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ROCKY HORROR: THE FIRST INTERACTIVE MOVIE


"Rocky Horror Revisited"
by Avia Haynes
"Don't Dream It, Be It" has been the central message that Rocky Horror Picture Show fans have spread and lived by. For the last eighteen years, Rocky Horror has been known as the show that has its audience working, and playing, as hard as its actors.

Originally called 'Rocky Horror Show', it actually started in September of 1973 as a play production at the Royal Court Theater Upstairs in London. After running successfully for many months, the show was named "Best Musical of 1973" by The London Evening Standard. Nine months after the opening, Rocky Horror made its debut at Adler's Roxy Theater on Sunset Strip in Hollywood.

The show ran successfully for nine more months with Tim Curry taking the lead role. In late 1974, the filming of the now titled 'The Rocky Horror Picture Show' began. The starring cast included Tim Curry, Richard O'Brien (the playwright), Little Nell, Patricia Quinn, Jonathan Adams and Meatloaf. It also starred Barry Bostwick and Susan Sarandon as Brad and Janet. The film bombed after making its theatrical debut in 1975.

Six months after its release, 20th Century Fox decided to change Rocky Horror into a midnight movie at Greenwich Village's Waverly Theater and let promotion just be word of mouth. Weeks later, other theaters began to follow the Waverly Theater's lead, all screening the show at midnight. It was at this time that the avid goers of the movie began singing along and participating with the movie.



In 1977, the first official "dress-up" emerged at the Fox Venice theater in Venice Los Angeles. Here, "The Rocky Horror Revue" performed a staged act of Rocky Horror between two screenings of the movie. This was the start of the live performance during the actual movie showing. Ever since, Rocky Horror has become known as cult movie with a special popularity at Hallowe'en.


The socially accepted norms of behavior while at a movie theatre require that patrons are generally polite and well behaved. They remain in their seats throughout the film and if they need to speak, it is usually in hushed whispers. Throwing things and otherwise causing a disturbance is frowned upon and the offender is often removed from the establishment.

At a showing of RHPS, however, these norms are the first ones to be disregarded. The audience is encouraged to become a part of the show. They dance in the aisles, throw items such as rice, toast and toilet paper, and shout at the characters on the screen. They come dressed as the characters in the film, or in other costumes or simply in lingerie. In addition to the audience activities, most theatres have a live cast who acts out the film in front of the screen as it plays, mimicking, sometimes to perfection, every move of the actors in the film.

LYRICS TO THE TIME WARP' [for neophytes, the midi now playing]


Riff Raff It's astounding
Time is fleeting
Madness takes its toll
But listen closely
Magenta Not for very much longer
Riff Raff I've got to keep control
I remember doing the Time Warp
Drinking those moments when
The blackness would hit me
Riff and Magenta And the void would be calling
Chorus Let's do the Time Warp again
Let's do the Time Warp again
Criminologist It's just a jump to the left
Chorus And then a step to the right
Criminologist With your hands on your hips
Chorus You bring your knees in tight
But it's the pelvic thrust
That really drives you insane
Let's do the Time Warp again
Let's do the Time Warp again
Magenta It's so dreamy
Oh, fantasy free me
So you can't see me
No, not at all
In another dimension
With voyeuristic intention
Well secluded, I see all
Riff Raff With a bit of a mind flip
Magenta You're into the time slip
Riff Raff And nothing can ever be the same
Magenta You're spaced out on sensation
Riff Raff Like you're under sedation
Chorus Let's do the Time Warp again
Let's do the Time Warp again
Columbia Well I was walking down the street
Just a having a think
When a snake of a guy gave me an evil wink
He shook-a me up, he took me by surprise
He had a pick up truck and the devil's eyes
He stared at me and I felt a change
Time meant nothing, never would again
Chorus Let's do the Time Warp again
Let's do the Time Warp again
Criminologist It's just a jump to the left
Chorus And then a step to the right Criminologist With your hands on your hips
Chorus You bring your knees in tight
But it's the pelvic thrust
That really drives you insane
Let's do the Time Warp again
Let's do the Time Warp again


JOHN CLEESE & THE PYTHON TROUPE

Often referred to as the funniest man alive, John Cleese is one of the best known British actors / writers. Although most well known for his comedy ventures, which include 'Fawlty Towers,' the Secret Policeman's Ball series, 'A Fish Called Wanda,' and of course the infamous Monty Python, Cleese is a highly regarded 'serious' actor as well.


John Marwood Cleese (for a while John Otto Cleese) was born in Weston-Super-Mare, England, on October 27, 1939. His schooling includes St. Peters Prep School in Weston, Clifton College, and Cambridge's Downing College, where he intended to study law. However, at Cambridge, he soon joined the Footlights Society (a rather famous drama club), where he met future writing partner and Python member Graham Chapman (King Arthur.)


PERKINS' LEG BITTEN OFF BY TIGER"Well, sir, I woke up this mornin', 'ad me tea, and observed that me leg seemed to be rather.....well...missing!"

