Who Are the Gaddang? Where Did They Live? Physical Appearance and Dress Family Life and Customs Homes, villages and the Household Arts Farming and Gathering Hunting Religion Government Warfare Gaddang Photo Album
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Physical Appearance and Dress
Traditional
attire for Gaddang women includes the tapis, a lengthly piece of cotton
cloth wound around the waistline down to he knees, and a long sleeved,
round-necked collarless and waist-length blouse. The cloth used for these
costumes are woven by the women themselves from homegrown cotton, and dyed
in bright natural colors. In olden days, Gaddang women did not have upper
garments except during feast days.
The traditional costume for the Gaddang
male is the G-string. The G-string is held by a girdle, whose flap is
weighted on the hem by beaded tassles. An upper collarless, short garment
may also be worn, together with headkerchiefs. Today, most Gaddang use
skirts, trousers, and dress for everyday wear and reserve the traditional
attire for ceremonies and other formal occasions.
The Gaddang are distinguished for
having elevated beadwork to an art form. Unique among northern Luzon
communities, the Gaddang are lavish with their use of beadwork. Gaddang
women are fond of wearing seed beads around their heads, necklaces, and
wrists, but glass beads and precious stones are especially priced. Their
arms are never without ginadding or ginalmaddan, bracelets made of beads
and copper respectively. Their headbands are called atifulan and their
combs lagod, which are also lavishly tasseled and beaded. Exquisite
beadwork are also trademarks of the Gaddang textiles. Most ceremonial
garments have beaded seams and the front flaps of male G-strings as well
as male kerchiefs and shirts may display intricate beadwork.
Tattooing is common to both men
and women, with designs imprinted on their arms, legs, and fingers. The
men have theirs on the breast. Being tattooed assures them passage to
heaven. They used a sharp knife to cut the frontal hair about an inch
above the eyebrows and continuing in a straight line back along each
temple and terminating in the region above each ear. This kept the side
locks from hanging down to the face, yet permitting the long strands at
the back to fall down the shoulders.
reference
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