11 |
. |
"Endless
Summer II" |
Other |
One
of the videos Sloan has brought to the hospital for Ed. |
11 |
1.a |
"For
what it's worth, Tom clearly put up quite a fight." |
Quote |
Walter
to Sloan, as they wait in the police station. |
11 |
1.b |
"It's
worth nothing. They broke his neck. (pause) I'm sorry." |
Quote |
Sloan
to Walter |
11 |
1.c |
"This
is war, Sloan. We have each other, you, me and Ed. We are still in this. We will have to
take added precautions." |
Quote |
Walter
to Sloan, as they wait in the police station. |
11 |
1.d |
"What
do you mean?" |
Quote |
Sloan
to Walter |
11 |
1.e |
"I've
been getting pressure. My superiors want us to go after them as hard as they've been
coming after us." |
Quote |
Walter
to Sloan. |
11 |
1.f |
"Meaning?" |
Quote |
Sloan
to Walter |
11 |
1.g |
"Action,
instead of reaction. As the world becomes more aware of this threat, our actions will no
longer have to hidden, or even subtle." |
Quote |
Walter
to Sloan |
11 |
1.h |
"I'm
all for that." |
Quote |
Sloan
to Walter |
11 |
1.I |
"I'm
not talking about revenge, Sloan." |
Quote |
Walter
to Sloan |
11 |
1.j |
"You
have your reasons for fighting, I have mine." |
Quote |
Sloan
to Walter |
11 |
1.k |
"Let
me see if they are ready to let us go." |
Quote |
Walter
to Sloan. |
11 |
2.a |
"What's
the matter?" |
Quote |
Tom
to Sloan, standing in her bedroom white towel in hand, as she turns from the phone to face
him. |
11 |
2.b |
"Tom?" |
Quote |
Sloan
to Tom, dropping the phone. |
11 |
2.c |
"What's
going on?" |
Quote |
Tom
to Sloan, tossing the towel on the red chair in the bedroom. |
11 |
2.d |
"I
just identified you. Your body." |
Quote |
Sloan
to Tom as she drops the phone. |
11 |
2.e |
"Sloan
" |
Quote |
Tom
to Sloan. |
11 |
2.f |
"You
were dead. In an alley downtown." |
Quote |
Sloan
to Tom. |
11 |
2.g |
"Well,
I'm here." |
Quote |
Tom
to Sloan as he slowly approaches her and she begins to back up. |
11 |
2.h |
"I
guess." |
Quote |
Sloan
to Tom. |
11 |
2.i |
"What
do you mean, you guess?" |
Quote |
Tom
to Sloan as he stands by the big chair and Sloan turns and grabs the poker from the
fireplace, pointing it at him. |
11 |
2.k |
"How
do I know?" |
Quote |
Sloan
to Tom. |
11 |
2.l |
"Sloan,
it's me." |
Quote |
Tom
to Sloan. |
11 |
2.m |
"What
was my mother's maiden name?" |
Quote |
Sloan
to Tom, both hands holding the poker. |
11 |
2.n |
"I
don't know. You were adopted." |
Quote |
Tom
to Sloan. |
11 |
2.o |
"You
could have found that out." |
Quote |
Sloan
to Tom. |
11 |
2.p |
"Sloan.
Who else would stick around for your bad jokes? Or put a mummy in your refrigerator? Or
put up with being electrocuted?" |
Quote |
Tom
to Sloan, as he stands within inches of the poker which Sloan is now pointing at his
throat. |
11 |
2.q |
"Right
here, in this apartment?" |
Quote |
Sloan
to Tom. |
11 |
2.r |
"In
the Lab. Sloan, it's me. It's me." |
Quote |
Tom
to Sloan, as he reaches to lower the poker and walk closer to her. |
11 |
2.s |
"Oh,
Tom. Oh, my God. I'm so sorry." |
Quote |
Sloan
to Tom as she rushes to embrace him. |
11 |
2.t |
"It's
all right. OK? Now, tell me what happened. This time, start from the beginning." |
Quote |
Tom
to Sloan as she leans back to search his face and he gently lowers her to sit in the chair
as he crouches in front of her. |
11 |
1st
time |
Continuity/editing
error |
Other |
10:20
is the time on the mantel clock when Sloan sees Tom in her apartment after having just
identified his body. |
11 |
2nd
Time |
Continuity/editing
error |
Other |
3:05
is what appears to be the time on Tom's watch as he and Sloan embrace when she realizes he
is alive. |
11 |
. |
Los
Angeles Medical Examiner Coroner |
Place |
Where
Walter and Sloan go to view "Tom's" body. |
11 |
1st
Time |
Editing
error |
Edit |
When
the orderly brings in the body and pulls back the cover, he is startled to see the body
resembles Tom and he looks up. We see a head shot of Tom but it is from a reverse angle
because his mole appears on his left cheek when it is actually on his right cheek. |
11 |
3.a |
"Sloan?" |
Quote |
Tom
to Sloan as they are driving in Tom's car late at night. Destination unknown. |
11 |
3.b |
"Uh?
