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Fat Joe - "Don Cartagena"  Bigbeat

 East Coast Hip Hop

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It's Joey Crack's time to shine after introducing the world to his protege, Big Punisher, who features heavily on this album. It's been a while coming since his first two albums. The album begins with Joe aka Don Cartagena, the Godfather of New York City beating a case in court, and after allegations of paying off the jury, he has the reporter shot while he goes back to his wife and kids. So, the self-styled Don is still on "Dat Gangsta Sh*t" as demonstrated with Premier providing the simple, yet addictive beat on the song.

Joe's status as a larger (not just literally) profile emcee after the emergence of Latino rappers as a viable force in hip hop has led to the many high profile guest appearances that wouldn't have been likely a few years back. Big Pun and now Fat Joe are kicking down doors on the way to getting more commercial acceptance of Latinos in this game. We have people like the Beatnuts, but they never get the recognition they deserve. Hopefully the sitution is changing now.

There are many collaborations, with only two tracks being solo joints. Most of the album is nice, but the obvious commercial tracks don't fit in too well. The Buckwild-produced "Walk On By" featuring R&B vocals and Charli Baltimore is an example. This is so obviously made for the radio, and with the player talk, and Charli Baltimore's poor parting shot, "screaming Charli Baltimore in Spanish" is lazy writing or just plain weak. This type of song has been done better before. Just check "Bet Ya Man Can't (Triz)" which is superior, but sounds similar to Pun's "Still Not A Player", indeed, even featuring the big man on the hook!

The single, "Don Cartagena", has a harder edge to it, but a commercial appeal with Puffy on the hook trying to woo the Latino quarters with his Spanish. Hmmmmm.... "John Blaze" is an all-star team up featuring Nas, Big Pun, Jadakiss and Raekwon with a Method Man vocal sample all cut up on the hook, allowing each rhymer to come in and freak it.

The Beatnuts appear to produce "Misery Needs Company" with Noreaga guesting for a nice dark sound that is found throughout the album on songs such as "Find Out" and "The Hidden Hand" which is a well-intentioned, if over-used, narrative of unequal rights and injustices. The opening track, "The Crack Attack", is cool, as is the Big Punisher-featuring "My World" and "Terror Squadians".

The whole album features a whole host of producers, some with big reputations and others still making them. Armageddon returns to produce and guest on the nice "My Prerogative", but Rashad Smith producing a laid back track for Layzie and Krayzie Bones to freak "Good Times" just doesn't work, and sounds weak.

Fat Joe has tried to craft an album that is in a similar vein to Big Punisher's, treading the thin line between commercial and underground success, but the radio-friendly tracks are largely average and he is much more suited to the harder edged tracks where he sounds much more comfortable. Nevertheless, it is a good effort. - Roni


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