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MUSIClassical.com?

Topic: ABOUT US
MUSIClassical.com is a MUSIClassical directory...A database of classical music information collected by scholars, musicologists, composers, performers and general classical music lovers. It was formed by a core group of individuals from a few classical music list groups in the mid 1990's. With the merger of these groups into the "onelist" and "egroups" and "Yahoo groups". The membership of hundreds of classical music lovers may choose to just read the posts, but some reply occassionally and others have formed a lively particepating group discussing many topics related to classical music. Many members also contribute to the various databases of information on this site. The reference material is stored under the various directory headings or topics you'll find at the left of this webpage. Specific databases are maintained by individuals in our group. Anyone may use the directories.
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MUSIClassical.com and aMUSIClassical directories are maintained by volunteer editors, members of the MUSIClassical list group of classical music lovers. Many interests are served by our members who support our links. Directories are original and maintained by our editors unless indicated otherwise. If you wish to contribute just drop us a message or post to our list group. See email contact us at left. Support also comes from purchases via sponsor banners.


Now Playing: this weekend on LIVE365's MUSIClassical CONCERT
Topic: NEW CDs
EMI365393
EMI Classics

Editorial Reviews from Amazon.com:
This is a big, monolithic performance of this somewhat monolithic work, but it doesn't sound impenetrable as it occasionally can. The second movement is as gigantic as any might want, but there's great spring in its last few minutes; elsewhere, Sir Simon Rattle leads with a clarity and energy that are decidedly not lament-like. The 4th movement, "Wie lieblich sind deine Wohnungen," seems to sway under Rattle's baton; it appears as a light interlude. There is great warmth in the "Ich habt nun Traurigkeit" movement and all pomp seems to die away. The fugal moments are crystal clear, even with the large orchestra and chorus (this is clearly not a "period" instrument performance), and both soloists--baritone Thomas Quasthoff and Dorothea Roschmann--sing their music with close attention to the text. The Berlin Philharmonic and Rundfunkchor are superb. This is a beautiful reading of a work that can be forbidding – highly recommended. --Robert Levine



Topic: DVDs
Performing Arts DVDs


Now Playing: from YouTube
Topic: CLASSICAL VIDEOs

"Mstislav Rostropovich"

The LINK:

http://video.google.com/videosearch?sourceid=navclient&aq=%22Mstislav%20Rostropovich%22&ie=UTF-8&rlz=1T4GFRC_enUS207US208&q=%22Mstislav+Rostropovich%22&oe=UTF-8&um=1&sa=N&tab=wv


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Now Playing: send us your suggestions
Topic: RANDOM LINKS
Artur Rubinstein playing Beethoven piano concerto no 4
Now Playing: 3rd movement in 1967
Topic: CLASSICAL VIDEOs
RUBINSTEIN BIO and CDs
READ about ARTUR RUBINSTEIN
ARTUR RUBINSTEIN ON DVD


New Releases
Now Playing: March
Topic: NEW CDs
Paul Lansky: Etudes and Parodies (2004) for horn, violin and piano; William Purvis, French horn, Curtis Macomber, violin, Mihae Lee, piano; Semi-Suite (2001) for guitar, David Starobin, guitar; Ricercare Plus (2000, 2004) for string quartet, Brentano String Quartet
BRIDGE 9222 DDD Total Time: 64:51
This recording gives a completely fresh view of the work of a leading American composer. Long regarded as one of the world's finest exponents of 'computer music', this disc presents first recordings of three major Paul Lansky compositions for acoustic instruments. Lansky's fine ear for harmony and his restless and energetic rhythmic sense carry over from much of his computer music, but in these works, there is a newly found subtlety that seems inspiring to the interpreters heard in these performances.. Etudes and Parodies for horn trio was the winner of the International Horn Society's 2005 composition competition. Composed for horn virtuoso, William Purvis, the set of seven movements is actually a series of etudes based on all the things the horn does well: long round tones, staccato/legato alternate tonguing, large ascending leaps, rapid and round staccato, natural harmonics, fast and close jazz-like licks, and finally, soulful singing. The 'parodies' include gypsy-like music, funk, film-noir, and various references to horn player's practice rooms. Semi-Suite was composed for the guitarist David Starobin. Its six movements are loosely based around its baroque namesakes, though Lansky's idiomatic guitar writing shows the influence of such finger-style guitarists as Merle Travis and others. Lansky's Ricercare Plus includes references to early baroque and late renaissance part writing with non-vibrato sustained, overlapping lines, and rapid contrapuntal configurations. The work was written for the Brentano Quartet.
These Paul Lansky discs are available from Bridge: Music Box - BRIDGE 9210 Alphabet Book - BRIDGE 9126 My Cinema for the Ears - BRIDGE 9117 (DVD) Ride - BRIDGE 9103

Justin Dello Joio (b. 1955): Two Concert Etudes (2001), Garrick Ohlsson, piano; Music for Piano Trio "The March of Folly" (2006), Ani Kavafian, violin; Carter Brey, violoncello; Jeremy Denk, piano; Sonata for Piano (1987, rev. 2005), Garrick Ohlsson, piano BRIDGE 9220 DDD Total Time: 59:03
This recording presents first recordings of three recent compositions by the American composer Justin Dello Joio. John Corigliano writes that "Justin Dello Joio is a born composer- a real musician with a sparkling craft who has something urgent to say in his works, and the ability to say it. In an age when so much contemporary music seems dictated by its technologically sophisticated means, it is wonderful to hear music that is composed completely by ear, mind and heart." Performed by four superb virtuosi, the performances heard on these recordings provide vibrant realizations of the music of an exciting new voice in contemporary music. Writing about Dello Joio's Trio, John Corigliano says that the work "demonstrates Dello Joio's ability to forge a large shape that is clear, and meaningful while providing subtle and remarkable details along the way. Not a note is wasted in Dello Joio's music. It is concise yet expansive, detailed yet unified, intellectual yet dramatic." Justin Dello Joio is the 7th generation of composer in the Dello Joio family, the son of the well-known Norman Dello Joio. A student of Persichetti, Sessions and Diamond at Juilliard, he has received numerous awards and has composed a large catalog of works ranging from solo through orchestral, and recently, opera.


Topic: NEW CDs




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