“You want to be rid of it, do you?” The speaker was a wizened woman with deep grooves in her skin, as though a thousand years of tears had carved its surface. She sat half hidden behind flickering candles and the smoke of incense.
The young woman spread four gold coins that glinted even in the poor light on the dusty and crowded table. “Please,” she whispered. “Rid me of it forever and I shall pay you well.” She shivered a little, suddenly, seeing her death in the face of the old woman.
The old gypsy woman reached a leathery, jointed hand for the coins. They clinked merrily into her other hand. “It shall be done,” she said quietly.
And it was. She muttered a few musty syllables over a brazier, sprinkled a few crushed herbs on the fire, and it was done. The young woman departed and never again was she troubled by the face of her own death. She ducked out of the dark little shop on the unfashionable side of town, hurriedly crossed the paved street, and was on time for tea with her family and beloved. She thought occasionally of the shop, but never again went to see it.
Years passed. The young woman gradually became an old woman, and at last she lay in her bed, wracked by pains and unable to move. A year passed in this manner and her physicians began to wonder why she was not yet dead.
The realization came suddenly on a fine autumn afternoon. She called for her maid in a voice gone suddenly fearful and asked for the fortuneteller from long ago to be brought to her bedside. The maid returned alone; the shop was long gone, the gypsy woman presumably long dead.
Alone, the old woman raised her swollen, stiff hands to her face. “What did you do?” she repeated hoarsely, tears trickling down the paths in her worn face. There was no response and at length, she lowered her hands and closed her eyes and was still. But in the warm red darkness of her closed lids, she could not see her death. It did not exist. It had been banished long ago for four bright gold coins, in a dark little shop on the unfashionable side of town.
I thought of this when I was in a slightly weird mood, walking home. I was waiting to cross the street and thought how easily any one of the cars going by could contain my death. I wanted to note how time was cyclical-- youth to age-- and present a different view of the much-maligned Death.
