Topic: Ray Heindorf
![Mario Lanza, Renata Tebaldi_and Ray Heindorf 1955](http://2.bp.blogspot.com/_VIPJRnzy4wo/SLXk_XZ9LGI/AAAAAAAABdw/VjioccHYq4k/s200/With_Renata_Tebaldi_and_Ray_Heindorf_1955.jpg)
WEB - SHOP Ray Heindorf ![](http://www.assoc-amazon.com/e/ir?t=ncdn&l=ur2&o=1)
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Died 25 April 1995. Rogers introduced some celebrated numbers from the Great American Songbook, songs such as Harry Warren and Al Dubin's "The Gold Diggers' Song (We're in the Money)" from Gold Diggers of 1933 (1933), "Music Makes Me" from Flying Down to Rio (1933), "The Continental" from The Gay Divorcee (1934), Irving Berlin's "Let Yourself Go" from Follow the Fleet (1936) and the Gershwins' "Embraceable You" from Girl Crazy and "They All Laughed (at Christopher Columbus)" from Shall We Dance (1937). Furthermore, in song duets with Astaire, she co-introduced Berlin's "I'm Putting all My Eggs in One Basket" from Follow the Fleet (1936), Jerome Kern's "Pick Yourself Up" and "A Fine Romance" from Swing Time (1936) and the Gershwins' "Let's Call the Whole Thing Off" from Shall We Dance (1937). Ginger Rogers won the Academy Award for Best Actress for her starring role in 1940s Kitty Foyle...dramatized on radio's Lux, Presents Hollywood:
WARNER BROS. RECORDS TO RELEASE THE DARK KNIGHT ORIGINAL MOTION PICTURE SOUNDTRACK ON JULY 15, 2008. Soundtrack to Highly Anticipated Summer Release Scored by Acclaimed Film Composers Hans Zimmer and James Newton Howard. The Dark Knight Original Motion Picture Soundtrack - the haunting score to the hotly anticipated feature film The Dark Knight - will be released by Warner Bros. Records on July 15, 2008, three days before the movie opens nationwide on July 18th. Composers Hans Zimmer and James Newton Howard, who collaborated on the score for the 2005 blockbuster Batman Begins, were asked by director Christopher Nolan to work together again, scoring its follow-up, The Dark Knight. The duo recorded the orchestral soundtrack for the film in London this April. Zimmer and Howard are among the film industry's most respected and sought-after composers. Each has a career encompassing well over 100 film and television scores. Zimmer won an Academy Award for his score for The Lion King, and has earned six additional Oscar nominations for his work on Gladiator, The Thin Red Line, Rain Man, As Good as It Gets, The Preacher's Wife and The Prince of Egypt. He includes among his more recent film credits Pirates of the Caribbean: At World's End, The Simpsons Movie, and the Spanish-language Casi Divas.
Lakeshore Records will release the original soundtrack for DEATH DEFYING ACTS via iTunes and in stores on July 8. Called "one of the best Aussie directors of her generation" by Variety, Gillian Armstrong (Charlotte Gray, Oscar and Lucinda) helms this film about Harry Houdini's romance with a con woman. In his attempts to contact his dead mother, the magician (Guy Pearce) meets a beautiful psychic (Catherine Zeta-Jones) who isn't all she appears. Cezary Skubiszewski (Lilian's Story, Two Hands) composed the music for the film. Australia's newspaper The Age called Polish émigré Cezary Skubiszewski Australia's leading film composer. He has received numerous awards for composing in his adopted country, including two each from the Australian Film Institute and Australian Performing Rights Association. He has worked with many of Australia's top directors Gregor Jordan (Two Hands with Heath Ledger), Craig Lahiff (Black & White), Steve Jacobs (La Spagnola), Richard Flanagan (The Sound of One Hand Clapping), Sam Neill (The Brush Off), Dein Perry (Bootmen) writer/producer Andrew Knight (the acclaimed mini-series).
ON THE WEB | Mark Kilian, composer
Academy Award®-winning writer-director Andrew Stanton (Finding Nemo, A Bug's Life) didn't wait long to ask Finding Nemo collaborator Thomas Newman to compose the music for WALL.E. Stanton described, "The night of the Oscars in 2004 for Nemo, we went out for a celebratory toast at the bar in the middle of the ceremony, and right there I remember saying, 'Okay, I've got this idea, and it involves Hello Dolly and science fiction.' Wondering if he would still talk to me after that." The Hello Dolly reference didn't scare off Newman - his uncle Lionel was the conductor for the 1969 film. Thomas Newman is member of the film-scoring Newman dynasty (his father and uncle are the legendary composer and conductor Alfred and Lionel Newman respectively, his brother is composer David Newman and cousin is composer/singer/songwriter/recording artist Randy Newman). After studying at Yale University, Thomas Newman joined the family business and began scoring for film in 1984. It was ten years later that he would became a double Academy Award®-nominee with Little Women and The Shawshank Redemption. He has since received 8 nominations for the films American Beauty, Road To Perdition, Finding Nemo, Lemony Snicket's A Series of Unfortunate Events, and The Good German. He also composed the theme music for the television shows Boston Public and Six Feet Under and the miniseries Angels in America. Though he has written music for a wide range of films Thomas Newman has never composed for a science fiction film. He brought his own unique style to WALL.E. Stanton describes, "He's got a very unique style that often involves a lot of overdubs and mixing after he's recorded the orchestra. And it just allows this fresh palette of sounds to come in." "He's really nailed an identity for not only the movie but for the characters and for the moments," Stanton continues, "and I can't imagine it any other way." Legendary artist Peter Gabriel had first contacted Andrew Stanton through a mutual friend, Gabriel's bass player Tony Levin. Gabriel emailed Stanton seeking advice on a different animated feature. The email exchanged ended with Gabriel adding a post script offering "If you ever need a song in one of your movies, just let me know." Stanton called in the marker, and Gabriel to collaborate with Newman on the song "Down To You," which Peter performs. In addition, Gabriel co-composed two additional score cues with Newman. What if mankind had to leave Earth, and somebody forgot to turn the last robot off? After hundreds of lonely years of doing what he was built for, WALL.E (short for Waste Allocation Load Lifter Earth-Class) discovers a new purpose in life (besides collecting knick-knacks) when he meets a sleek search robot named EVE. EVE comes to realize that WALL.E has inadvertently stumbled upon the key to the planet's future, and races back to space to report her findings to the humans (who have been eagerly awaiting word that it is safe to return home). Meanwhile, WALL.E chases EVE across the galaxy and sets into motion one of the most exciting and imaginative comedy adventures ever brought to the big screen.
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Soundtrack Features Original Music By Clint Mansell (June 10, 2008- Los Angeles, CA) -Lakeshore Records will release the original soundtrack for Definitely, Maybe on June 24th. Clint Mansell composed the music for the film, which opened on February 14, 2008. The film has since earned over $50 million at the box office worldwide. Clint Mansell began scoring for film following the break-up of his band Pop Will Eat Itself. His first score was for writer/director Darren Aronofsky's film Pi. He has since composed for Aronofsky's films Requiem for a Dream and The Fountain, the latter of which was nominated for a Golden Globe Award for Best Original Score. Mansell's credits also include Sahara, Abandon, and Smokin' Aces.