000 years. And while they often served the same purpose, these walls reflected the worlds — both natural and cultural — in which they were erected. For all its seeming timelessness, the Great Wall is an emblem of China's evolution.
 
 
 
 
 


 




The Leaning Tower

(unclickable images)

                                 
 
 

 
 

                                      The construction begun in 1173 and it must have
                                      been suspended at the completion of the third ring,
                                      around ten years later, since a subsidence of the
                                      soil of between 30 and 40 cm. had thrown the tower
                                      out of the perpendicular, causing an initial overhang
                                      of circa 5 cm. More than a century after the laying
                                      of the foundation stone, was once again begun
                                      (1275) by Giovanni di Simone, who added three
                                      more levels, correcting the axis of the Campanile.
                                      In 1284 the six stories of loggias were to all effects
                                      finished, bringing the height of the building to 48 m.,
                                      and employing a technical expedient that was
                                      meant to diminish, at least optically, the effects of
                                      the inclination, accomplished by raising the
                                     galleries of the upper floors on that side.
                                     At the time the inclination of the Tower was more
                                     than 90 cm. The tormented vicissitudes of the
                                     Tower did not, as one might expect, greatly worry
                                     those who were involved in the construction and
                                     completion. The long intervals between building
                                     activity were dictated, most likely, by the need of
                                     letting the Campanile 'rest', but above all by letting
                                     both the foundations and the ground on which they
                                    rested settle down.
 

                                      In a certain sense it can be said that the
                                      subsidence of the soil and the consequent
                                      inclination had, on the whole, been foreseen. At the
                                      beginning of the 14th century the bells were placed
                                      at the sixth level, in the large opening still visible in
                                      the marble cylinder beyond the loggia. Between
                                      1350 and 1372 Tommaso di Andrea Pisano
                                      (according to Vasari) terminated the installation of
                                      the belfry on the summit of the sixth order of
                                      loggias, increasing the correction of the axis, and
                                      thus diminishing the load on the side that was in
                                      inclination, which in the mean while had become
                                      fixed at 1.43 m.
                                     Conceived of not only as a bell tower, but also as a
                                     belvedere for the square below - from the earliest
                                     times the loggias have served as 'grandstand' for
                                     religious events and fairs - it rises 58.36 m above
                                     the level of the foundation, just under 56 m over the
                                     level of the countryside, and its inclination,
                                     measured at the base, is over 4 m. The average
                                     subsidence of the base is 2.25 m, while the
                                    progressio of the overhang, despite all attempts so
                                    far made to bring it to a halt, is about 1.2 mm per
                                    year.



 

LEANING TOWER of PISA INFORMATION




                                                         TOWER BASICS
 
                     Official Name:  TORRE PENDENTE DI PISA

                          Function: Bell Tower (Campanile)

                         Original Architect: Bonanno Pisano

                              Years Built: 1173-1350

                    Base Elevation above Sea Level: About 2 meters

                          Latitude: 43.7167  (43° 43' 0" N)

                         Longitude: 10.3833  (10° 22' 60" E)

                  Altitude of Piazza dei Miracoli 9 feet, (2 meters) (DMS)
 

                    First Construction Stop: 1178 (War with Firenze)

                 Year in which lean became obvious:  1178 (Third Story)

                 Height at which lean became obvious: 10.6 meters (35 ft.)

                   Second Construction Stop:  1185 (War with Firenze)

          Later Construction Stop:  1284  (War with Genoa, Major Sea Battle Defeat)
 

                         First Bells added:  1198 (Third Floor)

                      Height:  55.863 meters (185 feet).  8 stories.

                       Outer Diameter of Base:  15.484 meters

                        Inner Diameter of Base:  7.368 meters
 

                  Direction of Lean: 1173-1250 North, 1272-1997 South

                     Architect who realized that the Leaning Tower

                   could not be straightened : Tomasso di Andrea da Pontedera (1275)

                      Level at which Tower Straightens to North: 5
 

                             7th Floor Completed: 1319

                            Bell Tower Completed: 1350

                       Number of Bells: 7, tuned to musical scale

                    Largest Bell: Three and a half tons, cast in 1655.
 

