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AMAZING SPIDER-MAN FAMILY #3
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STORY #1 - THE PUNCH |
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WRITER:
J. M. DEMATTEIS
PENCILS:
VAL SEMEIKS
INKS:
ANDY LANNING, VICTOR OLAZABA AND KRIS JUSTICE
COLORS:
ANDRES MOSSA AND CROSSLEY
LETTERS:
DAVE SHARPE
COVER:
PAT OLIFFE
ASSISTANT EDITOR:
TOM BRENNAN
EDITOR:
STEPHEN WACKER
EXECUTIVE EDITOR:
TOM BREVOORT
EDITOR-IN-CHIEF:
JOE QUESADA
PUBLISHER:
DAN BUCKLEY
PREVIOUSLY:
Peter Parker has been the bullying target of his high school's jock population for years. If they knew his secret, that he’s the one and only Spider-Man, they would not dare treat him that way. Many times, he has fantasized about using his powers to take on those that bully him; he has yet to step over that line. But, when pushed too far...
REVIEW:
His Uncle Ben has been dead for a couple of weeks. Needless to say, when Peter Parker returns to school, he is lost in thoughts, unaware of his surroundings. Some perceive his behaviour as being condescending, but they could be not more wrong. That’s Peter’s way of coping with things – he simply shuts down and becomes oblivious to what is happening around him. Though that might work well for him, it sure rubs some people the wrong way – case in point – Flash Thompson.
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Peter is walking the halls of Midtown High, on his way to class, when he accidentally runs into Flash after rounding a corner. His bullying self, Flash tries to intimidate Peter into begging for forgiveness but Peter stands his ground, simply staring at Flash with a smirk on his face. What Flash can't figure out is that Peter, as Spider-Man, is imagining himself punching Flash with all his might while people all around cheer him. Flash sure doesn't like that Peter is seemingly laughing in his face and prepares to deliver a beating when the school principal shows up and takes Flash away. Peter is satisfied with the outcome, despite threats from some of Flash's fellow jocks. Peter doesn't care because he knows that what he could do to Flash is almost as good as actually doing it.
Across town, a man named Bobby sits on the fire escape, outside the apartment he shares with his alcoholic mother. When Bobby's mother calls for him to come and have a bite to eat, he snaps at her, saying very disrespectful things to his mother in response. Fed up with her boozing ways, Bobby jumps down from the fire escape and takes off. Running into the street, he accidentally bumps into a passer-by, knocking him to the ground. Angry, the bystander calls Bobby a rather nasty name. Bobby stops in his tracks and turns to face him. He then asks the man to repeat what he just said, flashing his gun hidden in his jacket. Needless to say, the man does not answer.
Spider-Man is web-slinging across town, in search of crimes in progress. Not far from there, Bobby is in the process of robbing a convenience store. The spooked cashier tries to persuade Bobby to not rob her but to no avail. Thankfully for her, Spider-Man arrives on the scene and easily takes Bobby out…perhaps a tad too easily. Bobby is sent flying so hard into a large freezer display that he is knocked unconscious. Realizing that he hurt his opponent really badly, Spidey instructs the cashier to call an ambulance.
Bobby is in a world of hurt. He is now in the hospital but not out of the woods yet. A policeman is stationed outside his room, waiting for him to get better to drag him off to jail. Inside the room, his mother is giving him an earful. She cannot believe he just pulled such a stunt – she thinks he's lucky to not have been killed. Heaving a sigh, she stands up and tells Bobby that she is going to try and borrow some money for a lawyer. On her way out, she adds that things are going to have to change; she then slams the door behind herself. As Bobby lies in his bed, he takes a peek toward the window. He is completely shocked to see Spider-Man's head glancing back at him. Thinking that Spidey is back to finish what he started, Bobby starts screaming for help. The cop stationed outside his room bursts into the room but Spidey is already long gone.
