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Prem's Faves for 1997
{no particular order}
KUSF San Francisco, 90.3 FM
Band/Artist |
Release |
Record Label |
Prem's Spew |
{various} |
The Bahamas|Islands of Song |
Smithsonian Folkways |
an exuberant mixture of raw but well-recorded acappella, folk, gospel, and other odd influences from this island nation; unlike some of the releases on the Smithsonian Folkways label, this offering does not sound in the least academic--it keeps your foot tapping as you explore the music |
Bill Ding |
Trust In God, But Tie Up Your Camel |
Hefty |
a belligerant mixture of post-rock, electronic noise/music, beat sequences, and all-around unfriendliness |
R.L. Burnside |
Acoustic Stories |
M.C. |
spookily succinct acoustic Mississippi Delta blues recorded in 1988; if you don't have much experience in listening to the blues, this should be your diving board |
Cosmic Invention |
Help Your Satori Mind |
The Now Sound |
elaborate psychedelic rock that, in the hands of lesser-talented musicians, would decompose into a vacuous abomination; yet with Masaki Batoh (of Ghost) at the helm the music maintains its mysterious edge |
The Double U & Glands of External Secretion |
The Double U & Glands of External Secretion |
VHF |
The Double U performs its captivating murky minimalistic rockishness on disc one of this 2-disc set, then on disc two Glands of External Secretion remixes the former's tracks into a jolting nightmare that lingers in the back of your mind |
Johnny Dowd |
Wrong Side of Memphis |
Checkered Past |
psychotically bizarre country/folk/blues mixed with unaccommodating sounds and conflicting backgrounds; creepiness from the heartland |
Drums and Tuba |
Box Fetish |
T.E.C. Tones |
imagine old Cleveland rock with a tuba instead of saxophones and with a lot more bounce--you'll find this and more, with bits of insanity here and there |
Zusaan Kali Fasteau |
Sensual Hearing |
Flying Note |
dark excursions into realms and cultures not typically accessible to jazz; Fasteau has studied music in many different countries and manages to bring what she has learned together with both substance and flair |
Ghost |
Lama Rabi Rabi |
Drag City |
strange mixture of psychedelic rock with Japanese cultural influences; on this album, however, Ghost also experiments with other cultures (Indian, Native American, Old West, etc.) and twists your perception of what can or should be allowed in the synthesis of ideas [1996 release] |
Irving Klaw Trio |
Utek Pahtoo Mogoi |
Road Cone |
harsh concoction of rock and jazz with other influences, mainly Hispanic and Indian; defies easy categorization in just about every sense |
The Krinkles |
One Stop Shopping |
Cannibal |
this SF group (note: there is another band by the same name in Chicago with entirely different music) offers up a bouncy zany collage of influences in the context of rock; deliciously addled [1996 release] |
{various} |
Live at WREK |
WREK |
strange to harsh live performances from Atlanta's WREK underground radio station; included here are William Carlos Williams, Voice Crack, and Sun Ra, among others |
Lync |
Remembering the Fireballs [Part 8] |
K |
dark unrefined indie rock spanning the career of this band, with most material from the early 90s |
The Memphis Goons |
Teenage BBQ |
Shangri-La |
these lo-fi 1971 recordings combine hick folk with elements of garage rock in a decidedly mischievous atmosphere; crudely delicious [1996 release] |
The Need |
The Need |
Chainsaw |
quirky-jerky punkish noisy rock that incorporates all kinds of creepiness into its assault yet manages to bounce like a pink superball off a black cement floor |
Old Time Relijun |
Songbook Vol. I |
Pine Cone Alley |
rabid, noisy and altogether wretched rock/jazz hybrid that leaves a permanent psychological scar |
Pachora |
Pachora |
Knitting Factory Works |
darkish jazz with heavy Turkish influence; quiet and eerie |
Pineal Ventana |
Breathe As You Might |
Altered |
twisted, driving, percussive detached rock combined with belligerent sax turmoil; tramples the uninitiated |
Polvo |
Shapes |
Touch 'n' Go |
listening to this album takes you on a bizarre adventure on a rough sea of seemingly divergent musical influences that mysteriously converge under the spell of the muse of Rock |
Red Red Meat |
There's a Star Above the Manger Tonight |
Sub Pop |
unlike any RRM release you've ever heard; country-flavored rock experimentalism that tears through genre stereotypes, creating a very distinct sound |
{various} |
Vedic Presents Rhythmic Intelligence |
Sub Rosa |
eerie mixture of Indian music with beat electronica; these mixes (from Vedic, Asian Dub Foundation, and others) lean steeply toward the traditional and offer a stepping stone into further exploration of classical Indian music |
Run On |
Scoot |
Sonic Bubblegum |
Run On takes a break from its strict bare-bones rock on this CD EP and rolls out very deconstructed and strange pieces utilizing peculiar settings and odd instruments (such as the marimba) |
Matthew Shipp "String" Trio |
By the Law of Music |
Hat Hut |
stark piano/violin/contrabass trio with sometimes commanding, sometimes mesmerizing jazz offerings |
Kazutoki Umezu |
First Deserter |
Knitting Factory Works |
dips into the pool of avant jazz, among other things, at a pace that leaves you struggling to keep up |
Yo La Tengo |
I Can Hear the Heart Beating as One |
Matador |
deceptively pleasant pop rock with eerie undertones and numbing vocals; hypnotizing |
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