Sorry. I was just thinking about what it would be like if you really were dead." |
Quote |
Sloan
to Tom |
11 |
3.c |
"And?" |
Quote |
Tom
to Sloan, with a small smile on his face. |
11 |
3.d |
"I'm
glad you're alive." |
Quote |
Sloan
to Tom, turning to look at him. |
11 |
3.e |
"I
hope so." |
Quote |
Tom
to Sloan, almost as if he was teasing her. |
11 |
3.f |
"You
don't get it. When I thought you were dead. When I thought I'd never seen you again, never
talk to you again." |
Quote |
Sloan
to Tom, her eyes becoming teary. |
11 |
3.g |
"You
don't have to do this." |
Quote |
Tom
to Sloan, turning to look at her. |
11 |
3.h |
"Yes,
I do. I've had my share of relationships. In grad school, I nearly married this man." |
Quote |
Sloan
to Tom |
11 |
3.i |
"Why
didnt you?" |
Quote |
Tom
to Sloan |
11 |
3.j |
"He
didn't make me feel like my life had purpose. But you. No one has ever meant as much to me
as you." |
Quote |
Sloan
to Tom |
11 |
3.k |
"Hey,
you'd be fine." |
Quote |
Tom
to Sloan, reaching over to place his right hand on her left shoulder, at the back of her
neck. |
11 |
3.l |
"No,
I don't think so. After what's happened. What I'm saying, what I'm trying to say is that I
love you. I love you." |
Quote |
Sloan
to Tom, as a single tear rolls down her left cheek. |
11 |
3.m |
"I've
never known love, Sloan. You know that. But I can tell you, I'd never leave you." |
Quote |
Tom
to Sloan, reaching over with his right hand to lightly touch her under her chin and she
takes his hand in her left hand and raises it to touch her left cheek. |
11 |
. |
Police
sketch |
Other |
Ray
shows Tom and Sloan the composite drawing resembling Randall Lynch. The drawing was based
on the description the police got from a female witness who saw Tom's brother's body being
dumped in the alley. |
11 |
. |
Hair
sample |
Other |
As
Ed begins to do the autopsy on Tom's brother, he snips off a small section of hair. |
11 |
. |
Syringe |
Needle |
Ed
takes a blood sample from Tom's brother's body. |
11 |
. |
Genogenisus |
Other |
Term
used by Walter to describe the procedure Ed wants to develop that will alter the 1.6ers'
DNA to match humans' DNA. |
11 |
4.a |
"Have
you given any thought about what you're going to do with your brother? His body?" |
Quote |
Sloan
to Tom as they walk in the foyer of the Lab building on their way out of the building. |
11 |
4.b |
"Not
really." |
Quote |
Tom
to Sloan. |
11 |
4.c |
"He
was family. You can't just leave him in the morgue. They'll bury him in an unmarked
grave." |
Quote |
Sloan
to Tom. |
11 |
4.d |
"I
don't feel like he was family. He was a stranger." |
Quote |
Tom
to Sloan, as they stop and turn to face each other, only a couple of feet from the doors. |
11 |
4.e |
"Who
either was coming here to find you or was killed because he's related to you." |
Quote |
Sloan
to Tom. |
11 |
4.f |
"And
I should feel guilty that he died?" |
Quote |
Tom
to Sloan. |
11 |
4.g |
"You
should feel something, don't you think?" |
Quote |
Sloan
to Tom. |
11 |
4.h |
"Like
what?" |
Quote |
Tom
to Sloan, raising his voice a little. |
11 |
4.I |
"Like,
you're lucky to have a brother. Sad that you never got to know him. He was your
family." |
Quote |
Sloan
to Tom. |
11 |
4.j |
"There
was no connection. Maybe if I knew him. Knew that he was like me, then I'd feel
differently." |
Quote |
Tom
to Sloan, reaching with his left hand to hold her right hand, just as a young woman
approaches the door to exit. |
11 |
. |
Clone |
Other |
Ed's
analysis of the blood that was left on Tom's jacket following his fight with Lynch II
reveals that the DNA is identical to the "original" Lynch, something that could
only happen in clones. |
11 |
5.a |
"Well,
this should be a clean sample of his blood. Good work." |
Quote |
Ed
to Tom in the Lab as he exams the blood that splattered on Tom's jacket during his fight
with Randall II. |
11 |
5.b |
"Thanks.
So what have you found out
about my brother?" |
Quote |
Tom
to Ed. |
11 |
5.c |
"DNA
confirms it. He was definitely your brother. Ah, not a twin though. I mean, I think you
were the same age though. You know, born
. if your mother had four children at the
same time, he was one of them." |
Quote |
Ed
to Tom. |
11 |
5.d |
"You
may have other siblings out there." |
Quote |
Sloan
to Tom. |
11 |
5.e |
"I'm
not expecting any reunions, assuming they're still alive." |
Quote |
Tom
to Sloan, massaging the palm of his right hand with his left thumb. |
11 |
5.f |
"You
had better take a look at this. The blood on Tom's jacket is 1.6." |
Quote |
Ed
to Sloan as he looks at the DNA results of the blood taken from Tom's jacket. |
11 |
5.g |
"Could
have guessed that." |
Quote |
Tom
to Ed. |
11 |
5.h |
"Maybe.