Spidey is angry with himself. All he wanted to do was check up on Bobby, not give him a heart attack. Worse, according to what Bobby's mother said, Bobby's gun was not even loaded. There was no way for Spidey to know this; however, he still thinks his beating of Bobby was too harsh on the poor guy. Frustrated, and confused about the strength of his spider-like abilities, he finds an abandoned apartment building and takes out his frustration on anything he can find.
A short time later, Peter Parker sits in his room, deep in thoughts. In walks Aunt May with a tray of food for him. Peter claims that he's not hungry but Aunt May knows he's lying. She knows for a fact he's secretly been eating junk food and hiding the wrappers under the cushions in the living room. Aunt May goes on saying that she understand how he feels, which is why she's allowed him to stay home from school for the past few days. Peter responds that there is something else bothering him, but he cannot speak to her about it. It's just something he'll have to work out on his own. Aunt May tells Peter that she knows he will and offers words of advice.
The next morning, Peter arrives at school, only to be – once more – the target of Flash Thompson's bullying. Fed up with Flash, Peter prepares to retaliate with verbal threats but stops short when he remembers what happened to the robber (Bobby) at the convenience store. He tells Flash to leave him alone and quickly walks away. This only serves to ignite roars of laughter from Flash and his posse.
Returning home later that day, Peter is furious, both with himself and Flash Thompson. He could easily beat the tar out of Flash but he's scared of breaking every bone in his body. He realizes that his powers are not meant to be abused because, in a split second, he could go from super-hero to murderer. He vows to not let that happen.
Having been released from the hospital, Bobby sits at home watching TV and listening to his mother yammering about how worried she is about him. When his mother offers to make him something for lunch, Bobby prepares to give her a hard time about it but decides that it's best not go argue with her – he thus asks if she can make him a sandwich. After making him lunch, Bobby's mother sits down with him and pours her heart out, telling Bobby that she loves him and that seeing him at the hospital, all banged up, it reminded her of what his dad (her husband) used to do to both of them. Bobby tells his mother not to dwell on things from the past but she has a hard time letting go. She apologizes for not doing more to protect him from his father. The guilt from not protecting him has consumed her, her entire life, which has led to her starting to drink. He may not believe her but Bobby means everything to her. Standing from his chair, Bobby says that he's a nothing, a nobody, and he'll be that for the rest of his life. His mother tells him not to say that; after all, he is still young – only eighteen – so he still has a chance to make something of himself, unlike his idiot father. Bobby asks his mother why she married him, if she thought he was such an idiot. She admits to have fallen blindly in love with him and did love him in the beginning; however, that quickly changed, when he turned out to be a monster. Angry, Bobby asks his mother why she stayed with him (her husband) when she could have easily just grabbed him and gotten them out of there. He is mad that she didn't do anything, which make him wonder how much she really loves him. Having said that, he grabs his jacket and storms out of the apartment.
At the Parker home, Peter is working on math problems in the living room (on a Friday night) when Aunt May comes in with a box in her arms. When asked what is in the box, she explains that they are old action movies that he and Uncle Ben used to watch together when he was little. She wants him to go through the box and pick the ones he likes; the rest, she'll donate to the library. Excited, Peter responds that he wants them all, knowing full well that Aunt May purposely brought those up to cheer him up. As he sits there watching them, he can't help but to think about Uncle Ben and how the two of them used to watch movies together. In a flashback to an earlier time, Peter tells his Uncle Ben (while watching a movie) that he wants to be like the guys on TV – guys that can punch their way through anything. Uncle Ben tells Peter that, back in the day, he got in a few fights of his own. Peter imagines his uncle as a regular Bruce Willis kicking butts and taking names but Uncle Ben is quick to point out that he was a young idiot who learned the hard way that violence is a dead end. Peter asks what he means by that. Uncle Ben explains that the real world is nothing like what they see in the movies. Being a hero isn't about punching someone or blowing up the bad guy, it isn't about revenge of who has the biggest muscles. Uncle Ben continues explaining that it's about putting other people first, even when you know that you are going to fail – most of all, it's about doing the right thing, no matter what anyone else think. Back in the present, Peter races down the stairs and takes his leave, telling Aunt May that he's off to do the right thing.
