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        UV CURING TECHNICAL INFORMATION PAGE
        Advance Curing System
TROUBLESHOOTING
 
 
Introduction

The following notes are intended to guide those printers who may be using UV products for the first time. They are meant to supplement the already extensive knowledge of printing acquired through day to day experience with conventional inks and varnishes.

The problems listed are varied, and though many hopefully may never be experienced, they have been included to provide a reasonably comprehensive aid to the printer. They have been arranged in a clear format to enable easy reference.

PROBLEM POSSIBLE CAUSES SUGGESTED SOLUTIONS
1. Ink is solid in the can or is becoming solid from the bottom of the container. (a) Ink storage area is too warm. Relocate inks in a more suitable area.
(b) Interaction between the pigment and vehicle caused by wrong pigment type. Contact the ink maker.
(c) Ink has passed its useful life. 6-12 months is usually claimed, but can be much longer than this. Check the date of manufacture. Practice good storage methods to avoid using new stock before old.
(d) Ink may be crystallized. This may occur due to ink being stored at too low a temperature.
(e) Ink may be affected by stray light. Replace lids of containers when not in use. Screen sunlight from pressroom. Most UV systems do not allow high energy light to escape.
(f) Contamination of ink by metal parts or metal left in contact with ink after mixing. Ensure brass or copper does not remain in close contact with ink, varnishes or coating as this may cause hardening.
2. Ink drying on rollers or blankets; tack increases during run. (a) Rollers and blankets not compatible with ink. Contact suppliers for alternative products.
(b) Stray light in pressroom. Adequately filter direct sunlight and fluorescent lamps.
(c) Rollers may not have been primed correctly; still removing low viscosity components from ink, causing tack to rise. Prime rollers when new, and when replacing several rollers for maintenance purposes.
(d) Inks may be contaminated by products mistakenly added, i.e. conventional reducer, or extender (tinting medium). Practice good housekeeping to ensure that all non-UV products are kept off the press and that a separate storage is kept for UV products.
3. Piling of ink on rollers, blankets and plates. (a) Blankets and/or rollers may not be suitable for use with UV cured products. Contact suppliers of appropriate products for suitable alternatives.
(b) Contamination with spray powder on sheets from previous run on another press. Dry-run to remove spray, or crush spray. Removal is preferable.
(c) Ink rheology may be poor due to being of light-fast or light-resistant type. Reduce ink slightly to improve flow, or contact the ink maker.
(d)  Setting of dampers, rollers, plates or blankets may be causing poor transfer. Check settings of the mentioned items.
(e) Excess water may make the transfer problem worse, causing some emulsification.  Reduce water setting slightly. UV inks, like conventional solvent-based inks, run better with minimum water.
4. Blankets embossing. (a)Wrong blanket type. Consult with blanket supplier for compatible type.
(b) Using relief plate to spot coat with UV coating. Consider using blanket specifically made for UV.

Coating is often more aggressive than ink to the blanket.