                         Oldest Bell's name:  Pasquarreccia

              Address: Campo dei Miracoli - the "Field of Miracles", Pisa, Italia

                            Weight: 14,700 metric tons

                        Thickness of Walls at the Base: 8 feet

            Year cement injected into base, (blamed for lean acceleration): 1934

  Lean Data Provided by Prof. Pierotti:

  1.43 meters (1298)          (Giovanni Pisano, reconstructed by P. Sanpaolesi)

  3.79 meters (around 1550)   (Vasari, six arms and half)

  3.79 meters (1787 and 1812) (By Morrona, six arms and half)

  3.84 meters (1817)          (Crasy & Taylor, 12 feet and 7 thumbs)

  4.04 meters (1911)          (Pizzetti) (+ 20 cm Crasy & Taylor)

    The 1911 measure was taken from the outside of the seventh cornice with a theodolite

    (not from the inside with a plumb line) and therefore the resulting linear values are greater

    due to the thickness of the cornice, leaning relative to the body of the tower.
 

  Other Sources:

  Lean: 1.63 meters (1360)

  Lean: 1.43 meters (1372) The Guardian (London) August 19 1997

  Lean: 3.77 meters (1550)

  Lean: 4.75 meters (1817)

  Lean: 4.8 meters  (1935)

  Lean: 5.2 meters  (1997)

   Steps to Bell Tower: 294 Number of visitors who climbed to top in 1989: 700,000 Date Closed to
  Public: 7 January 1990 Rate of Fall in 1990: 1.2 mm (1/20") every year ("Un millimetre per anno")
 Source: The Guardian (London) August 19 1997 Weight of Lead added on North side (picture above):
 600 tons (1995) Amount of tilt recorded overnight in September 1995: 2.5 mm (0.07") Weight of Lead
       added after overnight tilt: 230 tons Amount of tilt correction since 1990: 25mm (1.0")
 

                            Leaning Tower of Pisa

                          Very Much Detailed Artistic Static Description

 Comments on the Tower by Dr. Fernando Lizzi, Distinguished Engineer from Naples:
      Open Letter to the Minister of Public Works

      Italian Federal Legislation for Restoration of the Leaning Tower
            Leaning Tower Descripition posted by Hotel DiStefano, Pisa
                  Leaning Tower of Pisa Architecture by David Speiser

Work by Vittorio Novelli:
     A Definitive Proposal to Save the Tower of Pisa Structural Analysis
and Calculations related to the Tower of Pisa Phases of Construction
     News Article about Vittorio Novelli Trouble at the Leaning Tower

Construction Details by Prof. Piero Pierotti: History Date of
Construction The Measurements The Construction The Stairs
     The Bell Tower Pioretti Leaning Tower Website

ArtWatch International: ArtWatch Comment Tower Troubles
   Experts Wrangle Over Best Angle

         
PARTICIPANTS and CONTRIBUTORS
               to the TOWER STABILIZATION



List compiled from various sources
        Bonanno Pisano        Architect of Tower (attributed)
       Galileo Galilei        Experimenter at the Tower ?
        Vittorio Novelli        Surveyor from Cesena (Forl?)
       Commissions and Committees
      298 Commission  - Giovanni Pisano, Guido Di Giovanni, Orsello
1840 Commission  - Castinelli, Lapi, Martolini

1907 Commission  - Bernieri, Canavari, Cuppari, Fedeli, Galli,
                   Pizzetti, Socini

1912 Commission  - Bacci, Bernieri, Canavari, Ceradini, Cuppari,
                   Giudi, Ongaro, Susinno, Toscanelli

1924 Commission  - Bernieri, Canavari, Canevari, Fascetti Giulio,
                   Fascetti Giuseppe, Giovannoni, Susinno