Peter, as Spider-Man, goes to Bobby's house to apologize for what happened earlier at the convenience store. Bobby is not home, so his mother points Spider-Man in the right direction. While Spidey swings toward Port Authority, Bobby is busy buying himself a gun, a real one this time. And he intends to use it against Spider-Man if he runs into him again.
Spider-Man is swinging toward Port Authority when the cable of a nearby crane breaks, causing the whole crane structure to start falling apart. Reacting swiftly, Spidey unloads his web cartridge and ensnares the falling pieces, allowing bystanders to scurry for cover. One of the bystanders happens to be none other than the aforementioned Bobby. With very little strength left to hold on any longer, Spidey is forced to let go, secretly hoping that every one made it out safely. As the dust settles, everyone starts cheering for Spidey, including Bobby! Getting back to his feet, Spidey apologizes to everybody for not hanging on any longer than he did. Firefighters who were present at the scene tell Spidey that, thanks to him, they were able to evacuate everybody and clear the area, thus saving the lives of thousands. He's a hero, as far as they're concerned. Realizing he was able to save all these people without throwing a single punch, just like his Uncle Ben thought him all these years ago, Spidey swings away, beaming with pride. Nearby, Bobby has a change of heart after having witnessed what Spider-Man just did. He takes his gun and throws it down the sewer. He then calls his mother from a payphone, telling her that he's changed his mind – he agrees with her that it's not too late for him after all.
It's Saturday; Peter Parker is walking aimlessly along the street when he runs into Flash Thompson. Flash tells Peter to go ahead and run the other way, smiling evilly at him. Peter turns to leave but then he turns back toward Flash and yells at him that he is not afraid of him and that he will never fight him, not because he's scared, but because he thinks it's a stupid and immature way of solving a problem. He adds that, if Flash continues pushing him, he will regret it big time. Flash is speechless at first, but then, he tells Peter that he was just teasing him, just like he teases everybody else; Flash adds that he finds Peter to be too sensitive and that he never stands up for himself. Peter points out that he did just that. Flash comes to that realization (finally) and walks away. Before leaving completely, he turns back around and tells Peter that he's still not off the hook. Peter knows too well that Flash is lying. He knows for a fact that Flash will be back to acting like a jerk to him as soon as they're back to school on Monday. Peter is all right with that, because he knows he could pound him into hamburger with one hand tied behind his back. But that's not what heroes do so...
The end...for now.
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STORY #2 - MR. AND MRS. SPIDER-MAN - COMMON GROUND |
WRITER:
TOM DEFALCO
ARTIST:
TODD NAUCK
COLORS:
RAIN BEREDO
LETTERS:
DAVE SHARPE
ASSISTANT EDITOR:
TOM BRENNAN
EDITOR:
STEPHEN WACKER
EXECUTIVE EDITOR:
TOM BREVOORT
EDITOR-IN-CHIEF:
JOE QUESADA
PUBLISHER:
DAN BUCKLEY
PREVIOUSLY:
There are countless planes of reality, containing alternate worlds very similar to ours. Peter Parker is Spider-Man on many of them. On one particular Earth, he is married to Mary Jane. Their baby daughter May is destined to follow in his web-steps, as Spider-Girl, but these are the adventures of Mr. and Mrs. Spider-Man.
