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A founding member of the Huntsville, AL Slam along with Linda Wheeler, friend and mentor, Katie got her performance poetry start the best way she knew how: submersion. In 1997 she anchored the Huntsville team's debut at the Southeastern Southern Fried Poetry Slam Regional Competition. Also that year she featured at the Florence Poet's Collective, was guest speaker for the Huntsville Museum of Art's progressive dinner, and even had five minutes on the soap-box in Speaker's Corner, London. In 1999, Birmingham became her new Slam home and she again anchored her team at Regionals, placing tenth in the Southeast. She was also a part of Birmingham's National Slam debut in Chicago, home of the Slam and site of its tenth anniversary. Katie has also been a featured poet at Birmingham City Stages and the year 2000 finds her traveling, speaking, and collecting a variety of poetry gigs including Americus, GA and the Cantab in Boston. Ranked top Slam poet in Birmingham and Montevallo, she plans to again compete regionally and nationally. Currently a senior BFA Art Major at the University of Montevallo, Katie specializes in ceramics and photography. She is applying to graduate schools and plans to avoid the "real world" as long as possible. |
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Red Shoes I bought some red shoes at the specialty store today. Red shoes hiiiiiiigh heels so high it looks like you could just knock me down and fuck me. Very feminine, I hear. Red shoes so stylized my footprints abstracted into two dots, one bigger than the other. Two dots: no arch no instep, just pointy toes and stilt-like heels, hiiiiiiigh heels, defying gravity... and anatomy. Red shoes the color of come-hither World War Europe whores' heels that the boys liked so much they brought them back for their wives to wear performing housework once they steel-tipped boot kicked them out of their jobs, whose jobs? And what kind of shoes did they wear then, when the men were away? Red shoes like my mamma used to wear while preening in front of metallic mirror every morning in her flesh-colored slip staining her lips to match the pain of her Achilles shrunken and tight like a wound-up rubber band her voice shrill at the end of the day, "Oh, these feet, you'd think I've been put through a meat grinder." She's shuffling about the cold linoleum floor in stockings straining to contain her stubby toes cracked nails calluses. She's tenderizing the beef. She can't see the irony. And neither could I, as a child crayon-coloring in the lines of my alphabet book: S is for shoes, you can see it the contour of the highly feminine rendering of the latest foot-wear apparel that never seems to change. History the same in my mother's closet, boxes carefully labeled- R is for red... I slid the cardboard container out of the wall of similar bricks, blew off the dust, and opened a Pandora of broken toes contorted tendons Chines torture only for the women, that the West liked so much they picked it up and ran with it, and now half of us can't run away. But we look so nice tinker-toy tottering on the feet of our broken past and our inevitable fashionable future. I'd take my red shoes back to the store today, but I can't seem to get them off... |
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