1925 Pisan Committee - Allegretti, Bacci, Bernieri, Bertuzzi,
                   Canavari, Cerpi, Fascetti Giulio, Fascetti Giuseppe,
                   Ferrucci, Lecci, Manghi, Puntoni, Simoni, Ugolini

1926 Pisan Committee - Bernieri, Buffarini Guidi, Fascetti Giulio,
                   Fascetti Giuseppe, Lecci, Manghi, Niccolai, Puntoni,
                   Simoni, Ugolini

1926 Pisan Committee - Bernieri, Canavari, Cassinis, Cicconetti,
                   De Marchi, Fascetti Giulio, Niccolai, Petri, Sesini,
                   Ugolini

1927 Pisan Committee - Battaglia, Canavari, Cassinis, Ciappi,
                   Cicconetti, Crema, De Marchi, Fantoli, Fascetti Giulio,
                   Giovannoni, Guidi, Pellati, Poggi, Sesini, Susinno,
                   Ugolini

1932 Commission  - The proceedings are remembered but the names of the
                   members were not documented. It was a "special
                   commission" entrusted to attend to the works of 1934-35.

1949 Commission  - Albenga, Arcuri, Ballantini, Ballrin, Boaga, Donato,
                   Fascetti Giulio, Fortini, Franco Fausto, Girometti,
                   Leschiutta, Marcantoni, Marchesi, Mario, Moncelli,
                   Natoni, Noccioli, Pepe, Pistolesi, Ramalli, Rendola Rosi,
                   Sanpaolesi Piero, Spina, Trevisan

1964 Commission  - Bendini, Beneo, Camanni, Ceschi, Cestelli Guidi,
                   Croce, Franco Antonio, Giusti, Locatelli, Lumini,
                   Marcheti, Molajoli, Noccioli, Pistolesi, Polvani, Prete,
                   Roselli, Sanzo, Savarese, Schultze, Skempton, Trevisan,
                   Vozzi

1965 Commission  - Bendini, Beneo, Bonatti, Calabresi, Camanni, Canepa,
                   Carrara, Caselli, Ceschi, Cestelli Guidi, Croce,
                   D'Alessandro, Da Porto, De Sanctis, Franco Antonio,
                   Gangemi, Giusti, Locatelli, Lumini, Maccagni, Marchetti,
                   Marussi, Molajoli, Noccioli, Ortolani, Pistolesi,
                   Polvani, Prete, Ricci, Roselli, Rosini, Salvioni, Sanzo,
                   Savarese, Schultze, Selleri, Skempton, Tornar, Trevisan,
                   Viggiani, Vozzi

1965 COMMISSION President prof. GIOVANNI POLVANI
                   At the end of its order the 1965 commission set itself to
                   the form of the completed task.  The proclamation undertook
                   22 articles, in principal they were:
                   1.  Application of actions to the tower that produce a reverse
                       to its movement.
                   2.  Modification of the existing foundation with insertion of
                       piling under the old and new structures.
                   3.  Stabilization of the earth based on favorable deformations
                       caused by appropriate measures.
                   4.  Amelioration of the pertinent mechanical properties of the
                       meaningful volume of the ground underlying the tower.
                   5.  Reduction of the inclination not more than one degree equal
                       to 1.019 Meters of lean.

1972 Commission  - Agresti, Berti, Bertolini, Capriotti, Cestelli Guidi,
                   Conte, Croce, D'Ambrosio, De Sanctis, Evangelista,
                   Faltelli, Guasco, Kezdi, Locatelli, Lumini, Noccioli,
                   Occhiuzzi, Prete, Rossi Adriano, Rossi Eugenio, Schultze,
                   Secchi, Selleri, Silvestro, Span?, Toniolo, Tornar,
                   Travaglini, Trevisan, Zuppardi

