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New Folk and Blues CDs New Folk and Blues CDs

WORD FOR WORD: TRACY CHAPMAN
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"I've met people and they've been surprised that I have a sense of humor. I guess I understand that there's no way that something like that would come through on the record, necessarily, unless it was a comedy record, and I don't have any plans right now to make a comedy record." --Tracy Chapman
Read the full interview with Chapman:
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You can find her new "Telling Stories" at
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NEW AND NOTABLE
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"One Endless Night"
Jimmie Dale Gilmore
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With his feet firmly on his native West Texas soil and his mind on more mystical matters, Jimmie Dale Gilmore ranks as one of country music's most fascinating performers. His first record in four years serves as a road map through his influences and his artistic persona. He balances a couple of originals with covers of songs by fellow Texas troubadours like Butch Hancock, Townes Van Zandt, Walter Hyatt, and Willis Alan Ramsey, as well incisive readings of "Mack the Knife" and the Grateful Dead's "Ripple." It's all held together by his uniquely expressive voice.

"'Til You've Seen Mine"
Tom House
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You may not enjoy the music of Tom House, but it will make an impact on you no matter what. House's third record is another riveting collection of raw, probing original songs that sound archaic on one hand, but decidedly advanced on the other. This is provocative, piercing poetry filled with stark imagery, troubled characters, and bleak themes. Couched in a shambling old-time setting and presented by House's sawed-off voice, there is a beauty in its honesty and its acceptance of reality that is not for the faint-hearted.

"You Can't Relive the Past"
Eric Andersen
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As his masterpiece "Blue River" approaches its 30th anniversary, Andersen proves that he's not finished creating compelling music unencumbered by anyone's expectations but his own. Knowing well the universal truth found in his new album's title, Andersen continues to find new musical expressions for his songs. Half of the record comes from mostly acoustic New York sessions, while the other half stems from a raunchy, beefy Delta blues summit recorded in Mississippi--a far cry from the soothing sounds of "Blue River." Four of the tunes were cowritten with the late Townes Van Zandt.

"Primal Young"
Steve Young
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Steve Young has enjoyed quite a varied musical history. Born in Georgia, Young first ventured to New York's Greenwich Village folk scene before heading out West in the late 1960s and hanging around with the California country-rock crowd. Then it was to Austin, Texas, and its "outlaw" country milieu and so on. Not surprisingly, his music is equally varied, and his first studio album in seven years incorporates blues, folk, country, rock, soul, and more, augmenting his own material with covers of Merle Haggard and R&B belter Lloyd Price, among others.

"Live From Mountain Stage"
John Hartford
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Everyone's favorite "Steamboat Silly" returns with a live set culled from three mid-'90s appearances on the popular radio show. Few can balance sincerity and absurdity like Hartford can, using old-time music as a foundation for his quirky but heart-warming approach.

ST. PATTY'S SELECTIONS
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As usual, the arrival of St. Patrick's Day brings with it a host of new Irish music releases. Whether your taste tends toward traditional styles or more modern interpretations, our list will help you find a suitable record for your celebratory needs
You can find our list of St. Patty's Selections at CD ON Sale!

"Wires & Wood"
Johnny Staats Project
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\ The country's most famous UPS driver finally shares his mandolin prowess with the world, backed by some of bluegrass's biggest names.

"Butt Naked Free"
Guy Davis
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The bluesman's fourth record returns to a more straightforward, mostly acoustic vibe and may just be his best yet.

Of the three artists who won Grammys in the categories of folk and bluegrass, the youngest is Ricky Skaggs, who will be 46 in July. Folk may be in need of a youth infusion; then again, all of the winners are well deserving, to say the very least. Here are the top winners of the 42nd Grammy Awards, along with our thoughts (and in some cases, our own choices).

Best Bluegrass Album
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Winner:
"Ancient Tones"
Ricky Skaggs
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Why It Won: The talented 45-year-old Kentuckian joined Ralph Stanley's legendary Clinch Mountain Boys at age 15, and his skills as a picker and especially a singer have only improved since. "Ancient Tones" is his second effort since his heralded return to bluegrass and it's every bit as engaging as 1997's "Bluegrass Rules!" with rousing Stanley and Monroe covers and the top-flight Kentucky Thunder band.

