NOTE: I'm not using any templates, and my HTML coding skills are rudimentary at best. Therefore, there are no permalinks. If you look under ARCHIVES, to the right, you'll generally find an active link to a copy of the current day's page. If you want to link to something on this page, you should, instead, link to the archive copy, under this day's date. The stuff on this page changes; the archive copy should stay put.
The ARCHIVE heading itself is a link to a page where you can see what's become of my two previous blogs, MAJOR ATTITUDE ADJUSTMENT'S WEBBLOG and DOC NEBULA'S EASTERN OREGON DUM DUM DEPRESSION BLOG.
I've had some criticism because this site is 'hard on the eyes', and some strong suggestions that I get onto blogger, or someplace else, just like everyone else. However, I'm an artist (not a great one, but I do have a strong visual sense) and I agree with Tom Tomorrow that far too many blogs look much, much too alike. As a unique individual, I've decided I'd like my blog to reflect that uniqueness, and look a bit different from the herd. If that keeps you from reading my work, well, I regret that, but you're the person who makes that decision.
Now stop reading this junk and start reading my damn blog entry for today, already. Geez. You people.
Tuesday, May 6 2003 Selling cotton candy at a punkin’ doins
Don’t bother trying to figure it out. Just embrace it and move on.
Today’s page is gonna be geeky, folks. If you’re not immersed in the Silver Age superhero comics or BUFFY/ANGEL reality tunnels, just skip this one and check back on Thursday.
As to real life, nothin’ happened today. Nothing cool in the mail. No phone calls. Oh, some guy named Martin, who may be my buddy Hartmut trying to cheer me up under a pseudonym, wrote me out of the blue and said he’d read some of my writing and enjoyed it. That was nice.
I’m waiting to see if an Unemployment check shows up, waiting to get a new assignment from my agencies, waiting for the Website Which Must Not Be Named to post the latest quarter’s payout stats so I can see how much I made in February, March, and April, and then start waiting for them to send me a check. Yeah, I know. Too much waiting. I should get off my dead ass and do something.
I didn’t even mention how I’m waiting to meet the girl of my dreams, waiting to win the Lotto, waiting for some publisher or literary agent to realize how much money they could make off my talent.
Oh, I’ve been uploading a lot of my x-rated fantasy drawings to an MSN Community I recently created. The community already has around 80 members and adds a few more every day. (See, you guys reading this know my real name, and therefore, you shall never receive a link to this particular community. And don’t worry about it, I’m not a very good artist anyway. And it’s all really nasty, sleazy stuff. You guys are all fine upstanding decent citizens, and I’m sure you’d be shocked… shocked… if you actually saw any of this stuff.) But, hey, attention is attention, and feedback on my creative product is feedback on my creative product. It’s sad that I only seem to have fans for my sleaziest stuff, but, what the hell. Attention is attention.
Oh, and just as a random, rather dotty announcement, anyone who goes to see Down With Love, much less enjoys it, will never receive wealth, titles, or honors when I am King. And yes, that’s my final answer.
THIS IS THE ULTIMATE FUCK YOU, PAL
Here’s something from a recent email I sent to Scott Shepherd, a nice guy who’s been posting comments here and who I’ve been writing back and forth to about BUFFY and other items of mutual interest. He, probably unwisely, asked me what I thought of Marvel’s ULTIMATES line of comic books. For those who don’t know (and don’t care), Marvel’s ULTIMATES line are modern day reboots/updates of their most popular superhero characters. The characters are slightly revised visually and ‘streamlined’ in terms of their origins, powers, backgrounds, and overall story arcs, to more specifically appeal to the somewhat different tastes of the modern adolescent. The art and writing style on the Ultimate books is much flashier than the more ‘classic’ approaches developed in previous eras of superhero comics. So far, there are, I believe, Ultimate versions of Spider-Man, the Avengers, the Hulk, and the X-Men, and there is an ongoing title called ULTIMATE TEAM UP in which the Ultimate Spider-Man meets various other Marvel characters on a monthly basis, giving Marvel a chance to show off Ultimate versions of various other characters without giving them their own title until they see how popular the ‘updated’ version of the character will be.
So, he asked me what I thought of the ULTIMATES stuff, and here’s my response:
If Modern Age fans want to read about superheroes, that's fine. They can make their own, or Modern Age writer/artists can make Modern Age hero/protagonists for them. However, THEY SHOULD KEEP THEIR GRUBBY POST-GRIM N GRITTY HYPERTIME DIGGIN' PAWS OFF MY SILVER AGE CHARACTERS.
