ART385
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"In electronic media, a new range of problems is developing that invokes not merely formal issues of juxtaposition and association, but also hose of the interplay (or collision) of text, image, and sound in spatial and temporal layers. Instead of resolving as a singularization, the flow of associations emerges as a fragmented temporal narrative... works engaged in dynamic media collapse many of the limits between text, sound and image, and situate the user in the midst of assimilation and feedback. The effects of this are to suggest a field characterized by transition and not resolution, in which experience teeters between epistemic presence and temporal contingency". - Timothy Druckery http://www.ntticc.or.jp/Archive/1998/The_Second/essay.html
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ART385
Email
me your response in the body of the message.
2)
According to this researcher (Lenore Terr), how can we know that a memory
is of a real event and not a false one? 3)
How is the non-linear presentation of the film "Eternal Sunshine
of the Spotless Mind" like our process of remembering? 4)
Write about one scene from the film and how it physically and visually
portrayed the process of memory. Be descriptive. 5)
Sometimes trying to remember something feels strained and difficult to
us (like Gary's "cold wall"). Where do you think this hardship
comes from? Why do you think this difficulty exists? 6)
What sort of repeated objects and images does "12 Monkeys "
use in order to indicate time/space traveled more than once. Explain how
this happens from a filmmaking standpoint and be descriptive. |