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Vaughn Williams' O How Amiable, Faure's Cantique de Jean Racine, and Brahm's How Lovely Is Thy Dwelling Place. Featured in this concert will be Canadian soprano Janet Obermeyer, and organist Duane A. Perinton Concert Band Doug Prosser, Principal Trumpet with the Rochester Philharmonic Orchestra will be featured in a performance of Haydn's Concerto for Trumpet at the Perinton Concert Band's presentation on June 1st in the Penfield High Auditorium, 25 High School Drive in Penfield NY. Other selections will include Giannini's Symphony No. 3, 76 Trombones by Meredith Willson, and Night and Day by Cole Porter.

East Los Angeles College, Vincent Price Art Gallery, 1301 Avenida Cesar Chavez, Monterey Park; thru June 8. AN EXHIBITION OF 18 ARTISTS, group show presented by Gallery 825 at Hollywood Digital, 6690 Sunset Blvd. Installation combining performance, sculpture and audio. Los Angeles Contemporary Exhibitions, 6522 Hollywood Blvd. HANS FUSS, ROGER HERMAN, HUBERT SCHMALIX Black Dragon Society, 961 Chung King Road; thru June 30.

His multi-disciplinary work follows the trajectory of early proponents of avant-garde twentieth-century art such as Marcel Duchamp, John Cage, and Fluxus, whose works are represented in the MCA Collection. Marclay, who is Swiss-born, has shown extensively at museums and Biennales in the U. To coincide with the exhibition's opening, Marclay will perform in the MCA's theater, his first Chicago performance. There will also be a web component that will feature a hyper-essay and sound recordings available on the MCA's web site. This exhibition is curated by MCA Curatorial Assistant Sylvia Chivaratanond.

The film might be considered a literal interpretation of the idea of one culture looking at another. In this case the culture we are looking at is that of the inhabitants of the city of Manaus. Photographed from a stationary camera position in one unedited twenty-nine minute take, the audience listens to a live performance by the Choral do Amazonas. The musical score, an original choral composition written by the Californian composer Becky Allen, begins with a solid chordal mass which gradually becomes silent over twenty-four minutes. As the sound of the choir diminshes, the audience sound rises and films the space.
A site I really like: http://www.calpoly.edu/~klettenb/

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