Title: Cauterized Heart
Author: Bernie
Pairing(s): Sergei Fedorov / Ilya
Kovalchuk & Slava Kozlov/ Igor Larionov
Rating: R? Mentions of M/M slash,
but not explicit. Kissing, hints of what else went on.
Disclaimer: This is fiction
Dedication: Mae, for reading, and
saying this was not insane. (Anti-dedication to Chip! ☺)
>É< Denotes characters
speaking in Russian.
In Russia under the Soviet system
it was New Years that was celebrated rather than Christmas. So we are going to
pretend that the NHL closes down for a couple of days around Christmas / New
Years. Fiction people.
ÒYou canÕt leave him here.Ó
ÒYou canÕt leave me here.Ó
Igor and Slava, wearing the
insufferable expression of reunited lovers, start almost in stereo at the
voices. What Sergei had thought was going to be a brief catch up drink with an
old team mate, as in he played with Slava, not a crack on IgorÕs age, was
spiraling rapidly out of hand.
ÒWhy not?Ó SlavaÕs tone clearly
contains a note of Ôoh behave youÕ as Igor trails his fingers down the back of
his neck. ÒIt is only for a couple of days.Ó
ÒHeÕs a child!Ó
ÒIÕm capable of staying by myself,
I am not a child!Ó
Ilya glares and Sergei ignores.
Igor rolls his eyes >ÓYou talk
to Ilya loveÓ< he instructs Slava before turning to Sergei.
>ÒI do speak Russian Iggy, if
that was your idea of being secretive.Ó< SergeiÕs voice could only be drier
if it were rolled between sand before the words were uttered.
Igor draws Sergei aside, he
carefully explains how Ilya is lonely but wonÕt admit it. How he has broken up
with his boyfriend, and is upset. How he and Slava have decided that the two of
them should spend the holiday together, and support each other. He then warns
Sergei that Ilya is ÔvulnerableÕ at losing his boyfriend, and not to Ôtry anythingÕ.
SergeiÕs face is a study in
incredulity at these comments. Not the least of which was the thought he would
try to sleep with Ilya.
ÒAre you insane?Ó Igor seems
momentarily speechless at the level of SergeiÕs dislike of these plans.
ÒOne, he is not staying, two, I
donÕt think so! Do I look like Oprah or something?Ó If it is possible to yell
while hissing, that is what Sergei is doing.
On the other side of the kitchen
the conversation is a little less give and take.
ÒYou are staying here. Suck it up
and try to enjoy yourself. Feds is a cool guy. DonÕt jump him.Ó
Ilya stares at Slave in amazement.
ÒI am not staying here!Ó
ÒYes you are, you have no way of
getting home without me.Ó
ÒYou canÕt leave me here!Ó
ÒOf course I can.Ó
With that Slava jumps down off the
bar stool he had been sitting on and he and Igor step outside. Ilya and Sergei
get comically jammed into the doorway to the outdoors from the kitchen and by
the time they have untangled themselves Slava has opened the door for Igor and
moved around to the drivers seat. Ilya and Sergei stand in the doorway wearing
identical expression of amazement.
Well, shock and dawning horror on
IlyaÕs part. He literally just has the clothes he is wearing; his cell phone is
in his bag. His wallet is in his
bag. His bag isÉ is in the car. He takes a half step down the porch when Slava
pulls out of the driveway.
The cars exhaust puffs out fluffy
gusts of warm air in the cold afternoon.
Ilya is reduced mostly to gaping
when he turns to his reluctant host. SergeiÕs expression has leveled into
resignation.
ÒShit.Ó That was Sergei.
ÒFuck.Ó That was Ilya.
ÒI need a fucking drink.Ó One
thought it; one said it out loud.
Ilya and Sergei sit at the kitchen
counter on bar stools, appropriate since they are sucking back vodka like
sailors on shore leave. They make the vaguest of conversations; one will
desperately say something when the silence between them stretches to longer
than five minutes.
Cars keep them going for half an
hour. SergeiÕs is more expensive; Ilya has had more speeding tickets. Plotting
IgorÕs demise lasts another half hour. It is midnight when Ilya finally drops
his head in his hands and complains that he feels unwell. Sergei helps him to
the down stairs guest room; helpfully pointing out the en-suite he goes to his
own room.