Our Pick:
"The Mountain"
Steve Earle and the Del McCoury Band
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Steve Earle has always alternated between his electric and acoustic impulses, but on this stellar collaboration with the Del McCoury Band, Earle moves into the acoustic camp with both feet. Earle has come up with perhaps his strongest collection of songs, filled with vivid characters and possessing timeless appeal. Though not technically a bluegrass album all the way through--the musical settings move from straight-ahead bluegrass to country blues to honky-tonk to Celtic--McCoury's unit provides the musical muscle that you'd expect from one of bluegrass's sharpest ensembles. In the end, it's the quality of Earle's memorable original material that sets it apart from the rest of an unusually strong pack. Honorable mention goes to the Bluegrass Mandolin Extravaganza, which boasts eight of the greatest mandolin pickers of our time.

You can find Bluegrass Mandolin Extravaganza at CD ON Sale!

Best Traditional Folk Album
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Winner:
"Press On"
June Carter Cash
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Why It Won: Arriving on the eve of her 70th birthday, this is June Carter Cash's first solo record in more than 25 years, but she shows no signs of rust. Supported by the acoustic strumming of Marty Stuart, Norman Blake, and Rodney Crowell, as well as her own Autoharp, Cash delivers a provocative collection of mostly original material. She also reprises three of her uncle's Carter Family chestnuts and her own composition, "Ring of Fire," a song she wrote for (and about) husband Johnny. The Man in Black even joins her for a stirring gospel duet.

Our Pick:
Cash does a wonderful job balancing the classic lyrical themes of God, love, and death with more contemporary themes. No one can explain the semi-autobiographical album better than Cash herself, who says in an exclusive Amazon.com interview: "Whatever anybody felt, whether it was laughing or crying, I wanted it on this record, so it was not just about singin' the right notes or playin' the right melodies. It was just an honest, sincere way to do the music."

You can read the interview in its entirety at: CD ON Sale!

Best Contemporary Folk Album
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Winner:
"Mule Variations"
Tom Waits
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Why It Won: "Mule Variations" continues Tom Waits's string of recordings that are simultaneously avant-garde and arcane. There's no better evidence of this dichotomy than the fact that his last Grammy award was for Alternative Music in 1992. "Mule Variations" marks the inscrutable songsmith's return to album making after five years of soundtrack and stage work. Few are more adept at bastardizing genres to create a thoroughly unique and compelling sound.

Our Pick:
Waits gets the nod in a rather eclectic category. The Contemporary Folk nominees include a roaring Cajun band (Beausoleil); an old folkie doing honky-tonk duets (John Prine); a 30-year-old woman and a 65-year-old man doing a collection of labor songs (Ani DiFranco & Utah Phillips); and a pair of country-weaned divas singing modern rock classics (Linda Ronstadt & Emmylou Harris). Of course, Waits has them all beat when it comes to eclecticism.

New Releases From Past Winners
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"Telling Stories"
Tracy Chapman
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Over the course of her career, Chapman has picked up Grammys in a wide variety of categories: Best New Artist, Rock Song, Pop Female Vocal, and Contemporary Folk. "Telling Stories" is quintessential Tracy Chapman, enriched as it is with insight, heart, and soul.

"Water From The Well"
The Chieftains
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Ireland's beloved Chieftains have won six Grammys in the 1990s across the categories of Traditional Folk, Contemporary Folk, Pop Vocal Collaboration, and World Music Album. Their new release revisits their musical roots with a wide spectrum of traditional Irish music and traditional Irish guest players.

This year's Grammy Awards for Blues went to two of the genre's best-loved and talented stars: B.B. King and Robert Cray. No surprises from the Academy here, though it did manage to reward these greats on the release of their best recordings in years. To supplement the small amount of actual blues nominations, we have decided to include our picks for three of the top awards in the upcoming W.C. Handy Awards for blues. From AcoustiCDigest/newCDnews.com, associates of Amazon.com...

CONTEMPORARY BLUES ALBUM
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Grammy Winner:
"Take Your Shoes Off"
The Robert Cray Band
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There's no doubt about it: Robert Cray is immensely talented, from his soulful voice to his technical prowess on guitar. And while various blues critics and fans have accused his music of rockism, "Take Your Shoes Off" is an unabashedly enjoyable--and smart--tribute to Memphis soul. Of course, it's a bluesy soul record, one that equals the work of his late mentor, Albert Collins.

Our Pick: From a sentimental standpoint, it would have been nice to see Luther Allison's "Live in Chicago" win the award. But Cray's was the best album nominated, so we agree with the Academy here.