Take a look at this. OK, the one on the top is the blood from Tom's jacket. The one on the
bottom - Randall Lynch." |
Quote |
Ed
to Sloan and Tom as he brings up the computer screen showing the two DNA slides. |
11 |
5.i |
"Identical
twins." |
Quote |
Tom
to Ed. |
11 |
5.j |
"Identical
twins don't have the same DNA." |
Quote |
Sloan
to Tom. |
11 |
5.k |
"So,
Randall Lynch is dead and this new one isn't his identical twin
?" |
Quote |
Tom
to Ed and Sloan. |
11 |
5.l |
"Feat
of genetic engineering." |
Quote |
Ed
to Tom. |
11 |
5.m |
"A
clone." |
Quote |
Sloan
to Tom and Ed. |
11 |
5.n |
"What
we're still theorizing, they've been doing for 30 years." |
Quote |
Ed
to Tom and Sloan. |
11 |
. |
Press
Conference |
Other |
Walter
calls a press conference to announce that the new species is capable of cloning people.
Walter is at the podium with Tom, Ed and Sloan sitting at a table. |
11 |
1st
Time |
6 |
Other |
One
of the TV stations whose satellite van was at the press conference. |
11 |
2nd
Time |
12 |
Other |
One
of the TV stations whose satellite van was at the press conference. |
11 |
6.a |
"I'm
tired of living like this." |
Quote |
Sloan
to Tom as they return to her apartment following the press conference. |
11 |
6.b |
"You
know, even if they get Lynch, I wouldn't count on life getting any easier." |
Quote |
Tom
to Sloan as he takes his jacket off and places it on the second stool at the counter while
he sits on the stool closes to the computer centre. |
11 |
6.c |
"That's
reassuring." |
Quote |
Sloan
to Tom as she goes to the refrigerator. |
11 |
6.d |
"No
point in lying." |
Quote |
Tom
to Sloan. |
11 |
6.e |
"I
know." |
Quote |
Sloan
to Tom, turning to look at him. |
11 |
6.f |
"No
one says you have to continue. You can leave all this. Go somewhere safe." |
Quote |
Tom
to Sloan. |
11 |
6.g |
"Quit?" |
Quote |
Sloan
to Tom as she moves to stand at the counter, across from where Tom is sitting. |
11 |
6.h |
"You
don't have to put the genie back in the bottle." |
Quote |
Sloan
to Tom. |
11 |
6.i |
"I
let it out. |
Quote |
Sloan
to Tom. |
11 |
6.j |
"You
did more than your share." |
Quote |
Tom
to Sloan, massaging the palm of his left hand with his right thumb. |
11 |
6.k |
"I
like the idea of leaving this all behind." |
Quote |
Sloan
to Tom, leaning on the counter, bottled water clasped in both hands. |
11 |
6.l |
"But
it's not who you are, is it?" |
Quote |
Tom
to Sloan. |
11 |
6.m |
"Maybe
after a good night's sleep, I'll change my mind." |
Quote |
Sloan
to Tom, straightening up, going around the counter and passing behind Tom's back as he
watches her head to the bedroom. |
11 |
. |
Los
Angeles Tribune |
Quote |
One
of the newspapers Lynch II is reading in his hotel room. Headline reads "Dead Serial
Killer Returns?" with a picture of the "original" Randall Lynch under it. |
11 |
. |
National
Enquirer |
Quote |
One
of the newspapers Lynch II is reading in his hotel room. |
11 |
. |
17 |
Other |
The
number of shots through the window of Lynch II's hotel room. But none hit him as he
scrambles off the bed, across the floor and out the door. |
11 |
. |
Physic
Shot |
Other |
Sloan
awakens to the "sound" of a gun shot she hears inside her head. |
11 |
. |
Tom's
pants |
Other |
Tom
is sleeping in the big chair and his pants can be seen on the back of the chair, near his
feet. |
11 |
. |
Tom's
watch |
Other |
Tom
is sleeping in the big chair, we can see his watch is on the arm of the chair at his head.
|
11 |
. |
Tom's
shoes |
Other |
Tom
is sleeping in the big chair and we can see his shoes are neatly placed on the floor
beside the chair. |
11 |
2nd
Time |
Continuity/editing
note |
Edit |
After
Sloan has awaken and begins to search the apartment, as she approaches the front door, she
turns her head to look at the kitchen area. After checking the security camera's view of
the hallway, she turns around and heads back toward the bedroom, looking to her right.