REVIEW:
Peter Parker, his wife Mary Jane and MJ's aunt Anna have taken baby May to the Midtown Medical Center to have her checked up by her paediatrician. As they sit in the waiting room, discussing medical coverage, Peter's spider-sense starts tingling when he sees Aleksei Sytsevich, a.k.a. the Rhino enter the emergency room, a very old lady by his side. Peter tells MJ that the Rhino had his costume surgically removed, but he would recognized him anywhere, costume or not. Aleksei presents himself at the registration counter, telling them his aunt needs a doctor. The clerk hands him a stack of forms and tells him to fill them. Aleksei crushes the whole thing with his bare hands, reiterating that his aunt needs a doctor. Unfazed, the clerk tells Aleksei that there is a long wait and to go sit down and fill the forms – she'll call him when it's his turn. Feeling the tension rising in her husband, Mary Jane accosts Aleksei and offers to help him and his aunt fill the necessary forms. Upon joining them, Aleksei recognizes Peter as the photographer who takes pictures of Spider-Man for the Daily Bugle. At that moment, fearing for the life of his loved ones, Peter introduces MJ, aunt Anna and innocent daughter May to Aleksei; silently hoping that the brute will not date try and hurt him. Surprisingly, Aleksei stays calm and introduces himself, and his aunt. He then invites Peter to go grab a cup of coffee.
On their way to get a coffee, Aleksei apologizes to Peter for threatening him in the past – he was once hired to scare Peter several years ago. Aleksei explains that it was nothing personal; Peter responds that it was to him. Aleksei goes on explaining that he doesn't want any trouble; he just needs to find a doctor that'll take a look at his aunt. Peter agrees to let bygones be bygones and accepts the truce offered by Aleksei. With that said, the twosome enjoy some coffee. Aleksei asks Peter if he has insurance. Peter responds that he does, but it's not enough; he asks Aleksei if he's covered. Aleksei replies that he has to pay and it's very costly. Peter points out that the hospital is required to treat his aunt even if he can’t afford it. Aleksei says that his aunt is like a mother to him and he cannot embarrass her. He adds that he can always "earn" more money. He then asks Peter if he's going to tell Spider-Man about this. Peter replies that he won't.
Aleksei tells Peter that it must be nice getting a steady paycheck as a photographer. Peter answers that he wouldn’t know, seeing as he's paid by the job and his boss is the cheapest man alive. Aleksei knows from bad bosses. The Beetle, the Leader, Doctor Octopus always treated him like a stupid ox. Aleksei says that he might not speak English very well, but he's not stupid. He goes on saying that Spider-Man is his real problem, as he's always interfering. Aleksei asks Peter why Spider-Man always does that. Peter relates the story about Spider-Man and the burglar that shot his Uncle Ben. Aleksei answers that he understands what Spider-Man is going through, having seen his family go through intense suffering over the years. It was those events that prompted him to joining Russian gangsters to protect his family. Shortly thereafter, the KGB offered him a job and he became the Rhino, and he earned enough money to move his family from Russia.
Just then, MJ shows up and tells Peter that the doctor is ready to see May. Aleksei extends his hand toward Peter, telling him that he's "okay". Peter reciprocates the gesture and offers his best to Aleksei's aunt. As he and MJ make their way out, Peter tells MJ that, despite he and the Rhino being destined to meet as enemies in the future, they share some common ground.
The end...for now.
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STORY #3 - THE AMAZING SPIDER-MA'AM |
WRITER:
ABBY DENSON
ARTIST:
COLLEEN COOVER
COLORS:
COLLEEN COOVER
LETTERS:
COLLEEN COOVER
ASSISTANT EDITOR:
TOM BRENNAN
EDITOR:
STEPHEN WACKER
EXECUTIVE EDITOR:
TOM BREVOORT
EDITOR-IN-CHIEF:
JOE QUESADA
PUBLISHER:
DAN BUCKLEY
PREVIOUSLY:
You may think you know Peter Parker's sweet old Aunt May but you've never seen her like this! Forget everything you think you know and read on for what is surely the most shocking Spider-Man tale ever told! Introducing a world where Aunt May not only knows Peter's secret identity, but a world that's about to meet the Amazing Spider-Ma'am!
