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Ben Harper Setlists

All music is for trade only, not for sale!!!

I can only tape to DAT format!!!


Format: DAT
Source: DAud: AKG C1000s > D8
Generation: 0
Length: 60
Date: 7/28/98
Location: Molson Amphitheatre, Toronto, Ontario, Canada
Set list:
  1. Will To Live
  2. Ground On Down
  3. Faded
  4. Gold To Me >
  5. Fight For Your Mind
  6. Burn One Down
  7. Like A King >
  8. I'll Rise

Title: Mountain Aire Music Festival
Format: DAT
Source: DAud: CSC > M1 on 15' mic stand left of FOB
Generation: 0
Length: 120 (last song incomplete)
Date: 5/30/99
Location: Calaveras County Fairgrounds, Angels Camp, CA
Set list:
  1. God Fearing Man
  2. Don't Take That Attitude To Your Grave/Concrete Jungle
  3. Ground On Down
  4. Faded
  5. Burn One Down
  6. Excuse Me Mr./Burnin' & Lootin'
  7. Breakin' Down
  8. Mama's Got a Girlfriend Now
  9. Gold To Me >
  10. Fight For Your Mind ("Funk Is A Word")
  11. Roses From My Friends
  12. Glory & Consequence
  13. The Will to Live

    First Encore (solo acoustic):

  14. One Road To Freedom
  15. Another Lonely Day
  16. Jah Work

    Second Encore:

  17. Voodoo Child (Slight Return) (Kashmir)
Note: The Innocent Criminals joined Mickey Hart & Planet Drum,
Galactic, Vinyl, Bloque, and Strictly Roots on the main stage of the
Mountain Aire Festival '99. On the second stage were B-Side Players,
Jon Cleary & The Absolute Monster Gentlemen, Lazy Stars, and Clan
Dyken. Rounding out the acoustic stage were Stacey Earle, Todd Snider,
Richard Leo Johnson, and Sat Santokh Khalsa. Check out a picture from the show.
Title: Sessions @ W. 54th Street
Format: VHS
Source: TV
Generation: 0
Length: 30
Date: 10/4/99
Location: Sony Studios, New York, NY
Set list:
  1. Alone
  2. Please Bleed
  3. ~interview~
  4. Ground On Down
  5. Burn To Shine
  6. ~interview~
  7. In The Lord's Arms

  8. Transcript of Interview:
    
    Interview 1:
    
    JOHN HIATT: I want to get to -- I want to talk about traveling,
    how that has changed your music. From the time you make your
    first record to now, you're on your fourth one, a lot changes,
    doesn't it? Just in terms of your life, your daily life.
    
    BEN HARPER: For sure. Oh yeah.
    
    JOHN HIATT: You've been all over, right, as a result of these
    four records?
    
    BEN HARPER: We've been able to go a lot of places that I
    would never have had the chance to see otherwise. No doubt.
    
    JOHN HIATT: Didn't the first album -- it was very successful in
    Europe, Italy, France, the first one?
    
    BEN HARPER: Yeah.
    
    JOHN HIATT: And you went over there and you were like a
    star, right?
    
    BEN HARPER: Yeah, it went really strong in France and in Italy
    and places like that. Australia, New Zealand and things like that.
    
    JOHN HIATT: That ought to feel great.
    
    BEN HARPER: Oh yeah. Anytime that people are into what
    you're doing it's definitely better than being a drag and people not
    digging you. It's a challenge. Then that brings up the question and
    it's never ending do you make music for yourself or other people
    and I guess it's both, of course. I mean is the ultimate success in
    making the music or is the ultimate success in having it received
    well. I go back and forth with that all the time because they are
    totally separate. You have to, of course, please your musical
    interest but at the same time there is this whole other world that is a
    whole other challenge in and of itself to please. So, there is two
    different success gauges in that.
    
    JOHN HIATT: I know exactly what you mean. It's hard to
    balance.
    
    BEN HARPER: Yeah, it is. At times. But I took it off on a whole
    other thing being --
    
    JOHN HIATT: No, that's alright. But you seem focused on the
    work. It's easy to get tangled up with the results. Thinking about
    the results.
    
    BEN HARPER: Yeah. True.
    
    JOHN HIATT: And I don't hear that in what you're doing. I hear
    the main focus being on the work itself.
    
    BEN HARPER: It is. It is cause I mean what is a result really?
    What does it mean? What does any of that mean? It's so tricky in
    that. But I kind of take the approach that the whole other area
    doesn't exist kind of. It exists and you have to have a relationship
    with your fans and the people who appreciate your music. And I
    mean what do I mean to have a relationship? I mean some people
    can do commercials with their music and put it on car ads and do
    --
    
    JOHN HIATT: I don't hear you hooking up with Nissan anytime
    soon.
    
    BEN HARPER: And I don't personally do it but I can't judge
    those who do because that's not my place. It's just for me in my
    relationship with my fans I don't feel that would be a good move.
    That's how I sort of mean a relationship with my fans. It doesn't
    make my music better or worse. It just makes it my decision.
    
    Interview 2:
    
    JOHN HIATT: Let's talk about your influences. Where you --
    cause I hear a lot of different things. Certainly the blues.
    
    BEN HARPER: Definitely.
    
    JOHN HIATT: You grew up in what was it Claremont?
    
    BEN HARPER: Yeah.
    
    JOHN HIATT: That's sort of out in the desert, isn't it?
    
    BEN HARPER: Yeah, it's up towards the desert. It's considered
    the Inland Empire cause it's east of L.A. About an hour all the way
    -- it runs from Claremont to Joshua Tree.
    
    JOHN HIATT: And a lot of those little towns and things you
    might as well be in Anywhere, U.S.A., right? It's not --
    
    BEN HARPER: To a certain extent, yeah. There is a good
    amount of Anywhere, U.S.A. in the Inland Empire.
    
    JOHN HIATT: In terms of being connected to L.A. it's not really
    is it?
    
    BEN HARPER: No. No. It's not. It's light years away. But it's a
    very special place in that there is a very strong music scene.
    
    JOHN HIATT: Really?
    
    BEN HARPER: Yeah. There is a huge music scene in the Inland
    Empire and Claremont. And so when we speak of influence I
    definitely need to bring up those people whose names wouldn't be
    recognizable but are extraordinary players like Bruce Bishop, John
    Harrelson, Larry Jackson, Don Gasalicks.
    
    JOHN HIATT: Are these guys still playing?
    
    BEN HARPER: Yeah, they are still playing and they are amazing
    players and they are some of the first people I was able to see and
    say this is something very special.
    
    JOHN HIATT: Did some of these guys introduce you to some
    more traditional forms of music?
    
    BEN HARPER: The traditional forms of music I was first
    introduced to by my family because my mom plays guitar and sings
    beautifully and my dad was a percussionist. And so I grew up and
    they had a strong love for all things, soul music, folk, everything
    from Lefty Frizell and Hank Williams and Woodie Guthrie all the
    way through to Stevie Wonder and Jimi Hendrix.
    
    JOHN HIATT: That's great.
    
    BEN HARPER: And that was everyday. I mean music was a
    member of our family. It was just everyday.
    
Note: See Sessions at West 54th Website.
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