Recent Literature on Boccherini
These publications contain multiple articles on Boccherini:
"Atti del convegno internazionale di studi: Luigi Boccherini e la musica strumentale dei maestri italiani in Europa tra Sette e Ottocento, Siena, 29-31 luglio 1993." Chigiana 23 (1993). Review by Alessandro De Bei in Rivista Italiana di Musicologia 31 (1996), 147-51. Individual articles in this issue are listed below. Cf. Pierluca Lanzilotta, "Un convegno su 'Luigi Boccherini e la musica strumentale dei maestri italiani in Europa tra Sette e Ottocento,'" Nuova Rivista musicale italiana 28 (1994), 301-04.
Boccherini Online 1 (2008)-
Lambea Castro, Mariano, and Jaime Tortella. "Commemoración II centenario de la muerte de L. Boccherini." Revista de musicología 27 (2004), 607-812. Articles are indexed below.
Speck, Christian, ed. Boccherini Studies, vol. 1. Bologna: Ut Orpheus, 2007. Review by Floyd Grave in Ad Parnassum 6/12 (2008), 147-152. Articles in this volume are listed below, identified as "Boccherini Studies 1."
______. Boccherini Studies, vol. 2. Bologna: Ut Orpheus, 2009. Articles in this volume are listed below, identified as "Boccherini Studies 2." Review by Miguel Ángel Marín, Ad Parnassum 8/16 (2010).
______. Boccherini Studies, vol. 3. Bologna: Ut Orpheus, 2011. Articles in this volume are listed below, identified as "Boccherini Studies 3." Reviews: John Moran in Notes 69 (2012-13), 279-281; Walter Kurt Kreyszig, in Ad Parnassum 12/24 (2014), 163-172.
______. Boccherini Studies: New Evidence. Bologna: Ut Orpheus, 2014.
Artigas, Josep Ma Mangado I. "El Marqués de Benavent (1768-1849): El arisócrata y guitarrista que encargó a Luigi Boccherini los quintetos con guitarra." Revista de musicología 26 (2003), 513-543.
Barce, Ramon. Boccherini en Madrid: Primeros anos, 1768-1779. Europeos en Madrid. Madrid: Insituto de Estidos Madrileños, 1992.
Bertoldi, Donata. Luigi Boccherini e la cultura musicale del classicismo. Fucecchio: Edizioni dell'Erba, 1994.
Boccherini, J. A., and Jaime Tortella. "Las vivendas madrileñas de Luigi Boccherini. Una laguna biográfica." Revista de musicología 24 (2001), 163-188.
Boccherini Sânchez, José Antonio. "Los Testamentos de Boccherini." Revista de musicología 22 (1999), 93-121.
Bongiovanni, Carmela. “Luigi Boccherini a Genova (1765, 1767): Novità e precisazioni.” Rivista italiana di musicologia 41 (2006), 65-99.
Bossuyt, Ignace. Luigi Boccherini, 1743-1805. Leuven: Davidsfonds, 2002.
Cattoretti, Anna. "1771-1773: gli ultimi quintetti per archi di Giovanni Battista Sammartini, i primi di Luigi Boccherini." Chigiana 23 (1993), 193-229.
Churgin, Bathia. "Sammartini and Boccherini: Continuity and Change in the Italian Instrumental Tradition of the Classic Period." Chigiana 23 (1993), 171-91.
Coli, Remigio. "Casanova incontra Boccherini: I primi anni del musicista in Spagna (1768-1771)." Nuova rivista musicale italiana 27 (1993), 557-61.
______. "Musica e religiosità in Boccherini." Boccherini Online 1 (2008)
______. "Bocheerini: cosa c’è dietro i vecchi cataloghi." In Boccherini Studies 3, 139-155.
Coli, Remigio, and Jaime Tortella. "I fandanghi di Boccherini." Boccherini Online 4 (2011)
Corvin, Matthias. "Ein Italiener in Madrid: Zum 200. Todestag von Luigi Boccherini." Das Orchester 53/5 (May 2005), 30-32.