Period and the end.
I realize this sounds like the completely deranged opinion of a surly, truculent old bastard, and, well, hully gee, Boss. I also realize that it probably is exactly how Roy Thomas and Jerry Bails and those wheezers
felt when Gardner Fox and Carmine Infantino trotted out the Silver Age Flash. But fuck them, too. The Golden Age had its moments, but the Silver Age was simply better. The Modern Age has also had its moments (few and far between, most of them with the names Alan Moore or Neil Gaiman firmly affixed) but the Silver Age was simply better than it is, too, in pretty much every conceivable way. I am willing to admit that I could be as biased as any other fanboy crying for the comics I read when I was 9
years old, but I do not believe that. I was 9 years old in 1970 and in 1971. If one looks at the comics that were being published in 1970 and 1971, and for the ten or fifteen years or so before that (which I read in
cheap reprint titles when I was nine years old, stuff like DC's 100 Page Super Spectaculars and MARVEL TALES, MARVEL TRIPLE ACTION, and MARVEL'S GREATEST COMICS) and for the half dozen years after that... the comics that pretty much formed me as a comics fan... these are the heart and
soul of the Silver Age, and honestly, I simply cannot see how anyone can seriously pick anything that came before, in the Golden Age, or after, in the Modern Age, and try to tell me I did not actually and objectively come of age reading the greatest superhero stories that would ever be told. Yes, Moore's SWAMP THING and Gaimain's SANDMAN lit up the Modern Age, and Frank Miller did some good stuff on his own hook and made a beautiful apology for his early shit on DAREDEVIL with BORN AGAIN, and yes, there's good stuff in the Golden Age. But I had Lee & Kirby on AVENGERS and FANTASTIC FOUR, Lee & Ditko & Romita & Buscema on SPIDER-MAN, Gerber on MAN-THING and DAREDEVIL and OMEGA and DEFENDERS and HOWARD, Fox on JLA and Broome on GREEN LANTERN and Bates on FLASH and (with Curt Swan!) on SUPERMAN and (with Dave Cockrum!) on SUPERBOY AND THE LEGION OF SUPERHEROES, Haney & Aparo on BRAVE & THE BOLD, Kirby on NEW GODS and KAMANDI and (much too briefly) OMAC, and Englehart, oh my
God, I had Englehart on AVENGERS and DEFENDERS and DR. STRANGE and CAPTAIN AMERICA and later on, on DETECTIVE and MR. MIRACLE and JUSTICE LEAGUE... plus, when I was growing up, even the worst piece of crap on the spinner rack... some horrible Mike or Gary Friedrich script on KA-ZAR or GHOST RIDER, or some bland as hell, nonsensical Len Wein or Bill Mantlo thing on MARVEL TEAM UP, or some really generic mystery story in a Batman plot by Frank Robbins... was da Vinci and Michealengelo and, I don't know, fucking Shakespeare compared to the twaddle and crap that takes up most of the space on the shelves here in the glorious Modern Age.
Now, again, I grant you, the Modern Age has had fine moments, and there is potential in the Modern Age that the Silver Age simply couldn't touch... but it's potential for taking comics beyond the admittedly childish limitations of the superhero genre, and I love the superhero genre. And I don't think superheroes have ever been done better than in the Silver Age, and I don't think they can be... although Moore and Gaiman have done really interesting stuff based in the seeds of the Silver Age, and SANDMAN is as brilliant a comic as I've ever seen.
MEETING OF THE MINDLESS
Last week’s Buffy caused me to speculate that at some point before it was filmed, the following writers’ meeting must have taken place:
JE:
(long silence)
JW:
To which I can only say, with my trademarked dryness bordering on irony… No, Joss. You’re certainly not the Idea Shop.
And don’t call me Jesus.
Fiction always has a skeleton… certain things that have to be accomplished, to move the plot along, to explore the themes you’re trying to put forth, to establish your essential conflicts and then resolve them, to build to a climax that is both satisfying, logical, and unexpected. Good fiction hides this skeleton well. Good writers clothe the skeleton of necessary plot development in a flesh of stylish dialogue, intriguing characterization, dramatic misdirection, sudden story twists, and exciting action. Good writers are like very deft stage magicians; they don’t let you see the rabbit hiding behind the fake lining in the top hat, or all those cards pinned up their sleeves. What happens in well written fiction is that you get surprised, but the surprises are always fair; you aren’t left staring at the book, the comic, the TV, or the movie screen slack jawed and stupefied that any writer, director, producer, or actor honestly thought you were stupid enough to buy into that crap, to not see through that garbage, to not be able to predict that utterly stupid resolution coming a thousand miles away.