REVIEW:
Aunt May is sitting in her living room, knitting a sweater while watching nature shows on TV. Suddenly, she hears a crashing sound coming from the kitchen. She silently has a peek around the corner and into the kitchen area. She spots two robbers coming inside through a broken window. With little time to spare, she makes her way up the stairs and heads for Peter's room, the farthest from the kitchen, to see if she can make a call for help or at least wait for them to leave. After entering Peter’s room, she hears the two robbers coming up the stairs. With no time to make a call, she conceals herself in Peter's closet. As she waits in there, she ponders what to do next. She finds Peter's Spider-Man costume and gets an idea. She dons the costume, grabs a handful of thumbtacks, and a shoelace from one of Peter's pairs of shoes. She then leaves the room and checks on the thieves, who are now going through her room. When one of them steals her cell phone, that really angers Aunt May, so she decides to do something about it.
The two robbers leave the room and prepare to go downstairs to see if they can score more loot. Unbeknownst to them, a shoelace has been pulled across the top of the stairs, a few inches off the ground. Seconds later, the thieves come tumbling down the stairs, landing loudly at the bottom. One of the robbers has a slight ankle sprain so he decides to sit down for a minute while his companion checks the kitchen for silverware. The robber that's about to sit down is unaware that the chair is covered in thumbtacks. Needless to say, he screams senselessly the instant his buttocks touch the chair. Aunt May watches from her hiding place and prepares her next move. The robbers decide that they’ve had enough and start making their way out of the house. Before they go, however, Aunt May drops two bags of flour on their heads. The two men, covered in flour, fall to the ground, wondering what just happened to them. Aunt May, as Spider-Man, reveals herself, saying "Boo". Terrified, the thieves take their leave as quickly as they can. Aunt May calls the cops and tells them to look for two guys covered in flour.
The following day, Peter, as Spider-Man, is fighting the Rhino when the villain asks him if he's wearing perfume, as he smells like his grandmother.
The end...for now.
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STORY #4 - BRIDGE AND TUNNEL |
WRITER:
TERRY MOORE
PENCILS:
VAL SEMEIKS
INKS:
CHRIS IRWIN
COLORS:
ANDRES MOSSA
LETTERS:
DAVE SHARPE
ASSISTANT EDITOR:
TOM BRENNAN
EDITOR:
STEPHEN WACKER
EXECUTIVE EDITOR:
TOM BREVOORT
EDITOR-IN-CHIEF:
JOE QUESADA
PUBLISHER:
DAN BUCKLEY
REVIEW:
A very cold Spider-Man is hanging onto the roof of a subway car heading to Manhattan. He just got out of a play starring a friend of Carlie Cooper, in Brooklyn. The outside temperature is below freezing and the severe wind chill is not helping things. No longer able to stand the bitter cold, he decides to make his way into one of the subway cars, by going through a sliding window. When he enters the subway car, he comes face-to-face with Ronnie “Rabbit” Shatzkin. Six months earlier, Spidey caught Ronnie’s friend as they were attempting to rob a bank in Harlem; Ronnie managed to escape capture then and went into hiding. Freaking out, Ronnie runs toward the front of the car and proceeds to make his way outside. Next, he climbs on the roof of the next car. Spidey quickly follows him out, coming close to death with every move. Spidey tries to convince Ronnie to give it up before he gets hurt. His warning comes a tad too late when Ronnie is knocked off the car and send flying into the patch of another subway travelling in the opposite direction. His web-shooters frozen, Spidey acts quickly and manages to save Ronnie at the very last possible second.
Minutes later, Spidey and Ronnie arrive at Grand Street, the first stop in the borough of Manhattan. Spidey tells Ronnie that he’s going to have to web him up and leave him in front of the nearest police precinct. But first, he’s going to buy Ronnie a cup of coffee, a little welcome home present.
The end.
WEBMASTER'S MESSAGE:
Please note that this issue also has a reprint of Spectacular Spider-Man #200 featuring the death of Harry Osborn; you can read the review of this story HERE
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