TRADITIONAL BLUES ALBUM
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Grammy Winner:
"Blues on the Bayou"
B.B. King
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B.B. King's debut as a producer--at age 73, better late than never--resulted in a terrifically bare-bones, rollicking effort that's easily his best disc in years. All around, this is a solid blues album by a master of the form, one that's evocative of the Louisiana countryside where it was recorded.

Our Pick: "A Good Day for the Blues"
Ruth Brown
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Echoing her Atlantic Records heyday, the 70-year-old Brown entered the studio with a big band--including a full horn section--and really went at it, belting out strong, supple versions of traditionals such as "Cabbage Head" and new songs from the great Dan Penn like "Can't Stand a Broke Man." Brown was at her peak in the '50s, saw some really hard times, and is now back at the top of the game. A Grammy would really have meant a lot to this sweet, ultratalented lady.

AN EARLY PLUG FOR NEXT YEAR'S GRAMMY AWARDS
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"Senegal to Senatobia"
Othar Turner
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Note to the Academy: if anyone on Earth deserves to be nominated for a Grammy next year in the Traditional Blues category, it's Othar Turner, the nonagenarian master of fife and drum music. Alan Lomax, the great folklorist and collector of traditional blues music, called fife and drum "more African than anything previously recorded on this continent." Fife and drum is insistently rhythmic, inventive, and the deepest of deep blues sounds out there. On "Senegal," Mr. Turner is joined by some percussionists from Africa, and the result is strange and wonderful.

THE W.C. HANDY AWARDS
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Why aren't there more blues categories in the Grammys, anyway? Oh well, at least we have the 21st Annual W.C. Handy Awards to look forward to. With that in mind, let's recap some of the most interesting nominations:

Entertainer of the Year
Our Pick:
R.L. Burnside
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Never one to hide behind tradition, this Mississippi bluesman can nonetheless serve down-home blues with the best of them, as he does on his efforts from the early 1990s "Bad Luck City" and "Too Bad Jim." But he can also be daring, making such unlikely ambassadorial gestures as 1998's electronic remix CD "Come On In" one of the most interesting (and successful) crossover efforts of recent years.

For a complete list of the W.C. Handy nominations for Entertainer of the Year, go to:
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Band of the Year
Our Pick:
Joe Louis Walker and the Bosstalkers
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Few can handle so much variety as well as Joe Louis Walker. On his latest, "Silvertone Blues," the guitarist moves from country blues to full-band modern arrangements with ease, and it all hangs together very well indeed. In addition, Walker possesses a wit and cleverness in both his musicianship and his songwriting that's a rare treat.

For a complete list of the W.C. Handy nominations for Band of the Year, go to:
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New Artist of the Year
Our Pick:
Big Bill Morganfield
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As the son of Muddy Waters, Big Bill Morganfield has some awfully large shoes to fill. He'll do just fine, though, if his debut "Rising Son" is any indication. A collection of original songs and some by Muddy himself (including lesser-known material such as "Diamonds at Her Feet"), this is a strong debut, boding well not only for Morganfield's career but for the future of the blues.

For a complete list of the W.C. Handy nominations for New Artist of the Year, go to: at our CD Sale!

WORD FOR WORD
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"Willie Dixon used to tell me, 'Joe, you've got to find your own style.' I'd say, 'What the hell is my style?' I like to push myself to play everything and to play with everybody." --Joe Louis Walker
Read more of Amazon.com's article on Joe Louis Walker at: New BLUES Review!

NEW & NOTABLE
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"Live at Pachyderm Studio 1998"
Indigenous
New BLUES Review!
Anyone who's seen Indigenous live will tell you that's when they're at their best. "Live at Pachyderm Studio 1998" certainly seems to bear this out. The audience is tiny, true, but it seems to be encouragement enough. The band smokes, with far more energy than was heard on their national debut, "Things We Do."

"Blues Had a Baby"
Lurrie Bell
New BLUES Review!
Though Bell records on an utterly sporadic basis, the results when he does get into the studio are always superb. With a burgeoning guitar talent and strengthening vocal prowess, it's no exaggeration to say that Bell is helping keep the blues alive, in the best Chicago style.

"Suspicion"
Coco Montoya
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Start out playing rock & roll, take a turn as sideman for such notables as John Mayall and Albert Collins, and the result is Coco Montoya. He works from a stable blues-rock idiom but avoids the more obvious pitfalls of the genre, reaching instead for touches of soul and using his considerable skills on guitar to expressive advantage instead of just showing off.