1983 Commission  - Bartelletti, Berardi, Caroti, Finzi, Jamiolkowski,
                   Ragghianti, Sanpaolesi Luca

1988 Technical Committee - Calzona, Daniele, Del Monte, Gabbani, Giangreco,
                   Gurrieri, Jappelli, Pozzati, Scarselli, Selleri

1990 Committee for the introductory operations (intended for appointment):
                   Burland, D'Elia, Desideri, Di Stefano, Jamiolkowski,
                   Gurrieri, Lemaire, Leonards, Leonhardt, Veniale, Viggiani
 
 
 
 
 

              
 
 
 




 


STATUE of LIBERTY FACTS


 



                  
 

Date Construction of the Statue began in France: 1875
Title of Statue:    "Liberty Enlightening the World"
Location of Statue:    Liberty Island, formerly Bedloe's Island and
Fort Wood (fortress for protection of New York Harbor 1811)
Sculptor:    Auguste Bartholdi
Structural Engineer:    Gustave Eiffel
Method of Fabrication:    Repousse Process

Statue completed in Paris:    June 1884
Statue presented to America by the people of France:  July 4, 1884
Statue dismantled and shipped to US:    Early 1885

1885 Transport Ship:    French frigate "Isere"
Number of individual pieces shipped to US:    350
Number of crates required:    214

Architect of  the pedestal:    Richard M.Hunt (in 1877)
Dates of construction of the pedestal:     Start 1883, complete 1884
Champion Fundraiser for the Pedestal:    Joseph Pulitzer,
Hungarian immigrant, Publisher of the New York World.
Date of Final Assembly of statue & pedestal:    1886
Official accepting Statue on behalf of US:    President Grover Cleveland
Date of Acceptance by President:    October 28, 1886
Part of Acceptance Statement by President Cleveland:
"We will not forget that liberty here made her home;
nor shall her chosen altar be neglected".
Date designated a National Monument:    October 15, 1924

Wind speed at which  Statue sways 3 inches (7.62 cm):   50 mph
Torch sway in 50 mph wind:    5 inches (12.7 cm).
Number of windows in the crown:    25
Number of spikes in the crown:    Seven rays of the diadem (7 oceans of the World)
Hand with which Statue holds tablet:    left
Inscription on tablet:     "July 4, 1776"  (in Roman numerals)
Day of America's Independence from Britain:    July 4, 1776

 Height from base to torch:    151' 1"   (46.50m)
 Foundation of pedestal to torch:    305' 1"   (92.99m)
 Heel to top of head:    111' 1"   (33.86m)
 Length of hand:    16' 5"   (5.00m)
 Index finger:    8' 0"   (2.44m)
 Circumference at second joint:    3' 6"   (1.07m)
 Size of fingernail:   13"x10" (33x25.4cm)
 Head from chin to cranium:   17' 3"    (5.26m)
 Head thickness from ear to ear:  10' 0"  (3.05m)
 Distance across the eye:    2' 6"  ( .76m)
 Length of nose:    4' 6"   ( l.48m)
 Right arm length:    42' 0"   (12.80m)
 Right arm greatest thickness:    12' 0"   (3.66m)
 Thickness of waist:    35' 0"   (10.67m)
 Width of mouth:    3' 0"   (.91m)
 Tablet, length:    23' 7"   (7.19m)
 Tablet, width:    13' 7"   (4.14m)
 Tablet, thickness:    2' 0"   (.61m)
 Height of granite pedestal:    89' 0"   (27.13m)
 Height of foundation:    65' 0"   (19.81m)
 

                                               Statue of Liberty, Ellis Island, Battery Park City
                                           from World Trade Center Observatory
 

                                               Statue of Liberty, Verazzano Narrows Bridge
                                           from World Trade Center Roof
 
 



Weight of copper used in Statue:    200,000 pounds   (100 tons)
Weight of steel used in Statue:    250,000 pounds   (125 tons)
Total weight of Statue:    450,000 pounds   (225 tons)
Thickness of Copper sheeting:     3/32 inch   (2.37mm)
Website selling 8 ft. Statue of Liberty:  http://www.westcomm.com/liberty/

Approximate fabric in Liberty's dress:  4,000 sq.yds.
Length of sandal: 25'-0"
US Women's Shoe Size based on standard fomula: 879
(Length (inches)= 7.333 + ({[US Women's Size]-1}/3)

7 Spikes in the Crown represent:
   -  Either  Seven Seas:
Arctic, Antarctic, North & South Atlantic, North & South Pacific, Indian.