Crisanto Gándara, Xosé. "Algunos aspectos sobre el contrabajo en la música de Luigi Boccherini." Revista de musicología 23 (2000), 443-464.
Crisanto Gandara, Xosé, and Robert Aymes. "The Double Bass in the Chamber Music of Luigi Boccherini." Bass World 26/1 (Jun-Sep 2002), 8-13.
D'Agostino, Marco. "La ‘Lettera di Breslau’: studio paleografico." Boccherini Online 2 (2009)
Degrada, Francesco. "Luigi Boccherini e la musica strumentale dei maestri italiani in Europa fra Sette e Ottocento." Chigiana 23 (1993), 363-75.
Dellaborra, Mariateresa. "'[...] La partie pourra être remplacée par [...: il caso dei notturni op. 38." Boccherini Online 1 (2008)
Dozio, Alessandro. "Jubilus et suavitas: le malentendu de la légèreté dans la musique de Luigi Boccherini." Boccherini Online 3 (2010)
Drosopoulou, Loukia. "Articulation Markings in Manuscript Sources of Luigi Boccherini's String Quintets." Boccherini Online 5 (2012)
______. "Boccherini as Chamber Composer to Friedrich Wilhelm II of Prussia: Some Insights from the Catalogues of the King's Music Collection." Boccherini Online 6 (2013)
______. "The Manuscript Ms. 16735 (1-9) at the Bibliothèque Nationale de France: A New Source for Boccherini’s Opp. 10-13 and 17-21." In Boccherini Studies 3, 157-167.
______. "Luigi Boccherini’s String Quintets with Two Violas Opp. 60 and 62 (G 391-402): A Re-Examination of Their Origin." In Boccherini Studies 3, 169-195.
Fernández-Cortés, Juan Pablo."¿Qué quita a lo noble un airecito de maja? National and Gender Identities in the Zarzuela Clementina (1786) by Luigi Boccherini and Ramón de la Cruz." Early Music 40 (2012), 223-236.
Fertonani, Cesare. "'Tutto è panno dell'istessa pezza': Boccherini e i generi d'intrattenimento." Analecta musicologica 32 (2002), 209-236.
______.
Boccherini e la rappresentazione nella musica strumentale." Musica/realtà: Rivista quadrimestrale 26 (2005), 77-103.
______. "Boccherini e la Follia." In Boccherini Studies 1, 145-159.
Fischer, Klaus. "Die Partiturmanuskripte von Instrumentalwerken Boccherinis in der ehemaligen Königlichen Hausbibliothek in Berlin." Studi musicali 37 (2008), 469-501.
Freiberg, Sarah. "Boccherini's Cello Concerto in Bb: Evolution of a Work." Strings 8/1 (Jul-Aug 1993), 20-27. G. 482.
Gianturco, Carolyn. "La Confederazione dei Sabini con Roma: Contributo di Luigi Boccherini alle 'Tasche' di Lucca." Chigiana 23 (1993), 27-47.
Giuggioli, Matteo. "Luigi Boccherini, nel bicentenario della morte, nuove prospettive di ricerca (Cremona, 7-8 maggio 2005)." Ad Parnassum 3/5 (2005)
______. "L’idillio minacciato. Figura e intreccio nei Quintetti per archi di Boccherini." Studi musicali n.s. 2 (2011), 115-170.
______. "Quintetto 'afandangado.' Il giovane Boccherini e il richiamo del fandango." Boccherini Online 4 (2011)
Glüxam, Dagmar. "Luigi Boccherini: Streichquartett, op. 24, Nr. 5 (1776–78)." In Musikerhandschriften: Von Heinrich Schütz bis Wolfgang Rihm, 44.45. Stuttgart: Reclam, 2002.
