Hayes, nonetheless, remained a
frustrated performer, and an after-hours, jazz-based
spree resulted in his debut,
Presenting Isaac Hayes, in 1967. Hot Buttered Soul, released
in
1969, established the artist's
reputation - its sensual soliloquies and shimmering
orchestration
combined in a remarkable,
sophisticated statement. The artist also attained notoriety for
his
striking physical appearance - his
shaven head and gold medallions enhanced a carefully
cultivated mystique. However, The
Isaac Hayes Movement, To Be Continued (both 1970) and Black
Moses
(1971) were less satisfying
artistically as the style gradually degenerated into
self-parody.
Shaft was a highly successful film
soundtrack released in 1971, and is considered by many to be
Hayes' best work. Its theme also
became an international hit single and its enduring qualities
were
emphasized when the song was
covered by Eddy And The Soul Band in 1985, and reached
number 13 in the UK charts.
However, subsequent film scores, Tough Guys (1973) and
Truck Turner (1974), were less
interesting. Hayes left Stax in 1975 following a much
publicized
row over royalties, and set up his
own Hot Buttered Soul label. Declared bankrupt the following
year,
he moved to Polydor Records and
then Spring, where his prolific output continued.
In 1981, however, he retired for
five years before re-emerging with 'Ike's Rap', a Top 10 US R&B
single
that partially revitalized his
reputation. Many of Hayes' original Enterprise albums have
been
reissued in CD format by the UK's
Ace Records under their reactivated Stax logo.
Although trumpeted as a return to
form, Hayes' mid-90s albums for Pointblank indicated little
progress.
Photographs of Isaac Hayes by John
Robert Rowlands