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Interview with John Lowery and Rob Halford of Two

JUDAS PRIEST CONTINUES to uphold the grand tradition of heavy metal, but Rob Halford, the band's former vocalist, is off exploring an entirely different musical universe. His new band, Two, is even more adventurous than his last outfit, Fight, incorporating elements of industrial, techno and pop within its blaring guitar grooves. Credit largely belongs to Nine Inch Nails frontman Trent Reznor and producer Dave Oglivie (Skinny Puppy), who imbued Two's debut album, Voyeurs (Nothing), with its high-tech grind. We recently sat down with Halford and guitarist John Lowery to talk about musical experimentation, spirtuality and the joys of melodic vocals.
 
MAXIMUM GUITAR: How did you hook up with Trent Reznor?

Rob Halford: I was at Madri Gras [in New Orleans] a couple of years ago and a friend drove me past his studio, so I decided to stop by. He gave me a tour of the place, and I happened to have a cassette of demos that I was working on, so we popped it in the stereo. The whole time, Trent sat there in the corner with his knees up and his head in his lap listening intently. A few weeks later he called me up and asked me if I wanted a deal with Nothing.
 
MG: Was that what you had hoped would come out of the meeting? 

HALFORD: No, it really came out of left field for me. It's funny because Trent can't stand heavy metal and I've never been a fan of industrial music. To be honest, I haven't got a clue why Trent reznor decided to work with me.
 
MG: What were you aiming to do with Two?

HALFORD: I wanted to see what would happen when my different heads were involved with one project. The idea was to sit down and write some cool songs on acoustic guitar, then give them to Trent and Dave Ogilivie and see what developed musically.
 
MG: The guitars on Voyeurs don't sound like your average industrial metal clamor.

JOHN LOWERY: I wanted to make things very different and perculiar. I used a seven-string guitar and tons of pedal effects. I also talked into the pickups and looped certain guitar noises we made by banging spoons and knives on the guitars. A lot of the stuff that sounds like keyboards is actually me tapping with my right hand and playing bass notes with my left.
 
MG: What were you doing before you [John] hooked up with Rob?

LOWERY: I've been making a living as a studio musician since 1989. I've played with Ozzy Osbourne, kd lang, Lita Ford and Salt and Pepa, to name a few, and I've done TV background music and commercials. I'm totally psyched to finally be in a band full-time, though.
 
MG: Where did the name Two come from? 

HALFORD: I was thinking about the very simplicity of things like black and white, negative and positive, yin and yang. It takes two opposites to achieve a real balance and two people to make a relationship.
 
MG: On that note, Voyeurs strikes a musical balance between meldoy and dissonance, more so than any thing you've done in the past. 

HALFORD: I've come to the realization that I don't have to keep screaming my lungs out to make a point. The human voice is a remarkable instrument, and hopefully people will hear me to do things on this record that they havn't heard me do before.

LOWERY: We wanted to write stuff with huge sounding hooks like Oasis or London Suede. I'm a sucker for that stuff.
 
MG: Have you heard the new Judas Priest album, Jugulator?

HALFORD: No, Someone sent me the "Bullet Train" song, and I listened to that, but I think it would be unfair to have an opinion based on one song.
 
MG: Well, you've heard the band's new vocalist, Ripper, who was hired from a Judas Priest cover band. What do you think? 

HALFORD: I can only say one thing: There was only one Elvis.
 

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