Goretti, Laura. "La sonata n. 6 per violoncello e continuo: analisi di revisioni nel corso di due secoli." Chigiana 23 (1993), 151-56.
Gosálvez Lara, Carlos José. "¿Una nueva sonata para violoncello de Boccherini?" Revista de musicología 27 (2004), 805-812.
Gosálvez Lara, Carlos José, and Germán Labrador López de Azcona. "Fuentes españolas para el estudio de la obra de L. Boccherini (1743–1805): Los fondos manuscritos del Real Conservatorio Superior de Música de Madrid." Revista de musicología 27 (2004), 743-762.
Grossato, Elisa. "Luigi Boccherini e Venezia." Chigiana 23 (1993), 135-50.
______. "Eleganza compositiva, ricerca timbrica e descrittiva nei quintetti per archi di Luigi Boccherini." In Boccherini Studies 1, 161-187.
______. "Gli scritti biografico-critici su Haydn e Boccherini e l’evolversi della fortuna dei due compositori fino alla prima metà dell’Ottocento.” In Boccherini Studies 3, 225-250.
Heartz, Daniel. "The Young Boccherini: Lucca, Vienna, and the Electoral Courts." Journal of Musicology 13 (1995), 103-16.
______. Music in European Capitals: The Galant Style, 1720-1780. New York: W. W. Norton, 2003. "Boccherini in Madrid," 964-997.
Holmes, David M. "A Comparison of and Performance Practice Guide to Two Editions of the Boccherini Cello Concerto in B-flat Major." D.M.A. diss., University of Kansas, 1992. On G. 482.
Kaiserkern, Babette. Luigi Boccherini. Leben und Werk. Musica amorosa. Wiesbaden: Weimarer Verlagsgesellschaft, 2014; Amersham, UK: Kahn & Averill, 2022.
Kim, Chungsum. "Twelve Violoncello Concertos of Boccherini and His Contributions to the Violoncello Literature." D.M.A. diss., The Juilliard School, 1991.
Labrador López de Azcona, Germán. "El papel R. Romaní y la datación de la música española de finales del s. XVIII (1775–1800): Una nueva vía de investigación en la obra de L. Boccherini.” Revista de musicología 27 (2004), 699-741.
______. "Luces y sombras de una biografía: Luigi Boccherini y la música en la corte de Carlos III y Carlos IV: Consideraciones socioeconómicas sobre su estancia en España." In Boccherini Studies 1, 3-29.
______. "A Short Note on Boccherini’s ‘Last Period’ and the True Nature of the Cantata al Santo Natale Op. 63 (1802)." Boccherini Online 6 (2013)
Labrador, Germán, and Isabel Lozano. "New Sources, Old Questions: On the Manuscripts of Inés de Castro and the Concierto a più instrumenti in the Biblioteca Nacional de España." In Boccherini Studies 2, 189-213.
Le Guin, Elisabeth. "A Composer for Our Time? For Drive Time, as Least." New York Times (14 Nov 1993), Arts & Leisure, 29.
______. "'As My Works Show Me to Be': Physicality as Compositional Technique in the Instrumental Works of Luigi Boccherini." Ph.D. diss., University of California-Berkeley, 1997. Abstract in DAI 58/8 (February 1998), 2898-A.
______. "'One Says That One Weeps, but One Does Not Weep': Sensible, Grotesque, and Mechanical Embodiments in Boccherini's Chamber Music." Journal of the American Musicological Society 55 (2002), 207-254. Cf. Beverly Jerold, "Maniera smorfiosa, a Troublesome Ornament: A Response to Elisbeth Le Guin," Journal of the American Musicological Society 59 (2006), 459-461; Marco Mangani, "More on smorfioso" Journal of the American Musicological Society 59 (2006), 461-465; Elisabeth Le Guin, "This Matter of smorf-: A Response to Beverly Jerold and Marco Mangani," Journal of the American Musicological Society 59 (2006), 465-472.
