TELL ME WHAT YOU SEE
BY SUE
CHAPTER SEVEN
Remember, I donÕt own the Beatles, this is just fiction from my
warped mind.
George was right; the receptionist waved Rita right through when
she told her who she was. She made her way down the long hallway and turned in
the direction the young receptionist told her until the door read studio two.
The red light was on and she was told not to go in if the light was on. Rita
quietly opened the door next to it and moved without a sound inside the control
booth.
She saw a man in his thirties hovering over the control panel,
along with a few other men. One was tall, bulky, with brown wavy hair and thick
black glasses; this man waved her over. She noticed another man along side the
older man. They were playing with dials and levers on the panel in front of
them. She slowly walked over to the tall man. He smiled and shook her hand as
he whispered to her.
ÒYou must be Rita. George told me you were coming, but not to say
a word to the others. Here luv, sit down and watch. TheyÕre still recording; I
think youÕll rather enjoy it.Ó Mal moved the chair closer so that she could
watch, but not be seen.
ÒThank youÉ..um, I seem to be at a disadvantage here, you know my
name and I donÕt know yours,Ó Rita looked up at the huge man.
ÒSorry, IÕm Mal. Mal Evans I was the lads road manager until they
stopped touring. Now, I watch out for them, bodyguard and take care of them.
Would you like a coke?Ó Mal smiled down at the beautiful, pixie haired girl.
ÒYes, thank you.Ó She took it and notice that he had opened it for
her. She knew he was used to doing things like that for the lads, as he called
them.
Rita smiled as the two men by the control panel looked over at her
and smiled back in bewilderment. They quickly went back to what they were
doing. Rita found she enjoyed watching the process of recording the record. She
knew they were just adding some things and that the song was pretty much done.
Rita heard Paul call up to a man named George; she figured this
man had to be the famous George Martin.
ÒHow did that sound? Good, or should we do it again?Ó Paul looked
up to the big window. He heard the other three groan as he asked. He was used
to that and they were used to his perfectionism, so he ignored it as he asked.
George Martin nodded and pushed the intercom button, ÒYes, I think
that sounded rather good the best out of all of them. I think weÕre through
here. IÕm going to wrap it up in here. You boys can put up your instruments.Ó
He added as he continued to hit buttons on the big panel.
Paul shook his head, ÒRight, thanks George.Ó
The young guitarist put his guitar away. His stomach lurched, it
was about time to gather the lads together and he was nervous. He had seen Rita
come in and knew no one else had.
Ringo got off his stool; put his headphones and sticks down. He
emerged from the partition he sat behind.
John rushed to put his guitar away before Paul changed his mind.
He knew it was good that Paul liked to make the recordings as best as he could,
but it drove him and the otherÕs batty. Although PaulÕs drive did help him when
he felt to lazy to change things for the better on his songs.
ÒCor, Macca I thought youÕd have us here all night on this bleedin
song.Ó John told him as he bent to lock up his guitar case.
ÒLeave off John. DonÕt you want the best sound for our music?Ó
Paul asked, his brow rose as he looked down at the rhythm guitarist.
Ò ÔCourse I do, itÕs just youÕre so fuckin fanatical about this
sort.Ó John straightened himself and then stretched, cracking his back.
Ringo came up to them, Ò We done? I need to get me a bevy.Ó
ÒSounds good to me, think IÕll go with you. Hey George, donÕt do
the play back until we come back from fetching a bevy.Ó John yelled up to the
control booth, ÒYou hear me?Ó
ÒYes John, we hear you.Ó George Martin called down to him.
ÒGood, thought you were going a bit deaf up there.Ó John laughed
and made a spastic face up at the older man. George Martin laughed, used to
JohnÕs strange sense of humor.
Ringo turned to George and Paul, ÒYou want a bevy mates?Ó
Paul nodded as he locked up his case, ÒYeah ta Ritch.Ó
George knew it was time to tell them, ÒHey, lads I need to talk to
ya. Remember how youÕve been asking me whatÕs been going on? Well, I need ta
tell yas. Go get the bevies, IÕll take one and then we could go in the
conference room after the playback. Um, RitaÕs here too. SheÕs a part of this.Ó
George watched the three turn to him with questioning eyes.