5. Picking of paper surface. (a)  Paper surface is too weak, or stock may be 'green' and lack good surface strength. Change to better stock. Contact mill or paper supplier if stock has been successfully used before.
(b) Ink tack is too high. Reduce the ink with gelled or liquid reducer. PLEASE NOTE: Too much reducer may retard proper curing.
(c) Water setting is too high, weakening the coating surface. Apply less dampening water.
(d) Rollers not primed. Prime rollers with appropriate product or reducer.
(e) Wrong blanket type. Replace blanket.
(f) Interstation lamp not curing sufficiently. Check lamp curing; also, press speed may be too high causing poor cure.
6. Ink is misting. (a) Rollers set incorrectly. Reset rollers.
(b) Too much ink is being carried on the rollers, or if ink is a tint. Reduce amount of ink on rollers, or, if ink is a tint, strengthen tint.
(c) Ink rheology is poor. Contact ink maker to improve flow characteristics.
7. Ink 'laying-back' in the duct. (a) Ink may be highly pigmented. Stir frequently or use duct agitator if available.
(b) Ink formulation may be unsuitable. Consult ink maker.
(c) Ink may be too stiff. Use reducer or ink-duct agitators.
8. Halftones 'filling-in'. (a) Too much ink supplied to plate. Reduce amount of ink on rollers.
(b) Tack too high, preventing good flow. Mix in small quantity of reducer.
(c) Ink is highly pigmented. Reduce ink with liquid or gelled UV reducer.
(d) Ink may be partially cured by 'stray light'. Ensure light is not reflected from cylinders onto blankets and plates. Screen off all direct ambient light shining onto the press rollers and cylinders.
9. Ink transferred to impression cylinders on perfecting presses. (a) Interstation lamp not on or insufficient time allowed to warm-up. Switch lamp on or allow lamp to complete 'warm-up' cycle before using it.
(b) Press speed is too high for the lamp to effect a good cure. Slow press speed slightly until curing is satisfactory or fit more powerful lamp if possible. (This is often not possible due to press specifications).
(c) Lamp may be failing. Replace lamp.
(d) Electrical problems. Consult electrician.
10. Ink is not curing, or sheets are sticking together in the stack. (a) UV curing unit is not switched on. Switch on unit, check fuses and circuit breakers.
(b) Curing unit has lost efficiency due to lamps or reflectors being soiled. Lamps may also have reached the end of their useful life. Clean lamps and reflectors, if possible. If not possible, change lamps and reflector skins if fitted.
(c) Ink is conventional solvent-based ink, not UV. Wash-up rollers carefully using appropriate solvents and change to UV curing inks.
(d) Film weight of ink is too heavy, beyond the capability of the lamps. Run less ink if possible or use interstation curing if fitted.
(e) Press speed too high for lamps. Use more lamps, or increase the power of lamps if applicable. Slow the press speed.
(f) Roller contamination, poor wash-up. Re-wash the rollers; flush oily solvent and dry properly so that no residue remains.
 

TROUBLESHOOTING GUIDE FOR COATING
PROBLEM POSSIBLE CAUSES SUGGESTED SOLUTIONS
1. Crawling, cissing or rejecting. Wax in ink or wax in water base. Use flow additives

Use A-R varnish

Use wax-free ink

Use water based sealer

2. Ink bleaches or changes color. Alkaline inks:

Rhodamine red

PMS purple

Reflex blue

Check ink type

Check UV varnlsh

Check UV cure

Use water based sealer

Change ink

3. Ink bleeds color (a) Ink uncured. Give 24 hours to dry
(b) Solvent in varnish. Change varnish

 

4.Low varnish gloss. (a) Ink uncured. Give 24 hours to dry
(b) Solvent in varnish. Change varnish
(c) Low film weight. Check coater

Check viscosity

(d) Porous stock. Change substrate

 

5. Varnish flakes off. (a) Ink uncured. Give 24 hours to dry
(b) Bad substrate. Change stock
(c) Substrate was scored before varnishing. Score after UV

 

6. Varnish appears to scuff. (a) Ink uncured. Give 24 hours to dry
(b) Varnish undercured. Check lamps.

Check varnish.

7. Varnish appears to yellow. (a) Substrate. Check stock.

Use water based sealer

(b) Varnish undercured. Check lamps.

Check varnish.

 

8. Finish looks like sandpaper. (a) Offset powder. Change grade or quantity used

Use water based sealer in-line

Crush powder

 

9.Post cure odor too high. (a) Substrate too porous. Check stock
(b) Varnish undercured. Check lamps

Check varnish

 

10. Low mileage. (a) Varnish thick. Use thin varnish
(b) Roller problem. Adjust rollers
(c) Porous substrate. Change stock

 

11. Blocking/sticking in stack (two sided jobs). (a) Varnish undercured. Check varnish

Check lamps

(b) Solvent in varnish. Use 100% solids varnish
(c) Not using anti-blocking varnish. Use anti-blocking varnish

 

12. Poor glueability. (a) Not using glueable varnish. Use glueable varnish
(b) Varnish undercured. Check varnish

Check lamps

 

13. Poor foil stamp properties. (a) Not using a foil-blockable (additive added) varnish. Use a foil-blockable (additive added) varnish
(b) Varnish undercured. Check varnish

Check lamp

(c) Aging. Stamp freshly cured coating

 

14. Varnish slow to cure. (a) Not using high speed varnish. Change to high-speed curing varnish
(b) Lamps old. Check lamp emission with radiometer.
(c) Varnish old. Check expiration date.

 

 

 Advance Curing System
#NGR layout,
Bangalore - 560068.Call : +91 9900570221,
email: rajikoshy@gmail.com.
 
No part of the data provided in this write-up may be published in any form without the prior consent in writing from ACS,Bangalore.