______. "Luigi Boccherini y la teatralidad." Revista de musicología 27 (2004), 763-804.
______. Boccherini's Body: An Essay in Carnal Musicology. Berkeley: University of California Press, 2006. Reviews: Mara Parker, Notes 63 (2006-07), 606-608; Patricia Howard, Musical Times 147 (Winter 2006), 112-114; J. A. Winn, Studies in Romanticism 45 (2006), 643-648; Annette Richards, Journal of the American Musicological Society 61 (2008), 215-220; Keith Pascoe, Eighteenth-Century Music 4 (2007), 310-312; Suzanne G. Cusick, Current Musicology 84 (2007), 139-146; Kelly Savage, Women & Music 13 (2009), 90-95; Stephen Rumph, Journal of the Royal Musical Association 133 (2008), 128-143; Ralph D. Converse, Music Educator’s Journal 94/2 (November 2007), 50-51; Allesandro Mastropietro, Drammaturgia musicale e altri studi 3 (2007), 95-97; Loren Ludwig, Early Music America 13/4 (Winter 2007), 52-55; Clifford Bartlett, Early Music Review 115 (October 2006), 29-30.
______. "Rondo Picaresco: A Capricho upon the Sonata, G 569 in C Major." In Boccherini Studies 1, 189-218.
______. “Luigi Boccherini y la música de su tiempo II, Madrid, 2-4 November 2011.” Eighteenth-Century Music 9 (2012), 298-301.
Lévi Sala, Luca. "Le Stabat Mater op. 61 (1801) de Luigi Boccherini: genèse et état des sources." Revue de musicologie 100 (2014), 323-356.
López Marinas, Juan Miguel, and Jaime Tortella. “La Asociación de Cultura Musical (1922–1936): Boccherini en algunos de sus conciertos.” Revista de musicología 31 (2008), 523-556.
Lozano Martínez, Isabel. "Un manuscrito autógrafo de Boccherini en la Biblioteca Nacional (Madrid)." Revista de Musicología 25 (2002), 225-236.
"Luigi Boccherini (1743-1805). Primo Convegno internazionale a Lucca, 1-3 dicembre 2011." Ad Parnassum 10-19 (2012)
Mangado, Artigas, and Maria Josep. "Il marchese di Benavent (1768-1849): Ricerca biografica sul chitarrista che commissiono a Luigi Boccherini i quintetti con chitarra." Il Fronimo 30 (Apr-Jun 2002), 13-20.
______. "El Marqués de Benavent (1768–1849): El aristócrata y guitarrista que encargó a Luigi Boccherini los quintetos con guitarra.” Revista de musicología 26 (2003), 513-543.
Mangani, Marco. Luigi Boccherini. L'amoroso canto, 3. Palermo: L'Epos, 2005. Reviews: Miguel Ángel Marín, Ad Parnassum 4/8 (2006) 147-151; Alessandro Mastropietro, Drammaturgia musicale e altri studi 3 (2007), 95-97.
______. "Nota su Boccherini e Pleyel." Boccherini Online 4 (2011)
Mangani, Marco, and Remigio Coli. "Osservazioni sul catalogo autografo di Luigi Boccherini: I quintetti a due violoncelli." Rivista italiana di musicologia 32 (1997), 315-326.
Mangani, Marco, Elizabeth Le Guin, and Jaime Tortella, eds. Luigi Boccherini. Estudio sobre fuentes, receptiõn e historiografía. Review by Fulvia Morabito, Ad Parnassum 6/11 (2008)
Marín, Cecilia González. "The Transcriptions for Two Instruments in Luigi Boccherini’s Catalogue." Boccherini Online 6 (2013)
Marín, Miguel-Ángel. "Music-Selling in Boccherini's Madrid." Early Music 33 (2005), 165-177.
______. "'Par sa grâce naïve et pour ainsi dire primitive': Images of Boccherini through His Early Biographies." In Boccherini Studies 1, 279-323.