Paul tilted his head at George, and put his hands on his hips, ÒI
thought you said Rita and you are just friends?Ó
ÒWe are Paul, no worries bout that one. Just she has something to
do with this. Go on get the bevies and weÕll talk after the playback.Ó George
reassured him.
ÒShe up there then?Ó Paul looked up to the booth. He saw Rita walk
up to the window and wave down to him. He looked confused and then smiled up at
her and winked.
ÒGeorge what does she have to do with anything?Ó
George saw Paul bite his lip and knew that he was nervous. After
knowing someone so long you got to know their habits and what they meant, he
thought. Right now, Paul was probably more aware of what they wanted to talk
about then he himself knew. .
ÒLetÕs wait for the others alright?Ó George pleaded slightly with
him.
Paul nodded, still looking from George to Rita as his nervousness
grew.
ÒRight then.Ó Paul shrugged, trying not to show what he was
feeling, but knew that George could tell. He didnÕt know if he should go up to
Rita, or stay there. He walked over to the piano. He sat down doing what came
natural to him and fiddled nervously with a tune. All those flashes of pictures
that he saw through RitaÕs eyes came into his mind. The strange dream that Rita
had around 5a.m. He wasnÕt able to make it all out, but he knew it had to do
with someone dying and it made him shiver. He had a nagging feeling that that
had something to do with what they wanted to talk about. He didnÕt know why,
but it made him scared. He remembered when George was young and the dreams that
he would tell Paul about. Most of all, he remembered how they came true and how
Rita had some kind of visionary gift also. He tinkered with jumpiness at the
ivory keys, and smoked the cigarette that hung from his mouth as he waited
fretfully to hear what they had to say.
*******************************************************************
The other two Beatles came back in with steaming mugs of tea for
themselves and the other two. They all sat back and listened to what they had
just finished. They had all taken a seat around a table in the studio to hear
the song through the large speakers. John and Ringo watched Paul. HedidnÕt make
his usual comments and just sat there biting his nail. When the song ended John
nudged Paul.
ÒYou alright eh? DidnÕt say a thing during the playback and yer
biting your nail. Ò John eyed him with part concern and part suspicion. He
wondered if Paul knew about what was going on, figuring that Paul must have
slept with Rita already. He knew Paul wasnÕt wearing his usual mask. This
worried John, now that he thought about it. Paul was not pretending to be ok
like he usually did. He hadnÕt even commented on the music. This wasnÕt Paul,
and John wondered what they were in for when George finally told them what was
going on.
Paul took his nail out of his mouth and tasted the metallic flavor
of blood from where he had bitten his lip. He slowly met JohnÕs eyes, ÒSong was
just right yÕ know? ÉÉI think nothing more needs to be added.Ó
John shook his head at Paul. A small smile on JohnÕs lips
questioned PaulÕs answer.
ÒNo Paulie, youÕre not right. You always comment on your songs,
and your face. No, somethingÕs dead wrong with you. This has to do with
whatever it is that they want to tell us, doesnÕt it?Ó John inquired as he
watched Paul fidget.
ÒI donÕt know what theyÕre going on about, ok?Ó PaulÕs agitation
was apparent as he got up and left John to sit, with only the questions in his
mind.
George stood in the doorway of studio two. It was time. He had
sent Rita into the conference room to wait for them. He scanned the room. He
saw how nervous Paul was, how John sat there with a question mark on his face
and Ritch, who just stared over at George ready to get on with it. George
nodded at him.
ÒGuys, come into the conference room. I really need to talk with
the three of you.Ó He motioned to them and watched as John got up and walked
quickly towards him, along with Ritch. Paul lagged behind, but they all
followed him to the room.
The conference room wasnÕt big, it was an office that they used to
sit in and eat or take a break in. It had a window that over looked an alley in
the back, and plain white walls that old dusty pictures hung off of. A table
was set in the middle of the room, adored with ashtrays and several cushioned
leather chairs pushed around it. The rug was standard office issued tan, which
clearly showed the stains from the drinks of the many people who used it over
the years.
