Manson's broken family

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Scott Mitchell : Manson's broken family
Guitar World, August 1997
Transcribed by Nick

Until now, He's been known as Daisy Berkowitz, former guitarist for Marilyn Manson. Now, prepare yourself for Scott Mitchell, solo artist with an axe to grind--in more ways than one.

Since being forced out of Manson at the end of the recording of Antichrist Superstar, Mitchell has been writing songs, amassing a 30-song catalogue of varied styles. Working with singer Tyreah Jaymes, the 28-year-old guitarist is shopping songs under the moniker Three Ton Gate. He's also been jamming with an outfit called R.O.D., to keep his live chops up.

"I felt a lot of creative freedom being out of the band," says Mitchell from his home in Fort Lauderdale, Florida. "Some of the songs have a psychedelic vibe to them--they seem kind of abstract and crazy, but there's a common thread running through them. I hate to compare what I'm doing now to Manson, but my new material is stark and exotic, and there's even a few acoustic, mellow sounds. There's a sense of humor, like there was in the old days of Marilyn Manson --before Marilyn and Twiggy started taking things too seriously. One of the songs is about people bugging me about the band and about what I'm doing now."

Another is about the ever-controversial Marilyn. But, Mitchell says, "That one won't be on the demo."

Mitchell, who wrote a dozen songs for Antichrist Superstar and saw all but one rejected by Marilyn, says he still feels "gypped" by the experience. But, he adds, he has no regrets:

"People are really eager to hear my new stuff, and I consider being in Marilyn Manson a good stepping stone. I did a lot of things I'd never done before. I can blame particular people, but I don't need to."

Instead, Mitchell says he's "been thinking about writing a book" about his experiences. What might the opening anecdote to such a book be?

"There was one after-show party in New York, when we were on tour with Nine Inch Nails, where we went to a very private, exclusive club. The people that were there, the underage girls, the way money was being thrown around--it was dark, but not in a good sense." --TOM GOGOLA

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