SOCRATES "AND SO I GO
ABOUT THE WORLD..."
Socrates
differed from previous Greek philosophers in being concerned not with the
external world but with the inner world of man and his nature. Believing that the most precious thing about
man is his psyche, or soul, Socrates went about Athens trying to persuade
others of its care and value. It was unworthy of them, he insisted, to devote
themselves to pursuing wealth and glory and to neglect what really mattered
most.
The
public confused Socrates with other kinds of critics, itinerant teachers
circulating at Athens at this time called Sophists. Although at first highly
respected, these "experts " or "wise men" gradually lost
their good name as a result of their increasingly severe attacks on the
established system of law, ethics, and religion.
Hostility
toward Socrates was aggravated as the result of the disastrous social and
political events surrounding the Peloponnesian War and its aftermath.
Eventually, he was arrested and brought to trial for impiety and corruption of
youth. Although Socrates might have gotten off with a fine or by apologizing,
he used the opportunity of his trial to speak instead about his
"philosopher's mission to search into myself and others."
The
person who immortalized the name of Socrates was his young pupil Plato, whose
works were all written in the form of dialogues and featured Socrates (with
whom he had been associated for over ten years) as the main speaker. Of these,
four dialogues-the Euthyphro, the Apology, the Crito, and the Phaedo-form a
unit, and are devoted to describing Socrates's thought, trial, and death.
After
some good-natured banter, Socrates's discussion with Euthyphro turns to the
question of the nature of piety. To Euthyphro's first definition-that piety is
"prosecuting a wrongdoer"-Socrates remarks that although this may be
an example of piety, it is not a definition of it. Euthyphro's second definition
of piety-that it is "what is pleasing to the gods"-also proves
unsatisfactory because, as Socrates reminds him, the same things please some
gods and displease others. To Euthyphro's rejoinder here that the gods surely
do not disagree with each other on the point that the guilty should be
punished, Socrates replies that of course no one would dispute that. But what
is disputed at such occasions is whether the person in question is guilty. But,
as Socrates himself recognizes, even if Euthyphro could prove that all the gods
agree that what his father did was wrong and that what he, Euthyphro, is doing
is right or pious, this still would not tell us what pity in general is-unless
we could generalize here and say that "Piety is what all the gods love."
Euthyphro accepts this as his new definition. The question that now emerges,
however, is this: "Is what is pious loved by the gods because it is pious;
or is it pious because it was loved by them?" When Euthyphro replies that
the gods love a thing because it is pious (and not the other way around),
Socrates replies in surprise: "If that is so, then what is it about such
things which make the gods love them? Aren't we back at the beginning,
wondering what is piety and saying, as you did then, that it is what is pleasing
to the gods!" Despite Socrates's plea that he try again, Euthyphro
declines, saying he has an urgent engagement and must be off. The dialogue
shows us how people's action are often based on ignorance, and these actions
can have serious, even tragic, consequences.
Socrates
begins his defense against the charges of "corrupting the minds of the
young and not worshipping the gods the state worships" by saying that he
wants to deal first with his earliest accusers, those not in court now but who
nevertheless have been spreading false rumors about him for many years. These
rumors accuse him of speculating about the earth and the stars in the tradition
of his predecessors, and assert that he is, like them, no doubt, an
atheist..Socrates argues that these accusations are simply false; that he has
never had any interest in these matters. But if he has not been spending his
time doing that, what is it that he does? In answer to this question he relates
the story of his friend's visit to the Oracle; the Oracle's pronouncement that
Socrates is the wisest man in the world; what he did to determine the meaning
of the pronouncement; and how this aroused hostility against him. These
investigations, he tells them, led to the discovery that the Oracle was indeed right:
he is the wisest of them all, for unlike everyone else, he knows that he knows
nothing, whereas they are equally ignorant but do not know it. Sensing that the
jury might think he has failed to recognize the seriousness of his position, he
assures them he is fully aware of the implications of the charges. It is simply
that having faced death before he is not afraid to die now; nor is he about to
give up the one thing that is more precious to him than life itself: the
pursuit of wisdom. If he has corrupted anyone as a result of this pursuit, let
that person (or his kin) rise and say so. The jury votes and finds him guilty.
Condemned to die, his last request is that they "do to my sons as I have
done to you."
Socrates
is now in prison awaiting execution. Crito, a wealthy Athenian and Socrates's
oldest friend, has come to plead that he escape. Socrates, while appreciating
Crito's warm feelings, wants to consider the matter only on its merits. Crito
urges Socrates to consider all the bad consequences that would result from his
staying, but Socrates wants to consider only what his duty is, regardless of
the consequences. The question we should always ask, he tells Crito, is whether
we are acting rightly or wrongly, risking doing something wrong or not, not
forgetting that it is never right to do a wrong, or to return evil for evil. He
is not, of course, guilty, but nevertheless when a person is legally but
wrongly convicted of an offense he has not committed, the wrong is inflicted
not by the law but by those who have misused the law. The prisonbreaker,
however, in doing what he does, challenges the whole fabric of law. Besides if
he did not like living in Athens he was free to go; by staying he had entered
into a pact that he is not now at liberty to break at his pleasure. en Crito is
at a loss to reply, Socrates says to him: "Then, Crito, let us follow this
course, since God points the way."
The
Phaedo's two main themes are the death of Socrates and the question of the
mortality of the soul. The scene is Socrates's cell on the day set by the
Athenia court for his death. The friends who have come to hid farewell to
Socrates are surprised to find him calm and cheerful at this hour. In reply
Socrates explains why the philosopher does not fear death (living, as he does,
constantly with it). Several arguments for the soul's immortality are examined,
and through the medium of myth an attempt is made to explore the nature of the
soul's destination. The dialogue ends with a detailed and moving account of
Socrates's last moments and death.