Rita was already seated at the table with a mug of tea as the
others came in. They each picked a chair and placed their mugs along with their
cigarettes on it as they sat down. George looked nervously over at Rita; she
gave him a reassuring smile. He stood, uncomfortable with the six eyes that
stared at him.
John finally took the initiative. He swung his chair around; his
face took on a scowl as he looked at George. John hated all this waiting and
his impatience showed in his actions.
ÒOk Georgie you got our attention. What are you going on about
eh?Ó JohnÕs eyes met GeorgeÕs as he pushed for an explanation.
George nodded at John and sat down in one of the plush chairs. He
lit a cigarette, as everything raced through his mind at once. He tried to sort
through it quickly. How was he going to start this? He knew John and the others
were waiting. He figured heÕd start at the beginning.
ÒRight, try and keep an open mind. Remember a few weeks back when
you were all saying I looked off colour and that I needed sleep and all that
sort?Ó He asked.
Ringo and John answered in unison with a yes. Paul just sat there,
waiting to hear what was going on.
ÒWell, you were right, I wasnÕt sleeping well. Every bloody night
for the past few months IÕve been having the same dream and waking at 5 a.m. It
started before that actually; once or twice a week up until September. IÕd wake
screaming in a sweat at what I dreamt of. I started talking to Ravi about it. I
realized that since I started meditating that I am more in tune with myself.
See IÕve had these dreams before, dreams of things that would come to pass in the
future. I got scared and they stopped, up until recently.Ó George looked over
to Rita for support, she nodded at him and he continued.
ÒThis dream is of an accident that will happen on November 9th. Now I
didnÕt know it at first and I couldnÕt tell you about this until I found out
more about it. I found out from Ravi that some people have the ability to see
the future in dreams, visions and sometimes through touch. I have all those
abilities.Ó George made eye contact with John.
Ò Remember shooting Strawberry fields? When I ran to the loo and
got sick in there? I had a vision when I touched you as you handed me the tea.Ó
He saw John nod as he remembered.
ÒSo what was the vision? What are these blasted dreams about? I
mean you told us about an accident and that it happens on the 9th of this
month.Ó John rapidly fired the questions at George.
George nodded at him, ÒRight, I see a fight between two men in the
control booth on this night. One goes off and jumps in his car. ItÕs pouring
buckets of rain and he is so angry and then it turns to being upset. He is
driving to fast and as he looks up a girl distracts him. He misses the change
in the traffic light. He tries to stop the car and swerves around another car
crashing into a lamppost and killing the girl. The car explodes, killing him.Ó
George took a deep breath and then lit another cigarette. He watched the
reactions of the other three.
JohnÕs brow furrowed as he thought about it. Car accident? Two
people get killed? How could George be sure of this?
Ringo had the same expression as John as he too digested what
George had told them so far.
Paul just said there remembering the dream about his mother that
George had had when they were young.
Ò Ok you got me attention here. Who is killed in this accident and
what does Rita have to do with this? IsnÕt she the girl from the club?Ó John
asked trying to piece this unbelievable story together.
George exhaled the smoke from his mouth before he answered JohnÕs
questions.
ÒRita is from the club, yes. I met her before that though. I
dreamt of her and of where the accident would be. I saw her in an outfit and
she said some strange things to me. When I woke I went to the crossing where
this accident happens. It was exactly like my dream. I parked in the same spot
and did everything the same as my dream. The only thing is in my dream I
touched the lamppost and saw the vision of the car smashing into it and
exploding. I jumped back and knocked Rita down. That was the only thing that
didnÕt happen. I didnÕt knock Rita down when I jumped back; instead I bumped
into her on the way to my car. She was dressed the very same as in my dream.
She didnÕt say the same things to me, but we seemed to know each other. Not
like a fan would know me, and then she told me sheÕd see me in my dreams. I
thought this curious that she would say that after I had dreamt of her. Anyway,
I saw her at the club that night; it was as if everything disappeared except
her and me. ThatÕs when I went to see her at her flat the next day. She sees
the future too. She has been dreaming the same dream as me. She has come into
my dreams and she is the voice I heard to see what day it happens. November 9th at 5 a.m.
at Charing Crossing and Maryleborne. When I touched you John, well I saw you
fighting viciously with someone else in the control booth. Because of that
fight either you or the other person leaves and gets into the accident. Now, this
isnÕt supposed to happen and thatÕs why weÕre getting these dreams. We are
supposed to stop this. Now, we know Rita is the girl and she is going away for
a few days around that time. She is safe. All we have to do now is figure out
who this other bloke is and make sure that neither of you get into a car on
that morning. Ò George exhaled in relief as he finally got out as much as he
figured theyÕd understand.
