The Testimony of Taliesin Jones




Official Site

Winner of:
Heartland Film Festival's Crystal Heart Award
Austin Film Festival's Best Feature and Best Screenplay Awards
Santa Monica Film Festival's Best Screenplay and Best Cinematography Awards


         To eleven year old Taliesin Jones, God is as palpable as the apple he buys on his way to school, as real as the rain which trickles down his neck, as near as the warts on his fingertips. In Cqmglum where he lives on a farm in rural Wales, God is all around, even at school where Hoop The Mental hits him on the nose, and earthy Julie Dyer blows confusing smoke rings at him.

         Others don't see the world the way he does. When his mother leaves home with her hairdresser to put more colour in her life, Taliesin is left behind with his distracted father, sullenly adolescent brother and his own creeping uncertainty to try and make sense of this sudden conspiracy of events. It is only with elderly Billy Evans, piano teacher and part time healer that Taliesin finds a source of miracles, miracles which transform his life . . .

         The Testimony of Taliesin Jones is a beautifully measured story exploring the troubled borderland between childhood and adolescence. Poetic, precisely observed and filled with humour, it examines the resources of imagination and faith to which children can turn when faced with the confusion and imperfection of the adult world they are about to enter.

Director: Martin Duffy

Cast:
Jonathan Pryce
Griff Rhys Jones
Ian Bannen
Geraldine James
Matthew Rhys
John-Paul Macleod



Western Mail & Echo Ltd.
August 2, 1999
Can Taliesin Jones Rival Classic Kes?

         It is one of Britain's most important post-war films, and launched the blossoming talent of Ken Loach.

         Kes,the 1969 story of a working class boy fighting against the odds in a mining community, is celebrated as one of the milestones of British cinema. And now a Welsh film, The Testament of Taliesin Jones,is being tipped as the new Kes.Both movies feature a child actor playing the lead role, in each case a boy struggling to rise above the problems caused by a broken home.

         Kesstarred unknown youngster David Bradley as Billy Casper, a working class boy who escapes the pressures of reality after discovering a baby kestrel. He names it Kes, steals a book on falconry and determines to rear it. Quickly developing the right skills, he is helped by his teacher Mr Far-thing, played by the criticallyacclaimed Colin Welland. Directed by Ken Loach, the much-acclaimed film was based on the novel, A Kestrel For A Knave,by Barry Hines. Colin Welland went on to write the screenplay for the Oscar-winning British movie, Chariots of Fire,infamously proclaiming, "The British are coming!" while collecting his Academy Award.

         The Testimony of Taliesin Jonesis based on a novel of the same name by Welsh author Rhidian Brook. Newcomer John Paul McLeod from Port Talbot stars in the title role as an 11-year-old living on a farm with his father, played by established Hollywood actor Jonathan Pryce, and brother, played by rising star Matthew Rhys.

         After his mother (Geraldine James) runs off with a hairdresser, Taliesin's father turns to alcohol and his older brother becomes bitter. With the help of Billy, a piano teacher and healer, Taliesin begins to discover a way out of his dilemma.

         Like Kes,the film also features some notable actors in supporting roles, including Waking Nedstar Ian Bannen and Cardiff-born Griff Rhys Jones who plays a head teacher. The comedian described the film as a "sensitive and wonderful production" that tells the story of a young boy who begins to question what faith and the world around him mean.

         "It is quite an unusual film in that it is very sensitive and deals with faith and how faith is perhaps something that cannot be proved," said Rhys Jones.

         Producer Helena Mackenzie said of the film, "It is a very gentle, human story, dealing with the millennium issues such as religion, bullying at school and growing up."

         So can Taliesin Jones be as successful as Kes?

         The central role was played by David Bradley and boosted by strong supporting performances, notably from Colin Welland. Director of photography on Keswas double Oscar-winning cinematographer Chris Menges, who lives near Knighton, Powys. Menges picked up Academy Awards for his work on was also the cinematographer on top movies The Missionand The Killing Fields.