This should have shown as her again looking in to the kitchen area but instead we
"see" the other side of the apartment; i.e.. the TV/fireplace section. |
11 |
1st
Time |
"You
will all die." |
Other |
This
was written in blood on the vanity mirror in Sloan's bedroom after Tom has awaken her to
find James's body in her bed. |
11 |
|
1
or 2 o'clock AM |
Other |
Someone
was able to get in to the Lab and take James, even though Ed had worked late that night. |
11 |
1st
Time |
Entering/exiting
Sloan's apartment |
Other |
Once
again, someone was able to get in and out of her apartment undetected. |
11 |
. |
4 |
Other |
The
number of vehicles at the cabin - the car that brings Tom and Sloan to the cabin and then
leaves; a mini van that is only seen as Tom and Sloan arrive at the cabin; a sports
utility car and a surveillance trailer. |
11 |
. |
5 |
Other |
The
number of guards at the cabin - one armed guard approaches the car as they arrive; one
armed guard is standing at the sports utility car; an armed female guard exits the
trailer; another armed guard opens the car door for Sloan and later we see a guard sitting
at a table in the trailer. |
11 |
. |
2 |
Other |
The
number of security men in the car that brings Tom and Sloan to the cabin. |
11 |
7.a |
"Is
this what you meant by getting away?" |
Quote |
Sloan
to Tom as they walk across the muddy yard, heading for the cabin, surrounded by armed
guards. |
11 |
7.b |
"Not
exactly, but we'll make the best of it." |
Quote |
Tom
to Sloan, placing his left hand across her shoulders. |
11 |
8.a |
"Can
I ask you a question?" |
Quote |
Sloan
to Tom as she is curled up in the wing chair, reading. |
11 |
8.b |
"Sure." |
Quote |
Tom
to Sloan who is crouching down in front of the wood burning stove having just added more
wood to the fire. |
11 |
8.c |
"It's
kind of personal." |
Quote |
Sloan
to Tom. |
11 |
8.d |
"So
is the fact that someone is trying to kill us." |
Quote |
Tom
to Sloan. |
11 |
8.e |
"I
know we kind of talked earlier, but, um, would you want a family some day?" |
Quote |
Sloan
to Tom. |
11 |
8.f |
"I
had a family." |
Quote |
Tom
to Sloan, standing up then sitting in the plaid chair near Sloan, crossing his left leg
over the right. |
11 |
8.g |
"I
mean, a normal family." |
Quote |
Sloan
to Tom. |
11 |
8.h |
"Being
a father was never something I really considered." |
Quote |
Tom
to Sloan. |
11 |
8.I |
"I
know. But now?" |
Quote |
Sloan
to Tom, with a determined effort to get an answer |
11 |
8.j |
"I
don't know. I mean, um, I guess a family would be nice. I definitely would have liked to
have known my brother. He may have understood me in ways no one else could have." |
Quote |
Tom
to Sloan. |
11 |
8.k |
"He
might even have felt the way you do about humans." |
Quote |
Sloan
to Tom. |
11 |
8.l |
"Um,
maybe." |
Quote |
Tom
to Sloan, standing and going to crouch in front of Sloan's chair, taking her left hand in
to both of his hands as Sloan places her right hand on top. |
11 |
1st
Time |
Chopping
block and axe |
Other |
We
first see them as Tom cuts firewood for the cabin. |
11 |
. |
4 |
Other |
Number
of times Tom swings the axe while chopping fire wood. |
11 |
. |
Song
playing during the axe cutting, kidnapping scene. |
Other |
"Hey,
Man, Nice Shot" by a group called Filter from their CD "Short Bus" released
in 1995. |
11 |
2nd
Time |
Chopping
block and axe |
Other |
We
now see that Lynch II has taken Sloan to the same chopping block and is holding the same
axe while Tom has been frantically circling the small lake trying to find them. |
11 |
9.a |
"SLOAN!" |
Quote |
Tom,
just before he comes upon the scene of Lynch II holding an axe over Sloan who is kneeling
with her head on the chopping block. |
11 |
9.b |
"We've
been waiting for you." |
Quote |
Lynch
II to Tom, his foot on Sloan's back as she kneels with her head on the chopping block. |
11 |
9.c |
"Let
her go, Lynch." |
Quote |
Tom
to Lynch II. |
11 |
9.d |
"Move
again and she dies. Just like your brother, only more painfully." |
Quote |
Lynch
II to Tom as he raises the axe over Sloan's neck. |
11 |
9.e |
"What
do you want from me?" |
Quote |
Tom
to Lynch II. |
11 |
9.f |
"You
took away what I want. What I can't have back. My brother." |
Quote |
Lynch
II to Tom. |
11 |
9.g |
"He
wasn't your brother." |
Quote |
Tom
to Lynch II, extending his left hand towards Lynch II. |
11 |
9.h |
"Oh,
that's right. You're the one who lost a brother. You want to feel human emotions? Well,
you're going to feel them. Let's see what it feels like when someone you love dies before
your eyes." |
Quote |
Lynch
to Tom II, using the axe to stroke Sloan's hair. |
11 |
9.I |
"I'll
do whatever you want." |
Quote |
Tom
to Lynch II. |
11 |
9.j |
"It's
too late. You've chosen your side. Our domination is inevitable. It's even in their Bible.