Buffy hasn’t been good fiction for a long time now.
Lately… and I mean, for the last fifteen episodes or so… each installment of Buffy has pretty clearly been created very specifically to accomplish certain story goals. Probably the nadir of this season was the episode in which the entire point of the ep was getting the chip out of Spike’s head. The episode had no real plot, nor did it really have any essential conflict. For no reason ever explained, Spike’s chip started to malfunction. Buffy, who has never really worried about her phone being tapped prior to this, picked up the phone to give her government eavesdroppers a message to pass on to Riley, although logic dictates that if the Initiative, or its survivors, were to find out that Spike was the vampire with the chip in his head that had escaped them years before, the last thing any of them would want would be to help him. Riley himself has no reason whatsoever to help Spike. Regardless of any of this, eventually Buffy and Spike break back into the underground headquarters where once the Initiative dwelt, for no good reason anyone can understand, have a brief and really stupid fight with a monster that’s down there just so they can have a brief and really stupid fight with it, and then the Initiative shows up and, because Riley (a renegade agent they don’t like very much) said to (for reasons no one will ever understand) they helpfully take Spike’s chip out of his head.
Oh, and in that episode’s B story, Amy the Evil Witch, for those by now very familiar Incomprehensible Reasons, casts a conveniently undefined curse on Willow, which causes Willow to appear to be Warren, the guy she murdered at the end of the previous season, until such time as Kennedy kisses Willow, forcing Willow to finally accept Tara’s death, which somehow breaks the curse. Of course, if you were Amy and The Most Powerful Borderline Psychotic Spellcaster In The Universe already had good reason to be annoyed with you, I’m sure the first thing you’d do is piss her off worse by casting a curse on her. But hey, never mind logic. That episode accomplished a great many necessary goals. It gave the actors who play Amy and Warren another paycheck. It got the chip out of Spike’s head. It allowed Willow to stop grieving for Tara and start macking on another female hottie. It gave the writers an excuse to suddenly upgrade all the potential Slayers’ ages by about four or five years, so Willow wouldn’t be arrested for sexual battery on a minor. It let Buffy toss off some really idiotic dialogue about how ‘having Spike with that chip in his head was like keeping a dog in muzzle… it was just wrong’. And all of these things were very very important; so important, in fact, that writing an actual script with an actual conflict in it for the episode, as well as, you know, interesting dialogue and consistent characterization, was seen as far less a priority than accomplishing these very important story goals.
And now with our latest episode, we see that once more, the major goals that had to be accomplished were far, far more important than, you know, coming up with an actual story that worked. Apparently, no one can figure out what to do about the ubervamps, much less an army of ubervamps. So we’ll bring in this super powerful, indestructible, really annoying Evil Preacher instead. Now, the writers know this looks awfully contrived, not to mention creatively desperate, so they toss in some dialogue indicating that this Evil Preacher helped to organize the Bringers for the First. This is odd, because when we initially saw the First in Season 3, Buffy found a picture of the Bringers in some really ancient scrolls, which would seem to indicate… no, never mind, doesn’t matter. Ubervamps are out. Can’t figure out what to do with the stupid seal so we’re ignoring that now, too. Nobody has the vaguest clue what to do with the army of potential Slayers, or Faith, or the regular cast, either. So, we cut Buffy loose from her entire support network and give her another opponent we haven’t defined as being quite so tough as the damn legion of ubervamps. And then we introduce a plotline where Buffy will eventually find a magic sword (doubtless the Evil Preacher’s only weakness) which, in the end, she will use to defeat him, and the First, and all will be well.
We can’t have that happen too quickly, though, so we’ll kill time in our previous ep by wasting some of the potentials and mutilating Xander, we’ll churn through a few more moments in this ep by having Evil Preacher show up and throw Buffy through a wall and Faith fight some cops, after which Dawn will make some completely deranged speech about how it’s her house too and she needs Buffy to leave (causing me to wonder who’s going to buy groceries and pay the light bill, but honestly, who’s been buying the groceries for all those damn potential Slayers this long, anyway?).
And then we can burn through our next ep with everyone having sex with everyone else, after which it should be just about time for Buffy to go on a quest to get the mystic sword (that will occupy the next to last episode) and then kill Evil Preacher with it (which will occupy the very last episode, and if he’s just managed to open a portal to a hell dimension and Buffy running him through is the only way to close it again, well, that’s just gravy).
