N.Y. Times, 11/15/98
LONDON -- RALPH FIENNES devotees will recall that the
1992
television film, "A Dangerous Man: Lawrence After
Arabia," more
or less introduced the actor to the United States.
It's unlikely,
however, that viewers also caught the fleeting
presence of a
younger Fiennes, Joseph, playing Ralph's onscreen
brother.
(So tiny is the part that the lesser-known Fiennes
does not
make the credit roll.)
Six years, and many more substantial parts later,
28-year-old
Joseph Fiennes is emerging as a name to reckon with on
his
own. His role next month as Gwyneth Paltrow's Bardic
suitor
in "Shakespeare in Love" is expected to clinch him as
a separate
but equal talent to that of his Tony-winning,
Oscar-nominated
brother.
Not that Mr. Fiennes particularly welcomes
comparisons, however
inevitable. Although he talks freely about his family
-- he and Ralph
are two of seven children-- Joseph wants recognition
for his merits,
not his surname. (At least he is spared the
pronunciation issue: after
the success of Ralph -- as in 'Rafe' -- everyone knows
Fiennes is
pronounced fines.)
"I've put in a lot of work, and I just get a bit
concerned when people
think, 'Oh, he's got the job because of x, y and z.' "
said Mr. Fiennes
recently at a trendy West London "gastro-pub."
Those worries will likely recede once more people see
the younger
actor's work. Joseph can be thought of as putting a
kinder, gentler --
O.K., cuter -- face on Ralph's well-known intensity.
Just as it is hard
to imagine the doe-eyed Joseph playing the SS officer
Amon Goeth
in "Schindler's List" -- his brother's career-making
part -- it is
equally hard to envision Ralph bringing the same
innocent ardor to
"Shakespeare in Love" or "Martha -- Meet Frank,
Daniel, and Laurence,"
the English romantic comedy due in the United States
this spring.
Indeed, the single Mr. Fiennes seems to have cornered
the young
swain market. This fall, one could not navigate the
London Underground
without seeing his face advertising the new film
"Elizabeth," in which
he plays Robert Dudley, Earl of Leicester, with the
single word "Lover"
emblazoned across the poster.
In context, it's little surprise that his other
credits include a
Romeo for the complete spoken-word Shakespeare
recorded by
Arkangel as well as the smoldering young haberdasher
in the
Peter Whelan play "The Herbal Bed" for the Royal
Shakespeare
Company in 1996. Charles Spencer wrote of the
performance
in The Daily Telegraph that Mr. Fiennes conveyed "raw
anguish
as the self-tormenting lover." (That character's name,
incidentally,
was Rafe.)
"His passion is very hot, I think," said Adrian Noble,
artistic
director of the R.S.C., who had watched Ralph emerge
within
the same company nearly a decade before. "I wouldn't
call Joe
a cuddly actor. He's not warm in that sense; he's warm
in the
heat of passion."
As for the charm he projects in "Shakespeare in Love,"
playing a
heartsick young Elizabethan poet-playwright named Will
Shakespeare,
"I don't think Joe plays it," said the film's
director, John Madden
("Mrs. Brown"). "I think he simply has it. There's an
openness there,
and a kind of vulnerability, too."
That may be why Mr. Fiennes speaks of wanting to be
cast against
type -- of playing Mercutio, say, instead of Romeo. In
the London
production of Nick Grosso's play "Real Classy Affair,"
he played a
smooth-talking hipster whose shiny suits hide a
malevolent spirit.
A forthcoming film, "Rancid Aluminum," casts him as a
psychopathic
Irish bookkeeper.
Early next year, Mr. Fiennes will travel to Miami to
make his first
American film, "Forever Mine," directed by Paul
Schrader.
"I have to age up 15 years, and get shot in the face,"
said Mr. Fiennes,
sounding pleased. "It's character acting again. You
can't beat it."
By Matt Wolf