Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« October 2013 »
S M T W T F S
1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Congo
Conversation, The
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Edward R. Pressman
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
Genius of Love
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Icarus
Inspired by De Palma
Iraq, etc.
Jack Fisk
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Scorsese
Sean Penn
Sensuous Woman, The
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Stephen H Burum
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Thursday, October 10, 2013
WHATCULTURE ON 'SCARFACE'/'BREAKING BAD'
AND OLIVER STONE CALLS 'BREAKING BAD' FINALE "RIDICULOUS"
Breaking Bad creator Vince Gilligan has said that he envisioned his show as Mr. Chips becoming Scarface. Now that the AMC series has come to a close, WhatCulture's Joe Young has posted "8 Notable Comparisons Between Breaking Bad And Scarface." Moving from headings such as "Drugs" and "Family," to "Violence" and "Memorable Dialogue," the article is illustrated with images and video clips. The other headings are "Greek Tragedy," "Both Characters Are Eventually Honest With Who They Are," "Neither A Good Advert For Drug Use," and "Explosive Endings."

Meanwhile, during a press conference this week for the DVD release of his Showtime series The Untold History of the United States, Scarface screenwriter Oliver Stone called the Breaking Bad finale "ridiculous," according to Forbes' Todd Gilchrist. With SPOILERS from the season finale, here is an excerpt from Gilchrist's article:
---------------------------------

Speaking to press about the rejuvenating effects of working on documentaries in comparison to his feature work, he suggested that fiction filmmaking has lost respect for the kind of escapism it provides audiences, evidenced by the final episode of Breaking Bad. “There’s too much violence in our movies – and it’s all unreal to me,” he said. “I don’t know if you saw the denouement [of Breaking Bad], I happen to not watch the series very much, but I happened to tune in and I saw the most ridiculous 15 minutes of a movie – it would be laughed off the screen.”

Stone pointedly critiqued Walter White’s method of handling the gang that kidnapped Jesse. “Nobody could park his car right then and there and could have a machine gun that could go off perfectly and kill all of the bad guys! It would be a joke,” he insisted. “It’s only in the movies that you find this kind of fantasy violence. And that’s infected the American culture; you young people believe all of this shit! Batman and Superman, you’ve lost your minds, and you don ‘t even know it! At least respect violence. I’m not saying don’t show violence, but show it with authenticity.

The Untold History of the United States offers a fascinating look at American history, re-examining pivotal moments in the shaping of our culture and our democracy, by placing events like the development of the atomic bomb in a larger, more well-rounded context. When asked whether mainstream entertainment could provide similar sorts of lessons about American culture, Stone said that the infrastructure of studio blockbusters often obscures those potential insights.

“I wouldn’t criticize everything. I’m just saying it’s the level of violence,” Stone explained. “If people think that bringing a machine gun to your last meeting is a solution to a television series that’s very popular, I think they’re insane. Something’s wrong. It’s not the world we know. But I think there might be in Iron Man… there could be some good stories about war profiteering, some good moral tales. I agree. Comics were that for that reason, remember? But when you’ve reached this height of technology level of a Michael [Bay], of a Transformers, I don’t understand the meaning of it and the reason for it, except that it appeals to some visual sense, some kinetic sense of dynamism and a need for action. But action is not always a solution, character is.”

-------------------

Posted by Geoff at 7:48 PM CDT
Updated: Thursday, October 10, 2013 7:50 PM CDT
Post Comment | Permalink | Share This Post

View Latest Entries