In the dark he plots bloody
revenge. He falls asleep suddenly, the lights in his mind going blank and he
doesnÕt remember any of his dreams.
Ilya awakens once, and is sick in
the bathtub. He drinks several glasses of water, eavesdropping on SergeiÕs
conversation with his dreams. Finally he stumbles back to bed, hoping he will
wake up tomorrow in someoneÕs arms and this will be a horrible nightmare. In
his sleep he twists his body around someone that is not there anymore.
Sergei has a headache. Ilya is
staring out the window at the snow.
They both crawled out of their
rooms at about noon. Sergei was unsurprised to find the sheets and blankets he
had fought all evening were on the floor.
Ilya was throwing up again, this
time making it to the toilet, where he could at least flush the evidence away.
He runs the shower until the bathtub is clean and then tips half a container of
bleach in for good measure. He then flees the guest room before the smell makes
his stomach turn over again.
Ilya seeks out another bathroom to
shower in, vaguely disappointed to find only a couple of styling products in
SergeiÕs bathroom and a generic brand of shampoo.
He stumbles into the kitchen
wearing just a bathrobe with his hair dripping in his eyes.
Sergei hands him clothes from the
airing cupboard beside the kitchen. Deliberately they are older items that he
is unlikely to wear any more. He had heard Ilya throwing up earlier.
The clothes are warm. Ilya
remembers grabbing DanyÕs shirt to put on when he climbed out of bed after they
had made love. Those shirts were a little warm as well. Ilya resolves to burn
the clothes Dany has left at his house, just because he feels the need for
flamboyant gesture. He will do it when he gets home.
Immediately he realises he doesnÕt
really have any home to hang his hat and his eyes fill with tears.
Sergei makes coffee, drinks
vitamin c tablets dissolved in water, and eats Tylenols like they are candy. He
wishes, not for the first time, that he would remember to ask for better
painkillers the next time he is injured.
Ilya has found fault with
everything around him.
Michigan is cold, and miserable,
and the room is too hot, and thereÕs nothing to eat, and the lights hurt his
eyes. Sergei is desperate to flee to another part of the house, but feels
trapped in the living room with the unhappy child because of some sort of
misplaced sense of what it is to be a host.
He makes more coffee, he drinks
more orange juice, and the dull throb in his head settles to pain from blinding
agony and he stares at the shapes of the snowflakes. One second they are fluffy
and floaty, one moment they are hail one moment they flutter down, next second
they are sleet. Snow is wonderful. Snowstorms are hypnotising, snow forms into
banks and makes it slippery to drive in Michigan in the winter. Snow is white,
unless it is grey, unless it isÉ
ÒDid it always snow at New YearsÕ
when you were a kid?Ó
IlyaÕs voice is soft and melodic;
it has lost the bratty tones from before.
ÒYes.Ó Sergei pauses and tries to
remember what his voice sounds like ÒYes.Ó He tries again, pausing this time to
think about what the question had been; the ÔyesÕ had been a reflex.
ÒYes.Ó He says for the third time,
adding Òbut it canÕt have been that long ago for you Ilya.Ó He is more
confident that that is in fact what his voice sounds like. It is a little
deeper than usual. He hasnÕt said anything for several hours, and the shadows
on the snow would seem to indicate that the day was nearly over. His voice is
rusty from drinking the night before. It is an effort to make what he hopes
will be a meaningless conversation.
ÒWhere were you supposed to be
this New Years Ilya?Ó
Ilya ignores the question,
continuing to stare at the snow. Sergei waits for a few minutes then sighing
goes into the kitchen to make more coffee. For good measure he dumps a couple
of shots of whiskey into them. Coming back into the lounge he puts a cup beside
Ilya.
So far Ilya has been given coffee:
with and without sugar, milk, and, cream. He has expressed no preference so
Sergei gives it to him the way he likes it. Black. And with alcohol, it is New
Years Eve after all.
ÒIn Calgary.Ó
ÒYes.Ó Sergei replies, not sure
what Ilya is talking about. But he knows Calgary. Well, he knows they have the
Flames and typically two fairly easy points.
He tries to imagine why anyone
would want to go to Calgary. He vaguely thinks of rodeos and wrestling. He has
the wardrobe for neither.
ÒWith Dany.Ó
ÒYes.Ó Sergei thinks for a moment.
