THRILLER TO SHOOT IN VENICE LATE FALL, EARLY WINTER
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"I READ THE SCRIPT-- IT'S REALLY FRICKIN' SCARY"
There was a report somewhere along the line that Ted Tally had also done some work on De Palma's script adaptation, but that has never been confirmed. In any case, Steindorff tells Vulture that De Palma's adaptation of Toyer "has all the elements of suspense that Brian does so well in films like Blow Out and Carrie. And by that I mean, it's really frickin' scary: I read the script on a plane, and I was still terrified." The Vulture post adds that "Steindorff has brought heavyweight literature like Philip Roth's The Human Stain and Gabriel García Márquez's Love in the Time of Cholera to the screen." (Steindorff also produced the suspenseful horror film Turistas.) Brodesser-Akner also notes that De Palma's film should be creepy, as it is set against the Carnival "for which elaborate masks disguising one's identity are traditionally worn on the street from St. Stephen's Day (the day after Christmas) until the start of the Venitian Carnival (two weeks before Ash Wednesday)."
Pino Donaggio had mentioned around 2004 that he had been asked by De Palma to write the score for Toyer, something he said he was looking forward to. In a 2008 interview with Joep de Bruijn at MainTitles, Donaggio said, "And of course I would have liked to do all other films by Brian De Palma. He keeps on changing composers, but there is still something out there. He came to Venice to talk to me about The Toyer. After that meeting The Black Dahlia followed and another one. I don't know, I'll wait for it."
Updated: Monday, August 16, 2010 1:47 AM CDT
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