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NOVEMBER 15
Now Playing: ...for 300 years...
Topic: CLASSICALmanac.com
1807 First Performance of Beethoven's Symphony No. 4, in Vienna.
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  • Magdalena Kozena: Czech mate
    Topic: NEW CDs
    Magdalena Kozena has a mesmerising vocal range, lives with Simon Rattle, and is about to debut in London. Michael Church meets the mezzo with all the right moves.
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  • Pianist JOHN ARPIN dies...
    Now Playing: ...accompanist to Canadian contralto Maureen Forrester
    Topic: MILESTONESJun-Dec07

    Canadian pianist, Arpin, known as the "Chopin of Ragtime" by jazz great Eubie Blake. Arpin died of cancer 8 NOV 2007 in Toronto. He was 70. Born in Port McNicoll, Ont., on Dec. 3, 1936, Arpin graduated from the Royal Conservatory of Music and then studied music at the University of Toronto. Arpin was music director and accompanist to Canadian contralto Maureen Forrester for many years and recorded many albums with her.

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  • NOVEMBER 14
    Topic: CLASSICALmanac.com
    1942 Birth of Russian cellist Natalia GUTMAN in Kazan.
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  • 70 years ago
    Topic: CLASSICALmanac.com
    13 NOVEMBER 1937 First broadcast by the NBC Symphony Orchestra. Pierre Monteux conducting. Toscanini's first broadcast with the NBC Symphony was on Christmas Day, 1937.
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  • Topic: DVDs
    A splendid DVD from Deutsche Grammophon, Rafael Kubelík: A Portrait, reminds us that multiple tyrannies can govern a conductor’s life. Kubelík (1914 –1996) was a mightily gifted Bohemian-born conductor, scion of a legendary musical family (his father was the superstar violinist Jan Kubelík). Rafael Kubelík was music director of the Brno Opera when the Nazis shut the company down in 1941. A year later they executed the Opera’s administrative director, Václav Ji?íkovský (1891-1942), who had smuggled Jews out of Occupied Prague. Small wonder that Kubelík states in a 1970’s documentary (which is reprinted along with brilliant performances of Beethoven, Mozart, and Bruckner on the new DVD), “A conductor should be a guide, not a dictator. I could never stomach dictatorships.” When he was named wartime conductor of the Czech Philharmonic, he declined to perform Wagner, and would not give German notables the Nazi salute as required, nearly causing him to be arrested. A stunning interpreter of Mozart, Beethoven, Smetana, and Dvo?ák, Kubelík helped establish the Prague Spring Festival in 1946, but finally was driven from his homeland by the 1948 Communist coup.
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  • NOVEMBER 14
    Topic: CLASSICALmanac.com
    Aaron Copland (November 14, 1900 – December 2, 1990) was an American composer of concert and film music, as well as an accomplished pianist. Instrumental in forging a distinctly American style of composition, he was widely known as “the dean of American composers.” Copland was also a composer of film music, as well as an accomplished pianist. Instrumental in forging a distinctly American style of composition, he was widely known as “the dean of American composers.” Copland’s music achieved a difficult balance between modern music and American folk styles, and the open, slowly changing harmonies of many of his works are said to evoke the vast American landscape. He incorporated percussive orchestration, changing meter, polyrhythms, polychords and tone rows. Aside from composing, Copland taught, presented music-related lectures, wrote books and articles, and served as a conductor.
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  • NOVEMBER 9
    Topic: CLASSICALmanac.com
    1907 Birth of American composer Burrill PHILLIPS in Omaha, NE. d-22 JUN 1988.
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  • Topic: NEWS performers
    The combination of soft-spoken English charm and superior musicianship has made Andrew Manze a star in the concert world. Manze (say it MAHN-zay) is conductor of the Academy of Ancient Music and the Helsingborg (Sweden) Symphony and a renowned Baroque violinist on his own. He spoke with Rocky music writer Marc Shulgold about his Friday appearance at Gates Concert Hall with renowned fortepianist Richard Egarr, part of their first U.S. tour together since 2002.
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  • Topic: NEWS performers
    Nina Totenberg: Lessons from My Father

    My father started teaching when he was 11 years old. His first student was 9. Ever since, he has loved it and learned from it. He once told me that you have to figure out how you do something in order to teach it to someone else. And if your system doesn't work for that someone else, you have to adapt it until it does. Sometimes that means re-fingering an entire concerto for a student to suit that person's physical and technical capabilities.

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