IF YOU GO
JONNY LANG
AND INDIGENOUS
WHEN: 6:30
p.m. Wednesday
WHERE: Innsbrook
Pavilion
COST: $10
(children 12 and younger free)
DETAILS: (804)
965-7922 or www.innsbrookafterhours.com
Much has changed
in the five years since Jonny Lang released his debut, "Lie to Me."
His onetime
lank hair has been sheared to a buzz, his musical chops continue to progress
and inspire dropped jaws and he's a few weeks settled into married life.
Oh, and he turned 20 in January.
Feeling ancient
yet?
Lang, born
in Minneapolis, reared in Fargo, N.D., and now burrowed in Los Angeles
with new wife Haylie, is the type of musician whom other musicians love
to slap on the back with pride. He's a blues guitarist with no concern
for his age. Listen to him anonymously and see which names pop to mind
- B.B. King? Luther Allison? Eric Clapton? Stevie Ray Vaughan?
All would
be understandable guesses, because Lang is simply that good.
After the success
of "Lie to Me" and its blues-funk-rock 1998 follow-up, "Wander This World,"
Lang took to the road - and he really hasn't left it much since.
Calling this
week from a tour stop in Iowa, Lang is polite and still boyish, excitedly
working in the news about his recent knot-tying and expressing voice-dropping
remorse at the loss of one of his guitar idols, John Lee Hooker.
"I met him
once," Lang says of Hooker. "I had a cool personal moment with him at a
photo shoot. He had his guitar there - it was a Gibson 335 - and I looked
at it and said, 'That's a great guitar.' He said, 'Carlos Santana gave
it to me. You can play it if you want.' So I picked it up, and just to
be funny, started playing 'Boom Boom.' He started singing, I started freaking
and I stopped. But he said, 'No, no, keep playing.' It was just very cool."
Lang is the
type of music fan who pulls out a record and listens to only that record
for a month, gets tired of it and puts it back for a long, long time. He
isn't listening to anything in particular now, except James Taylor and
Stevie Wonder, who are always with him. He's also, as one might suspect,
not a big radio fan, but not because of the music.
"I cannot
stand the stuff in between the music, all of that Max Headroom noise,"
he says. As if Lang is even old enough to remember Headroom's New Coke
commercials from the '80s.
Though it's
been three years since his last album, Lang has been anything but idle.
Last year he
played on a handful of tracks on Hanson's underappreciated "This Time Around"
album ("I was flattered they asked me. Those guys are way into music for
all of the right reasons," he says) and also on Willie Nelson's "Milk Cow
Blues." In May, he appeared with John Mayall on the "John Mayall &
Friends: Along for the Ride" album.
As for his
own next foray, Lang is working with producer Marti Frederiksen, who recently
assisted on Aerosmith's "Just Push Play," for an album planned for January.
"We've got
four songs done, with six more to go," Lang says. "Some of it's a little
more rock. It's a lot different than the last two, but I can't really explain
it. We're recording it in Marti's garage and it's just us playing on it.
It's more of a free-form recording process."
In addition
to his guitar slinging, Lang plays piano on one tune. The verdict? "That's
the good thing about studios. You don't have to be that good because you
can fix it," he says with a laugh.
Lang will
remain on the road sporadically through September, when he returns home
to California and resumes work on the album.
Such an impressive work ethic - for someone who can't yet even legally buy a beer.