ÒHeatley?Ó
ÒHe decided he would rather go
with someone else.Ó
ÒOh.Ó Sergei casts about for
something to add to the conversation wishing Ilya would go back to staring at
the snow. ÒWho?Ó
ÒSomeone with tits.Ó
ÒOh.Ó Fortunately Ilya goes back
to looking out the window; Sergei has no idea what to say to this. He
desperately thinks about all the other rooms in his house. The office with the
computer, reading on his bed, hiding in the garage.
ÒCan I ask you a question?Ó Ilya
asks.
ÒYes.Ó Shit Sergei thinks, why canÕt
you just think no? ÒNoÉ. umm, go ahead, askÉÓ he stumbles out when Ilya looks
at him questioningly. Just say no! Sergei thinks to himself.
ÒYou like girls and guys right?Ó
ÒYes.Ó Well, that ÔyesÕ was ok; it
was true, and hardly a secret.
ÒSo does that mean that guys are
just for fun and you really like girls?Ó
ÒYes, or no.Ó Sergei shrugs. ÒIt
depends on the guy.Ó
ÒIt depends on the guy.Ó Ilya
repeats.
Sergei is sure that he has made
things in some way worse.
ÒI guess I just mis-understood
Dany.Ó IlyaÕs voice is soft, the way you speak when you are trying to control
the pitch, to disguise a flood of emotions.
ÒWhat did he say?Ó
ÒThat he loved me. Then he said he
was just horny and I was closer and less likely to go to the media than a puck
bunny.Ó
ÒYes. You canÕt get pregnant
either.Ó Being slightly drunk and hung-over has affected the censor on SergeiÕs
mouth. He canÕt seem to stop talking.
IlyaÕs giggle at this makes Sergei
feel better, it wasnÕt actually a joke, he meant that fucking a guy was a good
release, and, well, they /couldnÕt/ get pregnant. And teammates were hardly
likely to broadcast it anywhere but the locker room, and that was ok, ya takes
ya chances when you fuck someone you have to work with.
ÒI canÕt help but think that, if I
had understood Dany better, this would not have happened.Ó
ÒIlya, these things happen in
every language. He probably just found playing you easier if you didnÕt really
understand what he was saying.Ó
Ilya winces and Sergei goes on;
Òif you had lousy English, then he could just say that you mis-heard a
conversation, or didnÕt know the meaning of a word he was using.Ó
IlyaÕs tears spill out of his eyes
and Sergei desperately casts about for something to say.
ÒIÕm sorry though, I know it hurts.Ó Well, it hurt the first
time, the second time less so, the third time it becomes the echo of hurt. He
doesnÕt share this wisdom with Ilya. Instead he repeats; ÒIÕm sorry.Ó
Sergei vaguely remembers the first
hurt, not Pavel or Anna, and although he has been almost without sensation for
years the rawness of IlyaÕs expression terrifies and nauseates him. He sees
IlyaÕs eyes as two disks of light, gilded over with tears until they have no
colour just a reflection of the lamps into blinding beams that burn into SergeiÕs
eyes.
ÒDo you?Ó IlyaÕs eyes are bright.
ÒHow.Ó
ÒPavel and I have spoken Russian
since the day we were born, and we managed to Ômis-understandÕ each other.Ó
Sergei gives a short and bitter laugh. ÒWe managed to ÔmisunderstandÕ each
other a number of times in our lives.Ó
Shut the fuck up Sergei! His inner
voice shouts at him. Instead his lips twist into what may be a smile and he
goes on: ÒAnna is also a native Russian speaker, and I have managed to
completely mis-understand any number of things she has said to me.Ó
ÒI still blame English. Stupid
language! I didnÕt know what he was saying! I didnÕt understand what he meant.Ó
IlyaÕs voice has taken on the whine from before when he was complaining about
the CDÕs Sergei had at his house.
ÒHe meant you were convenient, and
now he would like to move on.Ó
Ilya flinches at the words, Sergei
watching the day fade into night doesnÕt realise how cruel he sounded. He
wasnÕt really offering a reply to IlyaÕs comment, which he hadnÕt even really
heard. His words were the flicker of memory from conversations he had had with
both Pavel and Anna.
ÒBure?Ó
ÒYes.Ó
ÒAnd then he fucked your
girlfriend?Ó
ÒYes.Ó
Ilya had intended to wound Sergei
back, but SergeiÕs simple ÔyesesÕ took some of the anger out of Ilya.
