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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« May 2012 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

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Tuesday, May 29, 2012
ISHAM: SCORING DE PALMA FILM WAS A HIGH POINT
"I HAVE A LOT OF FOND MEMORIES OF THAT ONE"
Mark Isham, who scored Brian De Palma's The Black Dahlia in 2006, was interviewed for the recent book, Soundtrack Nation, by Tom Hoover. Hoover asked Isham if he could name a few personal favorites out of the "vast portfolio of scores" he has composed over the years. Here is Isham's reply, from pages 4-5 of the book:

Well, there are lots of reasons for having favorite moments in scores. Crash, I have to say, still has a fond spot in my heart, because I felt that it was the right choice of genre for that film, and I think it did everything and more that you could ask a score to do for a film, under "interesting" budgetary constraints, which seems to be more and more a part of the equation these days. Having said that, the opportunity to score a Brian De Palma film with a large symphony orchestra still remains one of my high points, simply because as a composer, that's a great opportunity-- the large orchestral scores are a hell of a lot of fun! That particular one, because it had the jazz influence and I played the solo trumpet parts myself-- I have a lot of fond memories of that one.

Posted by Geoff at 11:44 PM CDT
Updated: Tuesday, May 29, 2012 11:48 PM CDT
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