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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


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De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

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Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

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a la Mod

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and the Infield
Fly Rule

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Scarface: Make Way
For The Bad Guy

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(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

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Offices of Death Records

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Fan Page

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A Lonely Place

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italkyoubored

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So Why This Movie?

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Nothing Is Written

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This Recording

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Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

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Sunday, August 16, 2009
SCARFACE RERELEASED IN U.K. THEATERS
"DEFINITIVE" '80S MOVIE HAS "ALL ITS DIALS TWISTED UP TO 11"
A digital version of Brian De Palma's Scarface was released in U.K. cinemas this weekend. A couple of U.K. critics had some interesting takes on the rerelease, with one suggesting that Scarface is the "definitive" film of the '80s, while the other finds tongue-in-cheek relevence to the current political atmosphere.

The Guardian's John Patterson

It's not the best film of the decade (that might be Raging Bull) or the most influential (except among gangsta rappers), or the most elegantly crafted (good god, no), but somehow Scarface manages, both intentionally and utterly accidentally, to capture the 1980s' atmosphere of unflagging greed, moral emptiness and materialistic crassness to a tee. It's as irreducibly 80s as Reagan's black plastic hairdo, Madonna's bustier and the Jane Fonda Workout.

Scarface is a movie with all its dials twisted up to 11. No one does lines of cocaine (a loathsome drug for a loathsome era), they do piles of cocaine; chainsaws are brandished, not switchblades; the vague, censor-baiting hints at Borgia-syle incest in the original morph here into Mary Elizabeth Mastrantonio screaming at her brother, "Ya wanna fuck me, huh, Tony? Huh?"

But Tony is a fully-fledged 1980s-style unzipped capitalist go-getter, worthy of admiration given the Friedman-fundamentalist economic fumes wafting through the zeitgeist back then; he's a Horatio Alger hero with a hole through his septum, he's Arkan in the making.

The List's Paul Dale

All of which makes this brilliant, cold-blooded masterpiece rather a strange proposition at a time when President Obama is opening up relations with the seemingly progressive sibling Raúl Castro. Myth has it that during his time as 46th Vice President of the United States in the Bush era, Dick Cheney liked to spend his downtime staring at a corporately revised map of Cuba which showed which US conglomerate would go where come the day that the US colonise the Caribbean island again. Could it be that Universal has been promised a spec there? A little place in the sun to wait out another Depression? Where multimillion-dollar mergers can be brokered by Skype and movies can be made for a tenth of the price? Could the re-release of Scarface be the beginning of their chainsaw wielding march on Cuba? Either way it’s great to see you again Tony.


Posted by Geoff at 12:22 AM CDT
Updated: Sunday, August 16, 2009 12:24 AM CDT
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