Rita stood up and came over to George, ÒGeorge is right. IÕve had
these dreams since I can remember. ItÕs not the proper destiny and we must
change the way things happen.Ó
Ringo looked bemused at the two of them, Ò So am I the other
person or what? I mean what can we do to stop this? That is if this is all the
truth. IÕm not sure I believe in this stuff.Ó
John piped up at that minute, Ò Sorry, I agree with Ritch mate.
How do we know this is whatÕs going to happen? ItÕs like Ritch said.Ó John
looked back at Ringo and then back to Rita and George.
Paul shook off the daze he had been feeling and stood up, walking
slowly over to the other side of the table as he spoke, ÒItÕs true mate. When
we were younger, well George here would tell me about these dreams heÕd have.
One of his mum getting sick and dying, only he didnÕt see her face, but thought
it had to be her. It wasnÕt, it was me own mum. There were others too. He had a
dream the night before Stu died. He dreamt it John, he dreamt of StuÕs death.
That scared him and he hasnÕt had one since, until now.Ó Paul leaned down on
the table, resting his weight on his left hand, ÒRemember the sŽances weÕd
have? You believed we could contact Stu. You believed then.Ó PaulÕs eyes met
with JohnÕs.
John slammed his fist on the table and jumped up, making Paul jump
back in surprise.
ÒBloody fuckin hell!!!!! Leave Stu out of this shit! I
wanted to believe that, I didnÕt say I did, Paul. What the fuck are you sayin
Harrison? Are you sayin IÕm going to die like you saw poor Stu die? Is that
it?Ó JohnÕs anger rose as he came at George.
ÒI donÕt know John. I didnÕt know right off that it was Stu, until
I saw Astrid crying over his body. It was bloody terrifying to find out it was
true. Why do you think I wasnÕt to keen on those sŽances?Ò It was hard to speak
about, but George knew he had to tell John how he felt.
How could George be saying this stuff and expect him to believe
it? He had a dream about Stu, his best mate? He knew that he died? Anger
flooded his mind, drowning everything else out that George had said, without
thinking, John charged at George. George straightened up, ready for John. He
knew John usually reacted with anger when he didnÕt understand something or
when he was upset, they all knew it. Ringo and Paul grabbed John before he
reached George. Rita jumped back with a yelp as the two contained John.
ÒListen whether you want to believe me or not, this is going to
happen. And no Ritch it isnÕt you. I saw you playing cards with Mal at the
table in the studio when John was fighting with whoever it is. John, getting
angry with me knowing about Stu isnÕt going to help. I didnÕt want to believe
about Stu. IÕm not keen on all this, but itÕs been handed to me. I have to
right this and I am going to do that, with or without your help.Ó George spoke
adamantly to John.
ÒHe is right John. I believe him and Rita. I experienced something
unbelievable last nightÉÉ.Ó Paul started to tell John.
ÒI donÕt want to hear about your sex life.Ó John growled up at
Paul. He pushed PaulÕs hands from his shoulders, along with RingoÕs.
ÒNo, itÕs more then that, John. I can feel some of the things she
does and I saw bits and pieces of this dream and some other stuff I donÕt quiet
understand. WeÕve gotta do this mate. What does it matter anyway, y Ôknow? I
mean so you donÕt go running out into a car after this fight or let the other
person go.Ó Paul calmly told him.
ÒHeÕs right there Johnny.Ó Ringo added as he lean against the
table and lit a cigarette. Boy did he need a cigarette at this point.
Ò I donÕt even drive myself to the studio. Did you think of that
one?Ó John anxiously reminded them all.
ÒI know that John. All IÕm sayin is if itÕs this other bloke that
I havenÕt seen yet; I need you to stop him. Are you alright with that?Ó
GeorgeÕs face softened at JohnÕs anxiety.
