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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« October 2011 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

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a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
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Sunday, October 9, 2011
TIFF 2011 WRAP-UP
BETTER LATE THAN NEVER
No, That's not Brian De Palma pictured at left, but Ralph Fiennes, who, as Malene Arpe notes, "kinda looks like Brian De Palma." Fiennes was at the Toronto International Film Festival with his directorial debut, Coriolanus, which sets the play by William Shakespeare in contemporary Europe.

We don't know whether or not De Palma had a chance to catch that film while he was at the festival, but, thanks to various tweets and other posts online, we're aware of about a handful of screenings the director was spotted at last month. According to indieWIRE's Meredith Brody, De Palma attended a screening of Bruno Dumont’s Outside Satan on the first day of the festival (September 8th). Brody writes that the film, which she likes, is classic Dumont: "simple rural people in pastoral landscapes, interesting compositions, brutal sex, brutal violence, brutal religion." At the screening, Brody met up with Atom Egoyan and his wife, Arsinée Khanjian, and they all ran into De Palma outside the theater. Brody told De Palma that she was looking forward to seeing A Separation, but De Palma had to be at the Talent Lab later that night at the time of that screening.

Later into the festival, De Palma was spotted with his friend, filmmaker Noah Baumbach (who interviewed De Palma for Criterion’s recent Blow Out package) at a screening of Whit Stillman’s Damsels In Distress. On another day, De Palma was spotted at a screening of ”an Egyptian doc” that was most likely Tahrir 2011: The Good, The Bad and the Politician, a three part documentary that looks at the recent uprising in Egypt from the points of view of three Cairo-based filmmakers.

In his entry on Fandor’s TIFF wrap-up, Slant’s Simon Abrams wrote about seeing De Palma twice:

Seeing Brian De Palma (twice!) at the festival was frankly more thrilling than several of the films I saw at the festival. Seeing him seated just across the aisle from me at Dark Horse, Todd Solondz’s newest and maybe best film, was a delight. Mostly because I identify with Solondz’s latest to a freakish degree and think its a potent and deeply unnerving film. But also because I could look straight ahead and freak out one way and then look to my right and freak out another. Diversity rules.

De Palma was later spotted at a screening of Terence DaviesThe Deep Blue Sea. John R. Kennedy noted that “Fans outside Intercontinental on Front don't recognize iconic director Brian De Palma as he strolls past them.” Jesse Hawkin said it made his day when he got to “directly assist Brian De Palma.” Hawkin added, “Resisted the urge to thank him for all his great films.” And finally, the win for best tweet from the festival goes to Erik Childress, who wrote, “Earlier today saw Brian DePalma enter men's washroom and then exit immediately. Assume he saw no lesbians making out & just left.”


Posted by Geoff at 10:05 PM CDT
Updated: Saturday, October 15, 2011 12:00 PM CDT
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