Jonny Lang in Tokyo
with Jim Merk
It is no secret that I think David Byrne is rock's most important living
musical deity. It is also no
secret that I think Phish is one of rock's most talented group of performers.
So imagine my delight when I hear Phish's latest release featuring the
David Byrne song "Cities" being played as I wait for Jonny Lang to take
the stage at Shibuya's Club Quattro. Definitely a good omen.
The praise and acclaim being heaped on this new star is unlike anything
I have seen poured out for
a new performer. Everyone knows he is only 16, has been playing with
a band for two years, has released a popular blues-based CD called Lie
to Me, is the best thing for the blues since Stevie Ray Vaughn, is an unpretentious
nice young kid, sings like he just finished an Aussie-sized pack of Marlboros,
plays barefoot, opens for bands such as the Rolling Stones and Aerosmith,
understands the blues in a manner that belies his age and has a nice young
girlfriend. What you don't know--unless you have seen him in concert--is
just how amazingly well Jonny Lang creates memorable blues. Honestly, it
is pretty amazing. At one point in the show, Jonny is due for a solo; you
can see him thinking about a musical direction while he plays a 16th note
arpeggiated chord. He absent-mindedly takes the arpeggio through the song's
chord progressions--all while he is thinking of something else to play--
then his "fingers" realize something fun is going on here and the arpeggio
leads him to a new solo that leaves even his seasoned bandmates shaking
their heads in stunned appreciation. I give Jonny lots of credit for having
very talented musicians around him and I give them credit for constantly
challenging him in turn. At one point in the show, guitarist Paul Diethelm
got to take a solo. He found a groove and worked it so hard, he actually
snapped his base E string--that's not easy--and continued to wail... in
key! The last time I saw that happen was when the great Buddy Guy was churning
out a solo for an appreciative Tokyo audience.
The rest of the band was equally impressive. While I haven't the room
to discuss every player's
talents in turn, it is a testament to their ability that they not only
provided an adequate framework for Lang's incredible talent, but also got
to shine in their own right. I wanted to ask them what it was like playing
music with someone who probably can't realize just how good he is and is
so modest about his extraordinary talent. I bet it's a blast.
Best of all, everybody was having so much fun on-stage that it spilled
out to the audience. Tokyo
audiences are not known for their exuberance. Personally I think this
is due to the relatively lackluster performances given by jet-lagged performers.
But when motivated by gifted entertainers, audiences here do respond...
just like they did for Jonny. I have no doubt we will be seeing lots more
of Jonny; in fact if you are a movie buff, you can catch him appearing
in the new Blues Brothers flick due out in February. Songs from his Tokyo
concert will be on TV Tokyo later this year and, while he was here, the
Disney Channel broadcast a live interview to the States.
But the best news is that he is starting work on a new CD for a late
'98 release.
CDs, tours, movies, television.... yea, Jonny is on his way. Cool.