Genesis 25: Two nations are in your womb
" |
Quote |
Lynch
II to Tom |
11 |
9.k |
"Don't
do this." |
Quote |
Tom
to Lynch II. |
11 |
9.l |
"
and
the peoples from within you will be separated and one people will be stronger." |
Quote |
Lynch
II to Tom, continuing the Bible quotation. |
11 |
9.m |
"I
don't think so." |
Quote |
Tom
to Lynch II. |
11 |
9.n |
"You've
seen the pillar. In just months there's going to be a lot of familiar faces." |
Quote |
Lynch
II to Tom, as he raises the axe over his head preparing to strike Tom and Tom reaches for
the gun stuck into the waistband of his pants at his back. |
11 |
. |
Number
of times Tom shoots Lynch |
Other |
He
squeezes off eight shots, all hitting Lynch II in the chest. |
11 |
9.o |
"Are
you all right? Are you all right? Are you OK? Are you OK?" |
Quote |
Tom
to Sloan, running to her side as they both turn to stare at Lynch II who is sprawled face
down over the chopping block. |
11 |
9.q |
"I'll
see you again." |
Quote |
Lynch
II's dying words to Tom and Sloan, as Tom draws Sloan closer, resting his forehead to the
side of her head as she continues to stare at Lynch II. |
11 |
. |
Genesis
25 verse 23 |
Other |
The
exact Bible reference quoted by Lynch II. |
11 |
2nd
Time |
6 |
Other |
The
TV station Walter and Ed are tuned in to in Walter's office as they watch the news report
of their press conference from the previous evening. |
12 |
1st
Time |
3 |
Other |
The
TV channel that is reporting the news about Kevin's attack on the three boys. |
12 |
. |
9 |
Other |
Kevin
Taylor's age. |
12 |
2nd
Time |
3rd |
Other |
Kevin
is in the third grade at the Kenwood School. |
12 |
. |
1
foot |
Other |
Kevin
is at least 1 foot shorter than any of the three boys he attacked. |
12 |
. |
30
pounds |
Other |
Kevin
is at least 30 pounds lighter than any of the three boys her attacked. |
12 |
. |
Memorial
Hospital |
Place |
The
hospital where the three boys are taken following Kevin's attack. The channel 3 reporter
gives her report standing outside the hospital. |
12 |
. |
Kenwood
School |
Place |
Kevin
attends this private school for kids with learning disabilities and emotional problems. |
12 |
. |
500% |
Other |
Walter
tells Sloan, Tom and Ed that over the past six months there has been a 500% increase in
acts of violence at the elementary school level. |
12 |
3rd
Time |
3 |
Other |
The
number of years Kevin has been at Kenwood because he is unable to control his behaviour. |
12 |
. |
Biography
of Robert E. Lee |
Other |
The
book Kevin is reading when Sloan enters his bedroom. |
12 |
. |
Battle
of Fredericksburg - December 13, 1862 |
Other |
The
battle that Kevin has set up on a table in his room, using his toy soldiers. |
12 |
. |
Scramble |
Other |
Tom's
description of Kevin's ability to interfere with the electrical impulses of the brain and
scramble what's going on in your head. |
12 |
1st
Time |
Scramble |
Other |
Kevin
first uses this ability on Sloan when she is in his bedroom and starts to question him
about attacking the three boys. |
12 |
. |
1.6 |
DNA |
Kevin's
DNA differential. |
12 |
1.a |
"You're
just like me." |
Quote |
Kevin,
who has been given permission to roam around the Lab, to Tom. |
12 |
2.a |
"Experiment
or not, he's still one of them." |
Quote |
Walter
to Ed who has just confirmed that Kevin's DNA is 1.6 |
12 |
2.b |
"The
boy knows it, too. He sought me out just now and somehow he knew we're the same." |
Quote |
Tom
to Walter, Sloan and Ed. |
12 |
2.c |
"Did
you say anything to him?" |
Quote |
Ed
to Tom |
12 |
2.d |
"No.
But he's going to come back to me. He wants to know who he is. Now, we have to take into
consideration the fact that this boy, he may not be a victim. He may be a predator." |
Quote |
Tom
to Walter, Sloan and Ed. |
12 |
3.a |
"I
just have these instincts sometimes. When I'm with other kids? I'd do anything to make
them go away. Did you ever feel like that?" |
Quote |
Kevin
to Tom. They are sitting at the table in the coffee room. |
12 |
3.b |
"Yes." |
Quote |
Tom
to Kevin., as Tom nods his head. |
12 |
3.c |
"Why
do I feel that way?" |
Quote |
Kevin
to Tom. |
12 |
3.d |
"You
are different." |
Quote |
Tom
to Kevin, silently tapping his right hand on the table. |
12 |
3.e |
"I
know that but I don't know how." |
Quote |
Kevin
to Tom. They are sitting at the table in the coffee room. |
12 |
3.f |
"Um
hmm, it's
. (sigh) Do you know what a species is?" |
Quote |
Tom
to Kevin, having taken a deep breath and standing up to face Kevin. |
12 |
3.g |
"Taxonomy?
