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Reproduction in whole or in part in any form or medium without express written permission of PRIMEDIA is prohibited. . Fighting Words The age of the Spanish Armada, black powder and sail had a long-lasting influence on history and language, imbedding words and terms that survive today. Navy yeoman Jack Adams witnessed the war in the Pacific from Pearl Harbor to the Battles of the Coral Sea and Midway aboard the aircraft carrier Yorktown. William III, Prince of Orange England's Dutch-born King William III pursued his lifelong war against King Louis XIV of France with strategic diplomacy and personal courage in battle.
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Reproduction in whole or in part in any form or medium without express written permission of PRIMEDIA is prohibited. . Fighting Words The age of the Spanish Armada, black powder and sail had a long-lasting influence on history and language, imbedding words and terms that survive today. Navy yeoman Jack Adams witnessed the war in the Pacific from Pearl Harbor to the Battles of the Coral Sea and Midway aboard the aircraft carrier Yorktown. William III, Prince of Orange England's Dutch-born King William III pursued his lifelong war against King Louis XIV of France with strategic diplomacy and personal courage in battle. |
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Rather it indicates a certain functional relationship to visual pleasure. In the case of Bollag, this means an interplay between his paintings which, with their extreme verticality, bring to mind the architectural solemnity of massive columns-and their setting. In other words, the presence of these paintings, with their flowing skeins of intensely chromatic hue, set out to alter both the viewer and the room. Still in his mid-twenties, Bollag is currently more concerned with expressive content than arguments over style. One hopes Bollag will continue to exhibit the same restraint and commitment to process in the future that he demonstrates in this remarkable show. |
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Rather it indicates a certain functional relationship to visual pleasure. In the case of Bollag, this means an interplay between his paintings which, with their extreme verticality, bring to mind the architectural solemnity of massive columns-and their setting. In other words, the presence of these paintings, with their flowing skeins of intensely chromatic hue, set out to alter both the viewer and the room. Still in his mid-twenties, Bollag is currently more concerned with expressive content than arguments over style. One hopes Bollag will continue to exhibit the same restraint and commitment to process in the future that he demonstrates in this remarkable show. |
A site I really like: http://www.westwords.com/guffey/apa.html