ÒWhat do you want Sergei?Ó
ÒI want to be alone.Ó
ÒBitter man.Ó Ilya chokes the
words out around a mouthful of tears.
ÒFine. I want to be surrounded by
my loved ones, I wish for world peace and the brother-hood of men. And I wish I
was a better speller.Ó
Ilya is sitting on the floor in
front of Sergei, and with surprising co-ordination grabs a pen and sits in
front of him.
ÒLanguage is the hardest yes? What
words mean, how they fit in, what things are called.Ó
Ilya grabs SergeiÕs hand and
writes F-I-N-G-E-R down his index finger. ÒBut this is ÔthumbÕ.Ó And carefully
concentrating on his spelling Ilya traces the letters T-H-U-M-B. ÒAnd when you
think you have them down and you know how it all fits together, well,Ó and he
turns SergeiÕs hand over and spells H-A-N-D out, Òevery time I thought I knew
what people were saying I would hear something new.Ó
ÒYes.Ó Sergei says. ÒThat is how
you learn a language.Ó
Ò>Fuck you Fedorov, you know it
is not the same.<Ó
>ÓYou already know all those
words Ilya, what does it matter what language was used?Ó<
ÒIt is not the same knowing them
in Russian! You know that, people think >that you are an idiot if you canÕt
speak English properly< and then if you try to speak it, they make fun of
that as well.Ó
SergeiÕs head spins from the
yelling, from the feeling of IlyaÕs warm hand still holding his, from hearing
things in two different languages. He is surprised he doesnÕt flick between
English and Russian as easily as he did.
Sergei looks down at Ilya and
smiles as normally as he can manage.
ÒYou need to give yourself time.Ó
Ilya is flushed and biting his bottom lip. He drops SergeiÕs hand. Sergei
realises he is a bit drunk and a lot depressed.
ÒYou need to give yourself time,Ó
he repeats more gently. Ò>English and love will probably appear when you
least expect them to.< PavelÕs English is much worse than yours, and he has
been here as long as you.Ó
ÒBure?Ó
ÒYes.Ó Sergei replies. ÒI mean no.
Datsyuk. But his wife is Russian, so I guess there is no need to learn the
language to get laid.Ó
Sergei sits on the floor right in
front of Ilya. His legs protest at being crossed underneath him. Retrieving the
pen from where Ilya had dropped it he takes IlyaÕs hand and writes P-A-L-M
across the soft skin there. IlyaÕs hands are soft and have only barely formed
the calluses that Sergei has on his. They only have a scattering of scars.
ÒIf you had known /that/ word when
Dany fucked you, he would still have ditched you to take a girl home to meet
his parents.Ó
Holding IlyaÕs arm out closer to
himself, when Ilya tries to pull it away Sergei writes W-R-I-S-T across the
soft skin at the base of IlyaÕs hand.
ÒWhat was her name?Ó
ÒPatricia.Ó
But what Sergei writes next is
A-R-M. All the words are lined up under each other, at a symmetrical height.
ÒEven if you hadnÕt known /any/ of
those words, Heatley would still have taken Patricia to his parents house.Ó
Ilya takes the pen back; pausing
for a moment to consider spelling he pushes SergeiÕs sleeve up his arm and
writes M-U-S-C-L-E across his forearm.
Ò>What exactly is better about
Patricia than me? Tell me in Russian so I know exactly what you are
saying.<Ó
He offers the pen to Sergei, who
takes it, twirling it around in his fingers looking down for a second. Finally
he leans toward Ilya and undoes the buttons on the flannel shirt he is wearing.
Pushing it off one shoulder he writes T-R-I-C-E-P-S across the back of the top
of his arm, and writes B-I-C-E-P across the front. The words almost touch, and
SergeiÕs hands are warm and rough. He gently, almost dispassionately
manipulates IlyaÕs arm around, the soft skin paler at the top of his arms, the
muscles only beginning to come into definition.
Sergei has beautiful writing and
Ilya looks down to admire it. His is thin and scratchy, but SergeiÕs is all the
same size and an even pressure, with a sudden flourish where you least expect
it, a curl on the ÔCÕ, the slash across the top of a ÔTÕ.