Ringo gave John an encouraging smile. He knew that John was acting
out, ÒHey, doesnÕt seem like we have to do much here. IÕd rather be safe then
sorry, right JohnnyÉÉÉright mate?Ó
John looked wearily at Ringo. He pursed his lips into a small
smile. ÒRight then Harri, no drivin on November 9th in the early
morning, just incase. IÕll bring this bloke down if I have to so he wonÕt
drive. IÕm not sure if I buy this, but like I said, just in case. Ó John
softened and gave a small shrug along with a slight smile.
ÒThanks John, RitchÉÉ,Ó He looked over to Paul, ÒThanks for
telling them about when we was younger and the dream stuff.Ó He watched as Paul
nodded to him.
************************************************************
Paul felt a bit queasy with all this talk about death. He felt it
all over him, his mum, Stu and now this. He swallowed as he tried to calm down.
His mind had been on everyone else and now he needed to get out of the room. He
watched Rita and the other three talk. He barely heard them as he went out in
to the safety of the hall and slipped into the loo.
The cold water felt good as he splashed it over his face. He
watched the beads roll off his face and back into the sink. He grabbed some
paper towels and wiped the excess droplets off his face. He jumped when he
notice George standing next to him. He hadnÕt even heard George walk in.
ÒChrist, you scared me.Ó Paul looked down at the dark green tile
that made up the floor, the dark cold metal that closed in the stalls. He
looked at anything except George.
ÒSorry bout that mate. You were off so fast I wanted to see if you
were ok,Ó George explained while trying to make eye contact with Paul. He saw
how hard Paul tried to avoid the contact. Something was wrong. Paul had been
acting funny, withdrawn and he wondered how spooked Paul was by all this, and
remembering about his mum.
PaulÕs face turned up to meet GeorgeÕs eyes, ÒGeorge?Ó
George met his stare, ÓWhat.Ó He gave Paul a curious look.
ÒYou said you could tell things by touch, y Ôknow like you did
with John. Rita says I receive, or pick up easily on her gift,Ó Paul stopped
for a minute and took a deep breath. He had to muster up the courage for this.
ÒGo on Paul. What do you want?Ó George pushed as he came a bit
closer to Paul.
ÒTell me what you see, look into my eyes or touch me, whatever. I
wonÕt hold it against you. Just, tell me what you see, please.Ó Paul pleaded
with his friend. His big eyes held a serious, but needy look, Ò I need to know,
George.Ó
George looked surprised at what Paul asked, but what surprised him
more was how he said it. It was the same phrase Rita had used, the same phrase
he had written in his song a year or so ago. How funny, George thought, that a
song Paul had written could mean so much later on. He thought about what Paul
had asked, and realized that he was right. George also needed to know what he
would see. Why hadnÕt he thought of this before?
ÒRight then, IÕll have a bash at it. I donÕt know if it will work,
but weÕll have a go.Ó George mirrored PaulÕs weak smile.
ÒThatÕs all IÕm askin. Just give it a whirl and see.Ó Paul stepped
closer to George and extended his hands.
George put both PaulÕs hands in between his own, holding them
tight. Suddenly the room shrank away and he was no longer aware of what was
going on around him. He was standing in the control booth in studio two.
Paul saw the two other Beatles enter the bathroom and nodded for
them to be quiet. They stared in disbelief as they watched what transpired
between George and Paul. Paul, being so receptive, could feel energy surge
through his body and knew George was picking up on something. He saw the far
away look in Georges brown eyes and knew he saw the answers that Paul was looking
for.
George became aware of the loud bellowing voice of John. He looked
over at JohnÕs furry, as he lashed out with his tongue. JohnÕs tongue-lashing
could always be hard on the person he was attacking. George turned in the
direction that John was speaking at. He saw Paul, who was arguing back with
John, he didnÕt back down like most did when John got like this. Paul came back
at JohnÕs sharp mouth. The fight hit a peak and he watched Paul storm out of
the booth, slamming the door behind him.
George watched, John seemed to realize something and started
running to the door of the booth. He ran out after Paul into the pouring rain.
Paul got into his car and started it up as John pulled the other door opened.