Martos, Valle, and Jaime Tortella. "El rostro de Boccherini, espejo de un alma de artista." Revista de musicología 27 (2004), 611-641.
Mastropietro, Alessandro. "Tra forma-sonata e rondò: una nuova forma ibrida dell’ultimo Boccherini sopra lo sfondo del classicismo viennese?" Boccherini Online 3 (2010)
Mateos, Alberto Hernández. "'Elegante sin dejar de ser sublime.' Boccherini y la música instrumental en el pensamiento de Antonio Eximeno (1729-1808)." Boccherini Online 5 (2012)
Morabito, Fulvia. “L’Opera omnia di Luigi Boccherini è Edizione Nazionale Italiana." Ad Parnassum 4/7 (2006)
______. "La 'lettera di Breslau' di Luigi Boccherini: Evidenze peritali sulla non identità di mano." In Boccherini Studies 2, 113-188.
______. "La mano di Luigi Boccherini. Studio della scrittura alfabetica e musicale attraverso l’epistolario e i cataloghi autografi." In Boccherini Studies 3, 17-138.
______. "Il ritrovamento del lotto 520 di Liepmannssohn e le nuove testimonianze sulla vendita alla Gitarristische Vereinigung di Monaco di Baviera." In Boccherini Studies 3, 197-223.
Moreno, Emilio. "Luigi Boccherini." Goldberg: Revista de musica antigua 33 (April 2005), 14-23.
______. "Luigi Boccherini, a los doscientos años de su muerte." CD Compact: Musica clasica y alta fidelidad 19/4 (Jul-Aug 2005), 14-17.
Nadler, Atalia. "Luigi Boccherini's String Quartets, Op. 58 (1799): An Analytical Study." M.A. thesis, Bar-Ilan University, in progress.
Noonan, Timothy. "Structural Anomalies in the Symphonies of Boccherini." Ph.D. diss., University of Wisconsin-Madison, 1996. Abstract in DAI 57/5 (Nov 1996), 1904-A.
______. "The Slow Introduction in Boccherini's Symphonic Finales." Studi Musicali 31 (2002), 145-160.
Ortega, Judith. "El mecenazgo musical de la casa de Osuna durante la segunda mitad del siglo XVIII: El entorno musical de Luigi Boccherini en Madrid." Revista de musicología 27 (2004), 643-697.
Orth, Christian. "Zum Daumenaufsatz in den Cellostimmen von Boccherinis Kammermusik." In Boccherini Studies 1, 219-243. Cf. "Beispiele für die Verwendung von Alt- und Sopranschlüssel in den Cellostimmen bei Zeitgenossen Boccherinis." In Boccherini Studies 3, 273-276.
______. "Das Unisono der Celli – Beobachtungen zur Entwicklung von Boccherinis Quintettsatz." In Boccherini Studies 3, 251-271.
Parker, Mara. "Luigi Boccherini and the Court of Prussia." Current Musicology 52 (1993), 27-37.
______. "Soloistic Chamber Music at the Court of Friedrich Wilhelm II, 1786-1797." Ph.D. diss., Indiana University, 1995.
______. "Boccherini's Chamber Works for Friedrich Wilhelm II." In Boccherini Studies 1, 33-62.
______. "Boccherini's Workshop: The Quartettini for Friedrich Wilhelm II." Gli spazi della musica 4/1 (2015)
Rasch, Rudolf. "Luigi Boccherini and the Music Publishing Trade." In Boccherini Studies 1, 63-142; cf. addenda and corrigenda in Boccherini Studies 2, 215-216.
______. "Luigi Boccherini's Six Duets for Two Violins, Op. 3." In Boccherini Studies 2, 23-112.
______. "Luigi Boccherini (1743-1805): First International Conference in Lucca, Lucca, 1-3 December 2011.” Eighteenth-Century Music 9 (2012), 301-303.
______. "François de Fossa, Louis Picquot and the Transmission of Luigi Boccherini's Guitar Quintets." Early Music 50 (2022), 77-96.
