Site hosted by Angelfire.com: Build your free website today!

SAYERS, Dorothy L(eigh) (1893–1957), British writer. A student of medieval literature, she was one of the first women to receive a degree from the University of Oxford. After working in a London advertising agency, the setting for her later novel Murder Must Advertise (1933), she began to write detective stories, beginning with Whose Body? (1923). It featured the dashing, witty aristocrat-detective Lord Peter Wimsey, who solved the crimes in her ten subsequent books. Works such as The Nine Tailors (1934), which involves disquisitions on the art of ringing church bells, and Gaudy Night (1935), set in a woman’s college at Oxford, are examples of Sayers’s erudite, complexly plotted approach. Her other works include theological studies and works on Dante and translations of his Divine Comedy (1949 and 1955).

© Copyright 1997-1998 Versaware Technologies Inc. All rights reserved

Quotes

Not Herod, not Caiaphas, not Pilate, not Judas ever contrived to fasten upon Jesus Christ the reproach of insipidity; that final indignity was left for pious hands to inflict. To make of His story something that could neither startle, nor shock, nor terrify, nor excite, nor inspire a living soul is to crucify the Son of God afresh and put Him to an open shame.
Dorothy Sayers

Of late years, the Church has not succeeded very well in preaching Christ; she has preached Jesus, which is not quite the same thing. -- Dorothy Sayers

Books . . . are like lobster shells, we surround ourselves with 'em, then we grow out of 'em and leave 'em behind, as evidence of our earlier stages of development.
Dorothy L. Sayers (1893-1957) In "The Beacon Book of Quotations by Women," by Rosalie Maggio, 1994.

It is not the business of the church to adapt Christ to men, but men to Christ. Dorothy Sayers

Few things are more striking than the change which has taken place during my own lifetime in the attitude of the intelligentsia towards the spokesmen of Christian opinion. When I was a child, bishops expressed doubts about the Resurrection, and were called courageous. When I was a girl, G. K. Chesterton professed belief in the Resurrection, and was called whimsical. When I was at college, thoughtful people expressed belief in the Resurrection "in a spiritual sense", and were called advanced; (any other kind of belief was called obsolete, and its professors were held to be simpleminded). When I was middle-aged, a number of lay persons, including some poets and writers of popular fiction, put forward rational arguments for the Resurrection, and were called courageous. Today, any lay apologist for Christianity... whose works are sold and read, is liable to be abused in no uncertain terms as a mountebank, a reactionary, a tool of the Inquisition, a spiritual snob, an intellectual bully, an escapist, an obstructionist, a psychopathic introvert, an insensitive extrovert, and an enemy of society. The charges are not always mutually compatible, but the common animus behind them is unmistakable, and its name is fear. Writers who attack these domineering Christians are called courageous.
... Dorothy L. Sayers
Setting aside the scandal caused by His Messianic claims and His reputation as a political firebrand, only two accusations of personal depravity seem to have been brought against Jesus of Nazareth. First, that He was a Sabbath-breaker. Secondly, that He was "a gluttonous man and a winebibber, a friend of publicans and sinners" -- or (to draw aside the veil of Elizabethan English that makes it sound so much more respectable) that He ate too heartily, drank too freely, and kept very disreputable company, including grafters of the lowest type and ladies who were no better than they should be. For nineteen and a half centuries, the Christian Churches have laboured, not without success, to remove this unfortunate impression made by their Lord and Master. They have hustled the Magdalens from the Communion-table, founded Total Abstinence Societies in the name of Him who made the water wine, and added improvements of their own, such as various bans and anathemas upon dancing and theatre-going. They have transferred the Sabbath from Saturday to Sunday, and, feeling that the original commandment "Thou shalt not work" was rather half-hearted, have added to it the new commandment, "Thou shalt not play."

... Dorothy L. Sayers, Unpopular Opinions

 

 




.