He officially broke into professional show business (BBC) in 1966 when David Frost asked him to join in with The Frost Report, both writing and performing. Also working for the Frost Report at the same time were Chapman, Eric Idle, Michael Palin, and Terry Jones (all of Python fame). Cleese continued the writing parternship with Chapman, working on such titles as The Magic Christian, with Peter Sellers and Ringo Starr, and Rentadick.


The partnership continued into Monty Python's Flying Circus, first airing on 10/5/69, along with Palin, Idle, Jones, and Terry Gilliam, whom he met while shooting for Help! magazine. Cleese would stay with Python for three series, leaving after that. He of course rejoined the group later for such efforts as Monty Python and the Holy Grail, Life of Brian, and The Meaning of Life.


It was around this time that Cleese met American actress Connie Booth, and married her in 1968. They had a daughter, Cynthia, in February 1971. He and Booth wrote and starred in a small picture, Romance and a Double Bass, in 1974. The couple wrote and starred in their most famous enterprise, Fawlty Towers, in 1975, and later in 1979, with Andrew Sachs and Prunella Scales. Cleese and Booth divorced in 1976, Cleese later marrying actress Barbara Trentham in 1981. They had a daughter, Camilla, in 1984. The couple divorced in 1990, Cleese marrying Alyce Faye Eichelberger in 1992.


After Towers, Cleese continued doing a lot of work both writing and performing. He did numerous television commericals and cameos, as well as appearing in television productions such as Shakespeare's Taming of the Shrew, in which he played Petruchio and received much deserved critical acclaim. In terms of cinema, he had roles in such movies as Silverado and fellow Python Terry Gilliam's Time Bandits, as well as continuing the Python tradition with The Meaning of Life.


His most successful movie was the much-loved A Fish Called Wanda, co-written by Cleese with Charles Chrichton. It starred Cleese along with Python Michael Palin, Jamie Lee Curtis, and Kevin Kline, and was very successful. Cleese also starred in Fierce Creatures, with the same cast as Wanda with a completely new story line. Most recently, he travelled to Madagascar to do a one-hour documentary on the rare, endangered lemurs there, an informative yet amusing project shown on PBS.


Jolly sorry and all, but we interrupt MR. Cleese to continue THE ARGUMENT.....Man: No you didn't....Arguer: Yes I did...Man: You didn't....Arguer: Did... Man: Oh look, this isn't an argument.... Arguer: Yes it is..Man: No it isn't. It's just contradiction....Arguer: No it isn't...Man: It is!..Arguer: It is not....Man: Look, you just contradicted me...Arguer: I did not...Man: Oh you did!!..Arguer: No, no, no...Man: You did just then...Arguer: Nonsense!...Man: Oh, this is futile!...Arguer: No it isn't... Man: I came here for a good argument.... Arguer: No you didn't; no, you came here for an argument...Man: An argument isn't just contradiction....Arguer: It can be....Man: No it can't. An argument is a connected series of statements intended to establish a proposition....Arguer: No it isn't....Man: Yes it is! It's not just contradiction....Arguer: Look, if I argue with you, I must take up a contrary position.... Man: Yes, but that's not just saying 'No it isn't.'... Arguer: Yes it is!...Man: No it isn't!...Man: Argument is an intellectual process. Contradiction is just the automatic gainsaying of any statement the other person makes.... (short pause)...Arguer: No it isn't... Man: It is...Arguer: Not at all... Man: Now look...Arguer: (Rings bell)... Good Morning...Man: What?...Arguer: That's it. Good morning....Man: I was just getting interested....Arguer: Sorry, the five minutes is up....Man: That was never five minutes!...Arguer: I'm afraid it was...Man: It wasn't... Pause...Arguer: I'm sorry, but I'm not allowed to argue anymore... Man: What?!...Arguer: If you want me to go on arguing, you'll have to pay for another five minutes...Man: Yes, but that was never five minutes, just now. Oh come on!..Arguer: (Hums)...Man: Look, this is ridiculous...Arguer: I'm sorry, but I'm not allowed to argue unless you've paid!...Man: Oh, all right.... (pays money)...Arguer: Thank you... short pause...Man: Well?...Arguer: Well what?...Man: That wasn't really five minutes, just now...Arguer: I told you, I'm not allowed to argue unless you've paid...Man: I just paid!...Arguer: No you didn't...Man: I DID!...Arguer: No you didn't...Man: Look, I don't want to argue about that...Arguer: Well, you didn't pay...Man: Aha. If I didn't pay, why are you arguing? I Got you!...Arguer: No you haven't....Man: Yes I have. If you're arguing, I must have paid...Arguer: Not necessarily. I could be arguing in my spare time.... Man: Oh I've had enough of this...Arguer: No you haven't...Man: Oh Shut up...


AND NOW FOR SOMETHING COMPLETELY DIFFERENT....


The Lumberjack Song from "Monty Python's Flying Circus"

I never wanted to do this job in the first place! I... I wanted to be... A LUMBERJACK! (piano vamp) Leaping from tree to tree! As they float down the mighty rivers of British Columbia! With my best girl by my side! The Larch! The Pine! The Giant Redwood tree! The Sequoia! The Little Whopping Rule Tree! We'd sing! Sing! Sing!