Ò>Patricia is normal, and safe
and his parents will be delighted they will have grandchildren and she will
probably be fucked by him in much the same way you were.< Unless she fucks
him up. Which is also possibleÓ
Ilya leans forward and undoes the
buttons on SergeiÕs shirt. It is not really necessary; there are only three at
the top. Sergei holds his hands over his head so Ilya can pull the shirt off,
and then passes Ilya the pen. He rests his hands on his knees waiting to see
what Ilya will do.
IlyaÕs writing has become a little
shakier again as he writes S-H-O-U-L-D-E-R across the very top of SergeiÕs arm,
and a little lower traces the letters of C-O-L-L-A-R-B-O-N-E across SergeiÕs
clavicle. The words curve up slightly following the half circle shape of the
bone. The pen is scratchy against SergeiÕs skin and Ilya has to press down hard
to form the letters of B-O-N-E. Moving a little higher and to the left, where
SergeiÕs neck meets his chest he spells out the letters for ÔthroatÕ in
ascending order so Sergei feels T-A-O-R-H-T, with the last ÔTÕ just under
SergeÕs chin. The pen isnÕt producing much ink any more; there is just a jumble
of half-formed lines on SergeiÕs neck.
Ò>Do you think he loved
me?<Ó
Ilya drops the pen, and sitting up
rests one hand on SergeiÕs shoulder to balance himself, and he traces C-H-I-N
across SergeiÕs chin and L-I-P across his bottom lip. Following the outline of
SergeiÕs prominent cheekbones he spells C-H-E-E-K out diagonally across the
hard slash of the bone there. Then his courage somewhat deserts him, and he
sits back.
Sergei opens his eyes and looks at
Ilya.
ÒYou stopped? Maybe he loved you.
Maybe not. Maybe he does not want to be gay. Maybe he was horny. Maybe he is a
bastard.Ó
Ilya traces the letters of ÔloveÕ
across SergeiÕs other cheek in cursive writing.
ÒWhat do you want Sergei? Is it
really to be alone?Ó
ÒIÕm better at being alone.Ó
Sergei shrugs his shoulders and the letters across the top of his chest jump
and bang into each other.
Ilya looks at the smooth expanse
of SergeiÕs chest, he doesnÕt use the black pen, instead he picks up a red pen
and draws a heart on the left side of SergeiÕs chest; then he carefully draws a
jagged line through the middle of it. On one side he write ÔA-N-N-AÕ on the
other side he writes ÔP-A-V-E-LÕ Ilya starts to darken the line on SergeiÕs
chest, when Sergei closes his hand around IlyaÕs.
Ò>I think you want to be in
love.< DoesnÕt everyone want to be in love, Sergei?Ó
Ilya untangles their fingers and
leaning back pulls his t-shirt over his head and offers the pen to Sergei.
Sergei draws a heart over IlyaÕs chest, more evenly, and writes H-O-C-K-E-Y
inside it. Then he writes D-A-N-Y underneath.
Ò>What do you want to be more
in love with, Ilya?< You have plenty of time to make a decision. And there
are plenty of other people who would line up to fall in love with you.Ó
Dropping the pen Sergei traces the
shape of a heart around and around on IlyaÕs chest, watching as his breaths
grow deeper, then he draws more hearts that are gradually smaller and smaller,
grazing one fingernail across IlyaÕs nipple.
ÒI was warned not to touch you,
Ilya.Ó
ÒI was told to not to jump you
to.Ó
Both are silent, watching SergeiÕs
finger spiral around IlyaÕs chest.
ÒI hate being told what to do.Ó
Ilya closes the gap between the two of them pressing his lips to SergeiÕs. Ilya
sighs into the kiss; SergeiÕs lips even feel different from what he is used to.
He feels experienced, he feels older, and Ilya tilts his head back so that
Sergei is leaning over him, so that Sergei can control the pace of the kiss. He
senses that Sergei will only take this as far as he wants; he chooses to trust
his instincts, even though they have not always been correct in the past.
Sergei holds IlyaÕs face, tilting
his head further back; he runs his tongue along the seam of IlyaÕs lips, gently
pressing his tongue down until Ilya opens his mouth. He spins his tongue lazily
around IlyaÕs mouth, learning the taste underneath the coffee and whiskey.
Pulling away from IlyaÕs searching
hands Sergei asks; ÒwouldnÕt you prefer to do this in a bed?Ó
Ilya shrugs his shoulders.
