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It was seen in twenty-four locations around New York City in 1992, the bed was his own, it represented a memory of a time shared by him with his best friend Ross who died in 1991. Felix's candy spills began in 1990 featured large quantities of colorful wrapped candies - heaped in corners or spread out as "carpets" on the floor. These works have not only a formal sculptural quality, but also the potential for metamorphosis. Visitors are encouraged to take pieces of candy home with them. The light bulbs are replaced as they expire, echoing the theme of loss and renewal again.
It was seen in twenty-four locations around New York City in 1992, the bed was his own, it represented a memory of a time shared by him with his best friend Ross who died in 1991. Felix's candy spills began in 1990 featured large quantities of colorful wrapped candies - heaped in corners or spread out as "carpets" on the floor. These works have not only a formal sculptural quality, but also the potential for metamorphosis. Visitors are encouraged to take pieces of candy home with them. The light bulbs are replaced as they expire, echoing the theme of loss and renewal again.
It was seen in twenty-four locations around New York City in 1992, the bed was his own, it represented a memory of a time shared by him with his best friend Ross who died in 1991. Felix's candy spills began in 1990 featured large quantities of colorful wrapped candies - heaped in corners or spread out as "carpets" on the floor. These works have not only a formal sculptural quality, but also the potential for metamorphosis. Visitors are encouraged to take pieces of candy home with them. The light bulbs are replaced as they expire, echoing the theme of loss and renewal again.

further information: http://www.creativetime.org/muniz

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