Oh, I'm a lumberjack, and I'm okay, I sleep all night and I work all day. CHORUS: He's a lumberjack, and he's okay, He sleeps all night and he works all day.

I cut down trees, I eat my lunch, I go to the lava-try. On Wednesdays I go shoppin' And have buttered scones for tea.


AND NOW FOR THE CONCLUSION TO 'THE ARGUMENT'...(Walks down the stairs. Opens door.)...Man: I want to complain... Complainer: You want to complain! Look at these shoes. I've only had them three weeks and the heels are worn right through....Man: No, I want to complain about...Complainer: If you complain nothing happens, you might as well not bother...Man: Oh!...Complainer: Oh my back hurts, it's not a very fine day and I'm sick and tired of this office... (Slams door. walks down corridor, opens next door...Man: Hello, I want to... Ooooh!...Head Hitter: No, no, no. Hold your head like this, then go Waaah. Try it again.... Man: uuuwwhh!!... Head Hitter: Better, Better, but Waah, Waah! Put your hand there....Man: No... Head Hitter: Now...Man: Waaaaah!!!... Head Hitter: Good, Good! That's it... Man: Stop hitting me!!...Head Hitter: What?...Man: Stop hitting me!...! Head Hitter: Stop hitting you?...Man: Yes!...Stop hitting me!!...Head Hitter: Stop hitting you?...Man: Yes!..Head Hitter: Why did you come in here then?...Man: I wanted to complain... Head Hitter: Oh no, that's next door. It's being-hit-on-the-head lessons in here....Man: What a stupid concept! Head Hitter: No it isn't!.......ALRIGHT, THEN, ON WITh YOUR BLOODY LUMBERJACK SONG. BOBBY OFF NOW...


Mounties: He cuts down trees, he eats his lunch, He goes to the lava-try. On Wednesdays 'e goes shoppin' And has buttered scones for tea.

CHORUS

I cut down trees, I skip and jump, I like to press wild flowers. I put on women's clothing, And hang around in bars. Mounties: He cuts down trees, he skips and jumps, He likes to press wild flowers. He puts on women's clothing And hangs around.... In bars???????

CHORUS I chop down trees, I wear high heels, Suspendies and a bra. I wish I'd been a girlie Just like my dear papa. Mounties: He cuts down trees, he wears high heels Suspendies?? and a .... a Bra???? (spoken, raggedly) What's this? Wants to be a *girlie*? Oh, My! And I thought you were so rugged! Poofter! CHORUS All: He's a lumberjack, and he's okaaaaaaayyy..... (BONG)



THE FISHBOWL

"Good mornin', lovely mornin'..."Yes, jolly fine mornin'...Good mornin'..."

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THE COMFY CHAIR SKETCH


Cut to Python team torturing a dear old lady, Marjorie Wilde....
Ximinez: Now, old woman -- you are accused of heresy on three counts -- heresy by thought, heresy by word, heresy by deed, and heresy by action -- *four* counts. Do you confess?....

Wilde: I don't understand what I'm accused of.....
Ximinez: Ha! Then we'll make you understand! Biggles! Fetch...THE CUSHIONS!.... (JARRING CHORD) (Biggles holds out two ordinary modern household cushions)....

Biggles: Here they are, lord....
Ximinez: Now, old lady -- you have one last chance. Confess the heinous sin of heresy, reject the works of the ungodly -- *two* last chances. And you shall be free -- *three* last chances. You have three last chances, the nature of which I have divulged in my previous utterance.....

Wilde: I don't know what you're talking about.....
Ximinez: Right! If that's the way you want it -- Cardinal! Poke her with the soft cushions!.... (Biggles carries out this rather pathetic torture)....
Ximinez: Confess! Confess! Confess!....
Biggles: It doesn't seem to be hurting her, lord.....
Ximinez: Have you got all the stuffing up one end?
Biggles: Yes, lord
....Ximinez (angrily hurling away the cushions): Hm! She is made of harder stuff! Cardinal Fang! Fetch...THE COMFY CHAIR!.....(JARRING CHORD)(Zoom into Fang's horrified face) .....Fang (terrified): The...Comfy Chair?....(Biggles pushes in a comfy chair -- a really plush one)

Ximinez: So you think you are strong because you can survive the soft cushions. Well, we shall see. Biggles! Put her in the Comfy Chair!....(They roughly push her into the Comfy Chair)

Ximinez (with a cruel leer): Now -- you will stay in the Comfy Chair until lunch time, with only a cup of coffee at eleven....(aside, to Biggles) Is that really all it is?....Biggles: Yes, lord....Ximinez: I see. I suppose we make it worse by shouting a lot, do we? Confess, woman. Confess! Confess! Confess! Confess!

Biggles: I confess!....Ximinez: Not you, you idiot!


From 'The Meaning of Life' "I say, Mr. Death, that's rather rude of you popping in here uninvited and then having the audacity to tell us we're all going to die....here, do sit down and reap up a spot of salmon mousse, won't you? Why so grim, now?"