Sure. Kingdom, phylum, class, order, family, genus and species." |
Quote |
Kevin
to Tom, counting them off on his fingers. |
12 |
3.h |
"Well,
you're a member of a new species." |
Quote |
Tom
to Kevin. |
12 |
3.I |
"You
mean different than Homo sapiens?" |
Quote |
Kevin
to Tom. |
12 |
3.j |
"That's
right." |
Quote |
Tom
to Kevin. |
12 |
3.k |
"Is,
is that good?" |
Quote |
Kevin
to Tom. |
12 |
3.l |
"Um
hmm, it's not a question of good or bad." |
Quote |
Tom
to Kevin. |
12 |
3.m |
"So
feeling the way that I feel and wanting to do these things that I want to do, that, that
could be the way I'm suppose to feel?" |
Quote |
Kevin
to Tom. |
12 |
3.n |
"Yes." |
Quote |
Tom
to Kevin, but Tom is clearly unsure of this response and how he has handled this
conversation. |
12 |
4.a |
"I
just can't stand to think what Kevin really is." |
Quote |
Rachel
Taylor, near tears, as she speaks to Sloan. The two women have returned to Kevin's bedroom
and are looking through his baby album. |
12 |
4.b |
"Come
here, come here. Sit down. Not all of the new species is out to destroy us. One of them
saved my life, several times." |
Quote |
Sloan
to Rachel, when Rachel starts to cry. |
12 |
. |
Hair
sample |
Other |
For
DNA testing, Rachel gives Sloan a clipping of Kevin's baby hair that she has saved in his
baby album. |
12 |
5.a |
"Tom.
I want to thank you." |
Quote |
Kevin
to Tom, in the Lab. |
12 |
5.b |
"For
what?" |
Quote |
Tom
to Kevin and he stops and turns to face the boy. |
12 |
5.c |
"For
all the things you said. Everything is going to be OK now. I know that." |
Quote |
Kevin
to Tom. |
12 |
5.d |
"Kevin
." |
Quote |
Tom
to Kevin. |
12 |
5.e |
"When
kids called me a freak, I secretly agreed with them. But I never will again because of
you. And I want you to know, I'll do anything you ask of me, Tom. (pause) I killed it for
you." |
Quote |
Kevin
to Tom as he holds up the body of the monkey he has killed. |
12 |
5.f |
"There
are some things you need to hear, Kevin." |
Quote |
Tom
to Kevin, taking the dead monkey from the boy and placing its body in a metal basin. |
12 |
5.g |
"Oh,
I would love to hear everything. Teach me, please." |
Quote |
Kevin
to Tom. |
12 |
5.h |
"You
know that sense that you can do whatever is necessary to survive and that you have the
right to do it?" |
Quote |
Tom
to Kevin, crouching down in front of the boy to be at eye level. |
12 |
5.I |
"Yes!" |
Quote |
Kevin
to Tom. |
12 |
5.j |
"And
that no creature should be allowed to interfere with that?" |
Quote |
Tom
to Kevin. |
12 |
5.k |
"Yes!" |
Quote |
Kevin
to Tom. |
12 |
5.l |
"Well,
those thoughts, those instincts, they are not necessarily right." |
Quote |
Tom
to Kevin. |
12 |
5.m |
"Yes
they are. You said." |
Quote |
Kevin
shouts to Tom. |
12 |
5.n |
"Everyone,
regardless of his species, has all kinds of instincts and impulses and, and part of
growing up is learning which to obey and which to ignore." |
Quote |
Tom
to Kevin, placing his hands on Kevin's upper arms. |
12 |
5.o |
"You
are just like them." |
Quote |
Kevin
to Tom. |
12 |
5.p |
"Oh,
Kevin
" |
Quote |
Tom
to Kevin as Kevin struggles to break free of Tom's hold. |
12 |
5.q |
"No." |
Quote |
Kevin
to Tom. |
12 |
5.r |
"Kevin
." |
Quote |
Tom
to Kevin. |
12 |
5.s |
"No!
No!" |
Quote |
Kevin
to Tom. |
12 |
5.t |
"Kevin
." |
Quote |
Tom
to Kevin. |
12 |
5.u |
"Noooo.
No. Stop. Let go me go. No." |
Quote |
Kevin
to Tom as he manages to break free and runs away. |
12 |
5.v |
"Tom,
what happened? Why
? Oh, my God." |
Quote |
Sloan
to Tom as she enters the Lab and witnesses the final moments of the confrontation between
Tom and Kevin and then, looking down, sees the dead monkey. |
12 |
5.w |
"Kevin
snapped its neck. To show me that he's truly one of us." |
Quote |
Tom
to Sloan as he stands up and takes a seat on a stool near a counter. |
12 |
5.x |
"Oh,
God." |
Quote |
Sloan
to Tom. |
12 |
5.y |
"Strange
thing is, I feel badly for him. He's so confused right now and I didn't help." |
Quote |
Tom
to Sloan, as she takes a blue cloth to cover the monkey's body. |
12 |
5.z |
"I'm
sure you did the best you could." |
Quote |
Sloan
to Tom. |
12 |
5.aa |
"Hey..." |
Quote |
Sloan
says softly to Tom as she walks towards him and standing in front of him, strokes the side
of his head with her left hand as they gaze into each other's eyes. |
12 |
5.ab |
"Sloan.