Courtesy Nevada Division of Water Planning:
         SEVEN SEAS — Figuratively, all the waters or oceans of the world. The
          phrase probably has its origins in Brahmanic mythology: the seven seas dividing
          and surrounding the seven land masses of the earth. In modern times it has been
          applied to the seven oceans.

   -  Or  Seven Continents:
         North and South America, Europe, Asia, Africa, Antarctica, Australia
Courtesy of Alexander Foertsch:
  - 25 windows in the crown represent: "natural minerals" of the earth
  - Toga represents:  The Ancient Republic of Rome
  - Torch represents:  Enlightenment
  - Chains underfoot represent: Liberty crushing the chains of slavery
  - Location of alternate entrance: Sole of Liberty's right foot
 

Steps to crown:    354 steps (22 stories)
        This ascent is not recommended for those with health problems.
        An elevator which goes as high as the top of the pedestal is also
        available.  Visitors who take the elevator to the top of the
        pedestal cannot then climb to the crown.

Statue Inscription:
       The New Colossus
        Not like the brazen giant of Greek fame,
        with conquering limbs astride from land to land;
        Here at our sea-washed, sunset gates shall stand
        a mighty woman with a torch
        whose flame is imprisoned lightning,
        and her name Mother of Exiles.

        From her beacon-hand glows
        world-wide welcome;
        her mild eyes command the air-bridged harbor
        that twin cities frame.
        "Keep ancient lands your storied pomp!"
        cries she with silent lips.

        "Give me your tired, your poor,
        Your huddled masses yearning to breathe free,
        The wretched refuse of your teeming shore.
        Send these, the homeless, tempest-tost to me,
        I lift my lamp beside the golden door!"

        Emma Lazarus (1849-1887)
 
      Address and Phone Numbers:
        Liberty Island
        New York, NY 10004
 
       (212) 363-7770
        (212) 363-3200 (recorded message)
        (212) 363-7620 (school group reservations)
        (212) 363-8347 (fax)
        (212) 363-6307 (library)

Operating Hours:
        Open daily: 9:30AM - 5:00PM
        open for extended hours during Summer
        closed on December 25th.

Directions and Transportation:
        Liberty and Ellis Islands are accessible by Statue of Liberty/Ellis
        Island Ferry, Inc. ferries only.  One round trip ferry ticket includes
        visits to both islands. Ferries depart from Battery Park in New
        York and Liberty State Park in New Jersey.
        Private vessels are not permitted to dock at the islands.

Fees:
        Admission to the Statue of Liberty and Ellis Island is free and all
        programs run by the National Park Service are free.
        Round trip ferry tickets cost $7.00 for adults, $3.00 for children
        and $5.00 for senior citizens, purchase at Castle Clinton
        Call the ferry operator directly at (212) 269-5755 for additional
        information.
 

Months of Highest Visitation:    July and August
Months of  Lowest Visitation:    January and February
Average Annual Visitation to Liberty and Ellis Islands:  4.2 million people.
Typical waiting time to climb to the crown during Summer:    3 hours.
 

Renovation Activities 1984-1986:
        A team of French and American craftsmen worked in and
        around the statue, repairing popped rivets and replacing the
        corroded iron ribs with stainless steel. They strengthened the
        arm, incorrectly installed in 1886. French metal crafters
        replaced the old flame, lit from inside, with a gold-plated
        copper flame lit by reflection, in keeping with the sculptor's
        original conception.