The two singles, "Rosa Parks" and "Skew It On The Bar-B" are great songs. The former is like a Southern gathering, with the catchy hook "ah ha hush that fush/everybody move to the back of the bus/do you wanna bump and slump wit us/we the type of people make the club get crunk." The production also shows their willingness to experiment, even making a harmonica sound cool! Damn! It's also a great song to get a party started. The latter features the Wu's Raekwon staying toe-to-toe with a Southern-fried track, and is a must have for the hardcore headz.

I was feelin' "Da Art of Storytellin'" (parts 1 & 2). Obviously embodying the storytelling elements of hip hop to a tee, the production complemented the lyrics. The soulful hook fitted well, the vocal chords being flexed to good effect. Part 2 sounds like Andre rapping over a CB radio, but the darker effect of the beat was a good switch up. The soulful tones are still evident on this track, and unlike many commercial attempts, this fact does not impinge upon the overall quality of the track. George Clinton lends support on "Synthesizer", outlining the impact of science on people. It's difficult to say which songs are the higlight, as the album is one big highlight all the way through!

Undoubtedly, their accent fits the sound, and adds some style as well as sounding different. To someone who is used to listening to the NY sound or even the Cali sound, this is obvious, but in a strange way it adds to their charm. This, obviously, is not their reason for being where they are. The reason for that are the two albums and their pure talent. A talent that has them being compared to A Tribe Called Quest, but after the sundering of this legendary group, people could look to Outkast for their integrity and staying-true-to-themselves attitudes towards their music.