I got the results of the DNA test on Kevin's hair." |
Quote |
Ed
to Sloan as he enters the Lab. |
12 |
5.ac |
"And?" |
Quote |
Sloan
to Ed. |
12 |
5.ad |
"And
that kid's always been 1.6. He was born that way. Ah, there's something else. |
Quote |
Ed
to Sloan and Tom as Kevin hides in a corner of the Lab listening to their conversation. |
12 |
5.ae |
Frank
isn't Kevin's father. |
Quote |
Sloan
to Ed as she reads the report Ed has handed her. |
12 |
. |
Address
Label |
Other |
Kevin
is in Sloan's office, leafing through some magazines and just as his mother comes in to
tell him who his real father is, he rips an address label off one of her magazines. |
12 |
. |
Week
|
Other |
It
was a week before her wedding to Frank that Rachel met a man called Richard Allen at a
night club and they had a one night stand. |
12 |
. |
Pregnancy |
Other |
Rachel
became pregnant following her encounter with Richard even though she was on the pill at
the time. |
12 |
. |
Richard
Allen |
Other |
Kevin's
natural father who turns out to be a dominant. |
12 |
1st
Time |
Picture |
Other |
Rachel
Taylor tells Sloan a photographer took a picture of her with Richard that night and he
wrote his phone number on the back of it. She has since lost the picture. |
12 |
2nd
Time |
Picture |
Other |
When
Rachel is telling Kevin about his father, Kevin brings out the picture of Richard Allen,
asking if he is his father. |
12 |
6.a |
"My
Mom just told me about my real father. She said it was better I find out from her than see
it on TV." |
Quote |
Kevin
to Sloan who is sitting at a computer terminal in the Lab when Kevin comes in. |
12 |
6.b |
"It
must be hard for you." |
Quote |
Sloan
to Kevin. |
12 |
6.c |
"It's
OK. Now I understand better." |
Quote |
Kevin
to Sloan. |
12 |
6.d |
"Kevin,
it seems like Frank has been a wonderful father to you." |
Quote |
Sloan
to Kevin. |
12 |
6.e |
"He'd
do anything for me." |
Quote |
Kevin
to Sloan. |
12 |
6.f |
"I
know he loves you very
." |
Quote |
Sloan
to Kevin. |
12 |
6.g |
"It's
OK. You don't have to try to make me feel better. (pause) Tom likes you." |
Quote |
Kevin
to Sloan, as he turns and touches the scalpels that are on a tray nearby. |
12 |
6.h |
"Ah,
we like each other." |
Quote |
Sloan
to Kevin. |
12 |
6.I |
"I
saw the way he looked at you. You are very pretty. I love your hair, the way it
curls." |
Quote |
Kevin
to Sloan. |
12 |
6.j |
"I
think, um, I think I should go talk to your Mom." |
Quote |
Sloan
to Kevin, as she stands to leave. |
12 |
2nd
Time |
Scramble |
Other |
Kevin
uses his ability to interfere with human's brain waves to stop Sloan from leaving the Lab.
He then picks up a scalpel from a tray and slowly approaches Sloan. |
12 |
6.k |
"Sloan?
What's going on?" |
Quote |
Tom
to Sloan and Kevin as he enters the Lab and sees Kevin and Sloan, who appears to be
stunned. |
12 |
6.l |
"You
would hate to lose her, wouldn't you?" |
Quote |
Kevin
to Tom as he runs away and Sloan comes out of her trance. |
12 |
6.m |
"Are
you all right?" |
Quote |
Tom
to Sloan, taking hold of her arms at the elbow. |
12 |
6.n |
"I
don't know. I was talking to Kevin and it's, it's, it's like I lost my train of thought. I
couldn't remember what I was saying. This has happened before." |
Quote |
Sloan
to Tom. |
12 |
6.o |
"Well,
maybe he's blocking you. If I can sense your energy, your emotions, maybe he's able to
take it one step further. Interfere with the electrical impulses of your brain and
scramble what's going on in your head." |
Quote |
Tom
to Sloan, placing his right hand on her shoulder. |
12 |
. |
Stay'n
Save Motor Inn |
Place |
Where
Frank and Kevin are staying while trying to decide how to get Kevin away from the police.