"Rush Hour Blues"
Sam Lay Band
New BLUES Review!
As one of the finest drummers the blues has to offer, Sam Lay is no slouch as a singer and bandleader either, as his latest recording proves. "Rush Hour Blues" remains firmly rooted in Chicago, as the inclusion of classic songs by Muddy Waters and Howlin' Wolf indicate.

"Frett'n the Blues"
Various Artists
New BLUES Review!
Anthologies often present the best introductions to the blues, and this album is no exception. Spanning much of the history of blues guitar, from early acoustic music through the advent of electric guitar and on into rock & roll, "Frett'n the Blues" includes music from notable blues pickers such as Buddy Guy, Homesick James, John Lee Hooker, and Muddy Waters.

AWARDS
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Here come the Grammys: Congratulations to blues siren Susan Tedeschi for her nomination in the Best New Artist category. Nominees in the Traditional and Contemporary Blues categories include Luther Allison, Jonny Lang, B.B. King, and Odetta.

Handy2K: The nominations for this year's W.C. Handy Awards, to be presented on May 25th, have been announced.

Learn about all the nominees at Amazon.com's Blues page: New BLUES Review!

ESSENTIALS BY ARTIST
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Elder statesman, preservationist, and innovator--Taj Mahal is one of those artists who constantly reinvents his genre while keeping a firm eye on tradition, as his recent collaboration with Toumani Diabate illustrates. Mahal's style encompasses everything from Delta blues to soul to reggae, while maintaining a character all its own.

Discover Taj Mahal's essential recordings at: Current Taj Mahal CDs

EDITOR'S CHOICE
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"Welcome to Little Milton"
Little Milton
New BLUES Review!
If you're asking "Little who?" then you need to hear this album. And if you're already in the know, you need to listen to it anyway. The author of several blues/R&B hits over the past few decades, Little Milton gets some of his own back on the exceptionally strong tribute "Welcome to Little Milton." The album is also a contender for this year's Grammy Awards, in the Best Contemporary Blues Album category.

WE GOT NEXT
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"The Folkways Years: 1959-1973"
Memphis Slim
Release date: February 22, 2000
New BLUES Review!
Over a decade's worth from one of the finest blues pianists ever.

"Best of the Vanguard Sessions"
Charlie Musselwhite
Release date: February 22, 2000
New BLUES Review!
A retrospective collection from one of the best blues harmonica players around today.

Folk/Blues: New Titles

newCDnews.com ~ acoustiCDigest.com

FOLK/BLUES CD WEEKLY UPDATE Site

FOLK/BLUES WEEKLY UPDATE

Recent Blues Releases...

Norman Blake "Far Away Down On A Georgia Far"
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Ungar/Mason "Catskill Collection"
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Blue By Nature "Hard Daze"
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Josh White Jr. "In Tribute To Josh White-House"
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Trout Fishing In America "Closer To The Truth"
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Johnny Nocturne Band "Million Dollar Secret"
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Renbourn/Grossman "Keeper Of The Vine"
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Ungar/Mason "Catskill Collection"
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La Bottine Souriante "Rock & Reel"
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Trout Fishing In America "Closer To The Truth"
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VA-Superharps "Superharps"
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Ladysmith Black Mambazo "In Harmony-Live At The Royal A"
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Various Artists-Superharps "Superharps"
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Tab Benoit "These Blues Are All Mine"
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Joan Baez "Best Of Joan Baez"
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David Mallett "Ambition"
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Tab Benoit "These Blues Are All Mine"
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Leadbelly "Bridging Leadbelly"
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John Mccutcheon "Storied Ground"
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VA-Whole Lotta Blues-Songs Of "Whole Lotta Blues-Songs Of Led"
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Fairport Convention "Cropredy Box Set"
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Shannon Curfman "Loud Guitars Big Suspicions"
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Patty Larkin "A Gogo"
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Little Milton "Welcome To Little Milton"
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Mimi Farina & Richard "Pack Up Your Sorrow-Best Of VA"
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VA-Whole Lotta Blues-Songs Of "Whole Lotta Blues-Songs Of Led"
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Patty Larkin "A Gogo"
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Ronstadt/Harris "Western Wall-Tucson Sessions"
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VA-Songs Of Willie Dixon "Songs Of Willie Dixon"
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Me'shell Ndegeocello "Bitter"
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22 AUG 1999

Woody Guthrie "Vol. 1-4-Asch Recordings"
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Grady Champion "Paying For My Sins"
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Kate Rusby "Sleepless"
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King/Vaughan "Albert King With Stevie Ray VA"
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