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. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial experience led decisively to his particular pop style. |
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Kensington, CA 94707 1- 800- 805-7060 or 510- 527- 6693. . He studied art at the Art Students' League and at the University of Minnesota in 1952, first showing his work in New York at the avant-garde Green Gallery in 1962 and 1964. Influenced in spirit by the Surrealists Salvador Dali and Rene Magritte, as well as by his fellow Pop artists Jasper Johns and Robert Rauschenberg, Rosenquist traces his stylistic origins to the billboard painting by which he supported himself during his first years in New York (1955-60). Like his Pop Art colleagues, he took a mechanical, commercial process and transformed it into the material for fine art, dislocating the banal and familiar from its expected context. |
Hommage an Martin Kippenberger mit Beitraegen von Kuenstlern und Freunden. Matt Mullican im Gespraech mit Denys Zacharopoulos. The Renaissance Society at the University of Chicago. Oswald Oberhuber im Gespraech mit Gerg Schoellhammer. Ein hypermediales Bild-Text-Archiv zu Ensemble und Werk.
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