ÒYou pick. I donÕt care, really.Ó
He pauses; ÒI usually have to make all the decisions, lead everything. So you
pick. I donÕt mind.Ó
Sergei rather thinks his knees
would object to the living room floor so he pulls Ilya to his feet and up the
stairs into his bedroom. He is not sure why his room, instead of the spare
room, instead of the couch, but it seems a good idea, for himself if not for
the child, to have someone else in his room for a change, to cover over some of
the memories in there.
With sure fingers Sergei undoes
the buttons on IlyaÕs jeans, his jeans really, and watches as IlyaÕs slightly
less sure fingers pull his clothes off.
They tumble back against the bed
and Sergei covers IlyaÕs body with his. It is not as hot in this room as the
rest of the house; the door was closed so the heat did not circulate properly.
Sergei runs his hands down IlyaÕs
sides, catching his trembling into his warm palms. He holds IlyaÕs shaking body
apart from the rest of the world and feels a little of IlyaÕs release, a little
of his enjoyment.
Ilya turns huge bambi eyes on
Sergei afterwards.
ÒCan I stay here, in this room?Ó
ÒYes.Ó Sergei replies. ÒYes. Stay
here. Please.Ó
Ilya curls around SergeiÕs frame,
twisting to accommodate this new body into the way he sleeps, so similar and so
different form the body he is used to sleeping around. Sergei twists his head
down to kiss IlyaÕs temple, he catches his slightly sour breath from the
whiskey and kisses him again.
The next morning Sergei closes his
hand around IlyaÕs arm, just under where he had written words the night before.
ÒWhere are you going?Ó
Ilya looks faintly embarrassed,
although whether it is over being caught trying to sneak off, or being in bed
with Sergei, Sergei is not sure.
ÒI thought I should leave you
alone.Ó
ÒYes.Ó Sergei replies, not letting
IlyaÕs arm go. ÒDo you want breakfast?Ó
Ilya shrugs. ÒI guess so.Ó
ÒGood.Ó Sergei steps out of bed
and cutting off IlyaÕs retreat says; ÒI feel like breakfast in bed. So, umm,
get back into bed. Please.Ó
Ilya shrugs again, but gets back
into bed and even starts to fall asleep again, his eyes popping open when he
feels a tray settle on the bed next to him.
ÒArenÕt you worried about crumbs?Ó
ÒI have more sheets.Ó Sergei is
pleased he didnÕt say yes, and passes Ilya some toast. There is also coffee and
orange juice and fruit. The two men eat slowly, having the worldÕs most
meaningless conversation about weather and cars.
When Sergei laughs after a story
about Ilya driving the Zamboni he spills a little of his orange juice across
his hand. Ilya licks it off. It seems the correct thing to do. It also seems to
be a good idea to have sex again, to welcome in the New Year. So they do.
Ilya is lying with his head
against SergeiÕs shoulder again.
ÒI donÕt love you. IÕm sorry.Ó
Sergei idly pets IlyaÕs hair.
ÒI didnÕt think you did.Ó IlyaÕs
voice is soft.
ÒI donÕt want you to get the wrong
idea.Ó Sergei shrugs his shoulder under IlyaÕs head.
ÒI donÕt love you either. But I
like you.Ó Ilya naps against SergeiÕs chest while Sergei watches breakfast
television looking for the sports news.
Later that day, alone in the quiet
house, Sergei is in the shower washing the words away. Some have already faded
to just letters and marks. The shape of H-A-N-D and F-I-N-G-E-R and T-H-U-M-B
have almost gone, on the body parts you use most, things tend to be erased more
quickly.
Sergei scrubs at the red heart on
his chest, removing the outline and the names, but the jagged line that Ilya
had drawn was still faintly visible. The pressure applied was harder, the
ink-stain went deeper.
Sergei washed IlyaÕs tears and
kisses and fingerprints off himself; IlyaÕs delicate traces of flaked desire.
Lust and love and language swirl down the drain and are gone. He remembers
grabbing IlyaÕs hand while Slava honked impatiently in the driveway, already
beginning the grumpy sulk that will last until he touches Igor again, and
writing his phone number on IlyaÕs palm with black pen.
He wonders if the numbers will
last long enough for Ilya to call him. He wonders if he even wants him to, if
he would care more if he didnÕt call than if he did.
End.
The Hanged Man in the Garden then Scalene