He slid into the passenger seat, both soaked, water running down their faces
and clothes sticking to them.
ÒGET OUT LENNON!!!!Ó Paul shouted at him, his face red with anger.
John locked his side and turned to Paul with a frantic look, Ò No
Paul, you canÕt drive. Not tonight!Ó
Paul laughed sarcastically at him, Ò Right then.Ó He put the car
into gear and tore away from the curb.
ÒCÕmon Paul stop the car. IÕm sorry, is that what you want to
hear? I should have kept me gob shut, Now, stop the car.Ó John panted urgently.
ÒWhatÕs the matter with the mighty Lennon? Scared are we Johnny? Ò
Paul said smugly, still stinging from the lashing he had gotten back at the
studio.
John looked at everything pass by as the car accelerated down the
wet streets. He could barely see what was in front of him. The rain pelted down
so hard it was like a curtain that made it hard to see, as the car drove on
faster.
ÒPaulie, please stop this now. I said I was sorry.Ó John pleaded
with his friend. Bloody mouth of his, when would he learn to stop before it was
too late.
Paul answered him in an excited state of mind, Ò Why Lenny? Why do
you do that? ItÕs a perfectly good idea. Do you really think I am so beneath
you? Do you really think that you would have gotten this far without me? ÔCause
thatÕs what you said y Õknow.Ó
ÒI know I said that, IÕm daft, what can I say. I donÕt think
before I go off and then say things I donÕt really mean just to get at the
person. Y Õknow that about me, youÕve always known that about me.Ó John told
him as he held on to the dashboard of the car and turned sideways to see Paul
and the road at the same time.
ÒSo because I know this IÕm supposed to fergive ya is it then
Lennon. I canÕt take it anymore, canÕt do that over and over to a person. I
know I can be a right bastard at times, but you can beÉ..Ó John cut him off.
ÒI can be a real cunt. I know that Macca, please donÕt drive over
on that part of town. Remember what George said.Ó John said as he notice the
direction they were heading.
ÒIÕm not going in that direction. I remember what George said and
I am going the opposite way.Ó Paul told him as tears started to fall from his
eyes. He loved John, but John could make it so hard too. He still felt the slap
across the face that JohnÕs words had given him.
John noticed the tears that fell from the long lashes on the face
he knew so well. He felt bad about what he had done and knew he really didnÕt
mean it the way it came out. When was he going to be able to control his
temper? His mind fixed on the tears he had caused his mate.
ÒYouÕre right and I am a sad bastard at times. Listen, the idea is
just different is all and I just need to get used to it. I know you helped me
start to write, showed me the right way to play the guitar, even if I had to
restring the bloody thing twice. WeÕd be nothing without the four of us
together. I never meant to hurt you, but I always seem to hurt someone I
loveÉÉ.Ó He stopped and looked again at the streets as they whizzed by.
ÒYou love me.Ó Paul stated incredulously, ÒWell, thatÕs quiet
clever, it just doesnÕt half seem it.Ó
John nodded. Ò I know, but I really do É..Ó He stopped nervously
spying familiar streets. Oh my God, John thought, they were heading in the
direction of Charing Crossing!
ÒPaul this is the way to Charing Crossing!Ó An alarmed voice
escaped JohnÕs mouth.
ÒCanÕt be I purposely went the other way, you saw me turn the
opposite way John.Ó
Alarm also filled PaulÕs voice, as he realized that the car was no
longer heading away from Charing Crossing, but instead towards it.
Ò I know, I saw you turn in the opposite direction, and nowÉÉÓ
Paul finished JohnÕs sentence for him.
ÒItÕs like the car just appeared over here. ItÕs the destiny that
George was trying to stop!Ó Paul panted in fear.
Terror filled JohnÕs whole body as he shook; he turned and yelled
in panic to Paul.
ÒSTOP THE BLOODY CAR PAUL!!!Ó
Ò I CANÕT!!!Ó Paul yelled back in a terrified voice.
Paul felt like he was in a dream, everything started moving slowly. He looked at the crossing ahead of them and then saw her. A girl with blonde long hair standing there under the protection of an umbrella, John saw her too, as they sped closer to their awaited destiny.