         The Testimony of Taliesin Jones
will be released in the UK next spring.




Film Threat- Hollywood's Indie Voice
Merle Bertrand
October 30, 2000


         Most lads as they approach puberty, with its attendant biochemical cocktail of surging hormones, tend to turn into veritable sexual dowsing rods. Or, to put it less metaphorically, they become slathering horndogs, ogling and fixating on any female creature with two legs and breasts.

Not necessarily in that order.

         Such single-minded obsession also drives young Taliesin Jones (John Paul MacLeod). Except that in his case, after watching his piano teacher and part-time faith healer Billy Evans (the late Ian Bannen) heal an elderly neighbor by laying on his hands, Taliesin becomes consumed not so much with his female classmates as he does with the power of prayer. Indeed, like any typical impressionable youngster, the instantly smitten Tally transforms into a walking raw nerve of spiritual questioning, fascinated with miracle working and challenging the beliefs or lack thereof of those around him.

         Although to some extent this concerns Tally's largely agnostic father(Jonathan Pryce), the simple farmer is more distracted by the struggle to accept the unexpected departure of his wife (Geraldine James) for the excitement of the big city. Tally's older brother Jonathan (Matthew Rhys), though also exasperated by his sibling's newfound evangelism, perhaps understands that its very newness is what makes the infatuation so intense.

         Yet when Tally and the members of his secret school club "The Believers" attempt to heal a classmate through prayer and get him off his insulin, the resulting fallout in the community tests the youngster's newfound faith...but not as much as the illness which befalls his friend and mentor Billy.

         It's hard to imagine a film like "The Testimony of Taliesin Jones" being made here in the States. With zealots on the religious right testing and/or violating our (thankfully) rigid strictures regarding church and state separation on a daily basis, passions on such complex, highly personal matters as religious beliefs and spirituality become too easily inflamed, manipulated, and encapsulated into soundbites. Thus, it was oddly refreshing to see a film such as this one deal with religion so openly, intelligently, and non-exploitatively. Conversely, this obviously isn't a film for hard-core atheists, as obnoxious in their own way as their evangelical counterparts, who will squirm at the mere mention of the dreaded "G Word."

         MacLeod carries this film well on his slight shoulders, bolstered by the beauty of the English countryside and reinforced by seasoned pros Pryce and Bannen. Like an English brook, "Testimony..." does tend to meander from time to time, sometimes getting lost in the subplot of Tally's parents' failing marriage.

         Adapted from the novel by Rhidian Brook and the winner of this year's Austin Film Festival, "The Testimony of Taliesin Jones" reflects its young protagonist's state of mind. Far from spewing the fire and brimstone propaganda of the newly indoctrinated, this calmly affirming film explores one of life's universal mysteries with the reasonable air left behind after the first blush of infatuation has passed.



The Austin Chronicle
Barry Johnson
October 20, 2000


That's a Wrap


Kudos to the filmmakers of The Testimony of Taliesin Jones for crafting a well-meaning film that explores the nature of religious faith without ever lapsing into moments of Hollywood-induced cynicism. Shame on them, too, for replacing true conflict with a serious dose of cinematic treacle devoid of motivation and character. This lusciously photographed drama uses its Welsh countryside setting to bolster a tale as old as nature itself: whether or not miracles exist and how one comes to experience them. The title character is a precocious 12-year-old boy struggling with his parents' separation who, through the inspiration of his piano teacher (the great Bannen in his final performance), decides to counter his community's religious malaise by forming a gang of "Believers" who spread the miracles of God. Testimony has its heart in the right place and tries to make a point somewhere along the way about endurance in the face of defeat, but by the time Taliesin encounters a magical dragon, I found myself hoping for a bit of divine intervention on behalf of the stupendously overearnest screenplay. Unfortunately, that intervention never makes it to the screen, nor does the film ever move out of that New Age realm of faux spiritualism occupied by the likes of Touched by an Angel.



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