Personally, I just wish they’d stop killing time and get where they’re going. I love Buffy, and the train wreck this series has turned into in the last two seasons is just beating me up. The sooner it’s over, the better.
THE INEVITABLE DISCLAIMER
By generally accepted social standards, I’m not a likable guy. I’m not saying that to get cheap reassurances. It’s simply the truth. I regard many social conventions in radically different ways than most people do, I have many many controversial opinions, and I tend to state them pretty forthrightly. This is not a formula for popularity in any social continuum I've ever experienced.
In my prior blogs, I took the fairly standard attitude: if you don’t like my opinions or my blog, don’t read the fucking thing. Having given that some more thought, though, I’m not going to say that this time around, because I’ve realized that what this is basically saying is, ‘if you don’t like what I have to say, tough, I don’t want to hear it, don’t even bother to tell me, just go away’.
And that’s actually a pretty worthless attitude. It's basically saying, 'I don't want to hear anything except unconditional agreement and approval'. And that's nonsense. This is still a free country… for a little while longer, anyway… and if you really feel you just gotta send me a flame, or post one on my comment threads (assuming they actually work, which I cannot in any way guarantee) then by all means, knock yourself out. Unless your flame is exceptionally cogent, witty, or stylish, though, I will most likely ignore it. You do have a right to say anything you want (although I’m not sure that’s a right when you’re doing it in my comment threads, but hey, you can certainly send all the emails you want). However, I have an equal right not to read anything I don’t feel like reading… and I’m really quick with the delete key… as various angry folks have found in the past, when they decided they just had to do their absolute level best to make me as miserable as possible.
So, if you don’t like my opinions, feel free to say so. However, if I find absolutely nothing worthwhile in your commentary, I will almost certainly not respond to it in any way. Stupidity, ignorance, intolerance… these things are only worth my time and attention if they’re entertaining. So unless you can be stupid, ignorant, and/or intolerant with enough with, style, and/or panache to amuse me… try to be smart, informed, and broad minded when you write me. Like it? Hate it? Hit me with your best shot.
NOTICE
There is such a thing as a social contract. Even among bloggers. And I pay attention to it.
OTHER FINE LOOKIN WEBLOGS:
Emily Jones (nee' Hawkgirl, she doesn't seem to be using that blog name anymore, but I'm a geek, I really like it)
BROWN EYED HANDSOME ARTICLES OF NOTE:
ROBERT A. HEINLEIN, MARK EVANIER & ME: Robert Heinlein's Influence on Modern Day Superhero Comics
KILL THEM ALL AND LET NEO SORT THEM OUT: The Essential Immorality of The Matrix
HEINLEIN: The Man, The Myth, The Whackjob
Why I Disliked Carol Kalish And Don't Care If Peter David Disagrees With Me
MARTIAN VISION, by John Jones, the Manhunter from Marathon, IL
BROWN EYED HANDSOME GEEK STUFF:
Doc Nebula's Phantasmagorical Fan Page!
World Of Empire Fantasy Roleplaying Campaign
Universal Agent*
Universal Law*
Earthgame*
Return to Erberos*
Memoir:
Short Stories:
Alleged Humor:
THE ADVENTURES OF FATHER O'BRANNIGAN
Fan Fic:
A Day Unlike Any Other (Iron Mike & Guardian)
DOOM Unto Others! (Iron Mike & Guardian)
Starry, Starry Night(Iron Mike & Guardian)
A Friend In Need (Blackstar & Guardian)
All The Time In The World(Blackstar)
The End of the Innocence(Iron Mike & Guardian)
And Be One Traveler(Iron Mike & Guardian)
BROWN EYED HANDSOME COMICS SCRIPTS & PROPOSALS:
AMAZONIA by D.A. Madigan & Nancy Champion (7 pages final script)
TEAM VENTURE by Darren Madigan and Mike Norton
FANTASTIC FOUR 2099, by D.A. Madigan!
BROWN EYED HANDSOME CARTOONS:
DOC NEBULA'S CARTOON FUN PAGE!
DOC NEBULA'S CARTOON FUN, PAGE 2!
DOC NEBULA'S CARTOON FUN, PAGE 3!
Ever wondered what happened to the World's Finest Super-team?
Two heroes meet their editor...
At the movies with some legendary Silver Age sidekicks...
What really happened to Kandor...
Ever wondered how certain characters managed to get into the Legion of Superheroes?
A never before seen panel from the Golden Age of Comics...
(finally)
WHO IS THIS IDIOT, ANYWAY?