Rasch, Rudolf, ed. Understanding Boccherini's Manuscripts. Newcastle upon Tyne: Cambridge Scholars, 2014. Review by John Moran in Notes 72 (2015-16), 567-569.
Ravenni, Gabriella Biagi. "'Molti in Lucca si applicavano alla professione della musica': Storie di formazione e di emigrazione nella patria di Luigi Boccherini." Chigiana 23 (1993), 69-109.
Ridgewell, Rupert. "Artaria's Music Shop and Boccherini's Music in Viennese Musical Life." Early Music 33 (2005), 179-189.
Rode, Geoffrey Mark. "Luigi Boccherini's Six String Quartets, Opus 32: A Formal and Stylistic Analysis." M.A. thesis, University of Calgary, 1992. Abstract in MAI 32/1 (Feb 1994), 11.
Sainati, Edward. "Luigi, Haydn's Italian Wife?" Strad 104 (Feb 1993), 162-67.
______. "A Castilian Line of Descent." Strad 104 (Oct 1993), 925-26.
Sala, Luca. "Édition critique du Stabat Mater de Luigi Boccherini." Ph.D. dissertation, Poitiers University, 2012.
Sala, Massimiliano. "The New Critical Edition of the Complete Works of Luigi Boccherini." Ad Parnassum 3/6 (2005)
______. "The New Critical Edition of the Complete Works of Luigi Boccherini." Ad Parnassum 3/6 (2005)
Salvetti, Guido. "Le due versioni dello 'Stabat mater' di Boccherini." In Musica senza aggetivi: Studi per Fedele d'Amico, 2 vols., ed. Agostino Ziino, I, 185-195. Florence: Leo S. Olschki, 1991.
______. "Camerismo sinfonico e sinfonismo cameristico: alla ricerca di un approccio analitico pertinente." Chigiana 23 (1993), 337-52.
Schick, Hartmut. "Hat Franz Xaver Richter des Streichquartett erfunden? Überlegungen zum 300. Geburtstag des Komponisten, samt einer Hypothese zu Boccherini." Archiv für Musikwissenschaft 66 (2009), 306-321.
Sierra Pérez, José, and Elena Vásquez García. "La relación del 'villancicos' [sic] de Boccherini con la pastorada." Nassarre: Revista aragonesa de musicología 23 (2007), 87-108.
Speck, Christian. "Mozart und Boccherini: Zur Frage der Italianita in Mozarts frühen Streichquartetten." In Internationaler Musikwissenschaftlicher Kongress zum Mozartjahr 1991 Baden-Wien, ed. Ingrid Fuchs, II, 921-932. Tutzing: Hans Schneider, 1993.
______. "Boccherini und die Verbreitung seiner Musik in europäischen Musikzentren des 18. und frühen 19. Jahrhunderts." Chigiana 23 (1993), 111-34.
______. "'Ma musique vocale la plus moderne': Boccherinis Konzertarien." Mozart-Jahrbuch 2000, 225-244.
______. "Über Zusammenhänge zwischen thematsicher Arbeit und metrischer Regularität des musikalischen Baus in der Streichquartett-komposition von Luigi Boccherini.” Ad Parnassum 3/5 (2005), 7-22.
______. "Boccherini as Cellist and His Music for Cello." Early Music 33 (2005), 191-210. Cf. Agnes Kory, “Boccherini and the Cello," Early Music 33 (2005), 749-751.
______. "Die neue Gesamtausgabe der musikalischen Werke von Luigi Boccherini." In Boccherini Studies 2, 1-21.
______. "Der Autor des angeblichen Boccherini-Briefes aus Breslau ist Abbé Bastiani.” In Boccherini Studies 3, 1-16.
Sutcliffe, W. Dean. "Archaic Visitations in Boccherini's Op. 32." In Boccherini Studies 1, 246-276.