It's also where Kevin kills his father. |
12 |
. |
Phone
number |
Other |
Kevin
calls the number on the back of Richard Allen's picture. |
12 |
. |
Dave |
Other |
The
name of Frank Taylor's friend in Canada who he thinks might be able to help them hide. |
12 |
3rd
Time |
Scramble |
Other |
When
Sloan goes to answer the telephone (it's Tom calling to warn her), Kevin uses his ability
to stop her. |
12 |
4th
Time |
Scramble |
Other |
As
Sloan returns to the dining room area, she takes her cell phone out of her bag, saying she
has to call Kevin's mother but before she can, Kevin scrambles her thoughts. |
12 |
7.a |
"SLOAN!" |
Quote |
Tom
calling from outside the apartment as Kevin is inside with Sloan. |
12 |
7.b |
"TOM!" |
Quote |
Sloan
shouts to Tom as she is sitting on the floor in front of the big chair where Kevin has
thrown her. |
12 |
7.c |
"Stay
where you are, Sloan." |
Quote |
Tom
to Sloan after he's broken down the door and entered her apartment just as Kevin has
opened the electrical box and shut off the power, throwing the apartment into darkness. |
12 |
7.d |
"It's
not over, Tom." |
Quote |
Kevin's
parting comment to Tom as he escapes through the dining room window. |
12 |
. |
Exiting
Sloan's apartment |
Other |
Kevin
manages to get out of Sloan's apartment through the dining room window just as Tom has
broken down the apartment door. |
12 |
7.e |
"Hey,
are you all right? Are you sure?" |
Quote |
Tom
to Sloan. He's switched the power back on and goes to her where she is sitting on the
floor in front of the big chair. He kisses her on the forehead and takes her into his
arms. |
12 |
7.f |
"Yeah." |
Quote |
Sloan
to Tom. |
12 |
1st
Time |
Kiss |
Kiss |
Tom
kisses Sloan on the forehead as he comforts her following Kevin's attack on her in her
apartment. |
12 |
1st
Time |
Press
Conference |
Other |
Walter
is addressing a large gathering of reporters and photographers, announcing the threat that
the new species pose to us. Walter is standing at the podium. Sloan and Ed are standing to
his right. Tom is standing off by himself behind the reporters and photographers. |
12 |
. |
Homo
dominant |
Other |
The
name that has been given to the new species. |
12 |
. |
7 |
Other |
The
number of microphones on the podium during Walter's press conference, signifying the
number of new agencies present. |
12 |
. |
3 |
Other |
The
number of police officers protecting Walter, Sloan and Ed during the press conference. |
12 |
. |
6 |
Other |
The
number of security guards protecting Walter, Sloan and Ed during the press conference. |
12 |
8.a |
"Since
Dr. Parker uncovered the existence of the new species, we've worked to discover the nature
of its intent as well. I'm sadden and disturbed to report today that its intent is
hostile. Its ingenuity, limitless. And the threat its members pose to our continued
existence on this planet is very real. |
Quote |
Walter
Attwood's speech at the press conference. During this scene, we see scores of children
marching along the streets and converging to join Kevin as they all board a bus and drive
off. |
12 |
8.b |
The
species posses superior strength and intelligence. They are able to sense our presence and
read our emotions. There is even evidence that the latest generation is able to scramble
our brain waves and control our thought. |
Quote |
Walter
Attwood's speech at the press conference continued. |
12 |
8.c |
In addition, we've uncovered the systematic training of dozens of operatives,
skilled in the techniques of modern terrorism and now at work in North America. |
Walter
Attwood's speech at the press conference continued. |
12 |
8.d |
The
new species has also engineered a campaign to destroy the immune systems of school
children, making their early deaths inevitable. |
Quote |
Walter
Attwood's speech at the press conference continued. |
12 |
8.e |
The
new species has been able to place an implant in a young woman that partially converted
her DNA and resulted in her death at the age of 20. |
Quote |
Walter
Attwood's speech at the press conference continued. |
12 |
8.f |
The
new species has successfully exhumed a living sample of the deadly Spanish influenza
virus. They intended to immunize themselves against the virus and then unleash it against
the earth's human population. |
Quote |
Walter
Attwood's speech at the press conference continued. |
12 |
8.g |
You
already know about their successful cloning of the homicidal Randall Lynch. |
Quote |
Walter
Attwood's speech at the press conference continued. |
12 |
8.h |
And
now we've discovered the most disturbing thing of all. We have reason to believe that if a
member of the new species procreates with a member of our own species, the issue of that
union would be a pure bred member of the new species and dedicated to the annihilation of
our own. |
Quote |
Walter
Attwood's speech at the press conference continued. |
12 |
8.I |
These
program are only the beginning and undoubtedly there are more already underway, as yet,
undetected. |
Quote |
Walter
Attwood's speech at the press conference continued. |
12 |
8.j |
And
today, I want not only to alert the general public to this present danger but to name this
new species as well. To us, that name seems self-evident. The species shall henceforth be
known as Homo dominant. |
Quote |
Walter
Attwood's speech at the press conference continued. |
12 |
8.k |
The
looming question that now confront us is clear. What will they do next?" |
Quote |
The
last thing we see is a smiling Kevin looking out the back window of the bus. |