Tchernowitz-Neustadtl, Miriam. "The String Trios of Luigi Boccherini," 2 vols. Ph.D. diss., Bar-Ilan University, 1991. Abstract in DAI 53/9 (Mar 1993), 3039-A.
______. "Aspects of the Cycle and Tonal Relationships in Luigi Boccherini's String Trios." Chigiana 23 (1993), 157-69.
______. "The Rondo in Boccherini's String Trios: An Italian Alternative to the Viennese Tradition." Studi Musicali 30 (2001), 399-409.
Tooten, M. "De strijkkwartetten van Boccherini (1743-1805)." Adem 29/1 (1993), 45-49.
Tortella, Jaime. "Luigi Boccherinigui en la Ilustración Española." Ph.D. dissertation, Universidad Autónoma de Barcelona, 1999. Summary in Revista de musicología 22 (1999), 255-258.
______. Luigi Boccherini y el Banco de San Carlos. Un aspecto inédito. Madrid: Tecnos, 1998. Review by Ramón Barce in Revista de Musicología 22 (1999), 304-05.
______. Boccherini: un músico italiano en la España Ilustrada. Madrid: Sociedad Española de Musicología, 2002. Reviews: Elizabeth Le Guin, Eighteenth-Century Music 2/1 (2005), 150-156; Emilio Moreno, Revista de musicología 26 (2003), 350-352.
______. "Creación y presentation de la ‘Asociatión Luigi Boccherini de Invertigación y Difusión Musical’: Madrid, 2003." Revista de musicología 26 (2003), 763-764.
______. "La musica descriptiva o argumental en el catalogo de Luigi Boccherini." Nassare: Revista aragonesa de musicologica 20 (2004), 193-220.
______. "Errors, Myths and Legends around Luigi Boccherini." Boccherini Online 1 (2008)
______. "The Traces of Boccherini’s ’Cello." Boccherini Online 2 (2009)
Vanhulst, Henri. "La diffusion des oeuvres de Boccherini d'après les catalogues du marchand de musique bruxellois Weissenbruch (1804-1813)." In Echos de France et d'Italie: Liber amicorum Yves Gérard, ed. Marie-Claire Mussat, Jean Mongredien, and Jean-Michel Nectoux, 359-369. Buchet/Chastel: Société française de musicologie, 1997.
Vincent, Michael. "The Bell’s Toll in Luigi Boccherini’s Night Music of the Streets of Madrid." Newsletter of the Society for Eighteenth-Century Music 33 (Spring 2019), 1, 12.
Zecca Laterza, Agostina. "Giuseppe Amiconi incisore dello Stabat Mater di Boccherini. Note d'archivio." Boccherini Online 4 (2011)
Author? Luigi Boccherini en el segundo centenario de su muerte (1743–1805). Review by Rebeca Rios, Nuova rivista musicale italiana 41 (2007), 400-401.
Luigi Boccherini: Opera Omnia: Critical Edition, Christian Speck, general editor (Bologna: Ut Orpheus, 2005-)
vol. 1, Arie da Concerto G 544-559, edited by Christian Speck, 2005. Reviews: Eric Cross, Early Music 34 (2006), 504-506; Miguel Ángel Marín, Ad Parnassum 4/7 (2006); Elisabeth Le Guin, Eighteenth-Century Music 6 (2009), 276-280.
vol. 11, Clementina. Zarzeula in Two Acts, G 540, edited by Miguel Angel Martín, 2013.
vol. 27/1, 6 Trios Op. 1, G 77-81, edited by Rudolf Rasch, 2014.
vol. 29, 6 Duets for 2 violins, Op. 3, G 56-61, edited by Rudolf Rasch, 2007. Review by Elisabeth Le Guin in Eighteenth-Century Music 6 (2009), 276-280.
vol. 30, 6 Sonatas Op. 5, G 25-30, for Keyboard and Violin, edited by Rudolf Rasch, 2009.
